CHAPTER III

The fact was that up to the last moment he had never expected such an ending; he had been overbearing to the last degree, never dreaming that two destitute and defenceless women could escape from his control. This conviction was strengthened by his vanity and conceit, a conceit to the point of fatuity. Pyotr Petrovitch, who had made his way up from insignificance, was morbidly given to self-admiration, had the highest opinion of his intelligence and capacities, and sometimes even gloated in solitude over his image in the glass. But what he loved and valued above all was the money he had amassed by his labour, and by all sorts of devices: that money made him the equal of all who had been his superiors.

When he had bitterly reminded Dounia that he had decided to take her in spite of evil report, Pyotr Petrovitch had spoken with perfect sincerity and had, indeed, felt genuinely indignant at such "black ingratitude." And yet, when he made Dounia his offer, he was fully aware of the groundlessness of all the gossip. The story had been everywhere contradicted by Marfa Petrovna, and was by then disbelieved by all the townspeople, who were warm in Dounia'a defence. And he would not have denied that he knew all that at the time. Yet he still thought highly of his own resolution in lifting Dounia to his level and regarded it as something heroic. In speaking of it to Dounia, he had let out the secret feeling he cherished and admired, and he could not understand that others should fail to admire it too. He had called on Raskolnikov with the feelings of a benefactor who is about to reap the fruits of his good deeds and to hear agreeable flattery. And as he went downstairs now, he considered himself most undeservedly injured and unrecognised.

Dounia was simply essential to him; to do without her was unthinkable. For many years he had had voluptuous dreams of marriage, but he had gone on waiting and amassing money. He brooded with relish, in profound secret, over the image of a girl—virtuous, poor (she must be poor), very young, very pretty, of good birth and education, very timid, one who had suffered much, and was completely humbled before him, one who would all her life look on him as her saviour, worship him, admire him and only him. How many scenes, how many amorous episodes he had imagined on this seductive and playful theme, when his work was over! And, behold, the dream of so many years was all but realised; the beauty and education of Avdotya Romanovna had impressed him; her helpless position had been a great allurement; in her he had found even more than he dreamed of. Here was a girl of pride, character, virtue, of education and breeding superior to his own (he felt that), and this creature would be slavishly grateful all her life for his heroic condescension, and would humble herself in the dust before him, and he would have absolute, unbounded power over her!... Not long before, he had, too, after long reflection and hesitation, made an important change in his career and was now entering on a wider circle of business. With this change his cherished dreams of rising into a higher class of society seemed likely to be realised.... He was, in fact, determined to try his fortune in Petersburg. He knew that women could do a very great deal. The fascination of a charming, virtuous, highly educated woman might make his way easier, might do wonders in attracting people to him, throwing an aureole round him, and now everything was in ruins! This sudden horrible rupture affected him like a clap of thunder; it was like a hideous joke, an absurdity. He had only been a tiny bit masterful, had not even time to speak out, had simply made a joke, been carried away—and it had ended so seriously. And, of course, too, he did love Dounia in his own way; he already possessed her in his dreams—and all at once! No! The next day, the very next day, it must all be set right, smoothed over, settled. Above all he must crush that conceited milksop who was the cause of it all. With a sick feeling he could not help recalling Razumihin too, but, he soon reassured himself on that score; as though a fellow like that could be put on a level with him! The man he really dreaded in earnest was Svidrigaïlov.... He had, in short, a great deal to attend to....

"No, I, I am more to blame than anyone!" said Dounia, kissing and embracing her mother. "I was tempted by his money, but on my honour, brother, I had no idea he was such a base man. If I had seen through him before, nothing would have tempted me! Don't blame me, brother!"

"God has delivered us! God has delivered us!" Pulcheria Alexandrovna muttered, but half consciously, as though scarcely able to realise what had happened.

They were all relieved, and in five minutes they were laughing. Only now and then Dounia turned white and frowned, remembering what had passed. Pulcheria Alexandrovna was surprised to find that she, too, was glad: she had only that morning thought rupture with Luzhin a terrible misfortune. Razumihin was delighted. He did not yet dare to express his joy fully, but he was in a fever of excitement as though a ton-weight had fallen off his heart. Now he had the right to devote his life to them, to serve them.... Anything might happen now! But he felt afraid to think of further possibilities and dared not let his imagination range. But Raskolnikov sat still in the same place, almost sullen and indifferent. Though he had been the most insistent on getting rid of Luzhin, he seemed now the least concerned at what had happened. Dounia could not help thinking that he was still angry with her, and Pulcheria Alexandrovna watched him timidly.

"What did Svidrigaïlov say to you?" said Dounia, approaching him.

"Yes, yes!" cried Pulcheria Alexandrovna.

Raskolnikov raised his head.

"He wants to make you a present of ten thousand roubles and he desires to see you once in my presence."

"See her! On no account!" cried Pulcheria Alexandrovna. "And how dare he offer her money!"

Then Raskolnikov repeated (rather dryly) his conversation with Svidrigaïlov, omitting his account of the ghostly visitations of Marfa Petrovna, wishing to avoid all unnecessary talk.

"What answer did you give him?" asked Dounia.

"At first I said I would not take any message to you. Then he said that he would do his utmost to obtain an interview with you without my help. He assured me that his passion for you was a passing infatuation, now he has no feeling for you. He doesn't want you to marry Luzhin.... His talk was altogether rather muddled."

"How do you explain him to yourself, Rodya? How did he strike you?"

"I must confess I don't quite understand him. He offers you ten thousand, and yet says he is not well off. He says he is going away, and in ten minutes he forgets he has said it. Then he says is he going to be married and has already fixed on the girl.... No doubt he has a motive, and probably a bad one. But it's odd that he should be so clumsy about it if he had any designs against you.... Of course, I refused this money on your account, once for all. Altogether, I thought him very strange.... One might almost think he was mad. But I may be mistaken; that may only be the part he assumes. The death of Marfa Petrovna seems to have made a great impression on him."

"God rest her soul," exclaimed Pulcheria Alexandrovna. "I shall always, always pray for her! Where should we be now, Dounia, without this three thousand! It's as though it had fallen from heaven! Why, Rodya, this morning we had only three roubles in our pocket and Dounia and I were just planning to pawn her watch, so as to avoid borrowing from that man until he offered help."

Dounia seemed strangely impressed by Svidrigaïlov's offer. She still stood meditating.

"He has got some terrible plan," she said in a half whisper to herself, almost shuddering.

Raskolnikov noticed this disproportionate terror.

"I fancy I shall have to see him more than once again," he said to Dounia.

"We will watch him! I will track him out!" cried Razumihin, vigorously. "I won't lose sight of him. Rodya has given me leave. He said to me himself just now. 'Take care of my sister.' Will you give me leave, too, Avdotya Romanovna?"

Dounia smiled and held out her hand, but the look of anxiety did not leave her face. Pulcheria Alexandrovna gazed at her timidly, but the three thousand roubles had obviously a soothing effect on her.

A quarter of an hour later, they were all engaged in a lively conversation. Even Raskolnikov listened attentively for some time, though he did not talk. Razumihin was the speaker.

"And why, why should you go away?" he flowed on ecstatically. "And what are you to do in a little town? The great thing is, you are all here together and you need one another—you do need one another, believe me. For a time, anyway.... Take me into partnership, and I assure you we'll plan a capital enterprise. Listen! I'll explain it all in detail to you, the whole project! It all flashed into my head this morning, before anything had happened... I tell you what; I have an uncle, I must introduce him to you (a most accommodating and respectable old man). This uncle has got a capital of a thousand roubles, and he lives on his pension and has no need of that money. For the last two years he has been bothering me to borrow it from him and pay him six per cent. interest. I know what that means; he simply wants to help me. Last year I had no need of it, but this year I resolved to borrow it as soon as he arrived. Then you lend me another thousand of your three and we have enough for a start, so we'll go into partnership, and what are we going to do?"

Then Razumihin began to unfold his project, and he explained at length that almost all our publishers and booksellers know nothing at all of what they are selling, and for that reason they are usually bad publishers, and that any decent publications pay as a rule and give a profit, sometimes a considerable one. Razumihin had, indeed, been dreaming of setting up as a publisher. For the last two years he had been working in publishers' offices, and knew three European languages well, though he had told Raskolnikov six days before that he was "schwach" in German with an object of persuading him to take half his translation and half the payment for it. He had told a lie then, and Raskolnikov knew he was lying.

"Why, why should we let our chance slip when we have one of the chief means of success—money of our own!" cried Razumihin warmly. "Of course there will be a lot of work, but we will work, you, Avdotya Romanovna, I, Rodion.... You get a splendid profit on some books nowadays! And the great point of the business is that we shall know just what wants translating, and we shall be translating, publishing, learning all at once. I can be of use because I have experience. For nearly two years I've been scuttling about among the publishers, and now I know every detail of their business. You need not be a saint to make pots, believe me! And why, why should we let our chance slip! Why, I know—and I kept the secret—two or three books which one might get a hundred roubles simply for thinking of translating and publishing. Indeed, and I would not take five hundred for the very idea of one of them. And what do you think? If I were to tell a publisher, I dare say he'd hesitate—they are such blockheads! And as for the business side, printing, paper, selling, you trust to me, I know my way about. We'll begin in a small way and go on to a large. In any case it will get us our living and we shall get back our capital."

Dounia's eyes shone.

"I like what you are saying, Dmitri Prokofitch!" she said.

"I know nothing about it, of course," put in Pulcheria Alexandrovna, "it may be a good idea, but again God knows. It's new and untried. Of course, we must remain here at least for a time." She looked at Rodya.

"What do you think, brother?" said Dounia.

"I think he's got a very good idea," he answered. "Of course, it's too soon to dream of a publishing firm, but we certainly might bring out five or six books and be sure of success. I know of one book myself which would be sure to go well. And as for his being able to manage it, there's no doubt about that either. He knows the business.... But we can talk it over later...."

"Hurrah!" cried Razumihin. "Now, stay, there's a flat here in this house, belonging to the same owner. It's a special flat apart, not communicating with these lodgings. It's furnished, rent moderate, three rooms. Suppose you take them to begin with. I'll pawn your watch to-morrow and bring you the money, and everything can be arranged then. You can all three live together, and Rodya will be with you. But where are you off to, Rodya?"

"What, Rodya, you are going already?" Pulcheria Alexandrovna asked in dismay.

"At such a minute?" cried Razumihin.

Dounia looked at her brother with incredulous wonder. He held his cap in his hand, he was preparing to leave them.

"One would think you were burying me or saying good-bye for ever," he said somewhat oddly. He attempted to smile, but it did not turn out a smile. "But who knows, perhaps it is the last time we shall see each other..." he let slip accidentally. It was what he was thinking, and it somehow was uttered aloud.

"What is the matter with you?" cried his mother.

"Where are you going, Rodya?" asked Dounia rather strangely.

"Oh, I'm quite obliged to..." he answered vaguely, as though hesitating what he would say. But there was a look of sharp determination in his white face.

"I meant to say... as I was coming here... I meant to tell you, mother, and you, Dounia, that it would be better for us to part for a time. I feel ill, I am not at peace.... I will come afterwards, I will come of myself... when it's possible. I remember you and love you.... Leave me, leave me alone. I decided this even before... I'm absolutely resolved on it. Whatever may come to me, whether I come to ruin or not, I want to be alone. Forget me altogether, it's better. Don't inquire about me. When I can, I'll come of myself or... I'll send for you. Perhaps it will all come back, but now if you love me, give me up... else I shall begin to hate you, I feel it.... Good-bye!"

"Good God!" cried Pulcheria Alexandrovna. Both his mother and his sister were terribly alarmed. Razumihin was also.

"Rodya, Rodya, be reconciled with us! Let us be as before!" cried his poor mother.

He turned slowly to the door and slowly went out of the room. Dounia overtook him.

"Brother, what are you doing to mother?" she whispered, her eyes flashing with indignation.

He looked dully at her.

"No matter, I shall come.... I'm coming," he muttered in an undertone, as though not fully conscious of what he was saying, and he went out of the room.

"Wicked, heartless egoist!" cried Dounia.

"He is insane, but not heartless. He is mad! Don't you see it? You're heartless after that!" Razumihin whispered in her ear, squeezing her hand tightly. "I shall be back directly," he shouted to the horror-stricken mother, and he ran out of the room.

Raskolnikov was waiting for him at the end of the passage.

"I knew you would run after me," he said. "Go back to them—be with them... be with them to-morrow and always.... I... perhaps I shall come... if I can. Good-bye."

And without holding out his hand he walked away.

"But where are you going? What are you doing? What's the matter with you? How can you go on like this?" Razumihin muttered, at his wits' end.

Raskolnikov stopped once more.

"Once for all, never ask me about anything. I have nothing to tell you. Don't come to see me. Maybe I'll come here.... Leave me, but don't leave them. Do you understand me?"

It was dark in the corridor, they were standing near the lamp. For a minute they were looking at one another in silence. Razumihin remembered that minute all his life. Raskolnikov's burning and intent eyes grew more penetrating every moment, piercing into his soul, into his consciousness. Suddenly Razumihin started. Something strange, as it were, passed between them.... Some idea, some hint, as it were, slipped, something awful, hideous, and suddenly understood on both sides.... Razumihin turned pale.

"Do you understand now?" said Raskolnikov, his face twitching nervously. "Go back, go to them," he said suddenly, and turning quickly, he went out of the house.

I will not attempt to describe how Razumihin went back to the ladies, how he soothed them, how he protested that Rodya needed rest in his illness, protested that Rodya was sure to come, that he would come every day, that he was very, very much upset, that he must not be irritated, that he, Razumihin, would watch over him, would get him a doctor, the best doctor, a consultation.... In fact from that evening Razumihin took his place with them as a son and a brother.

 CHAPTER IV

Raskolnikov went straight to the house on the canal bank where Sonia lived. It was an old green house of three storeys. He found the porter and obtained from him vague directions as to the whereabouts of Kapernaumov, the tailor. Having found in the corner of the courtyard the entrance to the dark and narrow staircase, he mounted to the second floor and came out into a gallery that ran round the whole second storey over the yard. While he was wandering in the darkness, uncertain where to turn for Kapernaumov's door, a door opened three paces from him; he mechanically took hold of it.

"Who is there?" a woman's voice asked uneasily.

"It's I... come to see you," answered Raskolnikov and he walked into the tiny entry.

On a broken chair stood a candle in a battered copper candlestick.

"It's you! Good heavens!" cried Sonia weakly, and she stood rooted to the spot.

"Which is your room? This way?" and Raskolnikov, trying not to look at her, hastened in.

A minute later Sonia, too, came in with the candle, set down the candlestick and, completely disconcerted, stood before him inexpressibly agitated and apparently frightened by his unexpected visit. The colour rushed suddenly to her pale face and tears came into her eyes... She felt sick and ashamed and happy, too.... Raskolnikov turned away quickly and sat on a chair by the table. He scanned the room in a rapid glance.

It was a large but exceedingly low-pitched room, the only one let by the Kapernaumovs, to whose rooms a closed door led in the wall on the left. In the opposite side on the right hand wall was another door, always kept locked. That led to the next flat, which formed a separate lodging. Sonia's room looked like a barn; it was a very irregular quadrangle and this gave it a grotesque appearance. A wall with three windows looking out on to the canal ran aslant so that one corner formed a very acute angle, and it was difficult to see in it without very strong light. The other corner was disproportionately obtuse. There was scarcely any furniture in the big room: in the corner on the right was a bedstead, beside it, nearest the door, a chair. A plain, deal table covered by a blue cloth stood against the same wall, close to the door into the other flat. Two rush-bottom chairs stood by the table. On the opposite wall near the acute angle stood a small plain wooden chest of drawers looking, as it were, lost in a desert. That was all there was in the room. The yellow, scratched and shabby wall-paper was black in the corners. It must have been damp and full of fumes in the winter. There was every sign of poverty; even the bedstead had no curtain.

Sonia looked in silence at her visitor, who was so attentively and unceremoniously scrutinising her room, and even began at last to tremble with terror, as though she was standing before her judge and the arbiter of her destinies.

"I am late.... It's eleven, isn't it?" he asked, still not lifting his eyes.

"Yes," muttered Sonia, "oh yes, it is," she added, hastily, as though in that lay her means of escape. "My landlady's clock has just struck... I heard it myself...."

"I've come to you for the last time," Raskolnikov went on gloomily, although this was the first time. "I may perhaps not see you again..."

"Are you... going away?"

"I don't know... to-morrow...."

"Then you are not coming to Katerina Ivanovna to-morrow?" Sonia's voice shook.

"I don't know. I shall know to-morrow morning.... Never mind that: I've come to say one word...."

He raised his brooding eyes to her and suddenly noticed that he was sitting down while she was all the while standing before him.

"Why are you standing? Sit down," he said in a changed voice, gentle and friendly.

She sat down. He looked kindly and almost compassionately at her.

"How thin you are! What a hand! Quite transparent, like a dead hand."

He took her hand. Sonia smiled faintly.

"I have always been like that," she said.

"Even when you lived at home?"

"Yes."

"Of course, you were," he added abruptly and the expression of his face and the sound of his voice changed again suddenly.

He looked round him once more.

"You rent this room from the Kapernaumovs?"

"Yes...."

"They live there, through that door?"

"Yes.... They have another room like this."

"All in one room?"

"Yes."

"I should be afraid in your room at night," he observed gloomily.

"They are very good people, very kind," answered Sonia, who still seemed bewildered, "and all the furniture, everything... everything is theirs. And they are very kind and the children, too, often come to see me."

"They all stammer, don't they?"

"Yes.... He stammers and he's lame. And his wife, too.... It's not exactly that she stammers, but she can't speak plainly. She is a very kind woman. And he used to be a house serf. And there are seven children... and it's only the eldest one that stammers and the others are simply ill... but they don't stammer.... But where did you hear about them?" she added with some surprise.

"Your father told me, then. He told me all about you.... And how you went out at six o'clock and came back at nine and how Katerina Ivanovna knelt down by your bed."

Sonia was confused.

"I fancied I saw him to-day," she whispered hesitatingly.

"Whom?"

"Father. I was walking in the street, out there at the corner, about ten o'clock and he seemed to be walking in front. It looked just like him. I wanted to go to Katerina Ivanovna...."

"You were walking in the streets?"

"Yes," Sonia whispered abruptly, again overcome with confusion and looking down.

"Katerina Ivanovna used to beat you, I dare say?"

"Oh no, what are you saying? No!" Sonia looked at him almost with dismay.

"You love her, then?"

"Love her? Of course!" said Sonia with plaintive emphasis, and she clasped her hands in distress. "Ah, you don't.... If you only knew! You see, she is quite like a child.... Her mind is quite unhinged, you see... from sorrow. And how clever she used to be... how generous... how kind! Ah, you don't understand, you don't understand!"

Sonia said this as though in despair, wringing her hands in excitement and distress. Her pale cheeks flushed, there was a look of anguish in her eyes. It was clear that she was stirred to the very depths, that she was longing to speak, to champion, to express something. A sort of insatiable compassion, if one may so express it, was reflected in every feature of her face.

"Beat me! how can you? Good heavens, beat me! And if she did beat me, what then? What of it? You know nothing, nothing about it.... She is so unhappy... ah, how unhappy! And ill.... She is seeking righteousness, she is pure. She has such faith that there must be righteousness everywhere and she expects it.... And if you were to torture her, she wouldn't do wrong. She doesn't see that it's impossible for people to be righteous and she is angry at it. Like a child, like a child. She is good!"

"And what will happen to you?"

Sonia looked at him inquiringly.

"They are left on your hands, you see. They were all on your hands before, though.... And your father came to you to beg for drink. Well, how will it be now?"

"I don't know," Sonia articulated mournfully.

"Will they stay there?"

"I don't know.... They are in debt for the lodging, but the landlady, I hear, said to-day that she wanted to get rid of them, and Katerina Ivanovna says that she won't stay another minute."

"How is it she is so bold? She relies upon you?"

"Oh, no, don't talk like that.... We are one, we live like one." Sonia was agitated again and even angry, as though a canary or some other little bird were to be angry. "And what could she do? What, what could she do?" she persisted, getting hot and excited. "And how she cried to-day! Her mind is unhinged, haven't you noticed it? At one minute she is worrying like a child that everything should be right to-morrow, the lunch and all that.... Then she is wringing her hands, spitting blood, weeping, and all at once she will begin knocking her head against the wall, in despair. Then she will be comforted again. She builds all her hopes on you; she says that you will help her now and that she will borrow a little money somewhere and go to her native town with me and set up a boarding school for the daughters of gentlemen and take me to superintend it, and we will begin a new splendid life. And she kisses and hugs me, comforts me, and you know she has such faith, such faith in her fancies! One can't contradict her. And all the day long she has been washing, cleaning, mending. She dragged the wash tub into the room with her feeble hands and sank on the bed, gasping for breath. We went this morning to the shops to buy shoes for Polenka and Lida for theirs are quite worn out. Only the money we'd reckoned wasn't enough, not nearly enough. And she picked out such dear little boots, for she has taste, you don't know. And there in the shop she burst out crying before the shopmen because she hadn't enough.... Ah, it was sad to see her...."

"Well, after that I can understand your living like this," Raskolnikov said with a bitter smile.

"And aren't you sorry for them? Aren't you sorry?" Sonia flew at him again. "Why, I know, you gave your last penny yourself, though you'd seen nothing of it, and if you'd seen everything, oh dear! And how often, how often I've brought her to tears! Only last week! Yes, I! Only a week before his death. I was cruel! And how often I've done it! Ah, I've been wretched at the thought of it all day!"

Sonia wrung her hands as she spoke at the pain of remembering it.

"You were cruel?"

"Yes, I—I. I went to see them," she went on, weeping, "and father said, 'read me something, Sonia, my head aches, read to me, here's a book.' He had a book he had got from Andrey Semyonovitch Lebeziatnikov, he lives there, he always used to get hold of such funny books. And I said, 'I can't stay,' as I didn't want to read, and I'd gone in chiefly to show Katerina Ivanovna some collars. Lizaveta, the pedlar, sold me some collars and cuffs cheap, pretty, new, embroidered ones. Katerina Ivanovna liked them very much; she put them on and looked at herself in the glass and was delighted with them. 'Make me a present of them, Sonia,' she said, 'please do.' 'Please do,' she said, she wanted them so much. And when could she wear them? They just reminded her of her old happy days. She looked at herself in the glass, admired herself, and she has no clothes at all, no things of her own, hasn't had all these years! And she never asks anyone for anything; she is proud, she'd sooner give away everything. And these she asked for, she liked them so much. And I was sorry to give them. 'What use are they to you, Katerina Ivanovna?' I said. I spoke like that to her, I ought not to have said that! She gave me such a look. And she was so grieved, so grieved at my refusing her. And it was so sad to see.... And she was not grieved for the collars, but for my refusing, I saw that. Ah, if only I could bring it all back, change it, take back those words! Ah, if I... but it's nothing to you!"

"Did you know Lizaveta, the pedlar?"

"Yes.... Did you know her?" Sonia asked with some surprise.

"Katerina Ivanovna is in consumption, rapid consumption; she will soon die," said Raskolnikov after a pause, without answering her question.

"Oh, no, no, no!"

And Sonia unconsciously clutched both his hands, as though imploring that she should not.

"But it will be better if she does die."

"No, not better, not at all better!" Sonia unconsciously repeated in dismay.

"And the children? What can you do except take them to live with you?"

"Oh, I don't know," cried Sonia, almost in despair, and she put her hands to her head.

It was evident that that idea had very often occurred to her before and he had only roused it again.

"And, what, if even now, while Katerina Ivanovna is alive, you get ill and are taken to the hospital, what will happen then?" he persisted pitilessly.

"How can you? That cannot be!"

And Sonia's face worked with awful terror.

"Cannot be?" Raskolnikov went on with a harsh smile. "You are not insured against it, are you? What will happen to them then? They will be in the street, all of them, she will cough and beg and knock her head against some wall, as she did to-day, and the children will cry.... Then she will fall down, be taken to the police station and to the hospital, she will die, and the children..."

"Oh, no.... God will not let it be!" broke at last from Sonia's overburdened bosom.

She listened, looking imploringly at him, clasping her hands in dumb entreaty, as though it all depended upon him.

Raskolnikov got up and began to walk about the room. A minute passed. Sonia was standing with her hands and her head hanging in terrible dejection.

"And can't you save? Put by for a rainy day?" he asked, stopping suddenly before her.

"No," whispered Sonia.

"Of course not. Have you tried?" he added almost ironically.

"Yes."

"And it didn't come off! Of course not! No need to ask."

And again he paced the room. Another minute passed.

"You don't get money every day?"

Sonia was more confused than ever and colour rushed into her face again.

"No," she whispered with a painful effort.

"It will be the same with Polenka, no doubt," he said suddenly.

"No, no! It can't be, no!" Sonia cried aloud in desperation, as though she had been stabbed. "God would not allow anything so awful!"

"He lets others come to it."

"No, no! God will protect her, God!" she repeated beside herself.

"But, perhaps, there is no God at all," Raskolnikov answered with a sort of malignance, laughed and looked at her.

Sonia's face suddenly changed; a tremor passed over it. She looked at him with unutterable reproach, tried to say something, but could not speak and broke into bitter, bitter sobs, hiding her face in her hands.

"You say Katerina Ivanovna's mind is unhinged; your own mind is unhinged," he said after a brief silence.

Five minutes passed. He still paced up and down the room in silence, not looking at her. At last he went up to her; his eyes glittered. He put his two hands on her shoulders and looked straight into her tearful face. His eyes were hard, feverish and piercing, his lips were twitching. All at once he bent down quickly and dropping to the ground, kissed her foot. Sonia drew back from him as from a madman. And certainly he looked like a madman.

"What are you doing to me?" she muttered, turning pale, and a sudden anguish clutched at her heart.

He stood up at once.

"I did not bow down to you, I bowed down to all the suffering of humanity," he said wildly and walked away to the window. "Listen," he added, turning to her a minute later. "I said just now to an insolent man that he was not worth your little finger... and that I did my sister honour making her sit beside you."

"Ach, you said that to them! And in her presence?" cried Sonia, frightened. "Sit down with me! An honour! Why, I'm... dishonourable.... Ah, why did you say that?"

"It was not because of your dishonour and your sin I said that of you, but because of your great suffering. But you are a great sinner, that's true," he added almost solemnly, "and your worst sin is that you have destroyed and betrayed yourself for nothing. Isn't that fearful? Isn't it fearful that you are living in this filth which you loathe so, and at the same time you know yourself (you've only to open your eyes) that you are not helping anyone by it, not saving anyone from anything? Tell me," he went on almost in a frenzy, "how this shame and degradation can exist in you side by side with other, opposite, holy feelings? It would be better, a thousand times better and wiser to leap into the water and end it all!"

"But what would become of them?" Sonia asked faintly, gazing at him with eyes of anguish, but not seeming surprised at his suggestion.

Raskolnikov looked strangely at her. He read it all in her face; so she must have had that thought already, perhaps many times, and earnestly she had thought out in her despair how to end it and so earnestly, that now she scarcely wondered at his suggestion. She had not even noticed the cruelty of his words. (The significance of his reproaches and his peculiar attitude to her shame she had, of course, not noticed either, and that, too, was clear to him.) But he saw how monstrously the thought of her disgraceful, shameful position was torturing her and had long tortured her. "What, what," he thought, "could hitherto have hindered her from putting an end to it?" Only then he realised what those poor little orphan children and that pitiful half-crazy Katerina Ivanovna, knocking her head against the wall in her consumption, meant for Sonia.

But, nevertheless, it was clear to him again that with her character and the amount of education she had after all received, she could not in any case remain so. He was still confronted by the question, how could she have remained so long in that position without going out of her mind, since she could not bring herself to jump into the water? Of course he knew that Sonia's position was an exceptional case, though unhappily not unique and not infrequent, indeed; but that very exceptionalness, her tinge of education, her previous life might, one would have thought, have killed her at the first step on that revolting path. What held her up—surely not depravity? All that infamy had obviously only touched her mechanically, not one drop of real depravity had penetrated to her heart; he saw that. He saw through her as she stood before him....

"There are three ways before her," he thought, "the canal, the madhouse, or... at last to sink into depravity which obscures the mind and turns the heart to stone."

The last idea was the most revolting, but he was a sceptic, he was young, abstract, and therefore cruel, and so he could not help believing that the last end was the most likely.

"But can that be true?" he cried to himself. "Can that creature who has still preserved the purity of her spirit be consciously drawn at last into that sink of filth and iniquity? Can the process already have begun? Can it be that she has only been able to bear it till now, because vice has begun to be less loathsome to her? No, no, that cannot be!" he cried, as Sonia had just before. "No, what has kept her from the canal till now is the idea of sin and they, the children.... And if she has not gone out of her mind... but who says she has not gone out of her mind? Is she in her senses? Can one talk, can one reason as she does? How can she sit on the edge of the abyss of loathsomeness into which she is slipping and refuse to listen when she is told of danger? Does she expect a miracle? No doubt she does. Doesn't that all mean madness?"

He stayed obstinately at that thought. He liked that explanation indeed better than any other. He began looking more intently at her.

"So you pray to God a great deal, Sonia?" he asked her.

Sonia did not speak; he stood beside her waiting for an answer.

"What should I be without God?" she whispered rapidly, forcibly, glancing at him with suddenly flashing eyes, and squeezing his hand.

"Ah, so that is it!" he thought.

"And what does God do for you?" he asked, probing her further.

Sonia was silent a long while, as though she could not answer. Her weak chest kept heaving with emotion.

"Be silent! Don't ask! You don't deserve!" she cried suddenly, looking sternly and wrathfully at him.

"That's it, that's it," he repeated to himself.

"He does everything," she whispered quickly, looking down again.

"That's the way out! That's the explanation," he decided, scrutinising her with eager curiosity, with a new, strange, almost morbid feeling. He gazed at that pale, thin, irregular, angular little face, those soft blue eyes, which could flash with such fire, such stern energy, that little body still shaking with indignation and anger—and it all seemed to him more and more strange, almost impossible. "She is a religious maniac!" he repeated to himself.

There was a book lying on the chest of drawers. He had noticed it every time he paced up and down the room. Now he took it up and looked at it. It was the New Testament in the Russian translation. It was bound in leather, old and worn.

"Where did you get that?" he called to her across the room.

She was still standing in the same place, three steps from the table.

"It was brought me," she answered, as it were unwillingly, not looking at him.

"Who brought it?"

"Lizaveta, I asked her for it."

"Lizaveta! strange!" he thought.

Everything about Sonia seemed to him stranger and more wonderful every moment. He carried the book to the candle and began to turn over the pages.

"Where is the story of Lazarus?" he asked suddenly.

Sonia looked obstinately at the ground and would not answer. She was standing sideways to the table.

"Where is the raising of Lazarus? Find it for me, Sonia."

She stole a glance at him.

"You are not looking in the right place.... It's in the fourth gospel," she whispered sternly, without looking at him.

"Find it and read it to me," he said. He sat down with his elbow on the table, leaned his head on his hand and looked away sullenly, prepared to listen.

"In three weeks' time they'll welcome me in the madhouse! I shall be there if I am not in a worse place," he muttered to himself.

Sonia heard Raskolnikov's request distrustfully and moved hesitatingly to the table. She took the book however.

"Haven't you read it?" she asked, looking up at him across the table.

Her voice became sterner and sterner.

"Long ago.... When I was at school. Read!"

"And haven't you heard it in church?"

"I... haven't been. Do you often go?"

"N-no," whispered Sonia.

Raskolnikov smiled.

"I understand.... And you won't go to your father's funeral to-morrow?"

"Yes, I shall. I was at church last week, too... I had a requiem service."

"For whom?"

"For Lizaveta. She was killed with an axe."

His nerves were more and more strained. His head began to go round.

"Were you friends with Lizaveta?"

"Yes.... She was good... she used to come... not often... she couldn't.... We used to read together and... talk. She will see God."

The last phrase sounded strange in his ears. And here was something new again: the mysterious meetings with Lizaveta and both of them—religious maniacs.

"I shall be a religious maniac myself soon! It's infectious!"

"Read!" he cried irritably and insistently.

Sonia still hesitated. Her heart was throbbing. She hardly dared to read to him. He looked almost with exasperation at the "unhappy lunatic."

"What for? You don't believe?..." she whispered softly and as it were breathlessly.

"Read! I want you to," he persisted. "You used to read to Lizaveta."

Sonia opened the book and found the place. Her hands were shaking, her voice failed her. Twice she tried to begin and could not bring out the first syllable.

"Now a certain man was sick named Lazarus of Bethany..." she forced herself at last to read, but at the third word her voice broke like an overstrained string. There was a catch in her breath.

Raskolnikov saw in part why Sonia could not bring herself to read to him and the more he saw this, the more roughly and irritably he insisted on her doing so. He understood only too well how painful it was for her to betray and unveil all that was her own. He understood that these feelings really were her secret treasure, which she had kept perhaps for years, perhaps from childhood, while she lived with an unhappy father and a distracted stepmother crazed by grief, in the midst of starving children and unseemly abuse and reproaches. But at the same time he knew now and knew for certain that, although it filled her with dread and suffering, yet she had a tormenting desire to read and to read to him that he might hear it, and to read now whatever might come of it!... He read this in her eyes, he could see it in her intense emotion. She mastered herself, controlled the spasm in her throat and went on reading the eleventh chapter of St. John. She went on to the nineteenth verse:

"And many of the Jews came to Martha and Mary to comfort them concerning their brother.

"Then Martha as soon as she heard that Jesus was coming went and met Him: but Mary sat still in the house.

"Then said Martha unto Jesus, Lord, if Thou hadst been here, my brother had not died.

"But I know that even now whatsoever Thou wilt ask of God, God will give it Thee...."

Then she stopped again with a shamefaced feeling that her voice would quiver and break again.

"Jesus said unto her, thy brother shall rise again.

"Martha saith unto Him, I know that he shall rise again in the resurrection, at the last day.

"Jesus said unto her, I am the resurrection and the life: he that believeth in Me though he were dead, yet shall he live.

"And whosoever liveth and believeth in Me shall never die. Believest thou this?

"She saith unto Him,"

(And drawing a painful breath, Sonia read distinctly and forcibly as though she were making a public confession of faith.)

"Yea, Lord: I believe that Thou art the Christ, the Son of God Which should come into the world."

She stopped and looked up quickly at him, but controlling herself went on reading. Raskolnikov sat without moving, his elbows on the table and his eyes turned away. She read to the thirty-second verse.

"Then when Mary was come where Jesus was and saw Him, she fell down at His feet, saying unto Him, Lord if Thou hadst been here, my brother had not died.

"When Jesus therefore saw her weeping, and the Jews also weeping which came with her, He groaned in the spirit and was troubled,

"And said, Where have ye laid him? They said unto Him, Lord, come and see.

"Jesus wept.

"Then said the Jews, behold how He loved him!

"And some of them said, could not this Man which opened the eyes of the blind, have caused that even this man should not have died?"

Raskolnikov turned and looked at her with emotion. Yes, he had known it! She was trembling in a real physical fever. He had expected it. She was getting near the story of the greatest miracle and a feeling of immense triumph came over her. Her voice rang out like a bell; triumph and joy gave it power. The lines danced before her eyes, but she knew what she was reading by heart. At the last verse "Could not this Man which opened the eyes of the blind..." dropping her voice she passionately reproduced the doubt, the reproach and censure of the blind disbelieving Jews, who in another moment would fall at His feet as though struck by thunder, sobbing and believing.... "And he, he—too, is blinded and unbelieving, he, too, will hear, he, too, will believe, yes, yes! At once, now," was what she was dreaming, and she was quivering with happy anticipation.

"Jesus therefore again groaning in Himself cometh to the grave. It was a cave, and a stone lay upon it.

"Jesus said, Take ye away the stone. Martha, the sister of him that was dead, saith unto Him, Lord by this time he stinketh: for he hath been dead four days."

She laid emphasis on the word four.

"Jesus saith unto her, Said I not unto thee that if thou wouldest believe, thou shouldest see the glory of God?

"Then they took away the stone from the place where the dead was laid. And Jesus lifted up His eyes and said, Father, I thank Thee that Thou hast heard Me.

"And I knew that Thou hearest Me always; but because of the people which stand by I said it, that they may believe that Thou hast sent Me.

"And when He thus had spoken, He cried with a loud voice, Lazarus, come forth.

"And he that was dead came forth."

(She read loudly, cold and trembling with ecstasy, as though she were seeing it before her eyes.)

"Bound hand and foot with graveclothes; and his face was bound about with a napkin. Jesus saith unto them, Loose him and let him go.

"Then many of the Jews which came to Mary and had seen the things which Jesus did believed on Him."

She could read no more, closed the book and got up from her chair quickly.

"That is all about the raising of Lazarus," she whispered severely and abruptly, and turning away she stood motionless, not daring to raise her eyes to him. She still trembled feverishly. The candle-end was flickering out in the battered candlestick, dimly lighting up in the poverty-stricken room the murderer and the harlot who had so strangely been reading together the eternal book. Five minutes or more passed.

"I came to speak of something," Raskolnikov said aloud, frowning. He got up and went to Sonia. She lifted her eyes to him in silence. His face was particularly stern and there was a sort of savage determination in it.

"I have abandoned my family to-day," he said, "my mother and sister. I am not going to see them. I've broken with them completely."

"What for?" asked Sonia amazed. Her recent meeting with his mother and sister had left a great impression which she could not analyse. She heard his news almost with horror.

"I have only you now," he added. "Let us go together.... I've come to you, we are both accursed, let us go our way together!"

His eyes glittered "as though he were mad," Sonia thought, in her turn.

"Go where?" she asked in alarm and she involuntarily stepped back.

"How do I know? I only know it's the same road, I know that and nothing more. It's the same goal!"

She looked at him and understood nothing. She knew only that he was terribly, infinitely unhappy.

"No one of them will understand, if you tell them, but I have understood. I need you, that is why I have come to you."

"I don't understand," whispered Sonia.

"You'll understand later. Haven't you done the same? You, too, have transgressed... have had the strength to transgress. You have laid hands on yourself, you have destroyed a life... your own (it's all the same!). You might have lived in spirit and understanding, but you'll end in the Hay Market.... But you won't be able to stand it, and if you remain alone you'll go out of your mind like me. You are like a mad creature already. So we must go together on the same road! Let us go!"

"What for? What's all this for?" said Sonia, strangely and violently agitated by his words.

"What for? Because you can't remain like this, that's why! You must look things straight in the face at last, and not weep like a child and cry that God won't allow it. What will happen, if you should really be taken to the hospital to-morrow? She is mad and in consumption, she'll soon die and the children? Do you mean to tell me Polenka won't come to grief? Haven't you seen children here at the street corners sent out by their mothers to beg? I've found out where those mothers live and in what surroundings. Children can't remain children there! At seven the child is vicious and a thief. Yet children, you know, are the image of Christ: 'theirs is the kingdom of Heaven.' He bade us honour and love them, they are the humanity of the future...."

"What's to be done, what's to be done?" repeated Sonia, weeping hysterically and wringing her hands.

"What's to be done? Break what must be broken, once for all, that's all, and take the suffering on oneself. What, you don't understand? You'll understand later.... Freedom and power, and above all, power! Over all trembling creation and all the ant-heap!... That's the goal, remember that! That's my farewell message. Perhaps it's the last time I shall speak to you. If I don't come to-morrow, you'll hear of it all, and then remember these words. And some day later on, in years to come, you'll understand perhaps what they meant. If I come to-morrow, I'll tell you who killed Lizaveta.... Good-bye."

Sonia started with terror.

"Why, do you know who killed her?" she asked, chilled with horror, looking wildly at him.

"I know and will tell... you, only you. I have chosen you out. I'm not coming to you to ask forgiveness, but simply to tell you. I chose you out long ago to hear this, when your father talked of you and when Lizaveta was alive, I thought of it. Good-bye, don't shake hands. To-morrow!"

He went out. Sonia gazed at him as at a madman. But she herself was like one insane and felt it. Her head was going round.

"Good heavens, how does he know who killed Lizaveta? What did those words mean? It's awful!" But at the same time the idea did not enter her head, not for a moment! "Oh, he must be terribly unhappy!... He has abandoned his mother and sister.... What for? What has happened? And what had he in his mind? What did he say to her? He had kissed her foot and said... said (yes, he had said it clearly) that he could not live without her.... Oh, merciful heavens!"

Sonia spent the whole night feverish and delirious. She jumped up from time to time, wept and wrung her hands, then sank again into feverish sleep and dreamt of Polenka, Katerina Ivanovna and Lizaveta, of reading the gospel and him... him with pale face, with burning eyes... kissing her feet, weeping.

On the other side of the door on the right, which divided Sonia's room from Madame Resslich's flat, was a room which had long stood empty. A card was fixed on the gate and a notice stuck in the windows over the canal advertising it to let. Sonia had long been accustomed to the room's being uninhabited. But all that time Mr. Svidrigaïlov had been standing, listening at the door of the empty room. When Raskolnikov went out he stood still, thought a moment, went on tiptoe to his own room which adjoined the empty one, brought a chair and noiselessly carried it to the door that led to Sonia's room. The conversation had struck him as interesting and remarkable, and he had greatly enjoyed it—so much so that he brought a chair that he might not in the future, to-morrow, for instance, have to endure the inconvenience of standing a whole hour, but might listen in comfort.

 CHAPTER V

When next morning at eleven o'clock punctually Raskolnikov went into the department of the investigation of criminal causes and sent his name in to Porfiry Petrovitch, he was surprised at being kept waiting so long: it was at least ten minutes before he was summoned. He had expected that they would pounce upon him. But he stood in the waiting-room, and people, who apparently had nothing to do with him, were continually passing to and fro before him. In the next room which looked like an office, several clerks were sitting writing and obviously they had no notion who or what Raskolnikov might be. He looked uneasily and suspiciously about him to see whether there was not some guard, some mysterious watch being kept on him to prevent his escape. But there was nothing of the sort: he saw only the faces of clerks absorbed in petty details, then other people, no one seemed to have any concern with him. He might go where he liked for them. The conviction grew stronger in him that if that enigmatic man of yesterday, that phantom sprung out of the earth, had seen everything, they would not have let him stand and wait like that. And would they have waited till he elected to appear at eleven? Either the man had not yet given information, or... or simply he knew nothing, had seen nothing (and how could he have seen anything?) and so all that had happened to him the day before was again a phantom exaggerated by his sick and overstrained imagination. This conjecture had begun to grow strong the day before, in the midst of all his alarm and despair. Thinking it all over now and preparing for a fresh conflict, he was suddenly aware that he was trembling—and he felt a rush of indignation at the thought that he was trembling with fear at facing that hateful Porfiry Petrovitch. What he dreaded above all was meeting that man again; he hated him with an intense, unmitigated hatred and was afraid his hatred might betray him. His indignation was such that he ceased trembling at once; he made ready to go in with a cold and arrogant bearing and vowed to himself to keep as silent as possible, to watch and listen and for once at least to control his overstrained nerves. At that moment he was summoned to Porfiry Petrovitch.

He found Porfiry Petrovitch alone in his study. His study was a room neither large nor small, furnished with a large writing-table, that stood before a sofa, upholstered in checked material, a bureau, a bookcase in the corner and several chairs—all government furniture, of polished yellow wood. In the further wall there was a closed door, beyond it there were no doubt other rooms. On Raskolnikov's entrance Porfiry Petrovitch had at once closed the door by which he had come in and they remained alone. He met his visitor with an apparently genial and good-tempered air, and it was only after a few minutes that Raskolnikov saw signs of a certain awkwardness in him, as though he had been thrown out of his reckoning or caught in something very secret.

"Ah, my dear fellow! Here you are... in our domain"... began Porfiry, holding out both hands to him. "Come, sit down, old man... or perhaps you don't like to be called 'my dear fellow' and 'old man!'—tout court? Please don't think it too familiar.... Here, on the sofa."

Raskolnikov sat down, keeping his eyes fixed on him. "In our domain," the apologies for familiarity, the French phrase tout court, were all characteristic signs.

"He held out both hands to me, but he did not give me one—he drew it back in time," struck him suspiciously. Both were watching each other, but when their eyes met, quick as lightning they looked away.

"I brought you this paper... about the watch. Here it is. Is it all right or shall I copy it again?"

"What? A paper? Yes, yes, don't be uneasy, it's all right," Porfiry Petrovitch said as though in haste, and after he had said it he took the paper and looked at it. "Yes, it's all right. Nothing more is needed," he declared with the same rapidity and he laid the paper on the table.

A minute later when he was talking of something else he took it from the table and put it on his bureau.

"I believe you said yesterday you would like to question me... formally... about my acquaintance with the murdered woman?" Raskolnikov was beginning again. "Why did I put in 'I believe'" passed through his mind in a flash. "Why am I so uneasy at having put in that 'I believe'?" came in a second flash. And he suddenly felt that his uneasiness at the mere contact with Porfiry, at the first words, at the first looks, had grown in an instant to monstrous proportions, and that this was fearfully dangerous. His nerves were quivering, his emotion was increasing. "It's bad, it's bad! I shall say too much again."

"Yes, yes, yes! There's no hurry, there's no hurry," muttered Porfiry Petrovitch, moving to and fro about the table without any apparent aim, as it were making dashes towards the window, the bureau and the table, at one moment avoiding Raskolnikov's suspicious glance, then again standing still and looking him straight in the face.

His fat round little figure looked very strange, like a ball rolling from one side to the other and rebounding back.

"We've plenty of time. Do you smoke? have you your own? Here, a cigarette!" he went on, offering his visitor a cigarette. "You know I am receiving you here, but my own quarters are through there, you know, my government quarters. But I am living outside for the time, I had to have some repairs done here. It's almost finished now.... Government quarters, you know, are a capital thing. Eh, what do you think?"

"Yes, a capital thing," answered Raskolnikov, looking at him almost ironically.

"A capital thing, a capital thing," repeated Porfiry Petrovitch, as though he had just thought of something quite different. "Yes, a capital thing," he almost shouted at last, suddenly staring at Raskolnikov and stopping short two steps from him.

This stupid repetition was too incongruous in its ineptitude with the serious, brooding and enigmatic glance he turned upon his visitor.

But this stirred Raskolnikov's spleen more than ever and he could not resist an ironical and rather incautious challenge.

"Tell me, please," he asked suddenly, looking almost insolently at him and taking a kind of pleasure in his own insolence. "I believe it's a sort of legal rule, a sort of legal tradition—for all investigating lawyers—to begin their attack from afar, with a trivial, or at least an irrelevant subject, so as to encourage, or rather, to divert the man they are cross-examining, to disarm his caution and then all at once to give him an unexpected knock-down blow with some fatal question. Isn't that so? It's a sacred tradition, mentioned, I fancy, in all the manuals of the art?"

"Yes, yes.... Why, do you imagine that was why I spoke about government quarters... eh?"

And as he said this Porfiry Petrovitch screwed up his eyes and winked; a good-humoured, crafty look passed over his face. The wrinkles on his forehead were smoothed out, his eyes contracted, his features broadened and he suddenly went off into a nervous prolonged laugh, shaking all over and looking Raskolnikov straight in the face. The latter forced himself to laugh, too, but when Porfiry, seeing that he was laughing, broke into such a guffaw that he turned almost crimson, Raskolnikov's repulsion overcame all precaution; he left off laughing, scowled and stared with hatred at Porfiry, keeping his eyes fixed on him while his intentionally prolonged laughter lasted. There was lack of precaution on both sides, however, for Porfiry Petrovitch seemed to be laughing in his visitor's face and to be very little disturbed at the annoyance with which the visitor received it. The latter fact was very significant in Raskolnikov's eyes: he saw that Porfiry Petrovitch had not been embarrassed just before either, but that he, Raskolnikov, had perhaps fallen into a trap; that there must be something, some motive here unknown to him; that, perhaps, everything was in readiness and in another moment would break upon him...

He went straight to the point at once, rose from his seat and took his cap.

"Porfiry Petrovitch," he began resolutely, though with considerable irritation, "yesterday you expressed a desire that I should come to you for some inquiries" (he laid special stress on the word "inquiries"). "I have come and if you have anything to ask me, ask it, and if not, allow me to withdraw. I have no time to spare.... I have to be at the funeral of that man who was run over, of whom you... know also," he added, feeling angry at once at having made this addition and more irritated at his anger. "I am sick of it all, do you hear? and have long been. It's partly what made me ill. In short," he shouted, feeling that the phrase about his illness was still more out of place, "in short, kindly examine me or let me go, at once. And if you must examine me, do so in the proper form! I will not allow you to do so otherwise, and so meanwhile, good-bye, as we have evidently nothing to keep us now."

"Good heavens! What do you mean? What shall I question you about?" cackled Porfiry Petrovitch with a change of tone, instantly leaving off laughing. "Please don't disturb yourself," he began fidgeting from place to place and fussily making Raskolnikov sit down. "There's no hurry, there's no hurry, it's all nonsense. Oh, no, I'm very glad you've come to see me at last... I look upon you simply as a visitor. And as for my confounded laughter, please excuse it, Rodion Romanovitch. Rodion Romanovitch? That is your name?... It's my nerves, you tickled me so with your witty observation; I assure you, sometimes I shake with laughter like an india-rubber ball for half an hour at a time.... I'm often afraid of an attack of paralysis. Do sit down. Please do, or I shall think you are angry..."

Raskolnikov did not speak; he listened, watching him, still frowning angrily. He did sit down, but still held his cap.

"I must tell you one thing about myself, my dear Rodion Romanovitch," Porfiry Petrovitch continued, moving about the room and again avoiding his visitor's eyes. "You see, I'm a bachelor, a man of no consequence and not used to society; besides, I have nothing before me, I'm set, I'm running to seed and... and have you noticed, Rodion Romanovitch, that in our Petersburg circles, if two clever men meet who are not intimate, but respect each other, like you and me, it takes them half an hour before they can find a subject for conversation—they are dumb, they sit opposite each other and feel awkward. Everyone has subjects of conversation, ladies for instance... people in high society always have their subjects of conversation, c'est de rigueur, but people of the middle sort like us, thinking people that is, are always tongue-tied and awkward. What is the reason of it? Whether it is the lack of public interest, or whether it is we are so honest we don't want to deceive one another, I don't know. What do you think? Do put down your cap, it looks as if you were just going, it makes me uncomfortable... I am so delighted..."

Raskolnikov put down his cap and continued listening in silence with a serious frowning face to the vague and empty chatter of Porfiry Petrovitch. "Does he really want to distract my attention with his silly babble?"

"I can't offer you coffee here; but why not spend five minutes with a friend?" Porfiry pattered on, "and you know all these official duties... please don't mind my running up and down, excuse it, my dear fellow, I am very much afraid of offending you, but exercise is absolutely indispensable for me. I'm always sitting and so glad to be moving about for five minutes... I suffer from my sedentary life... I always intend to join a gymnasium; they say that officials of all ranks, even Privy Councillors, may be seen skipping gaily there; there you have it, modern science... yes, yes.... But as for my duties here, inquiries and all such formalities... you mentioned inquiries yourself just now... I assure you these interrogations are sometimes more embarrassing for the interrogator than for the interrogated.... You made the observation yourself just now very aptly and wittily." (Raskolnikov had made no observation of the kind.) "One gets into a muddle! A regular muddle! One keeps harping on the same note, like a drum! There is to be a reform and we shall be called by a different name, at least, he-he-he! And as for our legal tradition, as you so wittily called it, I thoroughly agree with you. Every prisoner on trial, even the rudest peasant, knows that they begin by disarming him with irrelevant questions (as you so happily put it) and then deal him a knock-down blow, he-he-he!—your felicitous comparison, he-he! So you really imagined that I meant by 'government quarters'... he-he! You are an ironical person. Come. I won't go on! Ah, by the way, yes! One word leads to another. You spoke of formality just now, apropos of the inquiry, you know. But what's the use of formality? In many cases it's nonsense. Sometimes one has a friendly chat and gets a good deal more out of it. One can always fall back on formality, allow me to assure you. And after all, what does it amount to? An examining lawyer cannot be bounded by formality at every step. The work of investigation is, so to speak, a free art in its own way, he-he-he!"

Porfiry Petrovitch took breath a moment. He had simply babbled on uttering empty phrases, letting slip a few enigmatic words and again reverting to incoherence. He was almost running about the room, moving his fat little legs quicker and quicker, looking at the ground, with his right hand behind his back, while with his left making gesticulations that were extraordinarily incongruous with his words. Raskolnikov suddenly noticed that as he ran about the room he seemed twice to stop for a moment near the door, as though he were listening.

"Is he expecting anything?"

"You are certainly quite right about it," Porfiry began gaily, looking with extraordinary simplicity at Raskolnikov (which startled him and instantly put him on his guard); "certainly quite right in laughing so wittily at our legal forms, he-he! Some of these elaborate psychological methods are exceedingly ridiculous and perhaps useless, if one adheres too closely to the forms. Yes... I am talking of forms again. Well, if I recognise, or more strictly speaking, if I suspect someone or other to be a criminal in any case entrusted to me... you're reading for the law, of course, Rodion Romanovitch?"

"Yes, I was..."

"Well, then it is a precedent for you for the future—though don't suppose I should venture to instruct you after the articles you publish about crime! No, I simply make bold to state it by way of fact, if I took this man or that for a criminal, why, I ask, should I worry him prematurely, even though I had evidence against him? In one case I may be bound, for instance, to arrest a man at once, but another may be in quite a different position, you know, so why shouldn't I let him walk about the town a bit? he-he-he! But I see you don't quite understand, so I'll give you a clearer example. If I put him in prison too soon, I may very likely give him, so to speak, moral support, he-he! You're laughing?"

Raskolnikov had no idea of laughing. He was sitting with compressed lips, his feverish eyes fixed on Porfiry Petrovitch's.

"Yet that is the case, with some types especially, for men are so different. You say 'evidence'. Well, there may be evidence. But evidence, you know, can generally be taken two ways. I am an examining lawyer and a weak man, I confess it. I should like to make a proof, so to say, mathematically clear. I should like to make a chain of evidence such as twice two are four, it ought to be a direct, irrefutable proof! And if I shut him up too soon—even though I might be convinced he was the man, I should very likely be depriving myself of the means of getting further evidence against him. And how? By giving him, so to speak, a definite position, I shall put him out of suspense and set his mind at rest, so that he will retreat into his shell. They say that at Sevastopol, soon after Alma, the clever people were in a terrible fright that the enemy would attack openly and take Sevastopol at once. But when they saw that the enemy preferred a regular siege, they were delighted, I am told and reassured, for the thing would drag on for two months at least. You're laughing, you don't believe me again? Of course, you're right, too. You're right, you're right. These are special cases, I admit. But you must observe this, my dear Rodion Romanovitch, the general case, the case for which all legal forms and rules are intended, for which they are calculated and laid down in books, does not exist at all, for the reason that every case, every crime, for instance, so soon as it actually occurs, at once becomes a thoroughly special case and sometimes a case unlike any that's gone before. Very comic cases of that sort sometimes occur. If I leave one man quite alone, if I don't touch him and don't worry him, but let him know or at least suspect every moment that I know all about it and am watching him day and night, and if he is in continual suspicion and terror, he'll be bound to lose his head. He'll come of himself, or maybe do something which will make it as plain as twice two are four—it's delightful. It may be so with a simple peasant, but with one of our sort, an intelligent man cultivated on a certain side, it's a dead certainty. For, my dear fellow, it's a very important matter to know on what side a man is cultivated. And then there are nerves, there are nerves, you have overlooked them! Why, they are all sick, nervous and irritable!... And then how they all suffer from spleen! That I assure you is a regular gold-mine for us. And it's no anxiety to me, his running about the town free! Let him, let him walk about for a bit! I know well enough that I've caught him and that he won't escape me. Where could he escape to, he-he? Abroad, perhaps? A Pole will escape abroad, but not here, especially as I am watching and have taken measures. Will he escape into the depths of the country perhaps? But you know, peasants live there, real rude Russian peasants. A modern cultivated man would prefer prison to living with such strangers as our peasants. He-he! But that's all nonsense, and on the surface. It's not merely that he has nowhere to run to, he is psychologically unable to escape me, he-he! What an expression! Through a law of nature he can't escape me if he had anywhere to go. Have you seen a butterfly round a candle? That's how he will keep circling and circling round me. Freedom will lose its attractions. He'll begin to brood, he'll weave a tangle round himself, he'll worry himself to death! What's more he will provide me with a mathematical proof—if I only give him long enough interval.... And he'll keep circling round me, getting nearer and nearer and then—flop! He'll fly straight into my mouth and I'll swallow him, and that will be very amusing, he-he-he! You don't believe me?"

Raskolnikov made no reply; he sat pale and motionless, still gazing with the same intensity into Porfiry's face.

"It's a lesson," he thought, turning cold. "This is beyond the cat playing with a mouse, like yesterday. He can't be showing off his power with no motive... prompting me; he is far too clever for that... he must have another object. What is it? It's all nonsense, my friend, you are pretending, to scare me! You've no proofs and the man I saw had no real existence. You simply want to make me lose my head, to work me up beforehand and so to crush me. But you are wrong, you won't do it! But why give me such a hint? Is he reckoning on my shattered nerves? No, my friend, you are wrong, you won't do it even though you have some trap for me... let us see what you have in store for me."

And he braced himself to face a terrible and unknown ordeal. At times he longed to fall on Porfiry and strangle him. This anger was what he dreaded from the beginning. He felt that his parched lips were flecked with foam, his heart was throbbing. But he was still determined not to speak till the right moment. He realised that this was the best policy in his position, because instead of saying too much he would be irritating his enemy by his silence and provoking him into speaking too freely. Anyhow, this was what he hoped for.

"No, I see you don't believe me, you think I am playing a harmless joke on you," Porfiry began again, getting more and more lively, chuckling at every instant and again pacing round the room. "And to be sure you're right: God has given me a figure that can awaken none but comic ideas in other people; a buffoon; but let me tell you, and I repeat it, excuse an old man, my dear Rodion Romanovitch, you are a man still young, so to say, in your first youth and so you put intellect above everything, like all young people. Playful wit and abstract arguments fascinate you and that's for all the world like the old Austrian Hof-kriegsrath, as far as I can judge of military matters, that is: on paper they'd beaten Napoleon and taken him prisoner, and there in their study they worked it all out in the cleverest fashion, but look you, General Mack surrendered with all his army, he-he-he! I see, I see, Rodion Romanovitch, you are laughing at a civilian like me, taking examples out of military history! But I can't help it, it's my weakness. I am fond of military science. And I'm ever so fond of reading all military histories. I've certainly missed my proper career. I ought to have been in the army, upon my word I ought. I shouldn't have been a Napoleon, but I might have been a major, he-he! Well, I'll tell you the whole truth, my dear fellow, about this special case, I mean: actual fact and a man's temperament, my dear sir, are weighty matters and it's astonishing how they sometimes deceive the sharpest calculation! I—listen to an old man—am speaking seriously, Rodion Romanovitch" (as he said this Porfiry Petrovitch, who was scarcely five-and-thirty, actually seemed to have grown old; even his voice changed and he seemed to shrink together) "Moreover, I'm a candid man... am I a candid man or not? What do you say? I fancy I really am: I tell you these things for nothing and don't even expect a reward for it, he-he! Well, to proceed, wit in my opinion is a splendid thing, it is, so to say, an adornment of nature and a consolation of life, and what tricks it can play! So that it sometimes is hard for a poor examining lawyer to know where he is, especially when he's liable to be carried away by his own fancy, too, for you know he is a man after all! But the poor fellow is saved by the criminal's temperament, worse luck for him! But young people carried away by their own wit don't think of that 'when they overstep all obstacles,' as you wittily and cleverly expressed it yesterday. He will lie—that is, the man who is a special case, the incognito, and he will lie well, in the cleverest fashion; you might think he would triumph and enjoy the fruits of his wit, but at the most interesting, the most flagrant moment he will faint. Of course there may be illness and a stuffy room as well, but anyway! Anyway he's given us the idea! He lied incomparably, but he didn't reckon on his temperament. That's what betrays him! Another time he will be carried away by his playful wit into making fun of the man who suspects him, he will turn pale as it were on purpose to mislead, but his paleness will be too natural, too much like the real thing, again he has given us an idea! Though his questioner may be deceived at first, he will think differently next day if he is not a fool, and, of course, it is like that at every step! He puts himself forward where he is not wanted, speaks continually when he ought to keep silent, brings in all sorts of allegorical allusions, he-he! Comes and asks why didn't you take me long ago? he-he-he! And that can happen, you know, with the cleverest man, the psychologist, the literary man. The temperament reflects everything like a mirror! Gaze into it and admire what you see! But why are you so pale, Rodion Romanovitch? Is the room stuffy? Shall I open the window?"

"Oh, don't trouble, please," cried Raskolnikov and he suddenly broke into a laugh. "Please don't trouble."

Porfiry stood facing him, paused a moment and suddenly he too laughed. Raskolnikov got up from the sofa, abruptly checking his hysterical laughter.

"Porfiry Petrovitch," he began, speaking loudly and distinctly, though his legs trembled and he could scarcely stand. "I see clearly at last that you actually suspect me of murdering that old woman and her sister Lizaveta. Let me tell you for my part that I am sick of this. If you find that you have a right to prosecute me legally, to arrest me, then prosecute me, arrest me. But I will not let myself be jeered at to my face and worried..."

His lips trembled, his eyes glowed with fury and he could not restrain his voice.

"I won't allow it!" he shouted, bringing his fist down on the table. "Do you hear that, Porfiry Petrovitch? I won't allow it."

"Good heavens! What does it mean?" cried Porfiry Petrovitch, apparently quite frightened. "Rodion Romanovitch, my dear fellow, what is the matter with you?"

"I won't allow it," Raskolnikov shouted again.

"Hush, my dear man! They'll hear and come in. Just think, what could we say to them?" Porfiry Petrovitch whispered in horror, bringing his face close to Raskolnikov's.

"I won't allow it, I won't allow it," Raskolnikov repeated mechanically, but he too spoke in a sudden whisper.

Porfiry turned quickly and ran to open the window.

"Some fresh air! And you must have some water, my dear fellow. You're ill!" and he was running to the door to call for some when he found a decanter of water in the corner. "Come, drink a little," he whispered, rushing up to him with the decanter. "It will be sure to do you good."

Porfiry Petrovitch's alarm and sympathy were so natural that Raskolnikov was silent and began looking at him with wild curiosity. He did not take the water, however.

"Rodion Romanovitch, my dear fellow, you'll drive yourself out of your mind, I assure you, ach, ach! Have some water, do drink a little."

He forced him to take the glass. Raskolnikov raised it mechanically to his lips, but set it on the table again with disgust.

"Yes, you've had a little attack! You'll bring back your illness again, my dear fellow," Porfiry Petrovitch cackled with friendly sympathy, though he still looked rather disconcerted. "Good heavens, you must take more care of yourself! Dmitri Prokofitch was here, came to see me yesterday—I know, I know, I've a nasty, ironical temper, but what they made of it!... Good heavens, he came yesterday after you'd been. We dined and he talked and talked away, and I could only throw up my hands in despair! Did he come from you? But do sit down, for mercy's sake, sit down!"

"No, not from me, but I knew he went to you and why he went," Raskolnikov answered sharply.

"You knew?"

"I knew. What of it?"

"Why this, Rodion Romanovitch, that I know more than that about you; I know about everything. I know how you went to take a flat at night when it was dark and how you rang the bell and asked about the blood, so that the workmen and the porter did not know what to make of it. Yes, I understand your state of mind at that time... but you'll drive yourself mad like that, upon my word! You'll lose your head! You're full of generous indignation at the wrongs you've received, first from destiny, and then from the police officers, and so you rush from one thing to another to force them to speak out and make an end of it all, because you are sick of all this suspicion and foolishness. That's so, isn't it? I have guessed how you feel, haven't I? Only in that way you'll lose your head and Razumihin's, too; he's too good a man for such a position, you must know that. You are ill and he is good and your illness is infectious for him... I'll tell you about it when you are more yourself.... But do sit down, for goodness' sake. Please rest, you look shocking, do sit down."

Raskolnikov sat down; he no longer shivered, he was hot all over. In amazement he listened with strained attention to Porfiry Petrovitch who still seemed frightened as he looked after him with friendly solicitude. But he did not believe a word he said, though he felt a strange inclination to believe. Porfiry's unexpected words about the flat had utterly overwhelmed him. "How can it be, he knows about the flat then," he thought suddenly, "and he tells it me himself!"

"Yes, in our legal practice there was a case almost exactly similar, a case of morbid psychology," Porfiry went on quickly. "A man confessed to murder and how he kept it up! It was a regular hallucination; he brought forward facts, he imposed upon everyone and why? He had been partly, but only partly, unintentionally the cause of a murder and when he knew that he had given the murderers the opportunity, he sank into dejection, it got on his mind and turned his brain, he began imagining things and he persuaded himself that he was the murderer. But at last the High Court of Appeal went into it and the poor fellow was acquitted and put under proper care. Thanks to the Court of Appeal! Tut-tut-tut! Why, my dear fellow, you may drive yourself into delirium if you have the impulse to work upon your nerves, to go ringing bells at night and asking about blood! I've studied all this morbid psychology in my practice. A man is sometimes tempted to jump out of a window or from a belfry. Just the same with bell-ringing.... It's all illness, Rodion Romanovitch! You have begun to neglect your illness. You should consult an experienced doctor, what's the good of that fat fellow? You are lightheaded! You were delirious when you did all this!"

For a moment Raskolnikov felt everything going round.

"Is it possible, is it possible," flashed through his mind, "that he is still lying? He can't be, he can't be." He rejected that idea, feeling to what a degree of fury it might drive him, feeling that that fury might drive him mad.

"I was not delirious. I knew what I was doing," he cried, straining every faculty to penetrate Porfiry's game, "I was quite myself, do you hear?"

"Yes, I hear and understand. You said yesterday you were not delirious, you were particularly emphatic about it! I understand all you can tell me! A-ach!... Listen, Rodion Romanovitch, my dear fellow. If you were actually a criminal, or were somehow mixed up in this damnable business, would you insist that you were not delirious but in full possession of your faculties? And so emphatically and persistently? Would it be possible? Quite impossible, to my thinking. If you had anything on your conscience, you certainly ought to insist that you were delirious. That's so, isn't it?"

There was a note of slyness in this inquiry. Raskolnikov drew back on the sofa as Porfiry bent over him and stared in silent perplexity at him.

"Another thing about Razumihin—you certainly ought to have said that he came of his own accord, to have concealed your part in it! But you don't conceal it! You lay stress on his coming at your instigation."

Raskolnikov had not done so. A chill went down his back.

"You keep telling lies," he said slowly and weakly, twisting his lips into a sickly smile, "you are trying again to show that you know all my game, that you know all I shall say beforehand," he said, conscious himself that he was not weighing his words as he ought. "You want to frighten me... or you are simply laughing at me..."

He still stared at him as he said this and again there was a light of intense hatred in his eyes.

"You keep lying," he said. "You know perfectly well that the best policy for the criminal is to tell the truth as nearly as possible... to conceal as little as possible. I don't believe you!"

"What a wily person you are!" Porfiry tittered, "there's no catching you; you've a perfect monomania. So you don't believe me? But still you do believe me, you believe a quarter; I'll soon make you believe the whole, because I have a sincere liking for you and genuinely wish you good."

Raskolnikov's lips trembled.

"Yes, I do," went on Porfiry, touching Raskolnikov's arm genially, "you must take care of your illness. Besides, your mother and sister are here now; you must think of them. You must soothe and comfort them and you do nothing but frighten them..."

"What has that to do with you? How do you know it? What concern is it of yours? You are keeping watch on me and want to let me know it?"

"Good heavens! Why, I learnt it all from you yourself! You don't notice that in your excitement you tell me and others everything. From Razumihin, too, I learnt a number of interesting details yesterday. No, you interrupted me, but I must tell you that, for all your wit, your suspiciousness makes you lose the common-sense view of things. To return to bell-ringing, for instance. I, an examining lawyer, have betrayed a precious thing like that, a real fact (for it is a fact worth having), and you see nothing in it! Why, if I had the slightest suspicion of you, should I have acted like that? No, I should first have disarmed your suspicions and not let you see I knew of that fact, should have diverted your attention and suddenly have dealt you a knock-down blow (your expression) saying: 'And what were you doing, sir, pray, at ten or nearly eleven at the murdered woman's flat and why did you ring the bell and why did you ask about blood? And why did you invite the porters to go with you to the police station, to the lieutenant?' That's how I ought to have acted if I had a grain of suspicion of you. I ought to have taken your evidence in due form, searched your lodging and perhaps have arrested you, too... so I have no suspicion of you, since I have not done that! But you can't look at it normally and you see nothing, I say again."

Raskolnikov started so that Porfiry Petrovitch could not fail to perceive it.

"You are lying all the while," he cried, "I don't know your object, but you are lying. You did not speak like that just now and I cannot be mistaken!"

"I am lying?" Porfiry repeated, apparently incensed, but preserving a good-humoured and ironical face, as though he were not in the least concerned at Raskolnikov's opinion of him. "I am lying... but how did I treat you just now, I, the examining lawyer? Prompting you and giving you every means for your defence; illness, I said, delirium, injury, melancholy and the police officers and all the rest of it? Ah! He-he-he! Though, indeed, all those psychological means of defence are not very reliable and cut both ways: illness, delirium, I don't remember—that's all right, but why, my good sir, in your illness and in your delirium were you haunted by just those delusions and not by any others? There may have been others, eh? He-he-he!"

Raskolnikov looked haughtily and contemptuously at him.

"Briefly," he said loudly and imperiously, rising to his feet and in so doing pushing Porfiry back a little, "briefly, I want to know, do you acknowledge me perfectly free from suspicion or not? Tell me, Porfiry Petrovitch, tell me once for all and make haste!"

"What a business I'm having with you!" cried Porfiry with a perfectly good-humoured, sly and composed face. "And why do you want to know, why do you want to know so much, since they haven't begun to worry you? Why, you are like a child asking for matches! And why are you so uneasy? Why do you force yourself upon us, eh? He-he-he!"

"I repeat," Raskolnikov cried furiously, "that I can't put up with it!"

"With what? Uncertainty?" interrupted Porfiry.

"Don't jeer at me! I won't have it! I tell you I won't have it. I can't and I won't, do you hear, do you hear?" he shouted, bringing his fist down on the table again.

"Hush! Hush! They'll overhear! I warn you seriously, take care of yourself. I am not joking," Porfiry whispered, but this time there was not the look of old womanish good nature and alarm in his face. Now he was peremptory, stern, frowning and for once laying aside all mystification.

But this was only for an instant. Raskolnikov, bewildered, suddenly fell into actual frenzy, but, strange to say, he again obeyed the command to speak quietly, though he was in a perfect paroxysm of fury.

"I will not allow myself to be tortured," he whispered, instantly recognising with hatred that he could not help obeying the command and driven to even greater fury by the thought. "Arrest me, search me, but kindly act in due form and don't play with me! Don't dare!"

"Don't worry about the form," Porfiry interrupted with the same sly smile, as it were, gloating with enjoyment over Raskolnikov. "I invited you to see me quite in a friendly way."

"I don't want your friendship and I spit on it! Do you hear? And, here, I take my cap and go. What will you say now if you mean to arrest me?"

He took up his cap and went to the door.

"And won't you see my little surprise?" chuckled Porfiry, again taking him by the arm and stopping him at the door.

He seemed to become more playful and good-humoured which maddened Raskolnikov.

"What surprise?" he asked, standing still and looking at Porfiry in alarm.

"My little surprise, it's sitting there behind the door, he-he-he!" (He pointed to the locked door.) "I locked him in that he should not escape."

"What is it? Where? What?..."

Raskolnikov walked to the door and would have opened it, but it was locked.

"It's locked, here is the key!"

And he brought a key out of his pocket.

"You are lying," roared Raskolnikov without restraint, "you lie, you damned punchinello!" and he rushed at Porfiry who retreated to the other door, not at all alarmed.

"I understand it all! You are lying and mocking so that I may betray myself to you..."

"Why, you could not betray yourself any further, my dear Rodion Romanovitch. You are in a passion. Don't shout, I shall call the clerks."

"You are lying! Call the clerks! You knew I was ill and tried to work me into a frenzy to make me betray myself, that was your object! Produce your facts! I understand it all. You've no evidence, you have only wretched rubbishly suspicions like Zametov's! You knew my character, you wanted to drive me to fury and then to knock me down with priests and deputies.... Are you waiting for them? eh! What are you waiting for? Where are they? Produce them?"

"Why deputies, my good man? What things people will imagine! And to do so would not be acting in form as you say, you don't know the business, my dear fellow.... And there's no escaping form, as you see," Porfiry muttered, listening at the door through which a noise could be heard.

"Ah, they're coming," cried Raskolnikov. "You've sent for them! You expected them! Well, produce them all: your deputies, your witnesses, what you like!... I am ready!"

But at this moment a strange incident occurred, something so unexpected that neither Raskolnikov nor Porfiry Petrovitch could have looked for such a conclusion to their interview.

 CHAPTER VI
When he remembered the scene afterwards, this is how Raskolnikov saw it.

The noise behind the door increased, and suddenly the door was opened a little.

"What is it?" cried Porfiry Petrovitch, annoyed. "Why, I gave orders..."

For an instant there was no answer, but it was evident that there were several persons at the door, and that they were apparently pushing somebody back.

"What is it?" Porfiry Petrovitch repeated, uneasily.

"The prisoner Nikolay has been brought," someone answered.

"He is not wanted! Take him away! Let him wait! What's he doing here? How irregular!" cried Porfiry, rushing to the door.

"But he..." began the same voice, and suddenly ceased.

Two seconds, not more, were spent in actual struggle, then someone gave a violent shove, and then a man, very pale, strode into the room.

This man's appearance was at first sight very strange. He stared straight before him, as though seeing nothing. There was a determined gleam in his eyes; at the same time there was a deathly pallor in his face, as though he were being led to the scaffold. His white lips were faintly twitching.

He was dressed like a workman and was of medium height, very young, slim, his hair cut in round crop, with thin spare features. The man whom he had thrust back followed him into the room and succeeded in seizing him by the shoulder; he was a warder; but Nikolay pulled his arm away.

Several persons crowded inquisitively into the doorway. Some of them tried to get in. All this took place almost instantaneously.

"Go away, it's too soon! Wait till you are sent for!... Why have you brought him so soon?" Porfiry Petrovitch muttered, extremely annoyed, and as it were thrown out of his reckoning.

But Nikolay suddenly knelt down.

"What's the matter?" cried Porfiry, surprised.

"I am guilty! Mine is the sin! I am the murderer," Nikolay articulated suddenly, rather breathless, but speaking fairly loudly.

For ten seconds there was silence as though all had been struck dumb; even the warder stepped back, mechanically retreated to the door, and stood immovable.

"What is it?" cried Porfiry Petrovitch, recovering from his momentary stupefaction.

"I... am the murderer," repeated Nikolay, after a brief pause.

"What... you... what... whom did you kill?" Porfiry Petrovitch was obviously bewildered.

Nikolay again was silent for a moment.

"Alyona Ivanovna and her sister Lizaveta Ivanovna, I... killed... with an axe. Darkness came over me," he added suddenly, and was again silent.

He still remained on his knees. Porfiry Petrovitch stood for some moments as though meditating, but suddenly roused himself and waved back the uninvited spectators. They instantly vanished and closed the door. Then he looked towards Raskolnikov, who was standing in the corner, staring wildly at Nikolay and moved towards him, but stopped short, looked from Nikolay to Raskolnikov and then again at Nikolay, and seeming unable to restrain himself darted at the latter.

"You're in too great a hurry," he shouted at him, almost angrily. "I didn't ask you what came over you.... Speak, did you kill them?"

"I am the murderer.... I want to give evidence," Nikolay pronounced.

"Ach! What did you kill them with?"

"An axe. I had it ready."

"Ach, he is in a hurry! Alone?"

Nikolay did not understand the question.

"Did you do it alone?"

"Yes, alone. And Mitka is not guilty and had no share in it."

"Don't be in a hurry about Mitka! A-ach! How was it you ran downstairs like that at the time? The porters met you both!"

"It was to put them off the scent... I ran after Mitka," Nikolay replied hurriedly, as though he had prepared the answer.

"I knew it!" cried Porfiry, with vexation. "It's not his own tale he is telling," he muttered as though to himself, and suddenly his eyes rested on Raskolnikov again.

He was apparently so taken up with Nikolay that for a moment he had forgotten Raskolnikov. He was a little taken aback.

"My dear Rodion Romanovitch, excuse me!" he flew up to him, "this won't do; I'm afraid you must go... it's no good your staying... I will... you see, what a surprise!... Good-bye!"

And taking him by the arm, he showed him to the door.

"I suppose you didn't expect it?" said Raskolnikov who, though he had not yet fully grasped the situation, had regained his courage.

"You did not expect it either, my friend. See how your hand is trembling! He-he!"

"You're trembling, too, Porfiry Petrovitch!"

"Yes, I am; I didn't expect it."

They were already at the door; Porfiry was impatient for Raskolnikov to be gone.

"And your little surprise, aren't you going to show it to me?" Raskolnikov said, sarcastically.

"Why, his teeth are chattering as he asks, he-he! You are an ironical person! Come, till we meet!"

"I believe we can say good-bye!"

"That's in God's hands," muttered Porfiry, with an unnatural smile.

As he walked through the office, Raskolnikov noticed that many people were looking at him. Among them he saw the two porters from the house, whom he had invited that night to the police station. They stood there waiting. But he was no sooner on the stairs than he heard the voice of Porfiry Petrovitch behind him. Turning round, he saw the latter running after him, out of breath.

"One word, Rodion Romanovitch; as to all the rest, it's in God's hands, but as a matter of form there are some questions I shall have to ask you... so we shall meet again, shan't we?"

And Porfiry stood still, facing him with a smile.

"Shan't we?" he added again.

He seemed to want to say something more, but could not speak out.

"You must forgive me, Porfiry Petrovitch, for what has just passed... I lost my temper," began Raskolnikov, who had so far regained his courage that he felt irresistibly inclined to display his coolness.

"Don't mention it, don't mention it," Porfiry replied, almost gleefully. "I myself, too... I have a wicked temper, I admit it! But we shall meet again. If it's God's will, we may see a great deal of one another."

"And will get to know each other through and through?" added Raskolnikov.

"Yes; know each other through and through," assented Porfiry Petrovitch, and he screwed up his eyes, looking earnestly at Raskolnikov. "Now you're going to a birthday party?"

"To a funeral."

"Of course, the funeral! Take care of yourself, and get well."

"I don't know what to wish you," said Raskolnikov, who had begun to descend the stairs, but looked back again. "I should like to wish you success, but your office is such a comical one."

"Why comical?" Porfiry Petrovitch had turned to go, but he seemed to prick up his ears at this.

"Why, how you must have been torturing and harassing that poor Nikolay psychologically, after your fashion, till he confessed! You must have been at him day and night, proving to him that he was the murderer, and now that he has confessed, you'll begin vivisecting him again. 'You are lying,' you'll say. 'You are not the murderer! You can't be! It's not your own tale you are telling!' You must admit it's a comical business!"

"He-he-he! You noticed then that I said to Nikolay just now that it was not his own tale he was telling?"

"How could I help noticing it!"

"He-he! You are quick-witted. You notice everything! You've really a playful mind! And you always fasten on the comic side... he-he! They say that was the marked characteristic of Gogol, among the writers."

"Yes, of Gogol."

"Yes, of Gogol.... I shall look forward to meeting you."

"So shall I."

Raskolnikov walked straight home. He was so muddled and bewildered that on getting home he sat for a quarter of an hour on the sofa, trying to collect his thoughts. He did not attempt to think about Nikolay; he was stupefied; he felt that his confession was something inexplicable, amazing—something beyond his understanding. But Nikolay's confession was an actual fact. The consequences of this fact were clear to him at once, its falsehood could not fail to be discovered, and then they would be after him again. Till then, at least, he was free and must do something for himself, for the danger was imminent.

But how imminent? His position gradually became clear to him. Remembering, sketchily, the main outlines of his recent scene with Porfiry, he could not help shuddering again with horror. Of course, he did not yet know all Porfiry's aims, he could not see into all his calculations. But he had already partly shown his hand, and no one knew better than Raskolnikov how terrible Porfiry's "lead" had been for him. A little more and he might have given himself away completely, circumstantially. Knowing his nervous temperament and from the first glance seeing through him, Porfiry, though playing a bold game, was bound to win. There's no denying that Raskolnikov had compromised himself seriously, but no facts had come to light as yet; there was nothing positive. But was he taking a true view of the position? Wasn't he mistaken? What had Porfiry been trying to get at? Had he really some surprise prepared for him? And what was it? Had he really been expecting something or not? How would they have parted if it had not been for the unexpected appearance of Nikolay?

Porfiry had shown almost all his cards—of course, he had risked something in showing them—and if he had really had anything up his sleeve (Raskolnikov reflected), he would have shown that, too. What was that "surprise"? Was it a joke? Had it meant anything? Could it have concealed anything like a fact, a piece of positive evidence? His yesterday's visitor? What had become of him? Where was he to-day? If Porfiry really had any evidence, it must be connected with him....

He sat on the sofa with his elbows on his knees and his face hidden in his hands. He was still shivering nervously. At last he got up, took his cap, thought a minute, and went to the door.

He had a sort of presentiment that for to-day, at least, he might consider himself out of danger. He had a sudden sense almost of joy; he wanted to make haste to Katerina Ivanovna's. He would be too late for the funeral, of course, but he would be in time for the memorial dinner, and there at once he would see Sonia.

He stood still, thought a moment, and a suffering smile came for a moment on to his lips.

"To-day! To-day," he repeated to himself. "Yes, to-day! So it must be...."

But as he was about to open the door, it began opening of itself. He started and moved back. The door opened gently and slowly, and there suddenly appeared a figure—yesterday's visitor from underground.

The man stood in the doorway, looked at Raskolnikov without speaking, and took a step forward into the room. He was exactly the same as yesterday; the same figure, the same dress, but there was a great change in his face; he looked dejected and sighed deeply. If he had only put his hand up to his cheek and leaned his head on one side he would have looked exactly like a peasant woman.

"What do you want?" asked Raskolnikov, numb with terror. The man was still silent, but suddenly he bowed down almost to the ground, touching it with his finger.

"What is it?" cried Raskolnikov.

"I have sinned," the man articulated softly.

"How?"

"By evil thoughts."

They looked at one another.

"I was vexed. When you came, perhaps in drink, and bade the porters go to the police station and asked about the blood, I was vexed that they let you go and took you for drunken. I was so vexed that I lost my sleep. And remembering the address we came here yesterday and asked for you...."

"Who came?" Raskolnikov interrupted, instantly beginning to recollect.

"I did, I've wronged you."

"Then you come from that house?"

"I was standing at the gate with them... don't you remember? We have carried on our trade in that house for years past. We cure and prepare hides, we take work home... most of all I was vexed...."

And the whole scene of the day before yesterday in the gateway came clearly before Raskolnikov's mind; he recollected that there had been several people there besides the porters, women among them. He remembered one voice had suggested taking him straight to the police-station. He could not recall the face of the speaker, and even now he did not recognise it, but he remembered that he had turned round and made him some answer....

So this was the solution of yesterday's horror. The most awful thought was that he had been actually almost lost, had almost done for himself on account of such a trivial circumstance. So this man could tell nothing except his asking about the flat and the blood stains. So Porfiry, too, had nothing but that delirium, no facts but this psychology which cuts both ways, nothing positive. So if no more facts come to light (and they must not, they must not!) then... then what can they do to him? How can they convict him, even if they arrest him? And Porfiry then had only just heard about the flat and had not known about it before.

"Was it you who told Porfiry... that I'd been there?" he cried, struck by a sudden idea.

"What Porfiry?"

"The head of the detective department?"

"Yes. The porters did not go there, but I went."

"To-day?"

"I got there two minutes before you. And I heard, I heard it all, how he worried you."

"Where? What? When?"

"Why, in the next room. I was sitting there all the time."

"What? Why, then you were the surprise? But how could it happen? Upon my word!"

"I saw that the porters did not want to do what I said," began the man; "for it's too late, said they, and maybe he'll be angry that we did not come at the time. I was vexed and I lost my sleep, and I began making inquiries. And finding out yesterday where to go, I went to-day. The first time I went he wasn't there, when I came an hour later he couldn't see me. I went the third time, and they showed me in. I informed him of everything, just as it happened, and he began skipping about the room and punching himself on the chest. 'What do you scoundrels mean by it? If I'd known about it I should have arrested him!' Then he ran out, called somebody and began talking to him in the corner, then he turned to me, scolding and questioning me. He scolded me a great deal; and I told him everything, and I told him that you didn't dare to say a word in answer to me yesterday and that you didn't recognise me. And he fell to running about again and kept hitting himself on the chest, and getting angry and running about, and when you were announced he told me to go into the next room. 'Sit there a bit,' he said. 'Don't move, whatever you may hear.' And he set a chair there for me and locked me in. 'Perhaps,' he said, 'I may call you.' And when Nikolay'd been brought he let me out as soon as you were gone. 'I shall send for you again and question you,' he said."

"And did he question Nikolay while you were there?"

"He got rid of me as he did of you, before he spoke to Nikolay."

The man stood still, and again suddenly bowed down, touching the ground with his finger.

"Forgive me for my evil thoughts, and my slander."

"May God forgive you," answered Raskolnikov.

And as he said this, the man bowed down again, but not to the ground, turned slowly and went out of the room.

"It all cuts both ways, now it all cuts both ways," repeated Raskolnikov, and he went out more confident than ever.

"Now we'll make a fight for it," he said, with a malicious smile, as he went down the stairs. His malice was aimed at himself; with shame and contempt he recollected his "cowardice."

PART V




CHAPTER I

The morning that followed the fateful interview with Dounia and her mother brought sobering influences to bear on Pyotr Petrovitch. Intensely unpleasant as it was, he was forced little by little to accept as a fact beyond recall what had seemed to him only the day before fantastic and incredible. The black snake of wounded vanity had been gnawing at his heart all night. When he got out of bed, Pyotr Petrovitch immediately looked in the looking-glass. He was afraid that he had jaundice. However his health seemed unimpaired so far, and looking at his noble, clear-skinned countenance which had grown fattish of late, Pyotr Petrovitch for an instant was positively comforted in the conviction that he would find another bride and, perhaps, even a better one. But coming back to the sense of his present position, he turned aside and spat vigorously, which excited a sarcastic smile in Andrey Semyonovitch Lebeziatnikov, the young friend with whom he was staying. That smile Pyotr Petrovitch noticed, and at once set it down against his young friend's account. He had set down a good many points against him of late. His anger was redoubled when he reflected that he ought not to have told Andrey Semyonovitch about the result of yesterday's interview. That was the second mistake he had made in temper, through impulsiveness and irritability.... Moreover, all that morning one unpleasantness followed another. He even found a hitch awaiting him in his legal case in the senate. He was particularly irritated by the owner of the flat which had been taken in view of his approaching marriage and was being redecorated at his own expense; the owner, a rich German tradesman, would not entertain the idea of breaking the contract which had just been signed and insisted on the full forfeit money, though Pyotr Petrovitch would be giving him back the flat practically redecorated. In the same way the upholsterers refused to return a single rouble of the instalment paid for the furniture purchased but not yet removed to the flat.

"Am I to get married simply for the sake of the furniture?" Pyotr Petrovitch ground his teeth and at the same time once more he had a gleam of desperate hope. "Can all that be really so irrevocably over? Is it no use to make another effort?" The thought of Dounia sent a voluptuous pang through his heart. He endured anguish at that moment, and if it had been possible to slay Raskolnikov instantly by wishing it, Pyotr Petrovitch would promptly have uttered the wish.

"It was my mistake, too, not to have given them money," he thought, as he returned dejectedly to Lebeziatnikov's room, "and why on earth was I such a Jew? It was false economy! I meant to keep them without a penny so that they should turn to me as their providence, and look at them! foo! If I'd spent some fifteen hundred roubles on them for the trousseau and presents, on knick-knacks, dressing-cases, jewellery, materials, and all that sort of trash from Knopp's and the English shop, my position would have been better and... stronger! They could not have refused me so easily! They are the sort of people that would feel bound to return money and presents if they broke it off; and they would find it hard to do it! And their conscience would prick them: how can we dismiss a man who has hitherto been so generous and delicate?.... H'm! I've made a blunder."

And grinding his teeth again, Pyotr Petrovitch called himself a fool—but not aloud, of course.

He returned home, twice as irritated and angry as before. The preparations for the funeral dinner at Katerina Ivanovna's excited his curiosity as he passed. He had heard about it the day before; he fancied, indeed, that he had been invited, but absorbed in his own cares he had paid no attention. Inquiring of Madame Lippevechsel who was busy laying the table while Katerina Ivanovna was away at the cemetery, he heard that the entertainment was to be a great affair, that all the lodgers had been invited, among them some who had not known the dead man, that even Andrey Semyonovitch Lebeziatnikov was invited in spite of his previous quarrel with Katerina Ivanovna, that he, Pyotr Petrovitch, was not only invited, but was eagerly expected as he was the most important of the lodgers. Amalia Ivanovna herself had been invited with great ceremony in spite of the recent unpleasantness, and so she was very busy with preparations and was taking a positive pleasure in them; she was moreover dressed up to the nines, all in new black silk, and she was proud of it. All this suggested an idea to Pyotr Petrovitch and he went into his room, or rather Lebeziatnikov's, somewhat thoughtful. He had learnt that Raskolnikov was to be one of the guests.

Andrey Semyonovitch had been at home all the morning. The attitude of Pyotr Petrovitch to this gentleman was strange, though perhaps natural. Pyotr Petrovitch had despised and hated him from the day he came to stay with him and at the same time he seemed somewhat afraid of him. He had not come to stay with him on his arrival in Petersburg simply from parsimony, though that had been perhaps his chief object. He had heard of Andrey Semyonovitch, who had once been his ward, as a leading young progressive who was taking an important part in certain interesting circles, the doings of which were a legend in the provinces. It had impressed Pyotr Petrovitch. These powerful omniscient circles who despised everyone and showed everyone up had long inspired in him a peculiar but quite vague alarm. He had not, of course, been able to form even an approximate notion of what they meant. He, like everyone, had heard that there were, especially in Petersburg, progressives of some sort, nihilists and so on, and, like many people, he exaggerated and distorted the significance of those words to an absurd degree. What for many years past he had feared more than anything was being shown up and this was the chief ground for his continual uneasiness at the thought of transferring his business to Petersburg. He was afraid of this as little children are sometimes panic-stricken. Some years before, when he was just entering on his own career, he had come upon two cases in which rather important personages in the province, patrons of his, had been cruelly shown up. One instance had ended in great scandal for the person attacked and the other had very nearly ended in serious trouble. For this reason Pyotr Petrovitch intended to go into the subject as soon as he reached Petersburg and, if necessary, to anticipate contingencies by seeking the favour of "our younger generation." He relied on Andrey Semyonovitch for this and before his visit to Raskolnikov he had succeeded in picking up some current phrases. He soon discovered that Andrey Semyonovitch was a commonplace simpleton, but that by no means reassured Pyotr Petrovitch. Even if he had been certain that all the progressives were fools like him, it would not have allayed his uneasiness. All the doctrines, the ideas, the systems, with which Andrey Semyonovitch pestered him had no interest for him. He had his own object—he simply wanted to find out at once what was happening here. Had these people any power or not? Had he anything to fear from them? Would they expose any enterprise of his? And what precisely was now the object of their attacks? Could he somehow make up to them and get round them if they really were powerful? Was this the thing to do or not? Couldn't he gain something through them? In fact hundreds of questions presented themselves.

Andrey Semyonovitch was an anæmic, scrofulous little man, with strangely flaxen mutton-chop whiskers of which he was very proud. He was a clerk and had almost always something wrong with his eyes. He was rather soft-hearted, but self-confident and sometimes extremely conceited in speech, which had an absurd effect, incongruous with his little figure. He was one of the lodgers most respected by Amalia Ivanovna, for he did not get drunk and paid regularly for his lodgings. Andrey Semyonovitch really was rather stupid; he attached himself to the cause of progress and "our younger generation" from enthusiasm. He was one of the numerous and varied legion of dullards, of half-animate abortions, conceited, half-educated coxcombs, who attach themselves to the idea most in fashion only to vulgarise it and who caricature every cause they serve, however sincerely.

Though Lebeziatnikov was so good-natured, he, too, was beginning to dislike Pyotr Petrovitch. This happened on both sides unconsciously. However simple Andrey Semyonovitch might be, he began to see that Pyotr Petrovitch was duping him and secretly despising him, and that "he was not the right sort of man." He had tried expounding to him the system of Fourier and the Darwinian theory, but of late Pyotr Petrovitch began to listen too sarcastically and even to be rude. The fact was he had begun instinctively to guess that Lebeziatnikov was not merely a commonplace simpleton, but, perhaps, a liar, too, and that he had no connections of any consequence even in his own circle, but had simply picked things up third-hand; and that very likely he did not even know much about his own work of propaganda, for he was in too great a muddle. A fine person he would be to show anyone up! It must be noted, by the way, that Pyotr Petrovitch had during those ten days eagerly accepted the strangest praise from Andrey Semyonovitch; he had not protested, for instance, when Andrey Semyonovitch belauded him for being ready to contribute to the establishment of the new "commune," or to abstain from christening his future children, or to acquiesce if Dounia were to take a lover a month after marriage, and so on. Pyotr Petrovitch so enjoyed hearing his own praises that he did not disdain even such virtues when they were attributed to him.

Pyotr Petrovitch had had occasion that morning to realise some five-per-cent bonds and now he sat down to the table and counted over bundles of notes. Andrey Semyonovitch who hardly ever had any money walked about the room pretending to himself to look at all those bank notes with indifference and even contempt. Nothing would have convinced Pyotr Petrovitch that Andrey Semyonovitch could really look on the money unmoved, and the latter, on his side, kept thinking bitterly that Pyotr Petrovitch was capable of entertaining such an idea about him and was, perhaps, glad of the opportunity of teasing his young friend by reminding him of his inferiority and the great difference between them.

He found him incredibly inattentive and irritable, though he, Andrey Semyonovitch, began enlarging on his favourite subject, the foundation of a new special "commune." The brief remarks that dropped from Pyotr Petrovitch between the clicking of the beads on the reckoning frame betrayed unmistakable and discourteous irony. But the "humane" Andrey Semyonovitch ascribed Pyotr Petrovitch's ill-humour to his recent breach with Dounia and he was burning with impatience to discourse on that theme. He had something progressive to say on the subject which might console his worthy friend and "could not fail" to promote his development.

"There is some sort of festivity being prepared at that... at the widow's, isn't there?" Pyotr Petrovitch asked suddenly, interrupting Andrey Semyonovitch at the most interesting passage.

"Why, don't you know? Why, I was telling you last night what I think about all such ceremonies. And she invited you too, I heard. You were talking to her yesterday..."

"I should never have expected that beggarly fool would have spent on this feast all the money she got from that other fool, Raskolnikov. I was surprised just now as I came through at the preparations there, the wines! Several people are invited. It's beyond everything!" continued Pyotr Petrovitch, who seemed to have some object in pursuing the conversation. "What? You say I am asked too? When was that? I don't remember. But I shan't go. Why should I? I only said a word to her in passing yesterday of the possibility of her obtaining a year's salary as a destitute widow of a government clerk. I suppose she has invited me on that account, hasn't she? He-he-he!"

"I don't intend to go either," said Lebeziatnikov.

"I should think not, after giving her a thrashing! You might well hesitate, he-he!"

"Who thrashed? Whom?" cried Lebeziatnikov, flustered and blushing.

"Why, you thrashed Katerina Ivanovna a month ago. I heard so yesterday... so that's what your convictions amount to... and the woman question, too, wasn't quite sound, he-he-he!" and Pyotr Petrovitch, as though comforted, went back to clicking his beads.

"It's all slander and nonsense!" cried Lebeziatnikov, who was always afraid of allusions to the subject. "It was not like that at all, it was quite different. You've heard it wrong; it's a libel. I was simply defending myself. She rushed at me first with her nails, she pulled out all my whiskers.... It's permissable for anyone, I should hope, to defend himself and I never allow anyone to use violence to me on principle, for it's an act of despotism. What was I to do? I simply pushed her back."

"He-he-he!" Luzhin went on laughing maliciously.

"You keep on like that because you are out of humour yourself.... But that's nonsense and it has nothing, nothing whatever to do with the woman question! You don't understand; I used to think, indeed, that if women are equal to men in all respects, even in strength (as is maintained now) there ought to be equality in that, too. Of course, I reflected afterwards that such a question ought not really to arise, for there ought not to be fighting and in the future society fighting is unthinkable... and that it would be a queer thing to seek for equality in fighting. I am not so stupid... though, of course, there is fighting... there won't be later, but at present there is... confound it! How muddled one gets with you! It's not on that account that I am not going. I am not going on principle, not to take part in the revolting convention of memorial dinners, that's why! Though, of course, one might go to laugh at it.... I am sorry there won't be any priests at it. I should certainly go if there were."

"Then you would sit down at another man's table and insult it and those who invited you. Eh?"

"Certainly not insult, but protest. I should do it with a good object. I might indirectly assist the cause of enlightenment and propaganda. It's a duty of every man to work for enlightenment and propaganda and the more harshly, perhaps, the better. I might drop a seed, an idea.... And something might grow up from that seed. How should I be insulting them? They might be offended at first, but afterwards they'd see I'd done them a service. You know, Terebyeva (who is in the community now) was blamed because when she left her family and... devoted... herself, she wrote to her father and mother that she wouldn't go on living conventionally and was entering on a free marriage and it was said that that was too harsh, that she might have spared them and have written more kindly. I think that's all nonsense and there's no need of softness; on the contrary, what's wanted is protest. Varents had been married seven years, she abandoned her two children, she told her husband straight out in a letter: 'I have realised that I cannot be happy with you. I can never forgive you that you have deceived me by concealing from me that there is another organisation of society by means of the communities. I have only lately learned it from a great-hearted man to whom I have given myself and with whom I am establishing a community. I speak plainly because I consider it dishonest to deceive you. Do as you think best. Do not hope to get me back, you are too late. I hope you will be happy.' That's how letters like that ought to be written!"

"Is that Terebyeva the one you said had made a third free marriage?"

"No, it's only the second, really! But what if it were the fourth, what if it were the fifteenth, that's all nonsense! And if ever I regretted the death of my father and mother, it is now, and I sometimes think if my parents were living what a protest I would have aimed at them! I would have done something on purpose... I would have shown them! I would have astonished them! I am really sorry there is no one!"

"To surprise! He-he! Well, be that as you will," Pyotr Petrovitch interrupted, "but tell me this; do you know the dead man's daughter, the delicate-looking little thing? It's true what they say about her, isn't it?"

"What of it? I think, that is, it is my own personal conviction that this is the normal condition of women. Why not? I mean, distinguons. In our present society it is not altogether normal, because it is compulsory, but in the future society it will be perfectly normal, because it will be voluntary. Even as it is, she was quite right: she was suffering and that was her asset, so to speak, her capital which she had a perfect right to dispose of. Of course, in the future society there will be no need of assets, but her part will have another significance, rational and in harmony with her environment. As to Sofya Semyonovna personally, I regard her action as a vigorous protest against the organisation of society, and I respect her deeply for it; I rejoice indeed when I look at her!"

"I was told that you got her turned out of these lodgings."

Lebeziatnikov was enraged.

"That's another slander," he yelled. "It was not so at all! That was all Katerina Ivanovna's invention, for she did not understand! And I never made love to Sofya Semyonovna! I was simply developing her, entirely disinterestedly, trying to rouse her to protest.... All I wanted was her protest and Sofya Semyonovna could not have remained here anyway!"

"Have you asked her to join your community?"

"You keep on laughing and very inappropriately, allow me to tell you. You don't understand! There is no such rôle in a community. The community is established that there should be no such rôles. In a community, such a rôle is essentially transformed and what is stupid here is sensible there, what, under present conditions, is unnatural becomes perfectly natural in the community. It all depends on the environment. It's all the environment and man himself is nothing. And I am on good terms with Sofya Semyonovna to this day, which is a proof that she never regarded me as having wronged her. I am trying now to attract her to the community, but on quite, quite a different footing. What are you laughing at? We are trying to establish a community of our own, a special one, on a broader basis. We have gone further in our convictions. We reject more! And meanwhile I'm still developing Sofya Semyonovna. She has a beautiful, beautiful character!"

"And you take advantage of her fine character, eh? He-he!"

"No, no! Oh, no! On the contrary."

"Oh, on the contrary! He-he-he! A queer thing to say!"

"Believe me! Why should I disguise it? In fact, I feel it strange myself how timid, chaste and modern she is with me!"

"And you, of course, are developing her... he-he! trying to prove to her that all that modesty is nonsense?"

"Not at all, not at all! How coarsely, how stupidly—excuse me saying so—you misunderstand the word development! Good heavens, how... crude you still are! We are striving for the freedom of women and you have only one idea in your head.... Setting aside the general question of chastity and feminine modesty as useless in themselves and indeed prejudices, I fully accept her chastity with me, because that's for her to decide. Of course if she were to tell me herself that she wanted me, I should think myself very lucky, because I like the girl very much; but as it is, no one has ever treated her more courteously than I, with more respect for her dignity... I wait in hopes, that's all!"

"You had much better make her a present of something. I bet you never thought of that."

"You don't understand, as I've told you already! Of course, she is in such a position, but it's another question. Quite another question! You simply despise her. Seeing a fact which you mistakenly consider deserving of contempt, you refuse to take a humane view of a fellow creature. You don't know what a character she is! I am only sorry that of late she has quite given up reading and borrowing books. I used to lend them to her. I am sorry, too, that with all the energy and resolution in protesting—which she has already shown once—she has little self-reliance, little, so to say, independence, so as to break free from certain prejudices and certain foolish ideas. Yet she thoroughly understands some questions, for instance about kissing of hands, that is, that it's an insult to a woman for a man to kiss her hand, because it's a sign of inequality. We had a debate about it and I described it to her. She listened attentively to an account of the workmen's associations in France, too. Now I am explaining the question of coming into the room in the future society."

"And what's that, pray?"

"We had a debate lately on the question: Has a member of the community the right to enter another member's room, whether man or woman, at any time... and we decided that he has!"

"It might be at an inconvenient moment, he-he!"

Lebeziatnikov was really angry.

"You are always thinking of something unpleasant," he cried with aversion. "Tfoo! How vexed I am that when I was expounding our system, I referred prematurely to the question of personal privacy! It's always a stumbling-block to people like you, they turn it into ridicule before they understand it. And how proud they are of it, too! Tfoo! I've often maintained that that question should not be approached by a novice till he has a firm faith in the system. And tell me, please, what do you find so shameful even in cesspools? I should be the first to be ready to clean out any cesspool you like. And it's not a question of self-sacrifice, it's simply work, honourable, useful work which is as good as any other and much better than the work of a Raphael and a Pushkin, because it is more useful."

"And more honourable, more honourable, he-he-he!"

"What do you mean by 'more honourable'? I don't understand such expressions to describe human activity. 'More honourable,' 'nobler'—all those are old-fashioned prejudices which I reject. Everything which is of use to mankind is honourable. I only understand one word: useful! You can snigger as much as you like, but that's so!"

Pyotr Petrovitch laughed heartily. He had finished counting the money and was putting it away. But some of the notes he left on the table. The "cesspool question" had already been a subject of dispute between them. What was absurd was that it made Lebeziatnikov really angry, while it amused Luzhin and at that moment he particularly wanted to anger his young friend.

"It's your ill-luck yesterday that makes you so ill-humoured and annoying," blurted out Lebeziatnikov, who in spite of his "independence" and his "protests" did not venture to oppose Pyotr Petrovitch and still behaved to him with some of the respect habitual in earlier years.

"You'd better tell me this," Pyotr Petrovitch interrupted with haughty displeasure, "can you... or rather are you really friendly enough with that young person to ask her to step in here for a minute? I think they've all come back from the cemetery... I heard the sound of steps... I want to see her, that young person."

"What for?" Lebeziatnikov asked with surprise.

"Oh, I want to. I am leaving here to-day or to-morrow and therefore I wanted to speak to her about... However, you may be present during the interview. It's better you should be, indeed. For there's no knowing what you might imagine."

"I shan't imagine anything. I only asked and, if you've anything to say to her, nothing is easier than to call her in. I'll go directly and you may be sure I won't be in your way."

Five minutes later Lebeziatnikov came in with Sonia. She came in very much surprised and overcome with shyness as usual. She was always shy in such circumstances and was always afraid of new people, she had been as a child and was even more so now.... Pyotr Petrovitch met her "politely and affably," but with a certain shade of bantering familiarity which in his opinion was suitable for a man of his respectability and weight in dealing with a creature so young and so interesting as she. He hastened to "reassure" her and made her sit down facing him at the table. Sonia sat down, looked about her—at Lebeziatnikov, at the notes lying on the table and then again at Pyotr Petrovitch and her eyes remained riveted on him. Lebeziatnikov was moving to the door. Pyotr Petrovitch signed to Sonia to remain seated and stopped Lebeziatnikov.

"Is Raskolnikov in there? Has he come?" he asked him in a whisper.

"Raskolnikov? Yes. Why? Yes, he is there. I saw him just come in.... Why?"

"Well, I particularly beg you to remain here with us and not to leave me alone with this... young woman. I only want a few words with her, but God knows what they may make of it. I shouldn't like Raskolnikov to repeat anything.... You understand what I mean?"

"I understand!" Lebeziatnikov saw the point. "Yes, you are right.... Of course, I am convinced personally that you have no reason to be uneasy, but... still, you are right. Certainly I'll stay. I'll stand here at the window and not be in your way... I think you are right..."

Pyotr Petrovitch returned to the sofa, sat down opposite Sonia, looked attentively at her and assumed an extremely dignified, even severe expression, as much as to say, "don't you make any mistake, madam." Sonia was overwhelmed with embarrassment.

"In the first place, Sofya Semyonovna, will you make my excuses to your respected mamma.... That's right, isn't it? Katerina Ivanovna stands in the place of a mother to you?" Pyotr Petrovitch began with great dignity, though affably.

It was evident that his intentions were friendly.

"Quite so, yes; the place of a mother," Sonia answered, timidly and hurriedly.

"Then will you make my apologies to her? Through inevitable circumstances I am forced to be absent and shall not be at the dinner in spite of your mamma's kind invitation."

"Yes... I'll tell her... at once."

And Sonia hastily jumped up from her seat.

"Wait, that's not all," Pyotr Petrovitch detained her, smiling at her simplicity and ignorance of good manners, "and you know me little, my dear Sofya Semyonovna, if you suppose I would have ventured to trouble a person like you for a matter of so little consequence affecting myself only. I have another object."

Sonia sat down hurriedly. Her eyes rested again for an instant on the grey-and-rainbow-coloured notes that remained on the table, but she quickly looked away and fixed her eyes on Pyotr Petrovitch. She felt it horribly indecorous, especially for her, to look at another person's money. She stared at the gold eye-glass which Pyotr Petrovitch held in his left hand and at the massive and extremely handsome ring with a yellow stone on his middle finger. But suddenly she looked away and, not knowing where to turn, ended by staring Pyotr Petrovitch again straight in the face. After a pause of still greater dignity he continued.

"I chanced yesterday in passing to exchange a couple of words with Katerina Ivanovna, poor woman. That was sufficient to enable me to ascertain that she is in a position—preternatural, if one may so express it."

"Yes... preternatural..." Sonia hurriedly assented.

"Or it would be simpler and more comprehensible to say, ill."

"Yes, simpler and more comprehen... yes, ill."

"Quite so. So then from a feeling of humanity and so to speak compassion, I should be glad to be of service to her in any way, foreseeing her unfortunate position. I believe the whole of this poverty-stricken family depends now entirely on you?"

"Allow me to ask," Sonia rose to her feet, "did you say something to her yesterday of the possibility of a pension? Because she told me you had undertaken to get her one. Was that true?"

"Not in the slightest, and indeed it's an absurdity! I merely hinted at her obtaining temporary assistance as the widow of an official who had died in the service—if only she has patronage... but apparently your late parent had not served his full term and had not indeed been in the service at all of late. In fact, if there could be any hope, it would be very ephemeral, because there would be no claim for assistance in that case, far from it.... And she is dreaming of a pension already, he-he-he!... A go-ahead lady!"

"Yes, she is. For she is credulous and good-hearted, and she believes everything from the goodness of her heart and... and... and she is like that... yes... You must excuse her," said Sonia, and again she got up to go.

"But you haven't heard what I have to say."

"No, I haven't heard," muttered Sonia.

"Then sit down." She was terribly confused; she sat down again a third time.

"Seeing her position with her unfortunate little ones, I should be glad, as I have said before, so far as lies in my power, to be of service, that is, so far as is in my power, not more. One might for instance get up a subscription for her, or a lottery, something of the sort, such as is always arranged in such cases by friends or even outsiders desirous of assisting people. It was of that I intended to speak to you; it might be done."

"Yes, yes... God will repay you for it," faltered Sonia, gazing intently at Pyotr Petrovitch.

"It might be, but we will talk of it later. We might begin it to-day, we will talk it over this evening and lay the foundation so to speak. Come to me at seven o'clock. Mr. Lebeziatnikov, I hope, will assist us. But there is one circumstance of which I ought to warn you beforehand and for which I venture to trouble you, Sofya Semyonovna, to come here. In my opinion money cannot be, indeed it's unsafe to put it into Katerina Ivanovna's own hands. The dinner to-day is a proof of that. Though she has not, so to speak, a crust of bread for to-morrow and... well, boots or shoes, or anything; she has bought to-day Jamaica rum, and even, I believe, Madeira and... and coffee. I saw it as I passed through. To-morrow it will all fall upon you again, they won't have a crust of bread. It's absurd, really, and so, to my thinking, a subscription ought to be raised so that the unhappy widow should not know of the money, but only you, for instance. Am I right?"

"I don't know... this is only to-day, once in her life.... She was so anxious to do honour, to celebrate the memory.... And she is very sensible... but just as you think and I shall be very, very... they will all be... and God will reward... and the orphans..."

Sonia burst into tears.

"Very well, then, keep it in mind; and now will you accept for the benefit of your relation the small sum that I am able to spare, from me personally. I am very anxious that my name should not be mentioned in connection with it. Here... having so to speak anxieties of my own, I cannot do more..."

And Pyotr Petrovitch held out to Sonia a ten-rouble note carefully unfolded. Sonia took it, flushed crimson, jumped up, muttered something and began taking leave. Pyotr Petrovitch accompanied her ceremoniously to the door. She got out of the room at last, agitated and distressed, and returned to Katerina Ivanovna, overwhelmed with confusion.

All this time Lebeziatnikov had stood at the window or walked about the room, anxious not to interrupt the conversation; when Sonia had gone he walked up to Pyotr Petrovitch and solemnly held out his hand.

"I heard and saw everything," he said, laying stress on the last verb. "That is honourable, I mean to say, it's humane! You wanted to avoid gratitude, I saw! And although I cannot, I confess, in principle sympathise with private charity, for it not only fails to eradicate the evil but even promotes it, yet I must admit that I saw your action with pleasure—yes, yes, I like it."

"That's all nonsense," muttered Pyotr Petrovitch, somewhat disconcerted, looking carefully at Lebeziatnikov.

"No, it's not nonsense! A man who has suffered distress and annoyance as you did yesterday and who yet can sympathise with the misery of others, such a man... even though he is making a social mistake—is still deserving of respect! I did not expect it indeed of you, Pyotr Petrovitch, especially as according to your ideas... oh, what a drawback your ideas are to you! How distressed you are for instance by your ill-luck yesterday," cried the simple-hearted Lebeziatnikov, who felt a return of affection for Pyotr Petrovitch. "And, what do you want with marriage, with legal marriage, my dear, noble Pyotr Petrovitch? Why do you cling to this legality of marriage? Well, you may beat me if you like, but I am glad, positively glad it hasn't come off, that you are free, that you are not quite lost for humanity.... you see, I've spoken my mind!"

"Because I don't want in your free marriage to be made a fool of and to bring up another man's children, that's why I want legal marriage," Luzhin replied in order to make some answer.

He seemed preoccupied by something.

"Children? You referred to children," Lebeziatnikov started off like a warhorse at the trumpet call. "Children are a social question and a question of first importance, I agree; but the question of children has another solution. Some refuse to have children altogether, because they suggest the institution of the family. We'll speak of children later, but now as to the question of honour, I confess that's my weak point. That horrid, military, Pushkin expression is unthinkable in the dictionary of the future. What does it mean indeed? It's nonsense, there will be no deception in a free marriage! That is only the natural consequence of a legal marriage, so to say, its corrective, a protest. So that indeed it's not humiliating... and if I ever, to suppose an absurdity, were to be legally married, I should be positively glad of it. I should say to my wife: 'My dear, hitherto I have loved you, now I respect you, for you've shown you can protest!' You laugh! That's because you are of incapable of getting away from prejudices. Confound it all! I understand now where the unpleasantness is of being deceived in a legal marriage, but it's simply a despicable consequence of a despicable position in which both are humiliated. When the deception is open, as in a free marriage, then it does not exist, it's unthinkable. Your wife will only prove how she respects you by considering you incapable of opposing her happiness and avenging yourself on her for her new husband. Damn it all! I sometimes dream if I were to be married, pfoo! I mean if I were to marry, legally or not, it's just the same, I should present my wife with a lover if she had not found one for herself. 'My dear,' I should say, 'I love you, but even more than that I desire you to respect me. See!' Am I not right?"

Pyotr Petrovitch sniggered as he listened, but without much merriment. He hardly heard it indeed. He was preoccupied with something else and even Lebeziatnikov at last noticed it. Pyotr Petrovitch seemed excited and rubbed his hands. Lebeziatnikov remembered all this and reflected upon it afterwards.

 CHAPTER II

It would be difficult to explain exactly what could have originated the idea of that senseless dinner in Katerina Ivanovna's disordered brain. Nearly ten of the twenty roubles, given by Raskolnikov for Marmeladov's funeral, were wasted upon it. Possibly Katerina Ivanovna felt obliged to honour the memory of the deceased "suitably," that all the lodgers, and still more Amalia Ivanovna, might know "that he was in no way their inferior, and perhaps very much their superior," and that no one had the right "to turn up his nose at him." Perhaps the chief element was that peculiar "poor man's pride," which compels many poor people to spend their last savings on some traditional social ceremony, simply in order to do "like other people," and not to "be looked down upon." It is very probable, too, that Katerina Ivanovna longed on this occasion, at the moment when she seemed to be abandoned by everyone, to show those "wretched contemptible lodgers" that she knew "how to do things, how to entertain" and that she had been brought up "in a genteel, she might almost say aristocratic colonel's family" and had not been meant for sweeping floors and washing the children's rags at night. Even the poorest and most broken-spirited people are sometimes liable to these paroxysms of pride and vanity which take the form of an irresistible nervous craving. And Katerina Ivanovna was not broken-spirited; she might have been killed by circumstance, but her spirit could not have been broken, that is, she could not have been intimidated, her will could not be crushed. Moreover Sonia had said with good reason that her mind was unhinged. She could not be said to be insane, but for a year past she had been so harassed that her mind might well be overstrained. The later stages of consumption are apt, doctors tell us, to affect the intellect.

There was no great variety of wines, nor was there Madeira; but wine there was. There was vodka, rum and Lisbon wine, all of the poorest quality but in sufficient quantity. Besides the traditional rice and honey, there were three or four dishes, one of which consisted of pancakes, all prepared in Amalia Ivanovna's kitchen. Two samovars were boiling, that tea and punch might be offered after dinner. Katerina Ivanovna had herself seen to purchasing the provisions, with the help of one of the lodgers, an unfortunate little Pole who had somehow been stranded at Madame Lippevechsel's. He promptly put himself at Katerina Ivanovna's disposal and had been all that morning and all the day before running about as fast as his legs could carry him, and very anxious that everyone should be aware of it. For every trifle he ran to Katerina Ivanovna, even hunting her out at the bazaar, at every instant called her "Pani." She was heartily sick of him before the end, though she had declared at first that she could not have got on without this "serviceable and magnanimous man." It was one of Katerina Ivanovna's characteristics to paint everyone she met in the most glowing colours. Her praises were so exaggerated as sometimes to be embarrassing; she would invent various circumstances to the credit of her new acquaintance and quite genuinely believe in their reality. Then all of a sudden she would be disillusioned and would rudely and contemptuously repulse the person she had only a few hours before been literally adoring. She was naturally of a gay, lively and peace-loving disposition, but from continual failures and misfortunes she had come to desire so keenly that all should live in peace and joy and should not dare to break the peace, that the slightest jar, the smallest disaster reduced her almost to frenzy, and she would pass in an instant from the brightest hopes and fancies to cursing her fate and raving, and knocking her head against the wall.

Amalia Ivanovna, too, suddenly acquired extraordinary importance in Katerina Ivanovna's eyes and was treated by her with extraordinary respect, probably only because Amalia Ivanovna had thrown herself heart and soul into the preparations. She had undertaken to lay the table, to provide the linen, crockery, etc., and to cook the dishes in her kitchen, and Katerina Ivanovna had left it all in her hands and gone herself to the cemetery. Everything had been well done. Even the table-cloth was nearly clean; the crockery, knives, forks and glasses were, of course, of all shapes and patterns, lent by different lodgers, but the table was properly laid at the time fixed, and Amalia Ivanovna, feeling she had done her work well, had put on a black silk dress and a cap with new mourning ribbons and met the returning party with some pride. This pride, though justifiable, displeased Katerina Ivanovna for some reason: "as though the table could not have been laid except by Amalia Ivanovna!" She disliked the cap with new ribbons, too. "Could she be stuck up, the stupid German, because she was mistress of the house, and had consented as a favour to help her poor lodgers! As a favour! Fancy that! Katerina Ivanovna's father who had been a colonel and almost a governor had sometimes had the table set for forty persons, and then anyone like Amalia Ivanovna, or rather Ludwigovna, would not have been allowed into the kitchen."

Katerina Ivanovna, however, put off expressing her feelings for the time and contented herself with treating her coldly, though she decided inwardly that she would certainly have to put Amalia Ivanovna down and set her in her proper place, for goodness only knew what she was fancying herself. Katerina Ivanovna was irritated too by the fact that hardly any of the lodgers invited had come to the funeral, except the Pole who had just managed to run into the cemetery, while to the memorial dinner the poorest and most insignificant of them had turned up, the wretched creatures, many of them not quite sober. The older and more respectable of them all, as if by common consent, stayed away. Pyotr Petrovitch Luzhin, for instance, who might be said to be the most respectable of all the lodgers, did not appear, though Katerina Ivanovna had the evening before told all the world, that is Amalia Ivanovna, Polenka, Sonia and the Pole, that he was the most generous, noble-hearted man with a large property and vast connections, who had been a friend of her first husband's, and a guest in her father's house, and that he had promised to use all his influence to secure her a considerable pension. It must be noted that when Katerina Ivanovna exalted anyone's connections and fortune, it was without any ulterior motive, quite disinterestedly, for the mere pleasure of adding to the consequence of the person praised. Probably "taking his cue" from Luzhin, "that contemptible wretch Lebeziatnikov had not turned up either. What did he fancy himself? He was only asked out of kindness and because he was sharing the same room with Pyotr Petrovitch and was a friend of his, so that it would have been awkward not to invite him."

Among those who failed to appear were "the genteel lady and her old-maidish daughter," who had only been lodgers in the house for the last fortnight, but had several times complained of the noise and uproar in Katerina Ivanovna's room, especially when Marmeladov had come back drunk. Katerina Ivanovna heard this from Amalia Ivanovna who, quarrelling with Katerina Ivanovna, and threatening to turn the whole family out of doors, had shouted at her that they "were not worth the foot" of the honourable lodgers whom they were disturbing. Katerina Ivanovna determined now to invite this lady and her daughter, "whose foot she was not worth," and who had turned away haughtily when she casually met them, so that they might know that "she was more noble in her thoughts and feelings and did not harbour malice," and might see that she was not accustomed to her way of living. She had proposed to make this clear to them at dinner with allusions to her late father's governorship, and also at the same time to hint that it was exceedingly stupid of them to turn away on meeting her. The fat colonel-major (he was really a discharged officer of low rank) was also absent, but it appeared that he had been "not himself" for the last two days. The party consisted of the Pole, a wretched looking clerk with a spotty face and a greasy coat, who had not a word to say for himself, and smelt abominably, a deaf and almost blind old man who had once been in the post office and who had been from immemorial ages maintained by someone at Amalia Ivanovna's.

A retired clerk of the commissariat department came, too; he was drunk, had a loud and most unseemly laugh and only fancy—was without a waistcoat! One of the visitors sat straight down to the table without even greeting Katerina Ivanovna. Finally one person having no suit appeared in his dressing-gown, but this was too much, and the efforts of Amalia Ivanovna and the Pole succeeded in removing him. The Pole brought with him, however, two other Poles who did not live at Amalia Ivanovna's and whom no one had seen here before. All this irritated Katerina Ivanovna intensely. "For whom had they made all these preparations then?" To make room for the visitors the children had not even been laid for at the table; but the two little ones were sitting on a bench in the furthest corner with their dinner laid on a box, while Polenka as a big girl had to look after them, feed them, and keep their noses wiped like well-bred children's.

Katerina Ivanovna, in fact, could hardly help meeting her guests with increased dignity, and even haughtiness. She stared at some of them with special severity, and loftily invited them to take their seats. Rushing to the conclusion that Amalia Ivanovna must be responsible for those who were absent, she began treating her with extreme nonchalance, which the latter promptly observed and resented. Such a beginning was no good omen for the end. All were seated at last.

Raskolnikov came in almost at the moment of their return from the cemetery. Katerina Ivanovna was greatly delighted to see him, in the first place, because he was the one "educated visitor, and, as everyone knew, was in two years to take a professorship in the university," and secondly because he immediately and respectfully apologised for having been unable to be at the funeral. She positively pounced upon him, and made him sit on her left hand (Amalia Ivanovna was on her right). In spite of her continual anxiety that the dishes should be passed round correctly and that everyone should taste them, in spite of the agonising cough which interrupted her every minute and seemed to have grown worse during the last few days, she hastened to pour out in a half whisper to Raskolnikov all her suppressed feelings and her just indignation at the failure of the dinner, interspersing her remarks with lively and uncontrollable laughter at the expense of her visitors and especially of her landlady.

"It's all that cuckoo's fault! You know whom I mean? Her, her!" Katerina Ivanovna nodded towards the landlady. "Look at her, she's making round eyes, she feels that we are talking about her and can't understand. Pfoo, the owl! Ha-ha! (Cough-cough-cough.) And what does she put on that cap for? (Cough-cough-cough.) Have you noticed that she wants everyone to consider that she is patronising me and doing me an honour by being here? I asked her like a sensible woman to invite people, especially those who knew my late husband, and look at the set of fools she has brought! The sweeps! Look at that one with the spotty face. And those wretched Poles, ha-ha-ha! (Cough-cough-cough.) Not one of them has ever poked his nose in here, I've never set eyes on them. What have they come here for, I ask you? There they sit in a row. Hey, pan!" she cried suddenly to one of them, "have you tasted the pancakes? Take some more! Have some beer! Won't you have some vodka? Look, he's jumped up and is making his bows, they must be quite starved, poor things. Never mind, let them eat! They don't make a noise, anyway, though I'm really afraid for our landlady's silver spoons... Amalia Ivanovna!" she addressed her suddenly, almost aloud, "if your spoons should happen to be stolen, I won't be responsible, I warn you! Ha-ha-ha!" She laughed turning to Raskolnikov, and again nodding towards the landlady, in high glee at her sally. "She didn't understand, she didn't understand again! Look how she sits with her mouth open! An owl, a real owl! An owl in new ribbons, ha-ha-ha!"

Here her laugh turned again to an insufferable fit of coughing that lasted five minutes. Drops of perspiration stood out on her forehead and her handkerchief was stained with blood. She showed Raskolnikov the blood in silence, and as soon as she could get her breath began whispering to him again with extreme animation and a hectic flush on her cheeks.

"Do you know, I gave her the most delicate instructions, so to speak, for inviting that lady and her daughter, you understand of whom I am speaking? It needed the utmost delicacy, the greatest nicety, but she has managed things so that that fool, that conceited baggage, that provincial nonentity, simply because she is the widow of a major, and has come to try and get a pension and to fray out her skirts in the government offices, because at fifty she paints her face (everybody knows it)... a creature like that did not think fit to come, and has not even answered the invitation, which the most ordinary good manners required! I can't understand why Pyotr Petrovitch has not come? But where's Sonia? Where has she gone? Ah, there she is at last! what is it, Sonia, where have you been? It's odd that even at your father's funeral you should be so unpunctual. Rodion Romanovitch, make room for her beside you. That's your place, Sonia... take what you like. Have some of the cold entrée with jelly, that's the best. They'll bring the pancakes directly. Have they given the children some? Polenka, have you got everything? (Cough-cough-cough.) That's all right. Be a good girl, Lida, and, Kolya, don't fidget with your feet; sit like a little gentleman. What are you saying, Sonia?"

Sonia hastened to give her Pyotr Petrovitch's apologies, trying to speak loud enough for everyone to hear and carefully choosing the most respectful phrases which she attributed to Pyotr Petrovitch. She added that Pyotr Petrovitch had particularly told her to say that, as soon as he possibly could, he would come immediately to discuss business alone with her and to consider what could be done for her, etc., etc.

Sonia knew that this would comfort Katerina Ivanovna, would flatter her and gratify her pride. She sat down beside Raskolnikov; she made him a hurried bow, glancing curiously at him. But for the rest of the time she seemed to avoid looking at him or speaking to him. She seemed absent-minded, though she kept looking at Katerina Ivanovna, trying to please her. Neither she nor Katerina Ivanovna had been able to get mourning; Sonia was wearing dark brown, and Katerina Ivanovna had on her only dress, a dark striped cotton one.

The message from Pyotr Petrovitch was very successful. Listening to Sonia with dignity, Katerina Ivanovna inquired with equal dignity how Pyotr Petrovitch was, then at once whispered almost aloud to Raskolnikov that it certainly would have been strange for a man of Pyotr Petrovitch's position and standing to find himself in such "extraordinary company," in spite of his devotion to her family and his old friendship with her father.

"That's why I am so grateful to you, Rodion Romanovitch, that you have not disdained my hospitality, even in such surroundings," she added almost aloud. "But I am sure that it was only your special affection for my poor husband that has made you keep your promise."

Then once more with pride and dignity she scanned her visitors, and suddenly inquired aloud across the table of the deaf man: "Wouldn't he have some more meat, and had he been given some wine?" The old man made no answer and for a long while could not understand what he was asked, though his neighbours amused themselves by poking and shaking him. He simply gazed about him with his mouth open, which only increased the general mirth.

"What an imbecile! Look, look! Why was he brought? But as to Pyotr Petrovitch, I always had confidence in him," Katerina Ivanovna continued, "and, of course, he is not like..." with an extremely stern face she addressed Amalia Ivanovna so sharply and loudly that the latter was quite disconcerted, "not like your dressed up draggletails whom my father would not have taken as cooks into his kitchen, and my late husband would have done them honour if he had invited them in the goodness of his heart."

"Yes, he was fond of drink, he was fond of it, he did drink!" cried the commissariat clerk, gulping down his twelfth glass of vodka.

"My late husband certainly had that weakness, and everyone knows it," Katerina Ivanovna attacked him at once, "but he was a kind and honourable man, who loved and respected his family. The worst of it was his good nature made him trust all sorts of disreputable people, and he drank with fellows who were not worth the sole of his shoe. Would you believe it, Rodion Romanovitch, they found a gingerbread cock in his pocket; he was dead drunk, but he did not forget the children!"

"A cock? Did you say a cock?" shouted the commissariat clerk.

Katerina Ivanovna did not vouchsafe a reply. She sighed, lost in thought.

"No doubt you think, like everyone, that I was too severe with him," she went on, addressing Raskolnikov. "But that's not so! He respected me, he respected me very much! He was a kind-hearted man! And how sorry I was for him sometimes! He would sit in a corner and look at me, I used to feel so sorry for him, I used to want to be kind to him and then would think to myself: 'Be kind to him and he will drink again,' it was only by severity that you could keep him within bounds."

"Yes, he used to get his hair pulled pretty often," roared the commissariat clerk again, swallowing another glass of vodka.

"Some fools would be the better for a good drubbing, as well as having their hair pulled. I am not talking of my late husband now!" Katerina Ivanovna snapped at him.

The flush on her cheeks grew more and more marked, her chest heaved. In another minute she would have been ready to make a scene. Many of the visitors were sniggering, evidently delighted. They began poking the commissariat clerk and whispering something to him. They were evidently trying to egg him on.

"Allow me to ask what are you alluding to," began the clerk, "that is to say, whose... about whom... did you say just now... But I don't care! That's nonsense! Widow! I forgive you.... Pass!"

And he took another drink of vodka.

Raskolnikov sat in silence, listening with disgust. He only ate from politeness, just tasting the food that Katerina Ivanovna was continually putting on his plate, to avoid hurting her feelings. He watched Sonia intently. But Sonia became more and more anxious and distressed; she, too, foresaw that the dinner would not end peaceably, and saw with terror Katerina Ivanovna's growing irritation. She knew that she, Sonia, was the chief reason for the 'genteel' ladies' contemptuous treatment of Katerina Ivanovna's invitation. She had heard from Amalia Ivanovna that the mother was positively offended at the invitation and had asked the question: "How could she let her daughter sit down beside that young person?" Sonia had a feeling that Katerina Ivanovna had already heard this and an insult to Sonia meant more to Katerina Ivanovna than an insult to herself, her children, or her father, Sonia knew that Katerina Ivanovna would not be satisfied now, "till she had shown those draggletails that they were both..." To make matters worse someone passed Sonia, from the other end of the table, a plate with two hearts pierced with an arrow, cut out of black bread. Katerina Ivanovna flushed crimson and at once said aloud across the table that the man who sent it was "a drunken ass!"

Amalia Ivanovna was foreseeing something amiss, and at the same time deeply wounded by Katerina Ivanovna's haughtiness, and to restore the good-humour of the company and raise herself in their esteem she began, apropos of nothing, telling a story about an acquaintance of hers "Karl from the chemist's," who was driving one night in a cab, and that "the cabman wanted him to kill, and Karl very much begged him not to kill, and wept and clasped hands, and frightened and from fear pierced his heart." Though Katerina Ivanovna smiled, she observed at once that Amalia Ivanovna ought not to tell anecdotes in Russian; the latter was still more offended, and she retorted that her "Vater aus Berlin was a very important man, and always went with his hands in pockets." Katerina Ivanovna could not restrain herself and laughed so much that Amalia Ivanovna lost patience and could scarcely control herself.

"Listen to the owl!" Katerina Ivanovna whispered at once, her good-humour almost restored, "she meant to say he kept his hands in his pockets, but she said he put his hands in people's pockets. (Cough-cough.) And have you noticed, Rodion Romanovitch, that all these Petersburg foreigners, the Germans especially, are all stupider than we! Can you fancy anyone of us telling how 'Karl from the chemist's' 'pierced his heart from fear' and that the idiot, instead of punishing the cabman, 'clasped his hands and wept, and much begged.' Ah, the fool! And you know she fancies it's very touching and does not suspect how stupid she is! To my thinking that drunken commissariat clerk is a great deal cleverer, anyway one can see that he has addled his brains with drink, but you know, these foreigners are always so well behaved and serious.... Look how she sits glaring! She is angry, ha-ha! (Cough-cough-cough.)"

Regaining her good-humour, Katerina Ivanovna began at once telling Raskolnikov that when she had obtained her pension, she intended to open a school for the daughters of gentlemen in her native town T——. This was the first time she had spoken to him of the project, and she launched out into the most alluring details. It suddenly appeared that Katerina Ivanovna had in her hands the very certificate of honour of which Marmeladov had spoken to Raskolnikov in the tavern, when he told him that Katerina Ivanovna, his wife, had danced the shawl dance before the governor and other great personages on leaving school. This certificate of honour was obviously intended now to prove Katerina Ivanovna's right to open a boarding-school; but she had armed herself with it chiefly with the object of overwhelming "those two stuck-up draggletails" if they came to the dinner, and proving incontestably that Katerina Ivanovna was of the most noble, "she might even say aristocratic family, a colonel's daughter and was far superior to certain adventuresses who have been so much to the fore of late." The certificate of honour immediately passed into the hands of the drunken guests, and Katerina Ivanovna did not try to retain it, for it actually contained the statement en toutes lettres, that her father was of the rank of a major, and also a companion of an order, so that she really was almost the daughter of a colonel.

Warming up, Katerina Ivanovna proceeded to enlarge on the peaceful and happy life they would lead in T——, on the gymnasium teachers whom she would engage to give lessons in her boarding-school, one a most respectable old Frenchman, one Mangot, who had taught Katerina Ivanovna herself in old days and was still living in T——, and would no doubt teach in her school on moderate terms. Next she spoke of Sonia who would go with her to T—— and help her in all her plans. At this someone at the further end of the table gave a sudden guffaw.

Though Katerina Ivanovna tried to appear to be disdainfully unaware of it, she raised her voice and began at once speaking with conviction of Sonia's undoubted ability to assist her, of "her gentleness, patience, devotion, generosity and good education," tapping Sonia on the cheek and kissing her warmly twice. Sonia flushed crimson, and Katerina Ivanovna suddenly burst into tears, immediately observing that she was "nervous and silly, that she was too much upset, that it was time to finish, and as the dinner was over, it was time to hand round the tea."

At that moment, Amalia Ivanovna, deeply aggrieved at taking no part in the conversation, and not being listened to, made one last effort, and with secret misgivings ventured on an exceedingly deep and weighty observation, that "in the future boarding-school she would have to pay particular attention to die Wäsche, and that there certainly must be a good dame to look after the linen, and secondly that the young ladies must not novels at night read."

Katerina Ivanovna, who certainly was upset and very tired, as well as heartily sick of the dinner, at once cut short Amalia Ivanovna, saying "she knew nothing about it and was talking nonsense, that it was the business of the laundry maid, and not of the directress of a high-class boarding-school to look after die Wäsche, and as for novel-reading, that was simply rudeness, and she begged her to be silent." Amalia Ivanovna fired up and getting angry observed that she only "meant her good," and that "she had meant her very good," and that "it was long since she had paid her gold for the lodgings."

Katerina Ivanovna at once "set her down," saying that it was a lie to say she wished her good, because only yesterday when her dead husband was lying on the table, she had worried her about the lodgings. To this Amalia Ivanovna very appropriately observed that she had invited those ladies, but "those ladies had not come, because those ladies are ladies and cannot come to a lady who is not a lady." Katerina Ivanovna at once pointed out to her, that as she was a slut she could not judge what made one really a lady. Amalia Ivanovna at once declared that her "Vater aus Berlin was a very, very important man, and both hands in pockets went, and always used to say: 'Poof! poof!'" and she leapt up from the table to represent her father, sticking her hands in her pockets, puffing her cheeks, and uttering vague sounds resembling "poof! poof!" amid loud laughter from all the lodgers, who purposely encouraged Amalia Ivanovna, hoping for a fight.

But this was too much for Katerina Ivanovna, and she at once declared, so that all could hear, that Amalia Ivanovna probably never had a father, but was simply a drunken Petersburg Finn, and had certainly once been a cook and probably something worse. Amalia Ivanovna turned as red as a lobster and squealed that perhaps Katerina Ivanovna never had a father, "but she had a Vater aus Berlin and that he wore a long coat and always said poof-poof-poof!"

Katerina Ivanovna observed contemptuously that all knew what her family was and that on that very certificate of honour it was stated in print that her father was a colonel, while Amalia Ivanovna's father—if she really had one—was probably some Finnish milkman, but that probably she never had a father at all, since it was still uncertain whether her name was Amalia Ivanovna or Amalia Ludwigovna.

At this Amalia Ivanovna, lashed to fury, struck the table with her fist, and shrieked that she was Amalia Ivanovna, and not Ludwigovna, "that her Vater was named Johann and that he was a burgomeister, and that Katerina Ivanovna's Vater was quite never a burgomeister." Katerina Ivanovna rose from her chair, and with a stern and apparently calm voice (though she was pale and her chest was heaving) observed that "if she dared for one moment to set her contemptible wretch of a father on a level with her papa, she, Katerina Ivanovna, would tear her cap off her head and trample it under foot." Amalia Ivanovna ran about the room, shouting at the top of her voice, that she was mistress of the house and that Katerina Ivanovna should leave the lodgings that minute; then she rushed for some reason to collect the silver spoons from the table. There was a great outcry and uproar, the children began crying. Sonia ran to restrain Katerina Ivanovna, but when Amalia Ivanovna shouted something about "the yellow ticket," Katerina Ivanovna pushed Sonia away, and rushed at the landlady to carry out her threat.

At that minute the door opened, and Pyotr Petrovitch Luzhin appeared on the threshold. He stood scanning the party with severe and vigilant eyes. Katerina Ivanovna rushed to him.

 CHAPTER III

"Pyotr Petrovitch," she cried, "protect me... you at least! Make this foolish woman understand that she can't behave like this to a lady in misfortune... that there is a law for such things.... I'll go to the governor-general himself.... She shall answer for it.... Remembering my father's hospitality protect these orphans."

"Allow me, madam.... Allow me." Pyotr Petrovitch waved her off. "Your papa as you are well aware I had not the honour of knowing" (someone laughed aloud) "and I do not intend to take part in your everlasting squabbles with Amalia Ivanovna.... I have come here to speak of my own affairs... and I want to have a word with your stepdaughter, Sofya... Ivanovna, I think it is? Allow me to pass."

Pyotr Petrovitch, edging by her, went to the opposite corner where Sonia was.

Katerina Ivanovna remained standing where she was, as though thunderstruck. She could not understand how Pyotr Petrovitch could deny having enjoyed her father's hospitality. Though she had invented it herself, she believed in it firmly by this time. She was struck too by the businesslike, dry and even contemptuous menacing tone of Pyotr Petrovitch. All the clamour gradually died away at his entrance. Not only was this "serious business man" strikingly incongruous with the rest of the party, but it was evident, too, that he had come upon some matter of consequence, that some exceptional cause must have brought him and that therefore something was going to happen. Raskolnikov, standing beside Sonia, moved aside to let him pass; Pyotr Petrovitch did not seem to notice him. A minute later Lebeziatnikov, too, appeared in the doorway; he did not come in, but stood still, listening with marked interest, almost wonder, and seemed for a time perplexed.

"Excuse me for possibly interrupting you, but it's a matter of some importance," Pyotr Petrovitch observed, addressing the company generally. "I am glad indeed to find other persons present. Amalia Ivanovna, I humbly beg you as mistress of the house to pay careful attention to what I have to say to Sofya Ivanovna. Sofya Ivanovna," he went on, addressing Sonia, who was very much surprised and already alarmed, "immediately after your visit I found that a hundred-rouble note was missing from my table, in the room of my friend Mr. Lebeziatnikov. If in any way whatever you know and will tell us where it is now, I assure you on my word of honour and call all present to witness that the matter shall end there. In the opposite case I shall be compelled to have recourse to very serious measures and then... you must blame yourself."

Complete silence reigned in the room. Even the crying children were still. Sonia stood deadly pale, staring at Luzhin and unable to say a word. She seemed not to understand. Some seconds passed.

"Well, how is it to be then?" asked Luzhin, looking intently at her.

"I don't know.... I know nothing about it," Sonia articulated faintly at last.

"No, you know nothing?" Luzhin repeated and again he paused for some seconds. "Think a moment, mademoiselle," he began severely, but still, as it were, admonishing her. "Reflect, I am prepared to give you time for consideration. Kindly observe this: if I were not so entirely convinced I should not, you may be sure, with my experience venture to accuse you so directly. Seeing that for such direct accusation before witnesses, if false or even mistaken, I should myself in a certain sense be made responsible, I am aware of that. This morning I changed for my own purposes several five-per-cent securities for the sum of approximately three thousand roubles. The account is noted down in my pocket-book. On my return home I proceeded to count the money—as Mr. Lebeziatnikov will bear witness—and after counting two thousand three hundred roubles I put the rest in my pocket-book in my coat pocket. About five hundred roubles remained on the table and among them three notes of a hundred roubles each. At that moment you entered (at my invitation)—and all the time you were present you were exceedingly embarrassed; so that three times you jumped up in the middle of the conversation and tried to make off. Mr. Lebeziatnikov can bear witness to this. You yourself, mademoiselle, probably will not refuse to confirm my statement that I invited you through Mr. Lebeziatnikov, solely in order to discuss with you the hopeless and destitute position of your relative, Katerina Ivanovna (whose dinner I was unable to attend), and the advisability of getting up something of the nature of a subscription, lottery or the like, for her benefit. You thanked me and even shed tears. I describe all this as it took place, primarily to recall it to your mind and secondly to show you that not the slightest detail has escaped my recollection. Then I took a ten-rouble note from the table and handed it to you by way of first instalment on my part for the benefit of your relative. Mr. Lebeziatnikov saw all this. Then I accompanied you to the door—you being still in the same state of embarrassment—after which, being left alone with Mr. Lebeziatnikov I talked to him for ten minutes—then Mr. Lebeziatnikov went out and I returned to the table with the money lying on it, intending to count it and to put it aside, as I proposed doing before. To my surprise one hundred-rouble note had disappeared. Kindly consider the position. Mr. Lebeziatnikov I cannot suspect. I am ashamed to allude to such a supposition. I cannot have made a mistake in my reckoning, for the minute before your entrance I had finished my accounts and found the total correct. You will admit that recollecting your embarrassment, your eagerness to get away and the fact that you kept your hands for some time on the table, and taking into consideration your social position and the habits associated with it, I was, so to say, with horror and positively against my will, compelled to entertain a suspicion—a cruel, but justifiable suspicion! I will add further and repeat that in spite of my positive conviction, I realise that I run a certain risk in making this accusation, but as you see, I could not let it pass. I have taken action and I will tell you why: solely, madam, solely, owing to your black ingratitude! Why! I invite you for the benefit of your destitute relative, I present you with my donation of ten roubles and you, on the spot, repay me for all that with such an action. It is too bad! You need a lesson. Reflect! Moreover, like a true friend I beg you—and you could have no better friend at this moment—think what you are doing, otherwise I shall be immovable! Well, what do you say?"

"I have taken nothing," Sonia whispered in terror, "you gave me ten roubles, here it is, take it."

Sonia pulled her handkerchief out of her pocket, untied a corner of it, took out the ten-rouble note and gave it to Luzhin.

"And the hundred roubles you do not confess to taking?" he insisted reproachfully, not taking the note.

Sonia looked about her. All were looking at her with such awful, stern, ironical, hostile eyes. She looked at Raskolnikov... he stood against the wall, with his arms crossed, looking at her with glowing eyes.

"Good God!" broke from Sonia.

"Amalia Ivanovna, we shall have to send word to the police and therefore I humbly beg you meanwhile to send for the house porter," Luzhin said softly and even kindly.

"Gott der Barmherzige! I knew she was the thief," cried Amalia Ivanovna, throwing up her hands.

"You knew it?" Luzhin caught her up, "then I suppose you had some reason before this for thinking so. I beg you, worthy Amalia Ivanovna, to remember your words which have been uttered before witnesses."

There was a buzz of loud conversation on all sides. All were in movement.

"What!" cried Katerina Ivanovna, suddenly realising the position, and she rushed at Luzhin. "What! You accuse her of stealing? Sonia? Ah, the wretches, the wretches!"

And running to Sonia she flung her wasted arms round her and held her as in a vise.

"Sonia! how dared you take ten roubles from him? Foolish girl! Give it to me! Give me the ten roubles at once—here!"

And snatching the note from Sonia, Katerina Ivanovna crumpled it up and flung it straight into Luzhin's face. It hit him in the eye and fell on the ground. Amalia Ivanovna hastened to pick it up. Pyotr Petrovitch lost his temper.

"Hold that mad woman!" he shouted.

At that moment several other persons, besides Lebeziatnikov, appeared in the doorway, among them the two ladies.

"What! Mad? Am I mad? Idiot!" shrieked Katerina Ivanovna. "You are an idiot yourself, pettifogging lawyer, base man! Sonia, Sonia take his money! Sonia a thief! Why, she'd give away her last penny!" and Katerina Ivanovna broke into hysterical laughter. "Did you ever see such an idiot?" she turned from side to side. "And you too?" she suddenly saw the landlady, "and you too, sausage eater, you declare that she is a thief, you trashy Prussian hen's leg in a crinoline! She hasn't been out of this room: she came straight from you, you wretch, and sat down beside me, everyone saw her. She sat here, by Rodion Romanovitch. Search her! Since she's not left the room, the money would have to be on her! Search her, search her! But if you don't find it, then excuse me, my dear fellow, you'll answer for it! I'll go to our Sovereign, to our Sovereign, to our gracious Tsar himself, and throw myself at his feet, to-day, this minute! I am alone in the world! They would let me in! Do you think they wouldn't? You're wrong, I will get in! I will get in! You reckoned on her meekness! You relied upon that! But I am not so submissive, let me tell you! You've gone too far yourself. Search her, search her!"

And Katerina Ivanovna in a frenzy shook Luzhin and dragged him towards Sonia.

"I am ready, I'll be responsible... but calm yourself, madam, calm yourself. I see that you are not so submissive!... Well, well, but as to that..." Luzhin muttered, "that ought to be before the police... though indeed there are witnesses enough as it is.... I am ready.... But in any case it's difficult for a man... on account of her sex.... But with the help of Amalia Ivanovna... though, of course, it's not the way to do things.... How is it to be done?"

"As you will! Let anyone who likes search her!" cried Katerina Ivanovna. "Sonia, turn out your pockets! See! Look, monster, the pocket is empty, here was her handkerchief! Here is the other pocket, look! D'you see, d'you see?"

And Katerina Ivanovna turned—or rather snatched—both pockets inside out. But from the right pocket a piece of paper flew out and describing a parabola in the air fell at Luzhin's feet. Everyone saw it, several cried out. Pyotr Petrovitch stooped down, picked up the paper in two fingers, lifted it where all could see it and opened it. It was a hundred-rouble note folded in eight. Pyotr Petrovitch held up the note showing it to everyone.

"Thief! Out of my lodging. Police, police!" yelled Amalia Ivanovna. "They must to Siberia be sent! Away!"

Exclamations arose on all sides. Raskolnikov was silent, keeping his eyes fixed on Sonia, except for an occasional rapid glance at Luzhin. Sonia stood still, as though unconscious. She was hardly able to feel surprise. Suddenly the colour rushed to her cheeks; she uttered a cry and hid her face in her hands.

"No, it wasn't I! I didn't take it! I know nothing about it," she cried with a heartrending wail, and she ran to Katerina Ivanovna, who clasped her tightly in her arms, as though she would shelter her from all the world.

"Sonia! Sonia! I don't believe it! You see, I don't believe it!" she cried in the face of the obvious fact, swaying her to and fro in her arms like a baby, kissing her face continually, then snatching at her hands and kissing them, too, "you took it! How stupid these people are! Oh dear! You are fools, fools," she cried, addressing the whole room, "you don't know, you don't know what a heart she has, what a girl she is! She take it, she? She'd sell her last rag, she'd go barefoot to help you if you needed it, that's what she is! She has the yellow passport because my children were starving, she sold herself for us! Ah, husband, husband! Do you see? Do you see? What a memorial dinner for you! Merciful heavens! Defend her, why are you all standing still? Rodion Romanovitch, why don't you stand up for her? Do you believe it, too? You are not worth her little finger, all of you together! Good God! Defend her now, at least!"

The wail of the poor, consumptive, helpless woman seemed to produce a great effect on her audience. The agonised, wasted, consumptive face, the parched blood-stained lips, the hoarse voice, the tears unrestrained as a child's, the trustful, childish and yet despairing prayer for help were so piteous that everyone seemed to feel for her. Pyotr Petrovitch at any rate was at once moved to compassion.

"Madam, madam, this incident does not reflect upon you!" he cried impressively, "no one would take upon himself to accuse you of being an instigator or even an accomplice in it, especially as you have proved her guilt by turning out her pockets, showing that you had no previous idea of it. I am most ready, most ready to show compassion, if poverty, so to speak, drove Sofya Semyonovna to it, but why did you refuse to confess, mademoiselle? Were you afraid of the disgrace? The first step? You lost your head, perhaps? One can quite understand it.... But how could you have lowered yourself to such an action? Gentlemen," he addressed the whole company, "gentlemen! Compassionate and, so to say, commiserating these people, I am ready to overlook it even now in spite of the personal insult lavished upon me! And may this disgrace be a lesson to you for the future," he said, addressing Sonia, "and I will carry the matter no further. Enough!"

Pyotr Petrovitch stole a glance at Raskolnikov. Their eyes met, and the fire in Raskolnikov's seemed ready to reduce him to ashes. Meanwhile Katerina Ivanovna apparently heard nothing. She was kissing and hugging Sonia like a madwoman. The children, too, were embracing Sonia on all sides, and Polenka—though she did not fully understand what was wrong—was drowned in tears and shaking with sobs, as she hid her pretty little face, swollen with weeping, on Sonia's shoulder.

"How vile!" a loud voice cried suddenly in the doorway.

Pyotr Petrovitch looked round quickly.

"What vileness!" Lebeziatnikov repeated, staring him straight in the face.

Pyotr Petrovitch gave a positive start—all noticed it and recalled it afterwards. Lebeziatnikov strode into the room.

"And you dared to call me as witness?" he said, going up to Pyotr Petrovitch.

"What do you mean? What are you talking about?" muttered Luzhin.

"I mean that you... are a slanderer, that's what my words mean!" Lebeziatnikov said hotly, looking sternly at him with his short-sighted eyes.

He was extremely angry. Raskolnikov gazed intently at him, as though seizing and weighing each word. Again there was a silence. Pyotr Petrovitch indeed seemed almost dumbfounded for the first moment.

"If you mean that for me,..." he began, stammering. "But what's the matter with you? Are you out of your mind?"

"I'm in my mind, but you are a scoundrel! Ah, how vile! I have heard everything. I kept waiting on purpose to understand it, for I must own even now it is not quite logical.... What you have done it all for I can't understand."

"Why, what have I done then? Give over talking in your nonsensical riddles! Or maybe you are drunk!"

"You may be a drunkard, perhaps, vile man, but I am not! I never touch vodka, for it's against my convictions. Would you believe it, he, he himself, with his own hands gave Sofya Semyonovna that hundred-rouble note—I saw it, I was a witness, I'll take my oath! He did it, he!" repeated Lebeziatnikov, addressing all.

"Are you crazy, milksop?" squealed Luzhin. "She is herself before you—she herself here declared just now before everyone that I gave her only ten roubles. How could I have given it to her?"

"I saw it, I saw it," Lebeziatnikov repeated, "and though it is against my principles, I am ready this very minute to take any oath you like before the court, for I saw how you slipped it in her pocket. Only like a fool I thought you did it out of kindness! When you were saying good-bye to her at the door, while you held her hand in one hand, with the other, the left, you slipped the note into her pocket. I saw it, I saw it!"

Luzhin turned pale.

"What lies!" he cried impudently, "why, how could you, standing by the window, see the note? You fancied it with your short-sighted eyes. You are raving!"

"No, I didn't fancy it. And though I was standing some way off, I saw it all. And though it certainly would be hard to distinguish a note from the window—that's true—I knew for certain that it was a hundred-rouble note, because, when you were going to give Sofya Semyonovna ten roubles, you took up from the table a hundred-rouble note (I saw it because I was standing near then, and an idea struck me at once, so that I did not forget you had it in your hand). You folded it and kept it in your hand all the time. I didn't think of it again until, when you were getting up, you changed it from your right hand to your left and nearly dropped it! I noticed it because the same idea struck me again, that you meant to do her a kindness without my seeing. You can fancy how I watched you and I saw how you succeeded in slipping it into her pocket. I saw it, I saw it, I'll take my oath."

Lebeziatnikov was almost breathless. Exclamations arose on all hands chiefly expressive of wonder, but some were menacing in tone. They all crowded round Pyotr Petrovitch. Katerina Ivanovna flew to Lebeziatnikov.

"I was mistaken in you! Protect her! You are the only one to take her part! She is an orphan. God has sent you!"

Katerina Ivanovna, hardly knowing what she was doing, sank on her knees before him.

"A pack of nonsense!" yelled Luzhin, roused to fury, "it's all nonsense you've been talking! 'An idea struck you, you didn't think, you noticed'—what does it amount to? So I gave it to her on the sly on purpose? What for? With what object? What have I to do with this...?"

"What for? That's what I can't understand, but that what I am telling you is the fact, that's certain! So far from my being mistaken, you infamous criminal man, I remember how, on account of it, a question occurred to me at once, just when I was thanking you and pressing your hand. What made you put it secretly in her pocket? Why you did it secretly, I mean? Could it be simply to conceal it from me, knowing that my convictions are opposed to yours and that I do not approve of private benevolence, which effects no radical cure? Well, I decided that you really were ashamed of giving such a large sum before me. Perhaps, too, I thought, he wants to give her a surprise, when she finds a whole hundred-rouble note in her pocket. (For I know, some benevolent people are very fond of decking out their charitable actions in that way.) Then the idea struck me, too, that you wanted to test her, to see whether, when she found it, she would come to thank you. Then, too, that you wanted to avoid thanks and that, as the saying is, your right hand should not know... something of that sort, in fact. I thought of so many possibilities that I put off considering it, but still thought it indelicate to show you that I knew your secret. But another idea struck me again that Sofya Semyonovna might easily lose the money before she noticed it, that was why I decided to come in here to call her out of the room and to tell her that you put a hundred roubles in her pocket. But on my way I went first to Madame Kobilatnikov's to take them the 'General Treatise on the Positive Method' and especially to recommend Piderit's article (and also Wagner's); then I come on here and what a state of things I find! Now could I, could I, have all these ideas and reflections if I had not seen you put the hundred-rouble note in her pocket?"

When Lebeziatnikov finished his long-winded harangue with the logical deduction at the end, he was quite tired, and the perspiration streamed from his face. He could not, alas, even express himself correctly in Russian, though he knew no other language, so that he was quite exhausted, almost emaciated after this heroic exploit. But his speech produced a powerful effect. He had spoken with such vehemence, with such conviction that everyone obviously believed him. Pyotr Petrovitch felt that things were going badly with him.

"What is it to do with me if silly ideas did occur to you?" he shouted, "that's no evidence. You may have dreamt it, that's all! And I tell you, you are lying, sir. You are lying and slandering from some spite against me, simply from pique, because I did not agree with your free-thinking, godless, social propositions!"

But this retort did not benefit Pyotr Petrovitch. Murmurs of disapproval were heard on all sides.

"Ah, that's your line now, is it!" cried Lebeziatnikov, "that's nonsense! Call the police and I'll take my oath! There's only one thing I can't understand: what made him risk such a contemptible action. Oh, pitiful, despicable man!"

"I can explain why he risked such an action, and if necessary, I, too, will swear to it," Raskolnikov said at last in a firm voice, and he stepped forward.

He appeared to be firm and composed. Everyone felt clearly, from the very look of him that he really knew about it and that the mystery would be solved.

"Now I can explain it all to myself," said Raskolnikov, addressing Lebeziatnikov. "From the very beginning of the business, I suspected that there was some scoundrelly intrigue at the bottom of it. I began to suspect it from some special circumstances known to me only, which I will explain at once to everyone: they account for everything. Your valuable evidence has finally made everything clear to me. I beg all, all to listen. This gentleman (he pointed to Luzhin) was recently engaged to be married to a young lady—my sister, Avdotya Romanovna Raskolnikov. But coming to Petersburg he quarrelled with me, the day before yesterday, at our first meeting and I drove him out of my room—I have two witnesses to prove it. He is a very spiteful man.... The day before yesterday I did not know that he was staying here, in your room, and that consequently on the very day we quarrelled—the day before yesterday—he saw me give Katerina Ivanovna some money for the funeral, as a friend of the late Mr. Marmeladov. He at once wrote a note to my mother and informed her that I had given away all my money, not to Katerina Ivanovna but to Sofya Semyonovna, and referred in a most contemptible way to the... character of Sofya Semyonovna, that is, hinted at the character of my attitude to Sofya Semyonovna. All this you understand was with the object of dividing me from my mother and sister, by insinuating that I was squandering on unworthy objects the money which they had sent me and which was all they had. Yesterday evening, before my mother and sister and in his presence, I declared that I had given the money to Katerina Ivanovna for the funeral and not to Sofya Semyonovna and that I had no acquaintance with Sofya Semyonovna and had never seen her before, indeed. At the same time I added that he, Pyotr Petrovitch Luzhin, with all his virtues, was not worth Sofya Semyonovna's little finger, though he spoke so ill of her. To his question—would I let Sofya Semyonovna sit down beside my sister, I answered that I had already done so that day. Irritated that my mother and sister were unwilling to quarrel with me at his insinuations, he gradually began being unpardonably rude to them. A final rupture took place and he was turned out of the house. All this happened yesterday evening. Now I beg your special attention: consider: if he had now succeeded in proving that Sofya Semyonovna was a thief, he would have shown to my mother and sister that he was almost right in his suspicions, that he had reason to be angry at my putting my sister on a level with Sofya Semyonovna, that, in attacking me, he was protecting and preserving the honour of my sister, his betrothed. In fact he might even, through all this, have been able to estrange me from my family, and no doubt he hoped to be restored to favour with them; to say nothing of revenging himself on me personally, for he has grounds for supposing that the honour and happiness of Sofya Semyonovna are very precious to me. That was what he was working for! That's how I understand it. That's the whole reason for it and there can be no other!"

It was like this, or somewhat like this, that Raskolnikov wound up his speech which was followed very attentively, though often interrupted by exclamations from his audience. But in spite of interruptions he spoke clearly, calmly, exactly, firmly. His decisive voice, his tone of conviction and his stern face made a great impression on everyone.

"Yes, yes, that's it," Lebeziatnikov assented gleefully, "that must be it, for he asked me, as soon as Sofya Semyonovna came into our room, whether you were here, whether I had seen you among Katerina Ivanovna's guests. He called me aside to the window and asked me in secret. It was essential for him that you should be here! That's it, that's it!"

Luzhin smiled contemptuously and did not speak. But he was very pale. He seemed to be deliberating on some means of escape. Perhaps he would have been glad to give up everything and get away, but at the moment this was scarcely possible. It would have implied admitting the truth of the accusations brought against him. Moreover, the company, which had already been excited by drink, was now too much stirred to allow it. The commissariat clerk, though indeed he had not grasped the whole position, was shouting louder than anyone and was making some suggestions very unpleasant to Luzhin. But not all those present were drunk; lodgers came in from all the rooms. The three Poles were tremendously excited and were continually shouting at him: "The pan is a lajdak!" and muttering threats in Polish. Sonia had been listening with strained attention, though she too seemed unable to grasp it all; she seemed as though she had just returned to consciousness. She did not take her eyes off Raskolnikov, feeling that all her safety lay in him. Katerina Ivanovna breathed hard and painfully and seemed fearfully exhausted. Amalia Ivanovna stood looking more stupid than anyone, with her mouth wide open, unable to make out what had happened. She only saw that Pyotr Petrovitch had somehow come to grief.

Raskolnikov was attempting to speak again, but they did not let him. Everyone was crowding round Luzhin with threats and shouts of abuse. But Pyotr Petrovitch was not intimidated. Seeing that his accusation of Sonia had completely failed, he had recourse to insolence:

"Allow me, gentlemen, allow me! Don't squeeze, let me pass!" he said, making his way through the crowd. "And no threats, if you please! I assure you it will be useless, you will gain nothing by it. On the contrary, you'll have to answer, gentlemen, for violently obstructing the course of justice. The thief has been more than unmasked, and I shall prosecute. Our judges are not so blind and... not so drunk, and will not believe the testimony of two notorious infidels, agitators, and atheists, who accuse me from motives of personal revenge which they are foolish enough to admit.... Yes, allow me to pass!"

"Don't let me find a trace of you in my room! Kindly leave at once, and everything is at an end between us! When I think of the trouble I've been taking, the way I've been expounding... all this fortnight!"

"I told you myself to-day that I was going, when you tried to keep me; now I will simply add that you are a fool. I advise you to see a doctor for your brains and your short sight. Let me pass, gentlemen!"

He forced his way through. But the commissariat clerk was unwilling to let him off so easily: he picked up a glass from the table, brandished it in the air and flung it at Pyotr Petrovitch; but the glass flew straight at Amalia Ivanovna. She screamed, and the clerk, overbalancing, fell heavily under the table. Pyotr Petrovitch made his way to his room and half an hour later had left the house. Sonia, timid by nature, had felt before that day that she could be ill-treated more easily than anyone, and that she could be wronged with impunity. Yet till that moment she had fancied that she might escape misfortune by care, gentleness and submissiveness before everyone. Her disappointment was too great. She could, of course, bear with patience and almost without murmur anything, even this. But for the first minute she felt it too bitter. In spite of her triumph and her justification—when her first terror and stupefaction had passed and she could understand it all clearly—the feeling of her helplessness and of the wrong done to her made her heart throb with anguish and she was overcome with hysterical weeping. At last, unable to bear any more, she rushed out of the room and ran home, almost immediately after Luzhin's departure. When amidst loud laughter the glass flew at Amalia Ivanovna, it was more than the landlady could endure. With a shriek she rushed like a fury at Katerina Ivanovna, considering her to blame for everything.

"Out of my lodgings! At once! Quick march!"

And with these words she began snatching up everything she could lay her hands on that belonged to Katerina Ivanovna, and throwing it on the floor. Katerina Ivanovna, pale, almost fainting, and gasping for breath, jumped up from the bed where she had sunk in exhaustion and darted at Amalia Ivanovna. But the battle was too unequal: the landlady waved her away like a feather.

"What! As though that godless calumny was not enough—this vile creature attacks me! What! On the day of my husband's funeral I am turned out of my lodging! After eating my bread and salt she turns me into the street, with my orphans! Where am I to go?" wailed the poor woman, sobbing and gasping. "Good God!" she cried with flashing eyes, "is there no justice upon earth? Whom should you protect if not us orphans? We shall see! There is law and justice on earth, there is, I will find it! Wait a bit, godless creature! Polenka, stay with the children, I'll come back. Wait for me, if you have to wait in the street. We will see whether there is justice on earth!"

And throwing over her head that green shawl which Marmeladov had mentioned to Raskolnikov, Katerina Ivanovna squeezed her way through the disorderly and drunken crowd of lodgers who still filled the room, and, wailing and tearful, she ran into the street—with a vague intention of going at once somewhere to find justice. Polenka with the two little ones in her arms crouched, terrified, on the trunk in the corner of the room, where she waited trembling for her mother to come back. Amalia Ivanovna raged about the room, shrieking, lamenting and throwing everything she came across on the floor. The lodgers talked incoherently, some commented to the best of their ability on what had happened, others quarrelled and swore at one another, while others struck up a song....

"Now it's time for me to go," thought Raskolnikov. "Well, Sofya Semyonovna, we shall see what you'll say now!"

And he set off in the direction of Sonia's lodgings.

 CHAPTER IV

Raskolnikov had been a vigorous and active champion of Sonia against Luzhin, although he had such a load of horror and anguish in his own heart. But having gone through so much in the morning, he found a sort of relief in a change of sensations, apart from the strong personal feeling which impelled him to defend Sonia. He was agitated too, especially at some moments, by the thought of his approaching interview with Sonia: he had to tell her who had killed Lizaveta. He knew the terrible suffering it would be to him and, as it were, brushed away the thought of it. So when he cried as he left Katerina Ivanovna's, "Well, Sofya Semyonovna, we shall see what you'll say now!" he was still superficially excited, still vigorous and defiant from his triumph over Luzhin. But, strange to say, by the time he reached Sonia's lodging, he felt a sudden impotence and fear. He stood still in hesitation at the door, asking himself the strange question: "Must he tell her who killed Lizaveta?" It was a strange question because he felt at the very time not only that he could not help telling her, but also that he could not put off the telling. He did not yet know why it must be so, he only felt it, and the agonising sense of his impotence before the inevitable almost crushed him. To cut short his hesitation and suffering, he quickly opened the door and looked at Sonia from the doorway. She was sitting with her elbows on the table and her face in her hands, but seeing Raskolnikov she got up at once and came to meet him as though she were expecting him.

"What would have become of me but for you?" she said quickly, meeting him in the middle of the room.

Evidently she was in haste to say this to him. It was what she had been waiting for.

Raskolnikov went to the table and sat down on the chair from which she had only just risen. She stood facing him, two steps away, just as she had done the day before.

"Well, Sonia?" he said, and felt that his voice was trembling, "it was all due to 'your social position and the habits associated with it.' Did you understand that just now?"

Her face showed her distress.

"Only don't talk to me as you did yesterday," she interrupted him. "Please don't begin it. There is misery enough without that."

She made haste to smile, afraid that he might not like the reproach.

"I was silly to come away from there. What is happening there now? I wanted to go back directly, but I kept thinking that... you would come."

He told her that Amalia Ivanovna was turning them out of their lodging and that Katerina Ivanovna had run off somewhere "to seek justice."

"My God!" cried Sonia, "let's go at once...."

And she snatched up her cape.

"It's everlastingly the same thing!" said Raskolnikov, irritably. "You've no thought except for them! Stay a little with me."

"But... Katerina Ivanovna?"

"You won't lose Katerina Ivanovna, you may be sure, she'll come to you herself since she has run out," he added peevishly. "If she doesn't find you here, you'll be blamed for it...."

Sonia sat down in painful suspense. Raskolnikov was silent, gazing at the floor and deliberating.

"This time Luzhin did not want to prosecute you," he began, not looking at Sonia, "but if he had wanted to, if it had suited his plans, he would have sent you to prison if it had not been for Lebeziatnikov and me. Ah?"

"Yes," she assented in a faint voice. "Yes," she repeated, preoccupied and distressed.

"But I might easily not have been there. And it was quite an accident Lebeziatnikov's turning up."

Sonia was silent.

"And if you'd gone to prison, what then? Do you remember what I said yesterday?"

Again she did not answer. He waited.

"I thought you would cry out again 'don't speak of it, leave off.'" Raskolnikov gave a laugh, but rather a forced one. "What, silence again?" he asked a minute later. "We must talk about something, you know. It would be interesting for me to know how you would decide a certain 'problem' as Lebeziatnikov would say." (He was beginning to lose the thread.) "No, really, I am serious. Imagine, Sonia, that you had known all Luzhin's intentions beforehand. Known, that is, for a fact, that they would be the ruin of Katerina Ivanovna and the children and yourself thrown in—since you don't count yourself for anything—Polenka too... for she'll go the same way. Well, if suddenly it all depended on your decision whether he or they should go on living, that is whether Luzhin should go on living and doing wicked things, or Katerina Ivanovna should die? How would you decide which of them was to die? I ask you?"

Sonia looked uneasily at him. There was something peculiar in this hesitating question, which seemed approaching something in a roundabout way.

"I felt that you were going to ask some question like that," she said, looking inquisitively at him.

"I dare say you did. But how is it to be answered?"

"Why do you ask about what could not happen?" said Sonia reluctantly.

"Then it would be better for Luzhin to go on living and doing wicked things? You haven't dared to decide even that!"

"But I can't know the Divine Providence.... And why do you ask what can't be answered? What's the use of such foolish questions? How could it happen that it should depend on my decision—who has made me a judge to decide who is to live and who is not to live?"

"Oh, if the Divine Providence is to be mixed up in it, there is no doing anything," Raskolnikov grumbled morosely.

"You'd better say straight out what you want!" Sonia cried in distress. "You are leading up to something again.... Can you have come simply to torture me?"

She could not control herself and began crying bitterly. He looked at her in gloomy misery. Five minutes passed.

"Of course you're right, Sonia," he said softly at last. He was suddenly changed. His tone of assumed arrogance and helpless defiance was gone. Even his voice was suddenly weak. "I told you yesterday that I was not coming to ask forgiveness and almost the first thing I've said is to ask forgiveness.... I said that about Luzhin and Providence for my own sake. I was asking forgiveness, Sonia...."

He tried to smile, but there was something helpless and incomplete in his pale smile. He bowed his head and hid his face in his hands.

And suddenly a strange, surprising sensation of a sort of bitter hatred for Sonia passed through his heart. As it were wondering and frightened of this sensation, he raised his head and looked intently at her; but he met her uneasy and painfully anxious eyes fixed on him; there was love in them; his hatred vanished like a phantom. It was not the real feeling; he had taken the one feeling for the other. It only meant that that minute had come.

He hid his face in his hands again and bowed his head. Suddenly he turned pale, got up from his chair, looked at Sonia, and without uttering a word sat down mechanically on her bed.

His sensations that moment were terribly like the moment when he had stood over the old woman with the axe in his hand and felt that "he must not lose another minute."

"What's the matter?" asked Sonia, dreadfully frightened.

He could not utter a word. This was not at all, not at all the way he had intended to "tell" and he did not understand what was happening to him now. She went up to him, softly, sat down on the bed beside him and waited, not taking her eyes off him. Her heart throbbed and sank. It was unendurable; he turned his deadly pale face to her. His lips worked, helplessly struggling to utter something. A pang of terror passed through Sonia's heart.

"What's the matter?" she repeated, drawing a little away from him.

"Nothing, Sonia, don't be frightened.... It's nonsense. It really is nonsense, if you think of it," he muttered, like a man in delirium. "Why have I come to torture you?" he added suddenly, looking at her. "Why, really? I keep asking myself that question, Sonia...."

He had perhaps been asking himself that question a quarter of an hour before, but now he spoke helplessly, hardly knowing what he said and feeling a continual tremor all over.

"Oh, how you are suffering!" she muttered in distress, looking intently at him.

"It's all nonsense.... Listen, Sonia." He suddenly smiled, a pale helpless smile for two seconds. "You remember what I meant to tell you yesterday?"

Sonia waited uneasily.

"I said as I went away that perhaps I was saying good-bye for ever, but that if I came to-day I would tell you who... who killed Lizaveta."

She began trembling all over.

"Well, here I've come to tell you."

"Then you really meant it yesterday?" she whispered with difficulty. "How do you know?" she asked quickly, as though suddenly regaining her reason.

Sonia's face grew paler and paler, and she breathed painfully.

"I know."

She paused a minute.

"Have they found him?" she asked timidly.

"No."

"Then how do you know about it?" she asked again, hardly audibly and again after a minute's pause.

He turned to her and looked very intently at her.

"Guess," he said, with the same distorted helpless smile.

A shudder passed over her.

"But you... why do you frighten me like this?" she said, smiling like a child.

"I must be a great friend of his... since I know," Raskolnikov went on, still gazing into her face, as though he could not turn his eyes away. "He... did not mean to kill that Lizaveta... he... killed her accidentally.... He meant to kill the old woman when she was alone and he went there... and then Lizaveta came in... he killed her too."

Another awful moment passed. Both still gazed at one another.

"You can't guess, then?" he asked suddenly, feeling as though he were flinging himself down from a steeple.

"N-no..." whispered Sonia.

"Take a good look."

As soon as he had said this again, the same familiar sensation froze his heart. He looked at her and all at once seemed to see in her face the face of Lizaveta. He remembered clearly the expression in Lizaveta's face, when he approached her with the axe and she stepped back to the wall, putting out her hand, with childish terror in her face, looking as little children do when they begin to be frightened of something, looking intently and uneasily at what frightens them, shrinking back and holding out their little hands on the point of crying. Almost the same thing happened now to Sonia. With the same helplessness and the same terror, she looked at him for a while and, suddenly putting out her left hand, pressed her fingers faintly against his breast and slowly began to get up from the bed, moving further from him and keeping her eyes fixed even more immovably on him. Her terror infected him. The same fear showed itself on his face. In the same way he stared at her and almost with the same childish smile.

"Have you guessed?" he whispered at last.

"Good God!" broke in an awful wail from her bosom.

She sank helplessly on the bed with her face in the pillows, but a moment later she got up, moved quickly to him, seized both his hands and, gripping them tight in her thin fingers, began looking into his face again with the same intent stare. In this last desperate look she tried to look into him and catch some last hope. But there was no hope; there was no doubt remaining; it was all true! Later on, indeed, when she recalled that moment, she thought it strange and wondered why she had seen at once that there was no doubt. She could not have said, for instance, that she had foreseen something of the sort—and yet now, as soon as he told her, she suddenly fancied that she had really foreseen this very thing.

"Stop, Sonia, enough! don't torture me," he begged her miserably.

It was not at all, not at all like this he had thought of telling her, but this is how it happened.

She jumped up, seeming not to know what she was doing, and, wringing her hands, walked into the middle of the room; but quickly went back and sat down again beside him, her shoulder almost touching his. All of a sudden she started as though she had been stabbed, uttered a cry and fell on her knees before him, she did not know why.

"What have you done—what have you done to yourself?" she said in despair, and, jumping up, she flung herself on his neck, threw her arms round him, and held him tightly.

Raskolnikov drew back and looked at her with a mournful smile.

"You are a strange girl, Sonia—you kiss me and hug me when I tell you about that.... You don't think what you are doing."

"There is no one—no one in the whole world now so unhappy as you!" she cried in a frenzy, not hearing what he said, and she suddenly broke into violent hysterical weeping.

A feeling long unfamiliar to him flooded his heart and softened it at once. He did not struggle against it. Two tears started into his eyes and hung on his eyelashes.

"Then you won't leave me, Sonia?" he said, looking at her almost with hope.

"No, no, never, nowhere!" cried Sonia. "I will follow you, I will follow you everywhere. Oh, my God! Oh, how miserable I am!... Why, why didn't I know you before! Why didn't you come before? Oh, dear!"

"Here I have come."

"Yes, now! What's to be done now?... Together, together!" she repeated as it were unconsciously, and she hugged him again. "I'll follow you to Siberia!"

He recoiled at this, and the same hostile, almost haughty smile came to his lips.

"Perhaps I don't want to go to Siberia yet, Sonia," he said.

Sonia looked at him quickly.

Again after her first passionate, agonising sympathy for the unhappy man the terrible idea of the murder overwhelmed her. In his changed tone she seemed to hear the murderer speaking. She looked at him bewildered. She knew nothing as yet, why, how, with what object it had been. Now all these questions rushed at once into her mind. And again she could not believe it: "He, he is a murderer! Could it be true?"

"What's the meaning of it? Where am I?" she said in complete bewilderment, as though still unable to recover herself. "How could you, you, a man like you.... How could you bring yourself to it?... What does it mean?"

"Oh, well—to plunder. Leave off, Sonia," he answered wearily, almost with vexation.

Sonia stood as though struck dumb, but suddenly she cried:

"You were hungry! It was... to help your mother? Yes?"

"No, Sonia, no," he muttered, turning away and hanging his head. "I was not so hungry.... I certainly did want to help my mother, but... that's not the real thing either.... Don't torture me, Sonia."

Sonia clasped her hands.

"Could it, could it all be true? Good God, what a truth! Who could believe it? And how could you give away your last farthing and yet rob and murder! Ah," she cried suddenly, "that money you gave Katerina Ivanovna... that money.... Can that money..."

"No, Sonia," he broke in hurriedly, "that money was not it. Don't worry yourself! That money my mother sent me and it came when I was ill, the day I gave it to you.... Razumihin saw it... he received it for me.... That money was mine—my own."

Sonia listened to him in bewilderment and did her utmost to comprehend.

"And that money.... I don't even know really whether there was any money," he added softly, as though reflecting. "I took a purse off her neck, made of chamois leather... a purse stuffed full of something... but I didn't look in it; I suppose I hadn't time.... And the things—chains and trinkets—I buried under a stone with the purse next morning in a yard off the V—— Prospect. They are all there now...."

Sonia strained every nerve to listen.

"Then why... why, you said you did it to rob, but you took nothing?" she asked quickly, catching at a straw.

"I don't know.... I haven't yet decided whether to take that money or not," he said, musing again; and, seeming to wake up with a start, he gave a brief ironical smile. "Ach, what silly stuff I am talking, eh?"

The thought flashed through Sonia's mind, wasn't he mad? But she dismissed it at once. "No, it was something else." She could make nothing of it, nothing.

"Do you know, Sonia," he said suddenly with conviction, "let me tell you: if I'd simply killed because I was hungry," laying stress on every word and looking enigmatically but sincerely at her, "I should be happy now. You must believe that! What would it matter to you," he cried a moment later with a sort of despair, "what would it matter to you if I were to confess that I did wrong? What do you gain by such a stupid triumph over me? Ah, Sonia, was it for that I've come to you to-day?"

Again Sonia tried to say something, but did not speak.

"I asked you to go with me yesterday because you are all I have left."

"Go where?" asked Sonia timidly.

"Not to steal and not to murder, don't be anxious," he smiled bitterly. "We are so different.... And you know, Sonia, it's only now, only this moment that I understand where I asked you to go with me yesterday! Yesterday when I said it I did not know where. I asked you for one thing, I came to you for one thing—not to leave me. You won't leave me, Sonia?"

She squeezed his hand.

"And why, why did I tell her? Why did I let her know?" he cried a minute later in despair, looking with infinite anguish at her. "Here you expect an explanation from me, Sonia; you are sitting and waiting for it, I see that. But what can I tell you? You won't understand and will only suffer misery... on my account! Well, you are crying and embracing me again. Why do you do it? Because I couldn't bear my burden and have come to throw it on another: you suffer too, and I shall feel better! And can you love such a mean wretch?"

"But aren't you suffering, too?" cried Sonia.

Again a wave of the same feeling surged into his heart, and again for an instant softened it.

"Sonia, I have a bad heart, take note of that. It may explain a great deal. I have come because I am bad. There are men who wouldn't have come. But I am a coward and... a mean wretch. But... never mind! That's not the point. I must speak now, but I don't know how to begin."

He paused and sank into thought.

"Ach, we are so different," he cried again, "we are not alike. And why, why did I come? I shall never forgive myself that."

"No, no, it was a good thing you came," cried Sonia. "It's better I should know, far better!"

He looked at her with anguish.

"What if it were really that?" he said, as though reaching a conclusion. "Yes, that's what it was! I wanted to become a Napoleon, that is why I killed her.... Do you understand now?"

"N-no," Sonia whispered naïvely and timidly. "Only speak, speak, I shall understand, I shall understand in myself!" she kept begging him.

"You'll understand? Very well, we shall see!" He paused and was for some time lost in meditation.

"It was like this: I asked myself one day this question—what if Napoleon, for instance, had happened to be in my place, and if he had not had Toulon nor Egypt nor the passage of Mont Blanc to begin his career with, but instead of all those picturesque and monumental things, there had simply been some ridiculous old hag, a pawnbroker, who had to be murdered too to get money from her trunk (for his career, you understand). Well, would he have brought himself to that if there had been no other means? Wouldn't he have felt a pang at its being so far from monumental and... and sinful, too? Well, I must tell you that I worried myself fearfully over that 'question' so that I was awfully ashamed when I guessed at last (all of a sudden, somehow) that it would not have given him the least pang, that it would not even have struck him that it was not monumental... that he would not have seen that there was anything in it to pause over, and that, if he had had no other way, he would have strangled her in a minute without thinking about it! Well, I too... left off thinking about it... murdered her, following his example. And that's exactly how it was! Do you think it funny? Yes, Sonia, the funniest thing of all is that perhaps that's just how it was."

Sonia did not think it at all funny.

"You had better tell me straight out... without examples," she begged, still more timidly and scarcely audibly.

He turned to her, looked sadly at her and took her hands.

"You are right again, Sonia. Of course that's all nonsense, it's almost all talk! You see, you know of course that my mother has scarcely anything, my sister happened to have a good education and was condemned to drudge as a governess. All their hopes were centered on me. I was a student, but I couldn't keep myself at the university and was forced for a time to leave it. Even if I had lingered on like that, in ten or twelve years I might (with luck) hope to be some sort of teacher or clerk with a salary of a thousand roubles" (he repeated it as though it were a lesson) "and by that time my mother would be worn out with grief and anxiety and I could not succeed in keeping her in comfort while my sister... well, my sister might well have fared worse! And it's a hard thing to pass everything by all one's life, to turn one's back upon everything, to forget one's mother and decorously accept the insults inflicted on one's sister. Why should one? When one has buried them to burden oneself with others—wife and children—and to leave them again without a farthing? So I resolved to gain possession of the old woman's money and to use it for my first years without worrying my mother, to keep myself at the university and for a little while after leaving it—and to do this all on a broad, thorough scale, so as to build up a completely new career and enter upon a new life of independence.... Well... that's all.... Well, of course in killing the old woman I did wrong.... Well, that's enough."

He struggled to the end of his speech in exhaustion and let his head sink.

"Oh, that's not it, that's not it," Sonia cried in distress. "How could one... no, that's not right, not right."

"You see yourself that it's not right. But I've spoken truly, it's the truth."

"As though that could be the truth! Good God!"

"I've only killed a louse, Sonia, a useless, loathsome, harmful creature."

"A human being—a louse!"

"I too know it wasn't a louse," he answered, looking strangely at her. "But I am talking nonsense, Sonia," he added. "I've been talking nonsense a long time.... That's not it, you are right there. There were quite, quite other causes for it! I haven't talked to anyone for so long, Sonia.... My head aches dreadfully now."

His eyes shone with feverish brilliance. He was almost delirious; an uneasy smile strayed on his lips. His terrible exhaustion could be seen through his excitement. Sonia saw how he was suffering. She too was growing dizzy. And he talked so strangely; it seemed somehow comprehensible, but yet... "But how, how! Good God!" And she wrung her hands in despair.

"No, Sonia, that's not it," he began again suddenly, raising his head, as though a new and sudden train of thought had struck and as it were roused him—"that's not it! Better... imagine—yes, it's certainly better—imagine that I am vain, envious, malicious, base, vindictive and... well, perhaps with a tendency to insanity. (Let's have it all out at once! They've talked of madness already, I noticed.) I told you just now I could not keep myself at the university. But do you know that perhaps I might have done? My mother would have sent me what I needed for the fees and I could have earned enough for clothes, boots and food, no doubt. Lessons had turned up at half a rouble. Razumihin works! But I turned sulky and wouldn't. (Yes, sulkiness, that's the right word for it!) I sat in my room like a spider. You've been in my den, you've seen it.... And do you know, Sonia, that low ceilings and tiny rooms cramp the soul and the mind? Ah, how I hated that garret! And yet I wouldn't go out of it! I wouldn't on purpose! I didn't go out for days together, and I wouldn't work, I wouldn't even eat, I just lay there doing nothing. If Nastasya brought me anything, I ate it, if she didn't, I went all day without; I wouldn't ask, on purpose, from sulkiness! At night I had no light, I lay in the dark and I wouldn't earn money for candles. I ought to have studied, but I sold my books; and the dust lies an inch thick on the notebooks on my table. I preferred lying still and thinking. And I kept thinking.... And I had dreams all the time, strange dreams of all sorts, no need to describe! Only then I began to fancy that... No, that's not it! Again I am telling you wrong! You see I kept asking myself then: why am I so stupid that if others are stupid—and I know they are—yet I won't be wiser? Then I saw, Sonia, that if one waits for everyone to get wiser it will take too long.... Afterwards I understood that that would never come to pass, that men won't change and that nobody can alter it and that it's not worth wasting effort over it. Yes, that's so. That's the law of their nature, Sonia,... that's so!... And I know now, Sonia, that whoever is strong in mind and spirit will have power over them. Anyone who is greatly daring is right in their eyes. He who despises most things will be a lawgiver among them and he who dares most of all will be most in the right! So it has been till now and so it will always be. A man must be blind not to see it!"

Though Raskolnikov looked at Sonia as he said this, he no longer cared whether she understood or not. The fever had complete hold of him; he was in a sort of gloomy ecstasy (he certainly had been too long without talking to anyone). Sonia felt that his gloomy creed had become his faith and code.

"I divined then, Sonia," he went on eagerly, "that power is only vouchsafed to the man who dares to stoop and pick it up. There is only one thing, one thing needful: one has only to dare! Then for the first time in my life an idea took shape in my mind which no one had ever thought of before me, no one! I saw clear as daylight how strange it is that not a single person living in this mad world has had the daring to go straight for it all and send it flying to the devil! I... I wanted to have the daring... and I killed her. I only wanted to have the daring, Sonia! That was the whole cause of it!"

"Oh hush, hush," cried Sonia, clasping her hands. "You turned away from God and God has smitten you, has given you over to the devil!"

"Then Sonia, when I used to lie there in the dark and all this became clear to me, was it a temptation of the devil, eh?"

"Hush, don't laugh, blasphemer! You don't understand, you don't understand! Oh God! He won't understand!"

"Hush, Sonia! I am not laughing. I know myself that it was the devil leading me. Hush, Sonia, hush!" he repeated with gloomy insistence. "I know it all, I have thought it all over and over and whispered it all over to myself, lying there in the dark.... I've argued it all over with myself, every point of it, and I know it all, all! And how sick, how sick I was then of going over it all! I have kept wanting to forget it and make a new beginning, Sonia, and leave off thinking. And you don't suppose that I went into it headlong like a fool? I went into it like a wise man, and that was just my destruction. And you mustn't suppose that I didn't know, for instance, that if I began to question myself whether I had the right to gain power—I certainly hadn't the right—or that if I asked myself whether a human being is a louse it proved that it wasn't so for me, though it might be for a man who would go straight to his goal without asking questions.... If I worried myself all those days, wondering whether Napoleon would have done it or not, I felt clearly of course that I wasn't Napoleon. I had to endure all the agony of that battle of ideas, Sonia, and I longed to throw it off: I wanted to murder without casuistry, to murder for my own sake, for myself alone! I didn't want to lie about it even to myself. It wasn't to help my mother I did the murder—that's nonsense—I didn't do the murder to gain wealth and power and to become a benefactor of mankind. Nonsense! I simply did it; I did the murder for myself, for myself alone, and whether I became a benefactor to others, or spent my life like a spider catching men in my web and sucking the life out of men, I couldn't have cared at that moment.... And it was not the money I wanted, Sonia, when I did it. It was not so much the money I wanted, but something else.... I know it all now.... Understand me! Perhaps I should never have committed a murder again. I wanted to find out something else; it was something else led me on. I wanted to find out then and quickly whether I was a louse like everybody else or a man. Whether I can step over barriers or not, whether I dare stoop to pick up or not, whether I am a trembling creature or whether I have the right..."

"To kill? Have the right to kill?" Sonia clasped her hands.

"Ach, Sonia!" he cried irritably and seemed about to make some retort, but was contemptuously silent. "Don't interrupt me, Sonia. I want to prove one thing only, that the devil led me on then and he has shown me since that I had not the right to take that path, because I am just such a louse as all the rest. He was mocking me and here I've come to you now! Welcome your guest! If I were not a louse, should I have come to you? Listen: when I went then to the old woman's I only went to try.... You may be sure of that!"

"And you murdered her!"

"But how did I murder her? Is that how men do murders? Do men go to commit a murder as I went then? I will tell you some day how I went! Did I murder the old woman? I murdered myself, not her! I crushed myself once for all, for ever.... But it was the devil that killed that old woman, not I. Enough, enough, Sonia, enough! Let me be!" he cried in a sudden spasm of agony, "let me be!"

He leaned his elbows on his knees and squeezed his head in his hands as in a vise.

"What suffering!" A wail of anguish broke from Sonia.

"Well, what am I to do now?" he asked, suddenly raising his head and looking at her with a face hideously distorted by despair.

"What are you to do?" she cried, jumping up, and her eyes that had been full of tears suddenly began to shine. "Stand up!" (She seized him by the shoulder, he got up, looking at her almost bewildered.) "Go at once, this very minute, stand at the cross-roads, bow down, first kiss the earth which you have defiled and then bow down to all the world and say to all men aloud, 'I am a murderer!' Then God will send you life again. Will you go, will you go?" she asked him, trembling all over, snatching his two hands, squeezing them tight in hers and gazing at him with eyes full of fire.

He was amazed at her sudden ecstasy.

"You mean Siberia, Sonia? I must give myself up?" he asked gloomily.

"Suffer and expiate your sin by it, that's what you must do."

"No! I am not going to them, Sonia!"

"But how will you go on living? What will you live for?" cried Sonia, "how is it possible now? Why, how can you talk to your mother? (Oh, what will become of them now?) But what am I saying? You have abandoned your mother and your sister already. He has abandoned them already! Oh, God!" she cried, "why, he knows it all himself. How, how can he live by himself! What will become of you now?"

"Don't be a child, Sonia," he said softly. "What wrong have I done them? Why should I go to them? What should I say to them? That's only a phantom.... They destroy men by millions themselves and look on it as a virtue. They are knaves and scoundrels, Sonia! I am not going to them. And what should I say to them—that I murdered her, but did not dare to take the money and hid it under a stone?" he added with a bitter smile. "Why, they would laugh at me, and would call me a fool for not getting it. A coward and a fool! They wouldn't understand and they don't deserve to understand. Why should I go to them? I won't. Don't be a child, Sonia...."

"It will be too much for you to bear, too much!" she repeated, holding out her hands in despairing supplication.

"Perhaps I've been unfair to myself," he observed gloomily, pondering, "perhaps after all I am a man and not a louse and I've been in too great a hurry to condemn myself. I'll make another fight for it."

A haughty smile appeared on his lips.

"What a burden to bear! And your whole life, your whole life!"

"I shall get used to it," he said grimly and thoughtfully. "Listen," he began a minute later, "stop crying, it's time to talk of the facts: I've come to tell you that the police are after me, on my track...."

"Ach!" Sonia cried in terror.

"Well, why do you cry out? You want me to go to Siberia and now you are frightened? But let me tell you: I shall not give myself up. I shall make a struggle for it and they won't do anything to me. They've no real evidence. Yesterday I was in great danger and believed I was lost; but to-day things are going better. All the facts they know can be explained two ways, that's to say I can turn their accusations to my credit, do you understand? And I shall, for I've learnt my lesson. But they will certainly arrest me. If it had not been for something that happened, they would have done so to-day for certain; perhaps even now they will arrest me to-day.... But that's no matter, Sonia; they'll let me out again... for there isn't any real proof against me, and there won't be, I give you my word for it. And they can't convict a man on what they have against me. Enough.... I only tell you that you may know.... I will try to manage somehow to put it to my mother and sister so that they won't be frightened.... My sister's future is secure, however, now, I believe... and my mother's must be too.... Well, that's all. Be careful, though. Will you come and see me in prison when I am there?"

"Oh, I will, I will."

They sat side by side, both mournful and dejected, as though they had been cast up by the tempest alone on some deserted shore. He looked at Sonia and felt how great was her love for him, and strange to say he felt it suddenly burdensome and painful to be so loved. Yes, it was a strange and awful sensation! On his way to see Sonia he had felt that all his hopes rested on her; he expected to be rid of at least part of his suffering, and now, when all her heart turned towards him, he suddenly felt that he was immeasurably unhappier than before.

"Sonia," he said, "you'd better not come and see me when I am in prison."

Sonia did not answer, she was crying. Several minutes passed.

"Have you a cross on you?" she asked, as though suddenly thinking of it.

He did not at first understand the question.

"No, of course not. Here, take this one, of cypress wood. I have another, a copper one that belonged to Lizaveta. I changed with Lizaveta: she gave me her cross and I gave her my little ikon. I will wear Lizaveta's now and give you this. Take it... it's mine! It's mine, you know," she begged him. "We will go to suffer together, and together we will bear our cross!"

"Give it me," said Raskolnikov.

He did not want to hurt her feelings. But immediately he drew back the hand he held out for the cross.

"Not now, Sonia. Better later," he added to comfort her.

"Yes, yes, better," she repeated with conviction, "when you go to meet your suffering, then put it on. You will come to me, I'll put it on you, we will pray and go together."

At that moment someone knocked three times at the door.

"Sofya Semyonovna, may I come in?" they heard in a very familiar and polite voice.

Sonia rushed to the door in a fright. The flaxen head of Mr. Lebeziatnikov appeared at the door.

 CHAPTER V
Lebeziatnikov looked perturbed.

"I've come to you, Sofya Semyonovna," he began. "Excuse me... I thought I should find you," he said, addressing Raskolnikov suddenly, "that is, I didn't mean anything... of that sort... But I just thought... Katerina Ivanovna has gone out of her mind," he blurted out suddenly, turning from Raskolnikov to Sonia.

Sonia screamed.

"At least it seems so. But... we don't know what to do, you see! She came back—she seems to have been turned out somewhere, perhaps beaten.... So it seems at least,... She had run to your father's former chief, she didn't find him at home: he was dining at some other general's.... Only fancy, she rushed off there, to the other general's, and, imagine, she was so persistent that she managed to get the chief to see her, had him fetched out from dinner, it seems. You can imagine what happened. She was turned out, of course; but, according to her own story, she abused him and threw something at him. One may well believe it.... How it is she wasn't taken up, I can't understand! Now she is telling everyone, including Amalia Ivanovna; but it's difficult to understand her, she is screaming and flinging herself about.... Oh yes, she shouts that since everyone has abandoned her, she will take the children and go into the street with a barrel-organ, and the children will sing and dance, and she too, and collect money, and will go every day under the general's window... 'to let everyone see well-born children, whose father was an official, begging in the street.' She keeps beating the children and they are all crying. She is teaching Lida to sing 'My Village,' the boy to dance, Polenka the same. She is tearing up all the clothes, and making them little caps like actors; she means to carry a tin basin and make it tinkle, instead of music.... She won't listen to anything.... Imagine the state of things! It's beyond anything!"

Lebeziatnikov would have gone on, but Sonia, who had heard him almost breathless, snatched up her cloak and hat, and ran out of the room, putting on her things as she went. Raskolnikov followed her and Lebeziatnikov came after him.

"She has certainly gone mad!" he said to Raskolnikov, as they went out into the street. "I didn't want to frighten Sofya Semyonovna, so I said 'it seemed like it,' but there isn't a doubt of it. They say that in consumption the tubercles sometimes occur in the brain; it's a pity I know nothing of medicine. I did try to persuade her, but she wouldn't listen."

"Did you talk to her about the tubercles?"

"Not precisely of the tubercles. Besides, she wouldn't have understood! But what I say is, that if you convince a person logically that he has nothing to cry about, he'll stop crying. That's clear. Is it your conviction that he won't?"

"Life would be too easy if it were so," answered Raskolnikov.

"Excuse me, excuse me; of course it would be rather difficult for Katerina Ivanovna to understand, but do you know that in Paris they have been conducting serious experiments as to the possibility of curing the insane, simply by logical argument? One professor there, a scientific man of standing, lately dead, believed in the possibility of such treatment. His idea was that there's nothing really wrong with the physical organism of the insane, and that insanity is, so to say, a logical mistake, an error of judgment, an incorrect view of things. He gradually showed the madman his error and, would you believe it, they say he was successful? But as he made use of douches too, how far success was due to that treatment remains uncertain.... So it seems at least."

Raskolnikov had long ceased to listen. Reaching the house where he lived, he nodded to Lebeziatnikov and went in at the gate. Lebeziatnikov woke up with a start, looked about him and hurried on.

Raskolnikov went into his little room and stood still in the middle of it. Why had he come back here? He looked at the yellow and tattered paper, at the dust, at his sofa.... From the yard came a loud continuous knocking; someone seemed to be hammering... He went to the window, rose on tiptoe and looked out into the yard for a long time with an air of absorbed attention. But the yard was empty and he could not see who was hammering. In the house on the left he saw some open windows; on the window-sills were pots of sickly-looking geraniums. Linen was hung out of the windows... He knew it all by heart. He turned away and sat down on the sofa.

Never, never had he felt himself so fearfully alone!

Yes, he felt once more that he would perhaps come to hate Sonia, now that he had made her more miserable.

"Why had he gone to her to beg for her tears? What need had he to poison her life? Oh, the meanness of it!"

"I will remain alone," he said resolutely, "and she shall not come to the prison!"

Five minutes later he raised his head with a strange smile. That was a strange thought.

"Perhaps it really would be better in Siberia," he thought suddenly.

He could not have said how long he sat there with vague thoughts surging through his mind. All at once the door opened and Dounia came in. At first she stood still and looked at him from the doorway, just as he had done at Sonia; then she came in and sat down in the same place as yesterday, on the chair facing him. He looked silently and almost vacantly at her.

"Don't be angry, brother; I've only come for one minute," said Dounia.

Her face looked thoughtful but not stern. Her eyes were bright and soft. He saw that she too had come to him with love.

"Brother, now I know all, all. Dmitri Prokofitch has explained and told me everything. They are worrying and persecuting you through a stupid and contemptible suspicion.... Dmitri Prokofitch told me that there is no danger, and that you are wrong in looking upon it with such horror. I don't think so, and I fully understand how indignant you must be, and that that indignation may have a permanent effect on you. That's what I am afraid of. As for your cutting yourself off from us, I don't judge you, I don't venture to judge you, and forgive me for having blamed you for it. I feel that I too, if I had so great a trouble, should keep away from everyone. I shall tell mother nothing of this, but I shall talk about you continually and shall tell her from you that you will come very soon. Don't worry about her; I will set her mind at rest; but don't you try her too much—come once at least; remember that she is your mother. And now I have come simply to say" (Dounia began to get up) "that if you should need me or should need... all my life or anything... call me, and I'll come. Good-bye!"

She turned abruptly and went towards the door.

"Dounia!" Raskolnikov stopped her and went towards her. "That Razumihin, Dmitri Prokofitch, is a very good fellow."

Dounia flushed slightly.

"Well?" she asked, waiting a moment.

"He is competent, hardworking, honest and capable of real love.... Good-bye, Dounia."

Dounia flushed crimson, then suddenly she took alarm.

"But what does it mean, brother? Are we really parting for ever that you... give me such a parting message?"

"Never mind.... Good-bye."

He turned away, and walked to the window. She stood a moment, looked at him uneasily, and went out troubled.

No, he was not cold to her. There was an instant (the very last one) when he had longed to take her in his arms and say good-bye to her, and even to tell her, but he had not dared even to touch her hand.

"Afterwards she may shudder when she remembers that I embraced her, and will feel that I stole her kiss."

"And would she stand that test?" he went on a few minutes later to himself. "No, she wouldn't; girls like that can't stand things! They never do."

And he thought of Sonia.

There was a breath of fresh air from the window. The daylight was fading. He took up his cap and went out.

He could not, of course, and would not consider how ill he was. But all this continual anxiety and agony of mind could not but affect him. And if he were not lying in high fever it was perhaps just because this continual inner strain helped to keep him on his legs and in possession of his faculties. But this artificial excitement could not last long.

He wandered aimlessly. The sun was setting. A special form of misery had begun to oppress him of late. There was nothing poignant, nothing acute about it; but there was a feeling of permanence, of eternity about it; it brought a foretaste of hopeless years of this cold leaden misery, a foretaste of an eternity "on a square yard of space." Towards evening this sensation usually began to weigh on him more heavily.

"With this idiotic, purely physical weakness, depending on the sunset or something, one can't help doing something stupid! You'll go to Dounia, as well as to Sonia," he muttered bitterly.

He heard his name called. He looked round. Lebeziatnikov rushed up to him.

"Only fancy, I've been to your room looking for you. Only fancy, she's carried out her plan, and taken away the children. Sofya Semyonovna and I have had a job to find them. She is rapping on a frying-pan and making the children dance. The children are crying. They keep stopping at the cross-roads and in front of shops; there's a crowd of fools running after them. Come along!"

"And Sonia?" Raskolnikov asked anxiously, hurrying after Lebeziatnikov.

"Simply frantic. That is, it's not Sofya Semyonovna's frantic, but Katerina Ivanovna, though Sofya Semyonova's frantic too. But Katerina Ivanovna is absolutely frantic. I tell you she is quite mad. They'll be taken to the police. You can fancy what an effect that will have.... They are on the canal bank, near the bridge now, not far from Sofya Semyonovna's, quite close."

On the canal bank near the bridge and not two houses away from the one where Sonia lodged, there was a crowd of people, consisting principally of gutter children. The hoarse broken voice of Katerina Ivanovna could be heard from the bridge, and it certainly was a strange spectacle likely to attract a street crowd. Katerina Ivanovna in her old dress with the green shawl, wearing a torn straw hat, crushed in a hideous way on one side, was really frantic. She was exhausted and breathless. Her wasted consumptive face looked more suffering than ever, and indeed out of doors in the sunshine a consumptive always looks worse than at home. But her excitement did not flag, and every moment her irritation grew more intense. She rushed at the children, shouted at them, coaxed them, told them before the crowd how to dance and what to sing, began explaining to them why it was necessary, and driven to desperation by their not understanding, beat them.... Then she would make a rush at the crowd; if she noticed any decently dressed person stopping to look, she immediately appealed to him to see what these children "from a genteel, one may say aristocratic, house" had been brought to. If she heard laughter or jeering in the crowd, she would rush at once at the scoffers and begin squabbling with them. Some people laughed, others shook their heads, but everyone felt curious at the sight of the madwoman with the frightened children. The frying-pan of which Lebeziatnikov had spoken was not there, at least Raskolnikov did not see it. But instead of rapping on the pan, Katerina Ivanovna began clapping her wasted hands, when she made Lida and Kolya dance and Polenka sing. She too joined in the singing, but broke down at the second note with a fearful cough, which made her curse in despair and even shed tears. What made her most furious was the weeping and terror of Kolya and Lida. Some effort had been made to dress the children up as street singers are dressed. The boy had on a turban made of something red and white to look like a Turk. There had been no costume for Lida; she simply had a red knitted cap, or rather a night cap that had belonged to Marmeladov, decorated with a broken piece of white ostrich feather, which had been Katerina Ivanovna's grandmother's and had been preserved as a family possession. Polenka was in her everyday dress; she looked in timid perplexity at her mother, and kept at her side, hiding her tears. She dimly realised her mother's condition, and looked uneasily about her. She was terribly frightened of the street and the crowd. Sonia followed Katerina Ivanovna, weeping and beseeching her to return home, but Katerina Ivanovna was not to be persuaded.

"Leave off, Sonia, leave off," she shouted, speaking fast, panting and coughing. "You don't know what you ask; you are like a child! I've told you before that I am not coming back to that drunken German. Let everyone, let all Petersburg see the children begging in the streets, though their father was an honourable man who served all his life in truth and fidelity, and one may say died in the service." (Katerina Ivanovna had by now invented this fantastic story and thoroughly believed it.) "Let that wretch of a general see it! And you are silly, Sonia: what have we to eat? Tell me that. We have worried you enough, I won't go on so! Ah, Rodion Romanovitch, is that you?" she cried, seeing Raskolnikov and rushing up to him. "Explain to this silly girl, please, that nothing better could be done! Even organ-grinders earn their living, and everyone will see at once that we are different, that we are an honourable and bereaved family reduced to beggary. And that general will lose his post, you'll see! We shall perform under his windows every day, and if the Tsar drives by, I'll fall on my knees, put the children before me, show them to him, and say 'Defend us father.' He is the father of the fatherless, he is merciful, he'll protect us, you'll see, and that wretch of a general.... Lida, tenez vous droite! Kolya, you'll dance again. Why are you whimpering? Whimpering again! What are you afraid of, stupid? Goodness, what am I to do with them, Rodion Romanovitch? If you only knew how stupid they are! What's one to do with such children?"

And she, almost crying herself—which did not stop her uninterrupted, rapid flow of talk—pointed to the crying children. Raskolnikov tried to persuade her to go home, and even said, hoping to work on her vanity, that it was unseemly for her to be wandering about the streets like an organ-grinder, as she was intending to become the principal of a boarding-school.

"A boarding-school, ha-ha-ha! A castle in the air," cried Katerina Ivanovna, her laugh ending in a cough. "No, Rodion Romanovitch, that dream is over! All have forsaken us!... And that general.... You know, Rodion Romanovitch, I threw an inkpot at him—it happened to be standing in the waiting-room by the paper where you sign your name. I wrote my name, threw it at him and ran away. Oh, the scoundrels, the scoundrels! But enough of them, now I'll provide for the children myself, I won't bow down to anybody! She has had to bear enough for us!" she pointed to Sonia. "Polenka, how much have you got? Show me! What, only two farthings! Oh, the mean wretches! They give us nothing, only run after us, putting their tongues out. There, what is that blockhead laughing at?" (She pointed to a man in the crowd.) "It's all because Kolya here is so stupid; I have such a bother with him. What do you want, Polenka? Tell me in French, parlez-moi français. Why, I've taught you, you know some phrases. Else how are you to show that you are of good family, well brought-up children, and not at all like other organ-grinders? We aren't going to have a Punch and Judy show in the street, but to sing a genteel song.... Ah, yes,... What are we to sing? You keep putting me out, but we... you see, we are standing here, Rodion Romanovitch, to find something to sing and get money, something Kolya can dance to.... For, as you can fancy, our performance is all impromptu.... We must talk it over and rehearse it all thoroughly, and then we shall go to Nevsky, where there are far more people of good society, and we shall be noticed at once. Lida knows 'My Village' only, nothing but 'My Village,' and everyone sings that. We must sing something far more genteel.... Well, have you thought of anything, Polenka? If only you'd help your mother! My memory's quite gone, or I should have thought of something. We really can't sing 'An Hussar.' Ah, let us sing in French, 'Cinq sous,' I have taught it you, I have taught it you. And as it is in French, people will see at once that you are children of good family, and that will be much more touching.... You might sing 'Marlborough s'en va-t-en guerre,' for that's quite a child's song and is sung as a lullaby in all the aristocratic houses.

"Marlborough s'en va-t-en guerre Ne sait quand reviendra..." she began singing. "But no, better sing 'Cinq sous.' Now, Kolya, your hands on your hips, make haste, and you, Lida, keep turning the other way, and Polenka and I will sing and clap our hands!

"Cinq sous, cinq sous Pour monter notre menage."

(Cough-cough-cough!) "Set your dress straight, Polenka, it's slipped down on your shoulders," she observed, panting from coughing. "Now it's particularly necessary to behave nicely and genteelly, that all may see that you are well-born children. I said at the time that the bodice should be cut longer, and made of two widths. It was your fault, Sonia, with your advice to make it shorter, and now you see the child is quite deformed by it.... Why, you're all crying again! What's the matter, stupids? Come, Kolya, begin. Make haste, make haste! Oh, what an unbearable child!

"Cinq sous, cinq sous.

"A policeman again! What do you want?"

A policeman was indeed forcing his way through the crowd. But at that moment a gentleman in civilian uniform and an overcoat—a solid-looking official of about fifty with a decoration on his neck (which delighted Katerina Ivanovna and had its effect on the policeman)—approached and without a word handed her a green three-rouble note. His face wore a look of genuine sympathy. Katerina Ivanovna took it and gave him a polite, even ceremonious, bow.

"I thank you, honoured sir," she began loftily. "The causes that have induced us (take the money, Polenka: you see there are generous and honourable people who are ready to help a poor gentlewoman in distress). You see, honoured sir, these orphans of good family—I might even say of aristocratic connections—and that wretch of a general sat eating grouse... and stamped at my disturbing him. 'Your excellency,' I said, 'protect the orphans, for you knew my late husband, Semyon Zaharovitch, and on the very day of his death the basest of scoundrels slandered his only daughter.'... That policeman again! Protect me," she cried to the official. "Why is that policeman edging up to me? We have only just run away from one of them. What do you want, fool?"

"It's forbidden in the streets. You mustn't make a disturbance."

"It's you're making a disturbance. It's just the same as if I were grinding an organ. What business is it of yours?"

"You have to get a licence for an organ, and you haven't got one, and in that way you collect a crowd. Where do you lodge?"

"What, a license?" wailed Katerina Ivanovna. "I buried my husband to-day. What need of a license?"

"Calm yourself, madam, calm yourself," began the official. "Come along; I will escort you.... This is no place for you in the crowd. You are ill."

"Honoured sir, honoured sir, you don't know," screamed Katerina Ivanovna. "We are going to the Nevsky.... Sonia, Sonia! Where is she? She is crying too! What's the matter with you all? Kolya, Lida, where are you going?" she cried suddenly in alarm. "Oh, silly children! Kolya, Lida, where are they off to?..."

Kolya and Lida, scared out of their wits by the crowd, and their mother's mad pranks, suddenly seized each other by the hand, and ran off at the sight of the policeman who wanted to take them away somewhere. Weeping and wailing, poor Katerina Ivanovna ran after them. She was a piteous and unseemly spectacle, as she ran, weeping and panting for breath. Sonia and Polenka rushed after them.

"Bring them back, bring them back, Sonia! Oh stupid, ungrateful children!... Polenka! catch them.... It's for your sakes I..."

She stumbled as she ran and fell down.

"She's cut herself, she's bleeding! Oh, dear!" cried Sonia, bending over her.

All ran up and crowded around. Raskolnikov and Lebeziatnikov were the first at her side, the official too hastened up, and behind him the policeman who muttered, "Bother!" with a gesture of impatience, feeling that the job was going to be a troublesome one.

"Pass on! Pass on!" he said to the crowd that pressed forward.

"She's dying," someone shouted.

"She's gone out of her mind," said another.

"Lord have mercy upon us," said a woman, crossing herself. "Have they caught the little girl and the boy? They're being brought back, the elder one's got them.... Ah, the naughty imps!"

When they examined Katerina Ivanovna carefully, they saw that she had not cut herself against a stone, as Sonia thought, but that the blood that stained the pavement red was from her chest.

"I've seen that before," muttered the official to Raskolnikov and Lebeziatnikov; "that's consumption; the blood flows and chokes the patient. I saw the same thing with a relative of my own not long ago... nearly a pint of blood, all in a minute.... What's to be done though? She is dying."

"This way, this way, to my room!" Sonia implored. "I live here!... See, that house, the second from here.... Come to me, make haste," she turned from one to the other. "Send for the doctor! Oh, dear!"

Thanks to the official's efforts, this plan was adopted, the policeman even helping to carry Katerina Ivanovna. She was carried to Sonia's room, almost unconscious, and laid on the bed. The blood was still flowing, but she seemed to be coming to herself. Raskolnikov, Lebeziatnikov, and the official accompanied Sonia into the room and were followed by the policeman, who first drove back the crowd which followed to the very door. Polenka came in holding Kolya and Lida, who were trembling and weeping. Several persons came in too from the Kapernaumovs' room; the landlord, a lame one-eyed man of strange appearance with whiskers and hair that stood up like a brush, his wife, a woman with an everlastingly scared expression, and several open-mouthed children with wonder-struck faces. Among these, Svidrigaïlov suddenly made his appearance. Raskolnikov looked at him with surprise, not understanding where he had come from and not having noticed him in the crowd. A doctor and priest wore spoken of. The official whispered to Raskolnikov that he thought it was too late now for the doctor, but he ordered him to be sent for. Kapernaumov ran himself.

Meanwhile Katerina Ivanovna had regained her breath. The bleeding ceased for a time. She looked with sick but intent and penetrating eyes at Sonia, who stood pale and trembling, wiping the sweat from her brow with a handkerchief. At last she asked to be raised. They sat her up on the bed, supporting her on both sides.

"Where are the children?" she said in a faint voice. "You've brought them, Polenka? Oh the sillies! Why did you run away.... Och!"

Once more her parched lips were covered with blood. She moved her eyes, looking about her.

"So that's how you live, Sonia! Never once have I been in your room."

She looked at her with a face of suffering.

"We have been your ruin, Sonia. Polenka, Lida, Kolya, come here! Well, here they are, Sonia, take them all! I hand them over to you, I've had enough! The ball is over." (Cough!) "Lay me down, let me die in peace."

They laid her back on the pillow.

"What, the priest? I don't want him. You haven't got a rouble to spare. I have no sins. God must forgive me without that. He knows how I have suffered.... And if He won't forgive me, I don't care!"

She sank more and more into uneasy delirium. At times she shuddered, turned her eyes from side to side, recognised everyone for a minute, but at once sank into delirium again. Her breathing was hoarse and difficult, there was a sort of rattle in her throat.

"I said to him, your excellency," she ejaculated, gasping after each word. "That Amalia Ludwigovna, ah! Lida, Kolya, hands on your hips, make haste! Glissez, glissez! pas de basque! Tap with your heels, be a graceful child!

"Du hast Diamanten und Perlen

"What next? That's the thing to sing.

"Du hast die schonsten Augen Madchen, was willst du mehr?

"What an idea! Was willst du mehr? What things the fool invents! Ah, yes!

"In the heat of midday in the vale of Dagestan.

"Ah, how I loved it! I loved that song to distraction, Polenka! Your father, you know, used to sing it when we were engaged.... Oh those days! Oh that's the thing for us to sing! How does it go? I've forgotten. Remind me! How was it?"

She was violently excited and tried to sit up. At last, in a horribly hoarse, broken voice, she began, shrieking and gasping at every word, with a look of growing terror.

"In the heat of midday!... in the vale!... of Dagestan!... With lead in my breast!..."

"Your excellency!" she wailed suddenly with a heart-rending scream and a flood of tears, "protect the orphans! You have been their father's guest... one may say aristocratic...." She started, regaining consciousness, and gazed at all with a sort of terror, but at once recognised Sonia.

"Sonia, Sonia!" she articulated softly and caressingly, as though surprised to find her there. "Sonia darling, are you here, too?"

They lifted her up again.

"Enough! It's over! Farewell, poor thing! I am done for! I am broken!" she cried with vindictive despair, and her head fell heavily back on the pillow.

She sank into unconsciousness again, but this time it did not last long. Her pale, yellow, wasted face dropped back, her mouth fell open, her leg moved convulsively, she gave a deep, deep sigh and died.

Sonia fell upon her, flung her arms about her, and remained motionless with her head pressed to the dead woman's wasted bosom. Polenka threw herself at her mother's feet, kissing them and weeping violently. Though Kolya and Lida did not understand what had happened, they had a feeling that it was something terrible; they put their hands on each other's little shoulders, stared straight at one another and both at once opened their mouths and began screaming. They were both still in their fancy dress; one in a turban, the other in the cap with the ostrich feather.

And how did "the certificate of merit" come to be on the bed beside Katerina Ivanovna? It lay there by the pillow; Raskolnikov saw it.

He walked away to the window. Lebeziatnikov skipped up to him.

"She is dead," he said.

"Rodion Romanovitch, I must have two words with you," said Svidrigaïlov, coming up to them.

Lebeziatnikov at once made room for him and delicately withdrew. Svidrigaïlov drew Raskolnikov further away.

"I will undertake all the arrangements, the funeral and that. You know it's a question of money and, as I told you, I have plenty to spare. I will put those two little ones and Polenka into some good orphan asylum, and I will settle fifteen hundred roubles to be paid to each on coming of age, so that Sofya Semyonovna need have no anxiety about them. And I will pull her out of the mud too, for she is a good girl, isn't she? So tell Avdotya Romanovna that that is how I am spending her ten thousand."

"What is your motive for such benevolence?" asked Raskolnikov.

"Ah! you sceptical person!" laughed Svidrigaïlov. "I told you I had no need of that money. Won't you admit that it's simply done from humanity? She wasn't 'a louse,' you know" (he pointed to the corner where the dead woman lay), "was she, like some old pawnbroker woman? Come, you'll agree, is Luzhin to go on living, and doing wicked things or is she to die? And if I didn't help them, Polenka would go the same way."

He said this with an air of a sort of gay winking slyness, keeping his eyes fixed on Raskolnikov, who turned white and cold, hearing his own phrases, spoken to Sonia. He quickly stepped back and looked wildly at Svidrigaïlov.

"How do you know?" he whispered, hardly able to breathe.

"Why, I lodge here at Madame Resslich's, the other side of the wall. Here is Kapernaumov, and there lives Madame Resslich, an old and devoted friend of mine. I am a neighbour."

"You?"

"Yes," continued Svidrigaïlov, shaking with laughter. "I assure you on my honour, dear Rodion Romanovitch, that you have interested me enormously. I told you we should become friends, I foretold it. Well, here we have. And you will see what an accommodating person I am. You'll see that you can get on with me!"

PART VI




CHAPTER I

A strange period began for Raskolnikov: it was as though a fog had fallen upon him and wrapped him in a dreary solitude from which there was no escape. Recalling that period long after, he believed that his mind had been clouded at times, and that it had continued so, with intervals, till the final catastrophe. He was convinced that he had been mistaken about many things at that time, for instance as to the date of certain events. Anyway, when he tried later on to piece his recollections together, he learnt a great deal about himself from what other people told him. He had mixed up incidents and had explained events as due to circumstances which existed only in his imagination. At times he was a prey to agonies of morbid uneasiness, amounting sometimes to panic. But he remembered, too, moments, hours, perhaps whole days, of complete apathy, which came upon him as a reaction from his previous terror and might be compared with the abnormal insensibility, sometimes seen in the dying. He seemed to be trying in that latter stage to escape from a full and clear understanding of his position. Certain essential facts which required immediate consideration were particularly irksome to him. How glad he would have been to be free from some cares, the neglect of which would have threatened him with complete, inevitable ruin.

He was particularly worried about Svidrigaïlov, he might be said to be permanently thinking of Svidrigaïlov. From the time of Svidrigaïlov's too menacing and unmistakable words in Sonia's room at the moment of Katerina Ivanovna's death, the normal working of his mind seemed to break down. But although this new fact caused him extreme uneasiness, Raskolnikov was in no hurry for an explanation of it. At times, finding himself in a solitary and remote part of the town, in some wretched eating-house, sitting alone lost in thought, hardly knowing how he had come there, he suddenly thought of Svidrigaïlov. He recognised suddenly, clearly, and with dismay that he ought at once to come to an understanding with that man and to make what terms he could. Walking outside the city gates one day, he positively fancied that they had fixed a meeting there, that he was waiting for Svidrigaïlov. Another time he woke up before daybreak lying on the ground under some bushes and could not at first understand how he had come there.

But during the two or three days after Katerina Ivanovna's death, he had two or three times met Svidrigaïlov at Sonia's lodging, where he had gone aimlessly for a moment. They exchanged a few words and made no reference to the vital subject, as though they were tacitly agreed not to speak of it for a time.

Katerina Ivanovna's body was still lying in the coffin, Svidrigaïlov was busy making arrangements for the funeral. Sonia too was very busy. At their last meeting Svidrigaïlov informed Raskolnikov that he had made an arrangement, and a very satisfactory one, for Katerina Ivanovna's children; that he had, through certain connections, succeeded in getting hold of certain personages by whose help the three orphans could be at once placed in very suitable institutions; that the money he had settled on them had been of great assistance, as it is much easier to place orphans with some property than destitute ones. He said something too about Sonia and promised to come himself in a day or two to see Raskolnikov, mentioning that "he would like to consult with him, that there were things they must talk over...."

This conversation took place in the passage on the stairs. Svidrigaïlov looked intently at Raskolnikov and suddenly, after a brief pause, dropping his voice, asked: "But how is it, Rodion Romanovitch; you don't seem yourself? You look and you listen, but you don't seem to understand. Cheer up! We'll talk things over; I am only sorry, I've so much to do of my own business and other people's. Ah, Rodion Romanovitch," he added suddenly, "what all men need is fresh air, fresh air... more than anything!"

He moved to one side to make way for the priest and server, who were coming up the stairs. They had come for the requiem service. By Svidrigaïlov's orders it was sung twice a day punctually. Svidrigaïlov went his way. Raskolnikov stood still a moment, thought, and followed the priest into Sonia's room. He stood at the door. They began quietly, slowly and mournfully singing the service. From his childhood the thought of death and the presence of death had something oppressive and mysteriously awful; and it was long since he had heard the requiem service. And there was something else here as well, too awful and disturbing. He looked at the children: they were all kneeling by the coffin; Polenka was weeping. Behind them Sonia prayed, softly and, as it were, timidly weeping.

"These last two days she hasn't said a word to me, she hasn't glanced at me," Raskolnikov thought suddenly. The sunlight was bright in the room; the incense rose in clouds; the priest read, "Give rest, oh Lord...." Raskolnikov stayed all through the service. As he blessed them and took his leave, the priest looked round strangely. After the service, Raskolnikov went up to Sonia. She took both his hands and let her head sink on his shoulder. This slight friendly gesture bewildered Raskolnikov. It seemed strange to him that there was no trace of repugnance, no trace of disgust, no tremor in her hand. It was the furthest limit of self-abnegation, at least so he interpreted it.

Sonia said nothing. Raskolnikov pressed her hand and went out. He felt very miserable. If it had been possible to escape to some solitude, he would have thought himself lucky, even if he had to spend his whole life there. But although he had almost always been by himself of late, he had never been able to feel alone. Sometimes he walked out of the town on to the high road, once he had even reached a little wood, but the lonelier the place was, the more he seemed to be aware of an uneasy presence near him. It did not frighten him, but greatly annoyed him, so that he made haste to return to the town, to mingle with the crowd, to enter restaurants and taverns, to walk in busy thoroughfares. There he felt easier and even more solitary. One day at dusk he sat for an hour listening to songs in a tavern and he remembered that he positively enjoyed it. But at last he had suddenly felt the same uneasiness again, as though his conscience smote him. "Here I sit listening to singing, is that what I ought to be doing?" he thought. Yet he felt at once that that was not the only cause of his uneasiness; there was something requiring immediate decision, but it was something he could not clearly understand or put into words. It was a hopeless tangle. "No, better the struggle again! Better Porfiry again... or Svidrigaïlov.... Better some challenge again... some attack. Yes, yes!" he thought. He went out of the tavern and rushed away almost at a run. The thought of Dounia and his mother suddenly reduced him almost to a panic. That night he woke up before morning among some bushes in Krestovsky Island, trembling all over with fever; he walked home, and it was early morning when he arrived. After some hours' sleep the fever left him, but he woke up late, two o'clock in the afternoon.

He remembered that Katerina Ivanovna's funeral had been fixed for that day, and was glad that he was not present at it. Nastasya brought him some food; he ate and drank with appetite, almost with greediness. His head was fresher and he was calmer than he had been for the last three days. He even felt a passing wonder at his previous attacks of panic.

The door opened and Razumihin came in.

"Ah, he's eating, then he's not ill," said Razumihin. He took a chair and sat down at the table opposite Raskolnikov.

He was troubled and did not attempt to conceal it. He spoke with evident annoyance, but without hurry or raising his voice. He looked as though he had some special fixed determination.

"Listen," he began resolutely. "As far as I am concerned, you may all go to hell, but from what I see, it's clear to me that I can't make head or tail of it; please don't think I've come to ask you questions. I don't want to know, hang it! If you begin telling me your secrets, I dare say I shouldn't stay to listen, I should go away cursing. I have only come to find out once for all whether it's a fact that you are mad? There is a conviction in the air that you are mad or very nearly so. I admit I've been disposed to that opinion myself, judging from your stupid, repulsive and quite inexplicable actions, and from your recent behavior to your mother and sister. Only a monster or a madman could treat them as you have; so you must be mad."

"When did you see them last?"

"Just now. Haven't you seen them since then? What have you been doing with yourself? Tell me, please. I've been to you three times already. Your mother has been seriously ill since yesterday. She had made up her mind to come to you; Avdotya Romanovna tried to prevent her; she wouldn't hear a word. 'If he is ill, if his mind is giving way, who can look after him like his mother?' she said. We all came here together, we couldn't let her come alone all the way. We kept begging her to be calm. We came in, you weren't here; she sat down, and stayed ten minutes, while we stood waiting in silence. She got up and said: 'If he's gone out, that is, if he is well, and has forgotten his mother, it's humiliating and unseemly for his mother to stand at his door begging for kindness.' She returned home and took to her bed; now she is in a fever. 'I see,' she said, 'that he has time for his girl.' She means by your girl Sofya Semyonovna, your betrothed or your mistress, I don't know. I went at once to Sofya Semyonovna's, for I wanted to know what was going on. I looked round, I saw the coffin, the children crying, and Sofya Semyonovna trying them on mourning dresses. No sign of you. I apologised, came away, and reported to Avdotya Romanovna. So that's all nonsense and you haven't got a girl; the most likely thing is that you are mad. But here you sit, guzzling boiled beef as though you'd not had a bite for three days. Though as far as that goes, madmen eat too, but though you have not said a word to me yet... you are not mad! That I'd swear! Above all, you are not mad! So you may go to hell, all of you, for there's some mystery, some secret about it, and I don't intend to worry my brains over your secrets. So I've simply come to swear at you," he finished, getting up, "to relieve my mind. And I know what to do now."

"What do you mean to do now?"

"What business is it of yours what I mean to do?"

"You are going in for a drinking bout."

"How... how did you know?"

"Why, it's pretty plain."

Razumihin paused for a minute.

"You always have been a very rational person and you've never been mad, never," he observed suddenly with warmth. "You're right: I shall drink. Good-bye!"

And he moved to go out.

"I was talking with my sister—the day before yesterday, I think it was—about you, Razumihin."

"About me! But... where can you have seen her the day before yesterday?" Razumihin stopped short and even turned a little pale.

One could see that his heart was throbbing slowly and violently.

"She came here by herself, sat there and talked to me."

"She did!"

"Yes."

"What did you say to her... I mean, about me?"

"I told her you were a very good, honest, and industrious man. I didn't tell her you love her, because she knows that herself."

"She knows that herself?"

"Well, it's pretty plain. Wherever I might go, whatever happened to me, you would remain to look after them. I, so to speak, give them into your keeping, Razumihin. I say this because I know quite well how you love her, and am convinced of the purity of your heart. I know that she too may love you and perhaps does love you already. Now decide for yourself, as you know best, whether you need go in for a drinking bout or not."

"Rodya! You see... well.... Ach, damn it! But where do you mean to go? Of course, if it's all a secret, never mind.... But I... I shall find out the secret... and I am sure that it must be some ridiculous nonsense and that you've made it all up. Anyway you are a capital fellow, a capital fellow!..."

"That was just what I wanted to add, only you interrupted, that that was a very good decision of yours not to find out these secrets. Leave it to time, don't worry about it. You'll know it all in time when it must be. Yesterday a man said to me that what a man needs is fresh air, fresh air, fresh air. I mean to go to him directly to find out what he meant by that."

Razumihin stood lost in thought and excitement, making a silent conclusion.

"He's a political conspirator! He must be. And he's on the eve of some desperate step, that's certain. It can only be that! And... and Dounia knows," he thought suddenly.

"So Avdotya Romanovna comes to see you," he said, weighing each syllable, "and you're going to see a man who says we need more air, and so of course that letter... that too must have something to do with it," he concluded to himself.

"What letter?"

"She got a letter to-day. It upset her very much—very much indeed. Too much so. I began speaking of you, she begged me not to. Then... then she said that perhaps we should very soon have to part... then she began warmly thanking me for something; then she went to her room and locked herself in."

"She got a letter?" Raskolnikov asked thoughtfully.

"Yes, and you didn't know? hm..."

They were both silent.

"Good-bye, Rodion. There was a time, brother, when I.... Never mind, good-bye. You see, there was a time.... Well, good-bye! I must be off too. I am not going to drink. There's no need now.... That's all stuff!"

He hurried out; but when he had almost closed the door behind him, he suddenly opened it again, and said, looking away:

"Oh, by the way, do you remember that murder, you know Porfiry's, that old woman? Do you know the murderer has been found, he has confessed and given the proofs. It's one of those very workmen, the painter, only fancy! Do you remember I defended them here? Would you believe it, all that scene of fighting and laughing with his companions on the stairs while the porter and the two witnesses were going up, he got up on purpose to disarm suspicion. The cunning, the presence of mind of the young dog! One can hardly credit it; but it's his own explanation, he has confessed it all. And what a fool I was about it! Well, he's simply a genius of hypocrisy and resourcefulness in disarming the suspicions of the lawyers—so there's nothing much to wonder at, I suppose! Of course people like that are always possible. And the fact that he couldn't keep up the character, but confessed, makes him easier to believe in. But what a fool I was! I was frantic on their side!"

"Tell me, please, from whom did you hear that, and why does it interest you so?" Raskolnikov asked with unmistakable agitation.

"What next? You ask me why it interests me!... Well, I heard it from Porfiry, among others... It was from him I heard almost all about it."

"From Porfiry?"

"From Porfiry."

"What... what did he say?" Raskolnikov asked in dismay.

"He gave me a capital explanation of it. Psychologically, after his fashion."

"He explained it? Explained it himself?"

"Yes, yes; good-bye. I'll tell you all about it another time, but now I'm busy. There was a time when I fancied... But no matter, another time!... What need is there for me to drink now? You have made me drunk without wine. I am drunk, Rodya! Good-bye, I'm going. I'll come again very soon."

He went out.

"He's a political conspirator, there's not a doubt about it," Razumihin decided, as he slowly descended the stairs. "And he's drawn his sister in; that's quite, quite in keeping with Avdotya Romanovna's character. There are interviews between them!... She hinted at it too... So many of her words.... and hints... bear that meaning! And how else can all this tangle be explained? Hm! And I was almost thinking... Good heavens, what I thought! Yes, I took leave of my senses and I wronged him! It was his doing, under the lamp in the corridor that day. Pfoo! What a crude, nasty, vile idea on my part! Nikolay is a brick, for confessing.... And how clear it all is now! His illness then, all his strange actions... before this, in the university, how morose he used to be, how gloomy.... But what's the meaning now of that letter? There's something in that, too, perhaps. Whom was it from? I suspect...! No, I must find out!"

He thought of Dounia, realising all he had heard and his heart throbbed, and he suddenly broke into a run.

As soon as Razumihin went out, Raskolnikov got up, turned to the window, walked into one corner and then into another, as though forgetting the smallness of his room, and sat down again on the sofa. He felt, so to speak, renewed; again the struggle, so a means of escape had come.

"Yes, a means of escape had come! It had been too stifling, too cramping, the burden had been too agonising. A lethargy had come upon him at times. From the moment of the scene with Nikolay at Porfiry's he had been suffocating, penned in without hope of escape. After Nikolay's confession, on that very day had come the scene with Sonia; his behaviour and his last words had been utterly unlike anything he could have imagined beforehand; he had grown feebler, instantly and fundamentally! And he had agreed at the time with Sonia, he had agreed in his heart he could not go on living alone with such a thing on his mind!

"And Svidrigaïlov was a riddle... He worried him, that was true, but somehow not on the same point. He might still have a struggle to come with Svidrigaïlov. Svidrigaïlov, too, might be a means of escape; but Porfiry was a different matter.

"And so Porfiry himself had explained it to Razumihin, had explained it psychologically. He had begun bringing in his damned psychology again! Porfiry? But to think that Porfiry should for one moment believe that Nikolay was guilty, after what had passed between them before Nikolay's appearance, after that tête-à-tête interview, which could have only one explanation? (During those days Raskolnikov had often recalled passages in that scene with Porfiry; he could not bear to let his mind rest on it.) Such words, such gestures had passed between them, they had exchanged such glances, things had been said in such a tone and had reached such a pass, that Nikolay, whom Porfiry had seen through at the first word, at the first gesture, could not have shaken his conviction.

"And to think that even Razumihin had begun to suspect! The scene in the corridor under the lamp had produced its effect then. He had rushed to Porfiry.... But what had induced the latter to receive him like that? What had been his object in putting Razumihin off with Nikolay? He must have some plan; there was some design, but what was it? It was true that a long time had passed since that morning—too long a time—and no sight nor sound of Porfiry. Well, that was a bad sign...."

Raskolnikov took his cap and went out of the room, still pondering. It was the first time for a long while that he had felt clear in his mind, at least. "I must settle Svidrigaïlov," he thought, "and as soon as possible; he, too, seems to be waiting for me to come to him of my own accord." And at that moment there was such a rush of hate in his weary heart that he might have killed either of those two—Porfiry or Svidrigaïlov. At least he felt that he would be capable of doing it later, if not now.

"We shall see, we shall see," he repeated to himself.

But no sooner had he opened the door than he stumbled upon Porfiry himself in the passage. He was coming in to see him. Raskolnikov was dumbfounded for a minute, but only for one minute. Strange to say, he was not very much astonished at seeing Porfiry and scarcely afraid of him. He was simply startled, but was quickly, instantly, on his guard. "Perhaps this will mean the end? But how could Porfiry have approached so quietly, like a cat, so that he had heard nothing? Could he have been listening at the door?"

"You didn't expect a visitor, Rodion Romanovitch," Porfiry explained, laughing. "I've been meaning to look in a long time; I was passing by and thought why not go in for five minutes. Are you going out? I won't keep you long. Just let me have one cigarette."

"Sit down, Porfiry Petrovitch, sit down." Raskolnikov gave his visitor a seat with so pleased and friendly an expression that he would have marvelled at himself, if he could have seen it.

The last moment had come, the last drops had to be drained! So a man will sometimes go through half an hour of mortal terror with a brigand, yet when the knife is at his throat at last, he feels no fear.

Raskolnikov seated himself directly facing Porfiry, and looked at him without flinching. Porfiry screwed up his eyes and began lighting a cigarette.

"Speak, speak," seemed as though it would burst from Raskolnikov's heart. "Come, why don't you speak?"