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Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   
IV. Pieces in Early Youth   
9. Little Jane   
     
“LIFT up!” was ejaculated as was signal!—and click! went the glasses in the hands of a party of tipsy men, drinking one night at the bar of one of the middling order of taverns. And many a wild gibe was utter’d, and many a terrible blasphemy, and many an impure phrase sounded out the pollution of the hearts of these half-crazed creatures, as the toss’d down their liquor, and made the walls echo with their uproar, The first and foremost in recklessness was a girlish-faced, fair-hair’d fellow of twenty-two or three years. They called him Mike. He seem’d to be look’d upon by the others as a sort of prompter, from whom they were to take cue. And if the brazen wickedness evinced by him in a hundred freaks and remarks to his companions, during their stay in that place, were any test of his capacity—there might hardly be one more fit to go forward as a guide on the road of destruction. From the conversation of the party, it appear’d that they had been spending the early part of the evening in a gambling house.      1   
  A second, third and fourth time were the glasses fill’d; and the effect thereof began to be perceiv’d in a still higher degree of noise and loquacity among the revellers. One of the serving-men came in at this moment, and whisper’d the barkeeper, who went out, and in a moment return’d again.      2   
  “a person,” he said, “wish’d to speak with Mr. Michael. He waited on the walk in front.”      3   
  The individual whose name was mention’d, made his excuse to the others, telling them he would be back in a moment, and left the room. As the shut the door behind him, and stepp’d into the open air, he saw one of his brothers—his elder by eight or ten years—pacing to and fro with rapid and uneven steps. As the man turn’d in his walk, and the glare of the street lamp fell upon his face, the youth, half-benumb’d as his senses were, was somewhat startled at its paleness and evident perturbation.      4   
  “Come with me!” said the elder brother, hurriedly, “the illness of our little Jane is worse, and I have been sent for you.”      5   
  “Poh!” answered the young drunkard, very composedly, “is that all? I shall be home by-and-by,” and he turn’d back again.      6   
  “But, brother, she is worse than ever before. Perhaps when you arrive she may be dead.”      7   
  The tipsy one paus’d in his retreat, perhaps alarm’d at the utterance of that dread word, which seldom fails to shoot a chill to the hearts of mortals. But he soon calm’d himself and waving his hand to the other:      8   
  “Why, see,” said he, “a score of times at least, have I been call’d away to the last sickness of our good little sister; and each time it proves to be nothing worse than some whim of the nurse or physician. Three years has the girl been able to live very heartily under her disease; and I’ll be bound she’ll stay on the earth three years longer.”      9   
  And as he concluded this wicked and most brutal reply, the speaker open’d the door and went into the bar-room. But in his intoxication, during the hour that follow’d, Mike was far from being at ease. At the end of the hour, the words, “perhaps when you arrive she may be dead,” were not effaced from his hearing yet, and he started for home. The elder brother had wended his way back in sorrow.     10   
  Let me go before the younger one, awhile, to a room in that home. A little girl lay there dying. She had been ill a long time; so it was no sudden thing for her parents, and her brethren and sisters, to be called for the witness of the death agony. The girl was not what might be called beautiful. And yet, there is a solemn kind of loveliness that always surrounds a sick child. The sympathy for the weak and helpless sufferer, perhaps, increases it in our own ideas. The ashiness and the moisture on the brow, and the film over the eyeballs—what man can look upon the sight, and not feel his heart awed within him? Children, I have sometimes fancied too, increased in beauty as their illness deepens.     11   
  Besides the nearest relatives of little Jane, standing round her bedside, was the family doctor. He had just laid her wrist down upon the coverlet, and the look he gave the mother, was a look in which there was no hope.     12   
  “My child!” she cried, in uncontrollable agony, “O! my child!”     13   
  And the father, and the sons and daughters, were bowed down in grief, and thick tears rippled between the fingers held before their eyes.     14   
  Then there was silence awhile. During the hour just by-gone, Jane had, in her childish way, bestow’d a little gift upon each of her kindred, as a remembrancer when she should be dead and buried in the grave. And there was one of these simple tokens which had not reach’d its destination. She held it in her hand now. It was a very small much-thumbed book—a religious story for infants, given her by her mother when she had first learn’d to read.     15   
  While they were all keeping this solemn stillness—broken only by the suppress’d sobs of those who stood and watch’d for the passing away of the girl’s soul—a confusion of some one entering rudely, and speaking in a turbulent voice, was heard in an adjoining apartment. Again the voice roughly sounded out; it was the voice of the drunkard Mike, and the father bade one of his sons go and quiet the intruder.     16   
  “If nought else will do,” said he sternly, “put him forth by strength. We want to tipsy brawlers here, to disturb such a scene as this.”     17   
   For what moved the sick girl uneasily on her pillow, and raised her neck, and motion’d to her mother? She would that Mike should be brought to her side. And it was enjoin’d on him whom the father had bade to eject the noisy one, that he should tell Mike his sister’s request, and beg him to come to her.     18   
  He came. The inebriate—his mind sober’d by the deep solemnity of the scene—stood there, and leaned over to catch the last accounts of one who soon was to be with the spirits of heaven. All was the silence of the deepest night. They dying child held the young man’s hand in one of hers; with other she slowly lifted the trifling memorial she had assigned especially for him, aloft the air. Her arm shook—her eyes, now becoming glassy with the death-damps, were cast toward her brother’s face. She smiled pleasantly, and as an indistinct gurgle came from her throat, the uplifted hand fell suddenly into the open palm of her brother’s, depositing the tiny volume there. Little Jane was dead.     19   
  From that night, the young man stepped no more in his wild courses, but was reform’d.     20
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Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   
IV. Pieces in Early Youth   
10. Dumb Kate   
     
NOT many years since—and yet long enough to have been before the abundance of railroads, and similar speedy modes of conveyance—the travelers from Amboy village to the metropolis of our republic were permitted to refresh themselves, and the horses of the stage had a breathing spell, at a certain old-fashion’d tavern, about half way between the two places. It was a quaint, comfortable, ancient house, that tavern. Huge buttonwood trees embower’d it rough about, and there was a long porch in front, the trellis’d work whereof, though old and moulder’d, had been, and promised still to be for years, held together by the tangled folds of a grape vine wreath’d about it like a tremendous serpent.      1   
  How clean and fragrant everything was there! How bright the pewter tankards wherefrom cider or ale went into the parch’d throat of the thirsty man! How pleasing to look into the expressive eyes of Kate, the landlord’s lovely daughter, who kept everything so clean and bright!      2   
  Now the reason why Kate’s eyes had become so expressive was, that, besides their proper and natural office, they stood to the poor girl in the place of tongue and ears also. Kate had been dumb from her birth. Everybody loved the helpless creature when she was a child. Gentle, timid, and affectionate was she, and beautiful as the lilies of which she loved to cultivate so many every summer in her garden. Her light hair, and the like-color’d lashes, so long and silky, that droop’d over her blue eyes of such uncommon size and softness—her rounded shape, well set off by a little modest art of dress—her smile—the graceful ease of her motions, always attracted the admiration of the strangers who stopped there, and were quite a pride to her parents and friends.      3   
  How could it happen that so beautiful and inoffensive a being should taste, even to its dregs, the bitterest unhappiness? Oh, there must indeed be a mysterious, unfathomable meaning in the decrees of Providence which is beyond the comprehension of man; for no one on earth less deserved or needed ‘the uses of adversity’ than Dumb Kate. Love, the mighty and lawless passion, came into the sanctuary of the maid’s pure breast, and the dove of peace fled away forever.      4   
  One of the persons who had occasion to stop most frequently at the tavern kept by Dumb Kate’s parents was a young man, the son of a wealthy farmer, who own’d an estate in the neighborhood. He saw Kate, and was struck with her natural elegance. Though not of thoroughly wicked propensities, the fascination of so fine a prize made this youth determine to gain her love, and, if possible, to win her to himself. At first he hardly dared, even amid the depths of his own soul, to entertain thoughts of vileness against one so confiding and childlike. But in a short time such feelings wore away, and he made up his mind to become the betrayer of poor Kate. He was a good-looking fellow, and made but too sure of his victim. Kate was lost!      5   
  The villain came to New York soon after, and engaged in a business which prosper’d well, and which has no doubt by this time made him what is call’d a man of fortune.      6   
  Not long did sickness of the heart wear into the life and happiness of Dumb Kate. One pleasant spring day, the neighbors having been called by a notice the previous morning, the old churchyard was thrown open, and a coffin was borne over the early grass that seem’d so delicate with its light green hue. There was a new made grave, and by its side the bier was rested—while they paused a moment until holy words had been said. An idle boy, call’d there by curiosity, saw something lying on the fresh earth thrown out from the grave, which attracted his attention. A little blossom, the only one to be seen around, had grown exactly on the spot where the sexton chose to dig poor Kate’s last resting-place. It was a weak but lovely flower, and now lay where it had been carelessly toss’d amid the coarse gravel. The boy twirl’d it a moment in his fingers—the bruis’d fragments gave out a momentary perfume, and then fell to the edge of the pit, over which the child at that moment lean’d and gazed in his inquisitiveness. As they dropp’d, they were wafted to the bottom of the grave. The last look was bestow’d on the dead girl’s face by those who loved her so well in life, and then she was softly laid away to her sleep beneath that green grass covering.      7   
  Yet in the churchyard on the hill is Kate’s grave. There stands a little white stone at the head, and verdure grows richly there; and gossips, sometimes of a Sabbath afternoon, rambling over that gathering-place of the gone from earth, stop a while, and con over the dumb girl’s hapless story.
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Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
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Apple iPhone 6s
IV. Pieces in Early Youth   
11. Talk to an Art-Union   
     
           
(A Brooklyn fragment.)
IT is a beautiful truth that all men contain something of the artist in them. And perhaps it is the case that the greatest artists live and die, the world and themselves alike ignorant what they possess. Who would not mourn that an ample palace, of surpassingly graceful architecture, fill’d with luxuries, and embellish’d with fine pictures and sculpture, should stand cold and still and vacant, and never be known or enjoy’d by its owner? Would such a fact as this cause your sadness? Then be sad. For there is a palace, to which the courts of the most sumptuous kings are but a frivolous patch, and, though it is always waiting for them, not one of its owners ever enters there with any genuine sense of its grandeur and glory.      1   
  I think of few heroic actions, which cannot be traced to the artistical impulse. He who does great deeds, does them from his innate sensitiveness to moral beauty. Such men are not merely artists, they are also artistic material. Washington in some great crisis, Lawrence on the bloody deck of the Chesapeake, Mary Stuart at the block, Kossuth in captivity, and Mazzini in exile—all great rebels and innovators, exhibit the highest phases of the artist spirit. The painter, the sculptor, the poet, express heroic beauty better in description; but the others are heroic beauty, the best belov’d of art.      2   
  Talk not so much, then, young artist, of the great old masters, who but painted and chisell’d. Study not only their productions. There is a still higher school for him who would kindle his fire with coal from the altar of the loftiest and purest art. It is the school of all grand actions and grand virtues, of heroism, of the death of patriots and martyrs—of all the mighty deeds written in the pages of history—deeds of daring, and enthusiasm, devotion, and fortitude.
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Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   
IV. Pieces in Early Youth   
12. Blood-Money   
     
           
“Guilty of the body and the blood of Christ.”
     
I.
OF olden time, when it came to pass   
That the beautiful god, Jesus, should finish his work on earth,   
Then went Judas, and sold the divine youth,   
And took pay for his body.   
     
Curs’d was the deed, even before the sweat of the clutching hand grew dry;   
And darkness frown’d upon the seller of the like of God,   
Where, as though earth lifted her breast to throw him from her, and heaven refused him,   
He hung in the air, self-slaughter’d.   
     
The cycles, with their long shadows, have stalk’d silently forward,   
Since those ancient days—many a pouch enwrapping meanwhile   
Its fee, like that paid for the son of Mary.   
     
And still goes one, saying,   
“What will ye give me, and I will deliver this man unto you?”   
And they make the covenant, and pay the pieces of silver.   
     
II.
Look forth, deliverer,   
Look forth, first-born of the dead,   
Over the tree-tops of Paradise;   
See thyself in yet-continued bonds,   
Toilsome and poor, thou bear’st man’s form again,   
Thou art reviled, scourged, put into prison,   
Hunted from the arrogant equality of the rest;   
With staves and swords throng the willing servants of authority,   
Again they surround thee, mad with devilish spite;   
Toward thee stretch the hands of a multitude, like vultures’ talons,   
The meanest spit in thy face, they smite thee with their palms;   
Bruised, bloody, and pinion’d is thy body,   
More sorrowful than death is thy soul.   
     
Witness of anguish, brother of slaves,   
Not with thy price closed the price of thine image:   
And still Iscariot plies his trade.   
PAUMANOK.
April, 1843.
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Underpromise; overdeliver.

Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   
IV. Pieces in Early Youth   
13. Wounded in the House of Friends   
     
           
“And one shall say unto him, What are these wounds in thy hands? Then he shall answer, Those with which I was wounded in the house of my friends.”—Zechariah, xiii. 6.
     
  IF thou art balk’d, O Freedom,   
The victory is not to thy manlier foes;   
From the house of friends comes the death stab.   
     
  Virginia, mother of greatness,   
Blush not for being also mother of slaves;   
You might have borne deeper slaves—   
Doughfaces, crawlers, lice of humanity—   
Terrific screamers of freedom,   
Who roar and bawl, and get hot i’ the face,   
But were they not incapable of august crime,   
Would quench the hopes of ages for a drink—   
Muck-worms, creeping flat to the ground,   
A dollar dearer to them than Christ’s blessing;   
All loves, all hopes, less than the thought of gain,   
In life walking in that as in a shroud;   
Men whom the throes of heroes,   
Great deeds at which the gods might stand appal’d,   
The shriek of the drown’d, the appeal of women,   
The exulting laugh of untied empires,   
Would touch them never in the heart,   
But only in the pocket.   
     
  Hot-headed Carolina,   
Well may you curl your lip;   
With all your bondsmen, bless the destiny   
Which brings you no such breed as this.   
     
  Arise, young North!   
Our elder blood flows in the veins of cowards:   
The gray-hair’d sneak, the blanch’d poltroon,   
The feign’d or real shiverer at tongues   
That nursing babes need hardly cry the less for—   
Are they to be our tokens always?
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Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
IV. Pieces in Early Youth   
14. Sailing the Mississippi at Midnight   
     
           VAST and starless, the pall of heaven   
  Laps on the trailing pall below;   
And forward, forward, in solemn darkness,   
  As if to the sea of the lost we go.   
     
Now drawn nigh the edge of the river,   
  Weird-like creatures suddenly rise;   
Shapes that fade, dissolving outlines   
  Baffle the gazer’s straining eyes.   
     
Towering upward and bending forward,   
  Wild and wide their arms are thrown,   
Ready to pierce with forked fingers   
  Him who touches their realm upon.   
     
Tide of youth, thus thickly planted,   
  While in the eddies onward you swim,   
Thus on the shore stands a phantom army,   
  Lining forever the channel’s rim.   
     
Steady, helmsman! you guide the immortal;   
  Many a wreck is beneath you piled,   
Many a brave yet unwary sailor   
  Over these waters has been beguiled.   
     
Nor is it the storm or the scowling midnight,   
  Cold, or sickness, or fire’s dismay—   
Nor is it the reef, or treacherous quicksand,   
  Will peril you most on your twisted way.   
     
But when there comes a voluptuous languor,   
  Soft the sunshine, silent the air,   
Bewitching your craft with safety and sweetness,   
  Then, young pilot of life, beware.
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Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   
V. November Boughs   
1. Our Eminent Visitors   
     
PAST, PRESENT AND FUTURE.


WELCOME to them each and all! They do good—the deepest, widest, most needed good—though quite certainly not in the ways attempted—which have, at times, something irresistibly comic. What can be more farcical, for instance, than the sight of a worthy gentleman coming three or four thousand miles through wet and wind to speak complacently and at great length on matters of which he both entirely mistakes or knows nothing—before crowds of auditors equally complacent, and equally at fault?      1   
  Yet welcome and thanks, we say, to those visitors we have, and have had, from abroad among us—and may the procession continue! We have had Dickens and Thackeray, Froude, Herbert Spencer, Oscar Wilde, Lord Coleridge—soldiers, savants, poets—and now Matthew Arnold and Irving the actor. Some have come to make money—some for a “good time”—some to help us along and give us advice—and some undoubtedly to investigate, bona fide, this great problem, democratic America, looming upon the world with such cumulative power through a hundred years, now with the evident intention (since the Secession War) to stay, and take a leading hand, for many a century to come, in civilization’s and humanity’s eternal game. But alas! that very investigation—the method of that investigation—is where the deficit most surely and helplessly comes in. Let not Lord Coleridge and Mr. Arnold (to say nothing of the illustrious actor) imagine that when they have met and survery’d the etiquettical gatherings of our wealthy, distinguish’d and sure-to-be-put-forward-on-such-occasions citizens (New York, Boston, Philadelphia, &c., have certain stereotyped strings of them, continually lined and paraded like the lists of dishes at hotel tables—you are sure to get the same over and over again—it is very amusing)—and the bowing and introducing, the receptions at the swell clubs, the eating and drinking and praising and praising back—and the next day riding about Central Park, or doing the “Public Institutions”—and so passing through, one after another, the full-dress coteries of the Atlantic cities, all grammatical and cultured and correct, with the toned-down manners of the gentlemen, and the kid-gloves, and luncheons and finger-glasses—Let not our eminent visitors, we say, suppose that, by means of these experiences, they have “seen America,” or captur’d any distinctive clew or purport thereof. Not a bit of it. Of the pulse-beats that lie within and vitalize this Commonweal to-day—of the hard-pan purports and idiosyncrasies pursued faithfully and triumphantly by its bulk of men North and South, generation after generation, superficially unconscious of their own aims, yet none the less pressing onward with deathless intuition—those coteries do not furnish the faintest scintilla. In the Old World the best flavor and significance of a race may possible need to be look’d for in its “upper classes,” its gentries, its court, its ètat major. In the United States the rule is revers’d. Besides (and a point, this, perhaps deepest of all,) the special marks of our grouping and design are not going to be understood in a hurry. The lesson and scanning right on the ground are difficult; I was going to say they are impossible to foreigners—but I have occasionally found the clearest appreciation of all, coming from far-off quarters. Surely nothing could be more apt, not only for our eminent visitors present and to come, but for home study, than the following editorial criticism of the London Times on Mr. Froude’s visit and lectures here a few years ago, and the culminating dinner given at Delmonico’s, with its brilliant array of guests:
             “We read the list,” says the Times, “of those who assembled to do honor to Mr. Froude: there were Mr. Emerson, Mr. Beecher, Mr. Curtis, Mr. Bryant; we add the names of those who sent letters of regret that they could not attend in person—Mr. Longfellow, Mr. Whittier. They are names which are well known—almost as well known and as much honor’d in England as in America; and yet what must we say in the end? The American people outside this assemblage of writers is something vaster and greater than they, singly or together, can comprehend. It cannot be said of any or all of them that they can speak for their nation. We who look on at this distance are able perhaps on that account to see the more clearly that there are qualities of the American people which find no representation, no voice, among these their spokesmen. And what is true of them is true of the English class of whom Mr. Froude may be said to be the ambassador. Mr. Froude is master of a charming style. He has the gift of grace and the gift of sympathy. Taking any single character as the subject of his study, he may succeed after a very short time in so comprehending its workings as to be able to present a living figure to the intelligence and memory of his readers. But the movements of a nation, the voiceless purpose of a people which cannot put its own thoughts into words, yet acts upon them in each successive generation—these things do not lie within his grasp The functions of literature such as he represents are limited in their action; the influence he can wield is artificial and restricted, and, while he and his hearers please and are pleas’d with pleasant periods, his great mass of national life will flow around them unmov’d in its tides by action as powerless as that of the dwellers by the shore to direct the currents of the ocean.”   
   2   
  A thought, here, that needs to be echoed, expanded, permanently treasur’d by our literary classes and educators. (The gestation, the youth, the knitting preparations, are now over, and it is full time for definite purpose, result.) How few think of it, though it is the impetus and background of our whole Nationality and popular life. In the present brief memorandum I very likely for the first time awake “the intelligent reader” to the idea and inquiry whether there isn’t such a thing as the distinctive genius of our democratic New World, universal, immanent, bringing to a head the best experience of the past—not specially literary or intellectual—not merely “good,” (in the Sunday School and Temperance Society sense,)—some invisible spine and great sympathetic to these States, resident only in average people, in their practical life, in their physiology, in their emotions, in their nebulous yet fiery patriotism, in their armies (both sides) through the whole Secession War—an identity and character which indeed so far “finds no voice among their spokesmen.”      3   
  To my mind America, vast and fruitful as it appears to-day, is even yet, for its most important results, entirely in the tentative state; its very formation-stir and whirling trials and essays more splendid and picturesque, to my thinking, than the accomplish’d growths and shows of other lands, through European history, or Greece, or all the past. Surely a New World literature, worthy the name, is not to be, if it ever comes, some fiction, or fancy, or bit of sentimentalism or polish’d work merely by itself, or in abstraction. So long as such literature is no born branch and offshoot of the Nationality, rooted and grown from its roots, and fibred with its fibre, it can never answer any deep call or perennial need. Perhaps the untaught Republic is wiser than its teachers. The best literature is always a result of something far greater than itself—not the hero, but the portrait of the hero. Before there can be recorded history or poem there must be the transaction. Beyond the old masterpieces, the Iliad, the interminable Hindu epics, the Greek tragedies, even the Bible itself, range the immense facts of what must have preceded them, their sine qua non—the veritable poems and masterpieces, of which, grand as they are, the word-statements are but shreds and cartoons.      4   
  For to-day and the States, I think the vividest, rapidest, most stupendous processes ever known, ever perform’d by man or nation, on the largest scales and in countless varieties, are now and here presented. Not as our poets and preachers are always conventionally putting it—but quite different. Some colossal foundry, the flaming of the fire, the melted metal, the pounding trip-hammers, the surging crowds of workmen shifting from point to point, the murky shadows, the rolling haze, the discord, the crudeness, the deafening din, the disorder, the dross and clouds of dust, the waste and extravagance of material, the shafts of darted sunshine through the vast open roof-scuttles aloft—the mighty castings, many of them not yet fitted, perhaps delay’d long, yet each in its due time, with definite place and use and meaning—Such, more like, is a symbol of America.      5   
  After all of which, returning to our starting-point, we reiterate, and in the whole Land’s name, a welcome to our eminent guests. Visits like theirs, and hospitalities, and hand-shaking, and face meeting face, and the distant brought near—what divine solvents they are! Travel, reciprocity, “interviewing,” intercommunion of lands—what are they but Democracy’s and the highest Law’s best aids? O that our own country—that every land in the world—could annually, continually, receive the poets, thinkers, scientists, even the official magnates, of other lands, as honor’d guests. O that the United States, especially the West, could have had a good long visit and explorative jaunt, from the noble and melancholy Tourgueneff, before he died—or from Victor Hugo—or Thomas Carlyle. Castelar, Tennyson, any of the two or three great Parisian essayists—were they and we to come face to face, how is it possible but that the right understanding would ensue?
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V. November Boughs   
2. The Bible as Poetry   
     
I SUPPOSE one cannot at this day say anything new, from a literary point of view, about those autochthonic bequests of Asia—the Hebrew Bible, the mighty Hindu epics, and a hundred lesser but typical works; (not now definitely including the Iliad—though that work was certainly of Asiatic genesis, as Homer himself was—considerations which seem curiously ignored.) But will there ever be a time or place—ever a student, however modern, of the grand art, to whom those compositions will not afford profounder lessons than all else of their kind in the garnerage of the past? Could there be any more opportune suggestion, to the current popular writer and reader of verse, what the office of poet was in primeval times—and is yet capable of being, anew, adjusted entirely to the modern?      1   
  All the poems of Orientalism, with the Old and New Testaments at the centre, tend to deep and wide, (I don’t know but the deepest and widest,) psychological development—with little, or nothing at all, of the mere æsthetic, the principal verse-requirement of our day. Very late, but unerringly, comes to every capable student the perception that it is not in beauty, it is not in art, it is not even in science, that the profoundest laws of the case have their eternal sway and outcropping.      2   
  In his discourse on “Hebrew Poets” De Sola Mendes said: “The fundamental feature of Judaism, of the Hebrew nationality, was religion; its poetry was naturally religious. Its subjects, God and Providence, the covenants with Israel, God in Nature, and as reveal’d, God the Creator and Governor, Nature in her majesty and beauty, inspired hymns and odes to Nature’s God. And then the checker’d history of the nation furnish’d allusions, illustrations, and subjects for epic display—the glory of the sanctuary, the offerings, the splendid ritual, the Holy City, and lov’d Palestine with its pleasant valleys and wild tracts.” Dr. Mendes said “that rhyming was not a characteristic of Hebrew poetry at all. Metre was not a necessary mark of poetry. Great poets discarded it; the early Jewish poets knew it not.”      3   
  Compared with the famed epics of Greece, and lesser ones since, the spinal supports of the Bible are simple and meagre. All its history, biography, narratives, etc., are as beads, strung on and indicating the eternal thread of the Deific purpose and power. Yet with only deepest faith for impetus, and such Deific purpose for palpable or impalpable theme, it often transcends the masterpieces of Hellas, and all masterpieces. The metaphors daring beyond account, the lawless soul, extravagant by our standards, the glow of love and friendship, the fervent kiss—nothing in argument or logic, but unsurpass’d in proverbs, in religious ecstacy, in suggestions of common mortality and death, man’s great equalizers—the spirit everything, the ceremonies and forms of the churches nothing, faith limitless, its immense sensuousness immensely spiritual—an incredible, all-inclusive non-worldliness and dew-scented illiteracy (the antipodes of our Nineteenth Century business absorption and morbid refinement)—no hair-splitting doubts, no sickly sulking and sniffling, no “Hamlet,” no “Adonais,” no “Thanatopsis,” no “In Memoriam.”      4   
  The culminated proof of the poetry of a country is the quality of its personnel, which, in any race, can never be really superior without superior poems. The finest blending of individuality with universality (in my opinion nothing out of the galaxies of the “Iliad,” or Shakspere’s heroes, or from the Tennysonian “Idyls,” so lofty, devoted and starlike,) typified in the songs of those old Asiatic lands. Men and women as great columnar trees. Nowhere else the abnegation of self towering in such quaint sublimity; nowhere else the simplest human emotions conquering the gods of heaven, and fate itself. (The episode, for instance, toward the close of the “Mahabharata”—the journey of the wife Savitri with the god of death, Yama,
           “One terrible to see—blood-red his garb,   
His body huge and dark, bloodshot his eyes,   
Which flamed like suns beneath his turban cloth,   
Arm’d was he with a noose,’   
who carries off the soul of the dead husband, the wife tenaciously following, and—by the resistless charm of perfect poetic recitation!—eventually redeeming her captive mate.)      5   
  I remember how enthusiastically William H. Seward, in his last days, once expatiated on these themes, from his travels in Turkey, Egypt, and Asia Minor, finding the oldest Biblical narratives exactly illustrated there to-day with apparently no break or change along three thousand years—the veil’d women, the costumes, the gravity and simplicity, all the manners just the same. The veteran Trelawney said he found the only real nobleman of the world in a good average specimen of the mid-aged or elderly Oriental. In the East the grand figure, always leading, is the old man, majestic, with flowing beard, paternal, etc. In Europe and America, it is, as we know, the young fellow—in novels, a handsome and interesting hero, more or less juvenile—in operas, a tenor with blooming cheeks, black mustache, superficial animation, and perhaps good lungs, but no more depth than skim-milk. But reading folks probably get their information of those Bible areas and current peoples, as depicted in print by English and French cads, the most shallow, impudent, supercilious blood on earth.      6   
  I have said nothing yet of the cumulus of associations (perfectly legitimate parts of its influence, and finally in many respects the dominant parts,) of the Bible as a poetic entity, and of every portion of it. Not the old edifice only—the congeries also of events and struggles and surroundings, of which it has been the scene and motive—even the horrors, dreads, deaths. How many ages and generations have brooded and wept and agonized over this book! What untellable joys and ecstasies—what support to martyrs at the stake—from it. (No really great song can ever attain full purport till long after the death of its singer—till it has accrued and incorporated the many passions, many joys and sorrows, it has itself arous’d.) To what myriads has it been the shore and rock of safety—the refuge from driving tempest and wreck! Translated in all languages, how it has united this diverse world! Of civilized lands to-day, whose of our retrospects has it not interwoven and link’d and permeated? Not only does it bring us what is clasp’d within its covers; nay, that is the least of what it brings. Of its thousands, there is not a verse, not a word, but is thick-studded with human emotions, successions of fathers and sons, mothers and daughters, of our own antecedents, inseparable from that background of us, on which, phantasmal as it is, all that we are to-day inevitably depends—our ancestry, our past.      7   
  Strange, but true, that the principal factor in cohering the nations, eras and paradoxes of the globe, by giving them a common platform of two or three great ideas, a commonalty of origin, and projecting cosmic brotherhood, the dream of all hope, all time—that the long trains, gestations, attempts and failures, resulting in the New World, and in modern solidarity and politics—are to be identified and resolv’d back into a collection of old poetic lore, which, more than any one thing else, has been the axis of civilization and history through thousands of years—and except for which this America of ours, with its polity and essentials, could not now be existing.      8   
  No true bard will ever contravene the Bible. If the time ever comes when iconoclasm does its extremest in one direction against the Books of the Bible in its present form, the collection must still survive in another, and dominate just as much as hitherto, or more than hitherto, through its divine and primal poetic structure. To me, that is the living and definite element-principle of the work, evolving everything else. Then the continuity; the oldest and newest Asiatic utterance and character, and all between, holding together, like the apparition of the sky, and coming to us the same. Even to our Nineteenth Century here are the fountain heads of song.
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V. November Boughs   
3. Father Taylor (and Oratory)   
     
I HAVE never heard but one essentially perfect orator—one who satisfied those depths of the emotional nature that in most cases go through life quite untouch’d, unfed—who held every hearer by spells which no conventionalist, high or low—nor any pride or composure, nor resistance of intellect—could stand against for ten minutes.      1   
  And by the way, it is not strange, of this first-class genius in the rarest and most profound of humanity’s arts, that it will be necessary, (so nearly forgotten and rubb’d out is his name by the rushing whirl of the last twenty-five years,) to first inform current readers that he was an orthodox minister, of no particular celebrity, who during a long life preach’d especially to Yankee sailors in an old fourth-class church down by the wharves in Boston—had practically been a sea-faring man through his earlier years—and died April 6, 1871, “just as the tide turn’d, going out with the ebb as an old salt should”? His name is now comparatively unknown, outside of Boston—and even there, (though Dickens, Mr. Jameson, Dr. Bartol and Bishop Haven have commemorated him,) is mostly but a reminiscence.      2   
  During my visits to “the Hub,” in 1859 and ’60 I several times saw and heard Father Taylor. In the spring or autumn, quiet Sunday forenoons, I liked to go down early to the quaint ship-cabin-looking church where the old man minister’d—to enter and leisurely scan the building, the low ceiling, every thing strongly timber’d (polish’d and rubb’d apparently,) the dark rich colors, the gallery, all in half-light—and smell the aroma of old wood—to watch the auditors, sailors, mates, “matlows,” officers, singly or in groups, as they came in—their physiognomies, forms, dress, gait, as they walk’d along the aisles,—their postures, seating themselves in the rude, roomy, undoor’d, uncushion’d pews—and the evident effect upon them of the place, occasion, and atmosphere.      3   
  The pulpit, rising ten or twelve feet high, against the rear wall, was back’d by a significant mural painting, in oil—showing out its bold lines and strong hues through the subdued light of the building—of a stormy sea, the waves high-rolling, and amid them an old-style ship, all bent over, driving through the gale, and in great peril—a vivid and effectual piece of limning, not meant for the criticism of artists (though I think it had merit even from that standpoint,) but for its effect upon the congregation, and what it would convey to them.      4   
  Father Taylor was a moderate-sized man, indeed almost small, (reminded me of old Booth, the great actor, and my favorite of those and preceding days,) well advanced in years, but alert, with mild blue or gray eyes, and good presence and voice. Soon as he open’d his mouth I ceas’d to pay any attention to church or audience, or pictures or lights and shades; a far more potent charm entirely sway’d me. In the course of the sermon, (there was no sign of any MS., or reading from notes,) some of the parts would be in the highest degree majestic and picturesque. Colloquial in a severe sense, it often lean’d to Biblical and oriental forms. Especially were all allusions to ships and the ocean and sailors’ lives, of unrival’d power and life-likeness. Sometimes there were passages of fine language and composition, even from the purist’s point of view. A few arguments, and of the best, but always brief and simple. One realized what grip there might have been in such words-of-mouth talk as that of Socrates and Epictetus. In the main, I should say, of any of these discourses, that the old Demosthenean rule and requirement of “action, action, action,” first in its inward and then (very moderate and restrain’d) its outward sense, was the quality that had leading fulfilment.      5   
  I remember I felt the deepest impression from the old man’s prayers, which invariably affected me to tears. Never, on similar or any other occasions, have I heard such impassion’d pleading—such human-harassing reproach (like Hamlet to his mother, in the closet)—such probing to the very depths of that latent conscience and remorse which probably lie somewhere in the background of every life, every soul. For when Father Taylor preach’d or pray’d, the rhetoric and art, the mere words, (which usually play such a big part) seem’d altogether to disappear, and the live feeling advanced upon you and seiz’d you with a power before unknown. Everybody felt this marvelous and awful influence. One young sailor, a Rhode Islander, (who came every Sunday, and I got acquainted with, and talk’d to once or twice as we went away,) told me, “that must be the Holy Ghost we read of in the Testament.”      6   
  I should be at a loss to make any comparison with other preachers or public speakers. When a child I had heard Elias Hicks—and Father Taylor (though so different in personal appearance, for Elias was of tall and most shapely form, with black eyes that blazed at times like meteors,) always reminded me of him. Both had the same inner, apparently inexhaustible, fund of latent volcanic passion—the same tenderness, blended with a curious remorseless firmness, as of some surgeon operating on a belov’d patient. Hearing such men sends to the winds all the books, and formulas, and polish’d speaking, and rules of oratory.      7   
  Talking of oratory, why is it that the unsophisticated practices often strike deeper than the train’d ones? Why do our experiences perhaps of some local country exhorter—or often in the West or South at political meetings—bring the most definite results? In my time I have heard Webster, Clay, Edward Everett, Phillips, and such célébrés; yet I recall the minor but life-eloquence of men like John P. Hale, Cassius Clay, and one or two of the old abolition “fanatics” ahead of all those stereotyped fames. Is not—I sometimes question—the first, last, and most important quality of all, in training for a “finish’d speaker,” generally unsought, unreck’d of, both by teacher and pupil? Though maybe it cannot be taught, anyhow. At any rate, we need to clearly understand the distinction between oratory and elocution. Under the latter art, including some of high order, there is indeed no scarcity in the United States, preachers, lawyers, actors, lecturers, &c. With all, there seem to be few real orators—almost none.      8   
  I repeat, and would dwell upon it (more as suggestion than mere fact)—among all the brilliant lights of bar or stage I have heard in my time (for years in New York and other cities I haunted the courts to witness notable trials, and have heard all the famous actors and actresses that have been in America the past fifty years) though I recall marvellous effects from one or other of them, I never had anything in the way of vocal utterance to shake me through and through, and become fix’d, with its accompaniments, in my memory, like those prayers and sermons—like Father Taylor’s personal electricity and the whole scene there—the prone ship in the gale, and dashing wave and foam for background—in the little old sea-church in Boston, those summer Sundays just before the Secession War broke out.
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V. November Boughs   
4. The Spanish Element in Our Nationality   
     
             [Our friends at Santa Fé, New Mexico, have just finish’d their long drawn out anniversary of the 333d year of the settlement of their city by the Spanish. The good, gray Walt Whitman was asked to write them a poem in commemoration. Instead he wrote them a letter as follows:—Philadelphia Press, August 5, 1883.]   
CAMDEN, NEW JERSEY, July 20, 1883.
   1   
  To Messrs. Griffin, Martinez, Prince, and other Gentlemen at Santa Fé:
  DEAR SIRS:—Your kind invitation to visit you and deliver a poem for the 333d Anniversary of founding Santa Fé has reach’d me so late that I have to decline, with sincere regret. But I will say a few words off hand.      2   
  We Americans have yet to really learn our own antecedents, and sort them, to unify them. They will be found ampler than has been supposed, and in widely different sources. Thus far, impress’d by New England writers and schoolmasters, we tacitly abandon ourselves to the notion that our United States have been fashion’d from the British Islands only, and essentially form a second England only—which is a very great mistake. Many leading traits for our future national personality, and some of the best ones, will certainly prove to have originated from other than British stock. As it is, the British and German, valuable as they are in the concrete, already threaten excess. Or rather, I should say, they have certainly reach’d that excess. To-day, something outside of them, and to counterbalance them, is seriously needed.      3   
  The seething materialistic and business vortices of the United States, in their present devouring relations, controlling and belittling everything else, are, in my opinion, but a vast and indispensable stage in the new world’s development, and are certainly to be follow’d by something entirely different—at least by immense modifications. Character, literature, a society worthy the name, are yet to be establish’d, through a nationality of noblest spiritual, heroic and democratic attributes—not one of which at present definitely exists—entirely different from the past, though unerringly founded on it, and to justify it.      4   
  To that composite American identity of the future, Spanish character will supply some of the most needed parts. No stock shows a grander historic retrospect—grander in religiousness and loyalty, or for patriotism, courage, decorum, gravity and honor. (It is time to dismiss utterly the illusion-compound, half raw-head-and-bloody-bones and half Mysteries-of-Udolpho, inherited from the English writers of the past 200 years. It is time to realize—for it is certainly true—that there will not be found any more cruelty, tyranny, superstition, &c., in the résumé of past Spanish history than in the corresponding résumé of Anglo-Norman history. Nay, I think there will not be found so much.)      5   
  Then another point, relating to American ethnology, past and to come, I will here touch upon at a venture. As to our aboriginal or Indian population—the Aztec in the South, and many a tribe in the North and West—I know it seems to be agreed that they must gradually dwindle as time rolls on, and in a few generations more leave only a reminiscence, a blank. But I am not at all clear about that. As America, from its many far-back sources and current supplies, develops, adapts, entwines, faithfully identifies its own—are we to see it cheerfully accepting and using all the contributions of foreign lands from the whole outside globe—and then rejecting the only ones distinctively its own—the autochthonic ones?      6   
  As to the Spanish stock of our Southwest, it is certain to me that we do not begin to appreciate the splendor and sterling value of its race element. Who knows but that element, like the course of some subterranean river, dipping invisibly for a hundred or two years, is now to emerge in broadest flow and permanent action?      7   
  If I might assume to do so, I would like to send you the most cordial, heartfelt congratulations of your American fellow-countrymen here. You have more friends in the Northern and Atlantic regions than you suppose, and they are deeply interested in the development of the great Southwestern interior, and in what your festival would arouse to public attention.

Very respectfully, &c.,

WALT WHITMAN.
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