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Variety is the spice of life

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Lines
Written In Kensington Gardens



In this lone, open glade I lie,
Screen'd by deep boughs on either hand;
And at its end, to stay the eye,
Those black-crown'd, red-boled pine-trees stand!

Birds here make song, each bird has his,
Across the girdling city's hum.
How green under the boughs it is!
How thick the tremulous sheep-cries come!

Sometimes a child will cross the glade
To take his nurse his broken toy;
Sometimes a thrush flit overhead
Deep in her unknown day's employ.

Here at my feet what wonders pass,
What endless, active life is here!
What blowing daisies, fragrant grass!
An air-stirr'd forest, fresh and clear.

Scarce fresher is the mountain-sod
Where the tired angler lies, stretch'd out,
And, eased of basket and of rod,
Counts his day's spoil, the spotted trout.

In the huge world, which roars hard by,
Be others happy if they can!
But in my helpless cradle I
Was breathed on by the rural Pan.

I, on men's impious uproar hurl'd,
Think often, as I hear them rave,
That peace has left the upper world
And now keeps only in the grave.

Yet here is peace for ever new!
When I who watch them am away,
Still all things in this glade go through
The changes of their quiet day.

Then to their happy rest they pass!
The flowers upclose, the birds are fed,
The night comes down upon the grass,
The child sleeps warmly in his bed.

Calm soul of all things! make it mine
To feel, amid the city's jar,
That there abides a peace of thine,
Man did not make, and cannot mar.

The will to neither strive nor cry,
The power to feel with others give!
Calm, calm me more! nor let me die
Before I have begun to live.
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Variety is the spice of life

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The Last Word


Creep into thy narrow bed,
Creep, and let no more be said!
Vain thy onset! all stands fast.
Thou thyself must break at last.

Let the long contention cease!
Geese are swans, and swans are geese.
Let them have it how they will!
Thou art tired; best be still.

They out-talk'd thee, hiss'd thee, tore thee?
Better men fared thus before thee;
Fired their ringing shot and pass'd,
Hotly charged—and sank at last.

Charge once more, then, and be dumb!
Let the victors, when they come,
When the forts of folly fall,
Find thy body by the wall!
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Variety is the spice of life

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Palladium

Set where the upper streams of Simois flow
Was the Palladium, high 'mid rock and wood;
And Hector was in Ilium far below,
And fought, and saw it not—but there it stood!

It stood, and sun and moonshine rain'd their light
On the pure columns of its glen-built hall.
Backward and forward roll'd the waves of fight
Round Troy—but while this stood, Troy could not fall.

So, in its lovely moonlight, lives the soul.
Mountains surround it, and sweet virgin air;
Cold plashing, past it, crystal waters roll;
We visit it by moments, ah, too rare!

We shall renew the battle in the plain
To-morrow;—red with blood will Xanthus be;
Hector and Ajax will be there again,
Helen will come upon the wall to see.

Then we shall rust in shade, or shine in strife,
And fluctuate 'twixt blind hopes and blind despairs,
And fancy that we put forth all our life,
And never know how with the soul it fares.

Still doth the soul, from its lone fastness high,
Upon our life a ruling effluence send.
And when it fails, fight as we will, we die;
And while it lasts, we cannot wholly end.
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Variety is the spice of life

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Revolutions

Before man parted for this earthly strand,
While yet upon the verge of heaven he stood,
God put a heap of letters in his hand,
And bade him make with them what word he could.

And man has turn'd them many times; made Greece,
Rome, England, France;—yes, nor in vain essay'd
Way after way, changes that never cease!
The letters have combined, something was made.

But ah! an inextinguishable sense
Haunts him that he has not made what he should;
That he has still, though old, to recommence,
Since he has not yet found the word God would.

And empire after empire, at their height
Of sway, have felt this boding sense come on;
Have felt their huge frames not constructed right,
And droop'd, and slowly died upon their throne.

One day, thou say'st, there will at last appear
The word, the order, which God meant should be.
Ah! we shall know that well when it comes near;
The band will quit man's heart, he will breathe free.
« Poslednja izmena: 13. Feb 2006, 15:03:46 od Ace_Ventura »
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Variety is the spice of life

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Self-Dependence

Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel's prow I stand, which bears me
Forwards, forwards, o'er the starlit sea.

And a look of passionate desire
O'er the sea and to the stars I send:
"Ye who from my childhood up have calm'd me,
Calm me, ah, compose me to the end!

"Ah, once more," I cried, "ye stars, ye waters,
On my heart your mighty charm renew;
Still, still let me, as I gaze upon you,
Feel my soul becoming vast like you!"

From the intense, clear, star-sown vault of heaven,
Over the lit sea's unquiet way,
In the rustling night-air came the answer:
"Wouldst thou be as these are? Live as they.

"Unaffrighted by the silence round them,
Undistracted by the sights they see,
These demand not that the things without them
Yield them love, amusement, sympathy.

"And with joy the stars perform their shining,
And the sea its long moon-silver'd roll;
For self-poised they live, nor pine with noting
All the fever of some differing soul.

"Bounded by themselves, and unregardful
In what state God's other works may be,
In their own tasks all their powers pouring,
These attain the mighty life you see."

O air-born voice! long since, severely clear,
A cry like thine in mine own heart I hear:
"Resolve to be thyself; and know that he,
Who finds himself, loses his misery!"
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Variety is the spice of life

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A Summer Night

In the deserted, moon-blanch'd street,
How lonely rings the echo of my feet!
Those windows, which I gaze at, frown,
Silent and white, unopening down,
Repellent as the world;—but see,
A break between the housetops shows
The moon! and, lost behind her, fading dim
Into the dewy dark obscurity
Down at the far horizon's rim,
Doth a whole tract of heaven disclose!

And to my mind the thought
Is on a sudden brought
Of a past night, and a far different scene.
Headlands stood out into the moonlit deep
As clearly as at noon;
The spring-tide's brimming flow
Heaved dazzlingly between;
Houses, with long white sweep,

Girdled the glistening bay;
Behind, through the soft air,
The blue haze-cradled mountains spread away,
The night was far more fair—
But the same restless pacings to and fro,
And the same vainly throbbing heart was there,
And the same bright, calm moon.

And the calm moonlight seems to say:
Hast thou then still the old unquiet breast,
Which neither deadens into rest,
Nor ever feels the fiery glow
That whirls the spirit from itself away,
But fluctuates to and fro,
Never by passion quite possess'd
And never quite benumb'd by the world's sway?

And I, I know not if to pray
Still to be what I am, or yield and be
Like all the other men I see.

For most men in a brazen prison live,
Where, in the sun's hot eye,
With heads bent o'er their toil, they languidly
Their lives to some unmeaning taskwork give,
Dreaming of nought beyond their prison-wall.
And as, year after year,
Fresh products of their barren labour fall
From their tired hands, and rest
Never yet comes more near,
Gloom settles slowly down over their breast;
A while they try to stem
The waves of mournful thought by which they are prest,
And the rest, a few,
Escape their prison and
On the wide ocean of life anew.
There the freed prisoner, where'er his heart
Listeth, will sail;
Nor doth he know how these prevail,
Despotic on that sea,
Trade-winds which cross it from eternity.
Awhile he holds some false way, undebarr'd
By thwarting signs, and braves
The freshening wind and blackening waves
And then the tempest strikes him; and between
The lightning-bursts is seen
Only a driving wreck.
And the pale master on his spar-strewn deck
With anguished face and flying hair,
Grasping the rudder hard,
Still bent to make some port he knows not where,
Still standing for some false, impossible shore.
And sterner comes the roar
Of sea and wind, and through the deepening gloom
Fainter and fainter wreck and helmsman loom
And he, too, disappears and comes no more.

Is there no life, but there alone?
Madman or slave, must man be one?
Plainness and clearness without shadow of stain!
Clearness divine.
Ye heavens, whose pure dark regions have no sign
Of languor, though so calm, and though so great
Are yet untroubled and unpassionate;
Who though so noble, share in the world's toil.
And, though so task'd, keep free from dust and soil!

I will not say that your mild deeps retain
A tinge, it may he, of their silent pain
Who have longed deeply once, and longed in vain—
But I will rather say that you remain
A world above man's head, to let him see
How boundless might his soul's horizon be,
How vast, yet of which clear transparency!
How it were good to live there, and breathe free!
How fair a lot to fill
Is left to each man still!
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Geist's Grave

Four years!—and didst thou stay above
The ground, which hides thee now, but four?
And all that life, and all that love,
Were crowded, Geist! into no more?

Only four years those winning ways,
Which make me for thy presence yearn,
Call'd us to pet thee or to praise,
Dear little friend! at every turn?

That loving heart, that patient soul,
Had they indeed no longer span,
To run their course, and reach their goal,
And read their homily to man?

That liquid, melancholy eye,
From whose pathetic, soul-fed springs
Seem'd surging the Virgilian cry,
The sense of tears in mortal things—

That steadfast, mournful strain, consoled
By spirits gloriously gay,
And temper of heroic mould—
What, was four years their whole short day?

Yes, only four!—and not the course
Of all the centuries yet to come,
And not the infinite resource
Of Nature, with her countless sum

Of figures, with her fulness vast
Of new creation evermore,
Can ever quite repeat the past,
Or just thy little self restore.

Stern law of every mortal lot!
Which man, proud man, finds hard to bear,
And builds himself I know not what
Of second life I know not where.

But thou, when struck thine hour to go,
On us, who stood despondent by,
A meek last glance of love didst throw,
And humbly lay thee down to die.

Yet would we keep thee in our heart—
Would fix our favourite on the scene,
Nor let thee utterly depart
And be as if thou ne'er hadst been.

And so there rise these lines of verse
On lips that rarely form them now;
While to each other we rehearse:
Such ways, such arts, such looks hadst thou!

We stroke thy broad brown paws again,
We bid thee to thy vacant chair,
We greet thee by the window-pane,
We hear thy scuffle on the stair.

We see the flaps of thy large ears
Quick raised to ask which way we go;
Crossing the frozen lake, appears
Thy small black figure on the snow!

Nor to us only art thou dear
Who mourn thee in thine English home;
Thou hast thine absent master's tear,
Dropt by the far Australian foam.

Thy memory lasts both here and there,
And thou shalt live as long as we.
And after that—thou dost not care!
In us was all the world to thee.

Yet, fondly zealous for thy fame,
Even to a date beyond our own
We strive to carry down thy name,
By mounded turf, and graven stone.

We lay thee, close within our reach,
Here, where the grass is smooth and warm,
Between the holly and the beech,
Where oft we watch'd thy couchant form,

Asleep, yet lending half an ear
To travellers on the Portsmouth road;—
There build we thee, O guardian dear,
Mark'd with a stone, thy last abode!

Then some, who through this garden pass,
When we too, like thyself, are clay,
Shall see thy grave upon the grass,
And stop before the stone, and say:

People who lived here long ago
Did by this stone, it seems, intend
To name for future times to know
The dachs-hound, Geist, their little friend.
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Variety is the spice of life

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Epilogue
To Lessing's Laocoon


One morn as through Hyde Park we walk'd,
My friend and I, by chance we talk'd
Of Lessing's famed Laocoön;
And after we awhile had gone
In Lessing's track, and tried to see
What painting is, what poetry—
Diverging to another thought,
"Ah," cries my friend, "but who hath taught
Why music and the other arts
Oftener perform aright their parts
Than poetry? why she, than they,
Fewer fine successes can display?

"For 'tis so, surely! Even in Greece,
Where best the poet framed his piece,
Even in that Phœbus-guarded ground
Pausanias on his travels found
Good poems, if he look'd, more rare
(Though many) than good statues were—
For these, in truth, were everywhere.
Of bards full many a stroke divine
In Dante's, Petrarch's, Tasso's line,
The land of Ariosto show'd;
And yet, e'en there, the canvas glow'd
With triumphs, a yet ampler brood,
Of Raphael and his brotherhood.
And nobly perfect, in our day
Of haste, half-work, and disarray,
Profound yet touching, sweet yet strong,
Hath risen Goethe's, Wordsworth's song;
Yet even I (and none will bow
Deeper to these) must needs allow,
They yield us not, to soothe our pains,
Such multitude of heavenly strains
As from the kings of sound are blown,
Mozart, Beethoven, Mendelssohn."

While thus my friend discoursed, we pass
Out of the path, and take the grass.
The grass had still the green of May,
And still the unblackan'd elms were gay;
The kine were resting in the shade,
The flies a summer-murmur made.
Bright was the morn and south the air;
The soft-couch'd cattle were as fair
As those which pastured by the sea,
That old-world morn, in Sicily,
When on the beach the Cyclops lay,
And Galatea from the bay
Mock'd her poor lovelorn giant's lay.
"Behold," I said, "the painter's sphere!
The limits of his art appear.
The passing group, the summer-morn,
The grass, the elms, that blossom'd thorn—
Those cattle couch'd, or, as they rise,
Their shining flanks, their liquid eyes—
These, or much greater things, but caught
Like these, and in one aspect brought!
In outward semblance he must give
A moment's life of things that live;
Then let him choose his moment well,
With power divine its story tell."

Still we walk'd on, in thoughtful mood,
And now upon the bridge we stood.
Full of sweet breathings was the air,
Of sudden stirs and pauses fair.
Down o'er the stately bridge the breeze
Came rustling from the garden-trees
And on the sparkling waters play'd;
Light-plashing waves an answer made,
And mimic boats their haven near'd.
Beyond, the Abbey-towers° appear'd,
By mist and chimneys unconfined,
Free to the sweep of light and wind;
While through their earth-moor'd nave below
Another breath of wind doth blow,
Sound as of wandering breeze—but sound
In laws by human artists bound.

"The world of music!" I exclaimed:—
"This breeze that rustles by, that famed
Abbey recall it! what a sphere
Large and profound, hath genius here!
The inspired musician what a range,
What power of passion, wealth of change
Some source of feeling he must choose
And its lock'd fount of beauty use,
And through the stream of music tell
Its else unutterable spell;
To choose it rightly is his part,
And press into its inmost heart.

"Miserere Domine!
The words are utter'd, and they flee.
Deep is their penitential moan,
Mighty their pathos, but 'tis gone.
They have declared the spirit's sore
Sore load, and words can do no more.
Beethoven takes them then—those two
Poor, bounded words—and makes them new;
Infinite makes them, makes them young;
Transplants them to another tongue,
Where they can now, without constraint,
Pour all the soul of their complaint,
And roll adown a channel large
The wealth divine they have in charge.
Page after page of music turn,
And still they live and still they burn,
Eternal, passion-fraught, and free—
Miserere Domine!"

Onward we moved, and reach'd the Ride
Where gaily flows the human tide.
Afar, in rest the cattle lay;
We heard, afar, faint music play;
But agitated, brisk, and near,
Men, with their stream of life, were here.
Some hang upon the rails, and some
On foot behind them go and come.
This through the Ride upon his steed
Goes slowly by, and this at speed.
The young, the happy, and the fair,
The old, the sad, the worn, were there;
Some vacant, and some musing went,
And some in talk and merriment.
Nods, smiles, and greetings, and farewells!
And now and then, perhaps, there swells
A sigh, a tear—but in the throng
All changes fast, and hies along.
Hies, ah, from whence, what native ground?
And to what goal, what ending, bound?
"Behold, at last the poet's sphere!
But who," I said, "suffices here?

"For, ah! so much he has to do;
Be painter and musician too°!
The aspect of the moment show,
The feeling of the moment know!
The aspect not, I grant, express
Clear as the painter's art can dress;
The feeling not, I grant, explore
So deep as the musician's lore—
But clear as words can make revealing,
And deep as words can follow feeling.
But, ah! then comes his sorest spell
Of toil—he must life's movement tell!
The thread which binds it all in one,
And not its separate parts alone.
The movement he must tell of life,
Its pain and pleasure, rest and strife;
His eye must travel down, at full,
The long, unpausing spectacle;
With faithful unrelaxing force
Attend it from its primal source,
From change to change and year to year
Attend it of its mid career,
Attend it to the last repose
And solemn silence of its close.

"The cattle rising from the grass
His thought must follow where they pass;
The penitent with anguish bow'd
His thought must follow through the crowd.
Yes! all this eddying, motley throng
That sparkles in the sun along,
Girl, statesman, merchant, soldier bold,
Master and servant, young and old,
Grave, gay, child, parent, husband, wife,
He follows home, and lives their life.

And many, many are the souls
Life's movement fascinates, controls;
It draws them on, they cannot save
Their feet from its alluring wave;
They cannot leave it, they must go
With its unconquerable flow.
But ah! how few, of all that try
This mighty march, do aught but die!
For ill-endow'd for such a way,
Ill-stored in strength, in wits, are they.
They faint, they stagger to and fro,
And wandering from the stream they go;
In pain, in terror, in distress,
They see, all round, a wilderness.
Sometimes a momentary gleam
They catch of the mysterious stream;
Sometimes, a second's space, their ear
The murmur of its waves doth hear.
That transient glimpse in song they say,
But not of painter can pourtray—
That transient sound in song they tell,
But not, as the musician, well.
And when at last their snatches cease,
And they are silent and at peace,
The stream of life's majestic whole
Hath ne'er been mirror'd on their soul.

"Only a few the life-stream's shore
With safe unwandering feet explore;
Untired its movement bright attend,
Follow its windings to the end.
Then from its brimming waves their eye
Drinks up delighted ecstasy,
And its deep-toned, melodious voice
For ever makes their ear rejoice.
They speak! the happiness divine
They feel, runs o'er in every line;
Its spell is round them like a shower—
It gives them pathos, gives them power.
No painter yet hath such a way,
Nor no musician made, as they,
And gather'd on immortal knolls
Such lovely flowers for cheering souls.
Beethoven, Raphael, cannot reach
The charm which Homer, Shakespeare, teach.
To these, to these, their thankful race
Gives, then, the first, the fairest place;
And brightest is their glory's sheen,
For greatest hath their labour been."
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Sonnets



Quiet Work

 
One lesson, Nature, let me learn of thee,
One lesson which in every wind is blown,
One lesson of two duties kept at one
Though the loud world proclaim their enmity—

Of toil unsever'd from tranquillity!
Of labour, that in lasting fruit outgrows
Far noisier schemes, accomplish'd in repose,
Too great for haste, too high for rivalry!

Yes, while on earth a thousand discords ring,
Man's fitful uproar mingling with his toil,
Still do thy sleepless ministers move on,

Their glorious tasks in silence perfecting;
Still working, blaming still our vain turmoil,
Labourers that shall not fail, when man is gone.
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Shakespeare

Others abide our question. Thou art free.
We ask and ask—Thou smilest and art still,
Out-topping knowledge. For the loftiest hill,
Who to the stars uncrowns his majesty,

Planting his steadfast footsteps in the sea,
Making the heaven of heavens his dwelling-place,
Spares but the cloudy border of his base
To the foil'd searching of mortality;

And thou, who didst the stars and sunbeams know
Self-school'd, self-scann'd, self-honour'd, self-secure,
Didst tread on earth unguess'd at.—Better so!

All pains the immortal spirit must endure,
All weakness which impairs, all griefs which bow
Find their sole speech in that victorious brow.
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