* * *

   A year ago Johnny Fontane had sat in his plush office, the office of the movie company he headed, and felt as lousy as he had ever felt in his life. Which was surprising because the first movie he had produced, with himself as star and Nino in a featured part, was making tons of money. Everything had worked. Everybody had done their job. The picture was brought in under budget. Everybody was going to make a fortune out of it and Jack Woltz was losing ten years of his life. Now Johnny had two more pictures in production, one starring himself, one starring Nino. Nino was great on the screen as one of those charming, dopey lover-boys that women loved to shove between their tits. Little boy lost. Everything he touched made money, it was rolling in. The Godfather was getting his percentage through the bank, and that made Johnny feel really good. He had justified his Godfather’s faith. But today that wasn’t helping much.
   And now that he was a successful independent movie producer he had as much power, maybe more, than he had ever had as a singer. Beautiful broads felt all over him just like before, though for a more commercial reason. He had his own plane, he lived more lavishly even, with the special tax benefits a businessman had that artists didn’t get. Then what the hell was bothering him?
   He knew what it was. The front of his head hurt, his nasal passages hurt, his throat itched. The only way he could scratch and relieve that itch was by singing and he was afraid to even try. He had called Jules Segal about it, when it would be safe to try to sing and Jules had said anytime he felt like it. So he’d tried and sounded so hoarse and lousy he’d given up. And his throat would hurt like hell the next day, hurt in a different way than before the warts had been taken off. Hurt worse, burning. He was afraid to keep singing, afraid that he’d lose his voice forever, or ruin it.
   And if he couldn’t sing, what the hell was the use of everything else? Everything else was just bullshit. Sing was the only thing he really knew. Maybe he knew more about singing and his kind of music than anybody else in the world. He was that good, he realized now. All those years had made him a real pro. Nobody could tell him, the right and the wrong, he didn’t have to ask anybody. He knew. What a waste, what a damn waste.
   It was Friday and he decided to spend the weekend with Virginia and the kids. He called her up as he always did to tell her he was coming. Really to give her a chance to say no. She never said no. Not in all the years they had been divorced. Because she would never say no to a meeting of her daughters and their father. What a broad, Johnny thought. He’d been lucky with Virginia. And though he knew he cared more about her than any other woman he knew it was impossible for them to live together sexually. Maybe when they were sixty-five, like when you retire, they’d retire together, retire from everything.
   But reality shattered these tests when he arrived there and found Virginia was feeling a little grouchy herself and the two girls not that crazy to see him because they had been promised a weekend visit with some girl friends on a California ranch where they could ride horses.
   He told Virginia to send the girls off to the ranch and kissed them good-bye with an amused smile. He understood them so well. What kid wouldn’t rather go riding horses on a ranch than hang around with a grouchy father who picked his own spots as a father. He said to Virginia, “I’ll have a few drinks and then I’ll shove off too.”
   “All right,” she said. She was having one of her bad days, rare, but recognizable. It wasn’t too easy for her leading this kind of life.
   She saw him taking an extra large drink. “What are you cheering yourself up for?” Virginia asked. “Everything is going so beautifully for you. I never dreamed you had it in you to be such a good businessman.”
   Johnny smiled at her. “It’s not so hard,” he said. At the same time he was thinking, so that’s what was wrong. He understood women and he understood now that Virginia was down because she thought he was having everything his own way. Women really hated seeing their men doing too well. It irritated them. It made them less sure of the hold they exerted over them through affection, sexual custom or marriage ties. So more to cheer her up than voice his own complaints, Johnny said, “What the hell difference does it make if I can’t sing.”
   Virginia’s voice was annoyed. “Oh, Johnny, you’re not a kid anymore. You’re over thirty-five. Why do you keep worrying about that silly singing stuff? You make more money as a producer anyhow.”
   Johnny looked at her curiously and said, “I’m a singer. I love to sing. What’s being old got to do with that?”
   Virginia was impatient. “I never liked your singing anyway. Now that you’ve shown you can make movies, I’m glad you can’t sing anymore.”
   They were both surprised when Johnny said with fury, “That’s a fucking lousy thing to say.” He was shaken. How could Virginia feel like that, how could she dislike him so much?
   Virginia smiled at his being hurt and because it was so outrageous that he should be angry at her she said, “How do you think I felt when all those girls came running after you because of the way you sang? How would you feel if I went ass-naked down the street to get men running after me? That’s what your singing was and I used to wish you’d lose your voice and could never sing again. But that was before we got divorced.”
   Johnny finished his drink. “You don’t understand a thing. Not a damn thing.” He went into the kitchen and dialed Nino’s number. He quickly arranged for them both to go down to Palm Springs for the weekend and gave Nino the number of a girl to call, a real fresh young beauty he’d been meaning to get around to. “She’ll have a friend for you,” Johnny said. “I’ll be at your place in an hour.”
   Virginia gave him a cool good-bye when he left. He didn’t give a damn, it was one of the few times he was angry with her. The hell with it, he’d just tear loose for the weekend and get all the poison out of his system.
   Sure enough, everything was fine down in Palm Springs. Johnny used his own house down there, it was always kept open and staffed this time of year. The two girls were young enough to be great fun and not too rapacious for some kind of favor. Some people came over to keep them company at the pool until suppertime. Nino went to his room with his girl to get ready for supper and a quick bang while he was still warm from the sun. Johnny wasn’t in the mood, so he sent his girl, a short bandbox blonde named Tina, up to shower by herself. He never could make love to another woman after he’d had a fight with Virginia.
   He went into the glass-walled patio living room that held a piano. When singing with the band he had fooled around with the piano just for laughs, so he could pick out a song in a fake moonlight-soft ballad style. He sat down now and hummed along a bit with the piano, very softly, muttering a few words but not really singing. Before he knew it Tina was in the living room making him a drink and sitting beside him at the piano. He played a few tunes and she hummed with him. He left her at the piano and went up to take his shower. In the shower he sang short phrases, more like speaking. He got dressed and went back down. Tina was still alone; Nino was really working his girl over or getting drunk.
   Johnny sat down at the piano again while Tina wandered off outside to watch the pool. He started singing one of his old songs. There was no burning in his throat. The tones were coming out muted but with proper body. He looked at the patio. Tina was still out there, the glass door was closed, she wouldn’t hear him. For some reason he didn’t want anybody to hear him. He started off fresh on an old ballad that was his favorite. He sang full out as if he were singing in public, letting himself go, waiting for the familiar burning rasp in his throat but there was none. He listened to his voice, it was diferent somehow, but he liked it. It was darker, it was a man’s voice, not a kid’s, rich he thought, dark rich. He finished the song easing up and sat there at the piano thinking about it.
   Behind him Nino said, “Not bad, old buddy, not bad at all.”
   Johnny swiveled his body around. Nino was standing in the doorway, alone. His girl wasn’t with him. Johnny was relieved. He didn’t mind Nino hearing him.
   “Yeah,” Johnny said. “Let’s get rid of those two broads. Send them home.”
   Nino said, “You send them home. They’re nice kids, I’m not gonna hurt their feelings. Besides I just banged mine twice. How would it look if I sent her away without even giving her dinner?” The hell with it, Johnny thought. Let the girls listen even if he sounded lousy. He called up a band leader he knew in Palm Springs and asked him to send over a mandolin for Nino. The band leader protested, “Hell, nobody plays a mandolin in California.” Johnny yelled, “Just get one.”
   The house was loaded with recording equipment and Johnny had the two girls work the turn-off and volumes. After they had dinner, Johnny went to work. He had Nino playing the mandolin as accompaniment and sang all his old songs. He sang them all the way out, not nursing his voice at all. His throat was fine, he felt that he could sing forever. In the months he had not been able to sing he had often thought about singing, planned out how he would phrase lyrics differently now than as a kid. He had sung the songs in his head with more sophisticated variations of emphasis. Now he was doing it for real. Sometimes it would go wrong in the actual singing, stuff that had sound good when he heard it just in his head didn’t work out when he tried it really singing out loud. OUT LOUD, he thought. He wasn’t listening to himself now, he was concentrating on performing. He fumbled a little on timing but that was OK, just rusty. He had a metronome in his head that would never fail him. Just a little practice was all he needed.
   Finally he stopped singing. Tina came over to him with eyes shining and gave him a long kiss. “Now I know why Mother goes to all your movies,” she said. It was the wrong thing to say at any time except this. Johnny and Nino laughed.
   They played the feedback and now Johnny could really listen to himself. His voice had changed, changed a hell of a lot but was still unquestionably the voice of Johnny Fontane. It had become much richer and darker as he had noticed before but there was also the quality of a man singing rather than a boy. The voice had more true emotion, more character. And the technical part of his singing was far superior to anything he had ever done. It was nothing less than masterful. And if he was that good now, rusty as hell, how good would he be when he got in shape again? Johnny grinned at Nino. “Is that as good as I think it is?”
   Nino looked at his happy face thoughtfully. “It’s very damn good,” he said. “But let’s see how you sing tomorrow.”
   Johnny was hurt that Nino should be so downbeat. “You son of a bitch, you know you can’t sing like that. Don’t worry about tomorrow. I feel great.” But he didn’t sing any more that night. He and Nino took the girls to a party and Tina spent the night in his_bed but he wasn’t much good there. The girl was a little disappointed. But what the hell, you couldn’t do everything all in one day, Johnny thought.
   He woke up in the morning with a sense of apprehension, with a vague terror that he had dreamed his voice had come back. Then when he was sure it was not a dream he got scared that his voice would be shot again. He went to the window and hummed a bit, then he went down to the living room still in his pajamas. He picked out a tune on the piano and after a while tried singing with it. He sang mutedly but there was no pain, no hoarseness in his throat, so he turned it on. The cords were true. and rich, he didn’t have to force it at all. Easy, easy, just pouring out. Johnny realized that the bad time was over, he had it all now. And it didn’t matter a damn if he fell on his face with movies, it didn’t matter if he couldn’t get it up with Tina the night before; it didn’t matter that Virginia would hate him being able to sing again. For a moment he had just one regret. If only his voice had come back to him while trying to sing for his daughters, how lovely that would have been. That would have been so lovely.


* * *

   The hotel nurse had come into the room wheeling a cart loaded with medication. Johnny got up and stared down at Nino, who was sleeping or maybe dying. He knew Nino wasn’t jealous of his getting his voice back. He understood that Nino was only jealous because he was so happy about getting his voice back. That he cared so much about singing. For what was very obvious now was that Nino Valenti didn’t care enough about anything to make him want to stay alive.

Chapter 27

   Michael Corleone arrived late in the evening and, by his own order, was not met at the airport. Only two men accompanied him: Tom Hagen and a new bodyguard, named Albert Neri.
   The most lavish suite of rooms in the hotel had been set aside for Michael and his party. Already waiting in that suite were the people it would be necessary for Michael to see.
   Freddie greeted his brother with a warm embrace. Freddie was much stouter, more benevolent-looking, cheerful, and far more dandified. He wore an exquisitely tailored gray silk and accessories to match. His hair was razor cut and arranged as carefully as a movie star’s, his face glowed with perfect barbering and his hands were manicured. He was an altogether different man than the one who had been shipped out of New York four years before.
   He leaned back and surveyed Michael fondly. “You look a hell of a lot better now that you got your face fixed. Your wife finally talked you into it, huh? How is Kay? When she goons come out and visit us out here?”
   Michael smiled at his brother. “You’re looking pretty good too. Kay would have come out this time, but she’s carrying another kid and she has the baby to look after. Besides this is business, Freddie, I have to fly back tomorrow night or the morning after.”
   “You have to eat something first,” Freddie said. “We’ve got a great chef in the hotel, you’ll get the best food you ever ate. Go take your shower and change and everything will be set up right here. I have all the people you want to see lined up, they’ll be waiting around for when you’re ready, I just have to call them.”
   Michael said pleasantly, “Let’s save Moe Greene to the end, OK? Ask Johnny Fontane and Nino up to eat with us. And Lucy and her doctor friend. We can talk while we eat.” He turned to Hagen. “Anybody you want to add to that, Tom?”
   Hagen shook his head. Freddie had greeted him much less affectionately than Michael, but Hagen understood. Freddie was on his father’s shit list and Freddie naturally blamed the Consigliere for not straightening things out. Hagen would gladly have done so, but he didn’t know why Freddie was in his father’s bad graces. The Don did not give voice to specific grievances. He just made his displeasure felt.
   It was after midnight before they gathered around the special dinner table set up in Michael’s suite. Lucy kissed Michael and didn’t comment on his face looking so much better after the operation. Jules Segal boldly studied the repaired cheekbone and said to Michael, “A good job. It’s knitted nicely. Is the sinus OK?”
   “Fine,” Michael said. “Thanks for helping out.”
   Dinner focused on Michael as they ate. They all noted his resemblance in speech and manner to the Don. In some curious way he inspired the same respect, the same awe, and yet he was perfectly natural, at pains to put everyone at their ease. Hagen as usual remained in the background. The new man they did not know; Albert Neri was also very quiet and unobtrusive. He had claimed he was not hungry and sat in an armchair close to the door reading a local newspaper.
   After they had had a few drinks and food, the waiters were dismissed. Michael spoke to Johnny Fontane. “Hear your voice is back as good as ever, you got all your old fans back. Congratulations.”
   “Thanks,” Johnny said. He was curious about exactly why Michael wanted to see him. What favor would he be asked?
   Michael addressed them all in general. “The Corleone Family is thinking of moving out here to Vegas. Selling out all our interests in the olive oil business and settling here. The Don and Hagen and myself have talked it over and we think here is where the future is for the Family. That doesn’t mean right now or next year. It may take two, three, even four years to get things squared away. But that’s the general plan. Some friends of ours own a good percentage of this hotel and casino so that will be our foundation. Moe Greene will sell us his interest so it can be wholly owned by friends of the Family.”
   Freddie’s moon face was anxious. “Mike, you sure about Moe Greene selling? He never mentioned it to me and he loves the business. I really don’t think he’ll sell.”
   Michael said quietly, “I’ll make him an offer he can’t refuse.”
   The words were said in an ordinary voice, yet the effect was chilling, perhaps because it was a favorite phrase of the Don’s. Michael turned to Johnny Fontane. “The Don is counting on you to help us get started. It’s been explained to us that entertainment will be the big factor in drawing gamblers. We hope you’ll sign a contract to appear five times a year for maybe a week-long engagement. We hope your friends in movies do the same. You’ve done them a lot of favors, now you can call them in.”
   “Sure,” Johnny said. “I’ll do anything for my Godfather, you know that, Mike.” But there was just the faint shadow of doubt in his voice.
   Michael smiled and said, “You won’t lose money on the deal and neither will your friends. You get points in the hotel, and if there’s somebody else you think important enough, they get some points too. Maybe you don’t believe me, so let me say I’m speaking the Don’s words.”
   Johnny said hurriedly, “I believe you, Mike. But there’s ten more hotels and casinos being built on the Strip right now. When you come in, the market may be glutted, you may be too late with all that competition already there.”
   Tom Hagen spoke up. “The Corleone Family has friends who are financing three of those hotels.” Johnny understood immediately that he meant the Corleone Family owned the three hotels, with their casinos. And that there would be plenty of points to give out.
   “I’ll start working on it,” Johnny said.
   Michael turned to Lucy and Jules Segal. “I owe you,” he said to Jules. “I hear you want to go back to cutting people up and that hospitals won’t let you use their facilities because of that old abortion business. I have to know from you, is that what you want?”
   Jules smiles. “I guess so. But you don’t know the medical setup. Whatever power you have doesn’t mean anything to them. I’m afraid you can’t help me in that.”
   Michael nodded absentmindedly. “Sure, you’re right. But some friends of mine, pretty well-known people, are going to build a big hospital for Las Vegas. The town will need it the way it’s growing and the way it’s projected to grow. Maybe they’ll let you into the operating room if it’s put to them right. Hell, how many surgeons as good as you can they get to come out to this desert? Or any half as good? We’ll be doing the hospital a favor. So stick around. I hear you and Lucy are going to get married?”
   Jules shrugged. “When I see that I have any future.”
   Lucy said wryly, “Mike, if you don’t build that hospital, I’ll die an old maid.”
   They all laughed. All except Jules. He said to Michael, “If I took a job like that there couldn’t be any strings attached.”
   Michael said coldly, “No strings. I just owe you and I want to even out.”
   Lucy said gently, “Mike, don’t get sore.”
   Michael smiled at her. “I’m not sore.” He turned to Jules. “That was a dumb thing for you to say. The Corleone Family has pulled some strings for you. Do you think I’m so stupid I’d ask you to do things you’d hate to do? But if I did, so what? Who the hell else ever lifted a finger to help you when you were in trouble? When I heard you wanted to get back to being a real surgeon, I took a lot of time to find out if I could help. I can. I’m not asking you for anything. But at least you can consider our relationship friendly, and I assume you would do for me what you’d do for any good friend. That’s my string. But you can refuse it.”
   Tom Hagen lowered his head and smiled. Not even the Don himself could have done it any better.
   Jules was flushing. “Mike, I didn’t mean it that way at all. I’m very grateful to you and your father. Forget I said it.”
   Michael nodded and said, “Fine. Until the hospital gets built and opens up you’ll be medical director for the four hotels. Get yourself a staff. Your money goes up too, but you can discuss that with Tom at a later time. And Lucy, I want you to do something more important. Maybe coordinate all the shops that will be opening up in the hotel arcades. On the financial side. Or maybe hiring the girls we need to work in the casinos. something like that. So if Jules doesn’t marry you, you can be a rich old maid.”
   Freddie had been puffing on his cigar angrily. Michael turned to him and said gently, “I’m just the errand boy for the Don, Freddie. What he wants you to do he’ll tell you himself, naturally, but I’m sure it will be something big enough to make you happy. Everybody tells us what a great job you’ve been doing here.”
   “Then why is he sore at me?” Freddie asked plaintively. “Just because the casino has been losing money? I don’t control that end, Moe Greene does. What the hell does the old man want from me?”
   “Don’t worry about it,” Michael said. He turned to Johnny Fontane. “Where’s Nino? I was looking forward to seeing him again.”
   Johnny shrugged. “Nino is pretty sick. A nurse is taking care of him in his room. But the doc here says he should be committed, that he’s trying to kill himself. Nino!”
   Michael said thoughtfully, really surprised, “Nino was always a real good guy. I never knew him to do anything lousy, say anything to put anybody down. He never gave a damn about anything. Except the booze.”
   “Yeah,” Johnny said. “The money is rolling in, he could get a lot of work, singing or in the movies. He gets fifty grand a picture now and he blows it. He doesn’t give a damn about being famous. All the years we’ve been buddies I’ve never known him to do anything creepy. And the son of a bitch is drinking himself to death.”
   Jules was about to say something when there was a knock on the door of the suite. He was surprised when the man in the armchair, the man nearest the door, did not answer it but kept reading the newspaper. It was Hagen who went to open it. And was almost brushed aside when Moe Greene came striding into the room followed by his two bodyguards.
   Moe Greene was a handsome hood who had made his rep as a Murder Incorporated executioner in Brooklyn. He had branched out into gambling and gone west to seek his fortune, had been the first person to see the possibilities of Las Vegas and built one of the first hotel casinos on the Strip. He still had murderous tantrums and was feared by everyone in the hotel, not excluding Freddie, Lucy and Jules Segal. They always stayed out of his way whenever possible.
   His handsome face was grim now. He said to Michael Corleone, “I’ve been waiting around to talk to you, Mike. I got a lot of things to do tomorrow so I figured I’d catch you tonight. How about it?”
   Michael Corleone looked at him with what seemed to be friendly astonishment. “Sure,” he said. He motioned in Hagen’s direction. “Get Mr. Greene a drink, Tom.”
   Jules noticed that the man called Albert Neri was studying Moe Greene intently, not paying any attention to the bodyguards who were leaning against the door. He knew there was no chance of any violence, not in Vegas itself. That was strictly forbidden as fatal to the whole project of making Vegas the legal sanctuary of American gamblers.
   Moe Greene said to his bodyguards, “Draw some chips for all these people so that they can gamble on the house.” He obviously meant Jules, Lucy, Johnny Fontane and Michael’s bodyguard, Albert Neri.
   Michael Corleone nodded agreeably. “That’s a good idea.” It was only then that Neri got out of his chair and prepared to follow the others out.
   After the good-byes were said, there were Freddie, Tom Hagen, Moe Greene and Michael Corleone left in the room.
   Greene put his drink down on the table and said with barely controlled fury, “What’s this I hear the Corleone Family is going to buy me out? I’ll buy you out. You don’t buy me out.”
   Michael said reasonably, “Your casino has been losing money against all the odds. There’s something wrong with the way you operate. Maybe we can do better.”
   Greene laughed harshly. “You goddamn Dagos, I do you a favor and take Freddie in when you’re having a bad time and now you push me out. That’s what you think. I don’t get pushed out by nobody and I got friends that will back me up.”
   Michael was still quietly reasonable. “You took Freddie in because the Corleone Family gave you a big chunk of money to finish furnishing your hotel. And bankroll your casino. And because the Molinari Family on the Coast guaranteed his safety and gave you some service for taking him in. The Corleone Family and you are evened out. I don’t know what you’re getting sore about. We’ll buy your share at any reasonable price you name, what’s wrong with that? What’s unfair about that? With your casino losing money we’re doing you a favor.”
   Greene shook his head. “The Corleone Family don’t have that much muscle anymore. The Godfather is sick. You’re getting chased out of New York by the other Families and you think you can find easier pickings here. I’ll give you some advice, Mike, don’t try.”
   Michael said softly, “Is that why you thought you could slap Freddie around in public?”
   Tom Hagen, startled, turned his attention to Freddie. Freddie Corleone’s face was getting red. “Ah, Mike, that wasn’t anything. Moe didn’t mean anything. He flies off the handle sometimes, but me and him are good friends. Right, Moe?”
   Greene was wary. “Yeah, sure. Sometimes I got to kick asses to make this place run right. I got sore at Freddie because he was banging all the cocktail waitresses and letting them goof off on the job. We had a little argument and I straightened him out.”
   Michael’s face was impassive when he said to his brother, “You straightened out, Freddie?”
   Freddie stared sullenly at his younger brother. He didn’t answer. Greene laughed and said, “The son of a bitch was taking them to bed two at a time, the old sandwich job. Freddie, I gotta admit you really put it to those broads. Nobody else could make them happy after you got through with them.”
   Hagen saw that this had caught Michael by surprise. They looked at each other. This was perhaps the real reason the Don was displeased with Freddie. The Don was straitlaced about sex. He would consider such cavorting by his son Freddie, two girls at a time, as degeneracy. Allowing himself to be physically humiliated by a man like Moe Greene would decrease respect for the Corleone Family. That too would be part of the reason for being in his father’s bad books.
   Michael rising from his chair, said, in a tone of dismissal, “I have to get back to New York tomorrow, so think about your price.”
   Greene said savagely, “You son of a bitch, you think you can just brush me off like that? I killed more men than you before I could jerk off. I’ll fly to New York and talk to the Don himself. I’ll make him an offer.”
   Freddie said nervously to Tom Hagen, “Tom, you’re the Consigliere, you can talk to the Don and advise him.”
   It was then that Michael turned the full chilly blast of his personality on the two Vegas men. “The Don has sort of semiretired,” he said. “I’m running the Family business now. And I’ve removed Tom from the Consigliere spot. He’ll be strictly my lawyer here in Vegas. He’ll be moving out with his family in a couple of months to get all the legal work started. So anything you have to say, say it to me.”
   Nobody answered. Michael said formally, “Freddie, you’re my older brother, I have respect for you. But don’t ever take sides with anybody against the Family again. I won’t even mention it to the Don.” He turned to Moe Greene. “Don’t insult people who are trying to help you. You’d do better to use your energy to find out why the casino is losing money. The Corleone Family has big dough invested here and we’re not getting our money’s worth, but I still didn’t come here to abuse you. I offer a helping hand. Well, if you prefer to spit on that helping hand, that’s your business. I can’t say any more.”
   He had not once raised his voice but his words had a sobering effect on both Greene and Freddie. Michael stared at both of them, moving away from the table to indicate that he expected them both to leave. Hagen went to the door and opened it. Both men left without saying good night.


* * *

   The next morning Michael Corleone got the message from Moe Greene: he would not sell his share of the hotel at any price. It was Freddie who delivered the message. Michael shrugged and said to his brother, “I want to see Nino before I go back to New York.”
   In Nino’s suite they found Johnny Fontane sitting on the couch eating breakfast. Jules was examining Nino behind the closed drapes of the bedroom. Finally the drapes were drawn back. Michael was shocked at how Nino looked. The man was visibly disintegrating. The eyes were dazed, the mouth loose, all the muscles of his face slack. Michael sat on his bedside and said, “Nino, it’s good to catch up with you. The Don always asks about you.”
   Nino grinned, it was the old grin. “Tell him I’m dying. Tell him show business is more dangerous than the olive oil business.”
   “You’ll be OK,” Michael said. “If there’s anything bothering you that the Family can help, just tell me.”
   Nino shook his head. “There’s nothing,” he said. “Nothing.”
   Michael chatted for a few more moments and then left. Freddie accompanied him and his party to the airport, but at Michael’s request didn’t hang around for departure time. As he boarded the plane with Tom Hagen and Al Neri, Michael turned to Neri and said, “Did you make him good?”
   Neri tapped his forehead. “I got Moe Greene mugged and numbered up here.”

Chapter 28

   On the plane ride back to New York, Michael Corleone relaxed and tried to sleep. It was useless. The most terrible period of his life was approaching, perhaps even a fatal time. It could no longer be put off. Everything was in readiness, all precautions had been taken, two years of precautions. There could be no further delay. Last week when the Don had formally announced his retirement to the caporegimes and other members of the Corleone Family, Michael knew that this was his father’s way of telling him the time was ripe.
   It was almost three years now since he had returned home and over two years since he had married Kay. The three years had been spent in learning the Family business. He had put in long hours with Tom Hagen, long hours with the Don. He was amazed at how wealthy and powerful the Corleone Family truly was. It owned tremendously valuable real estate in midtown New York, whole office buildings. It owned, through fronts, partnerships in two Wall Street brokerage houses, pieces of banks on Long Island, partnerships in some garment center firms, all this in addition to its illegal operations in gambling.
   The most interesting thing Michael Corleone learned, in going back over past transactions of the Corleone Family, was that the Family had received some protection income shortly after the war from a group of music record counterfeiters. The counterfeiters duplicated and sold phonograph records of famous artists, packaging everything so skillfully they were never caught. Naturally on the records they sold to stores the artists and original production company received not a penny. Michael Corleone noticed that Johnny Fontane had lost a lot of money owing to this counterfeiting because at that time, just before he lost his voice, his records were the most popular in the country.
   He asked Tom Hagen about it. Why did the Don allow the counterfeiters to cheat his godson? Hagen shrugged. Business was business. Besides, Johnny was in the Don’s bad graces, Johnny having divorced his childhood sweetheart to marry Margot Ashton. This had displeased the Don greatly.
   “How come these guys stopped their operation?” Michael asked. “The cops got on to them?”
   Hagen shook his head. “The Don withdrew his protection. That was right after Connie’s wedding.”
   It was a pattern he was to see often, the Don helping those in misfortune whose misfortune he had partly created. Not perhaps out of cunning or planning but because of his variety of interests or perhaps because of the nature of the universe, the interlinking of good and evil, natural of itself.
   Michael had married Kay up in New England, a quiet wedding, with only her family and a few of her friends present. Then they had moved into one of the houses on the mall in Long Beach. Michael was surprised at how well Kay got along with his parents and the other people living on the mall. And of course she had gotten pregnant right away, like a good, old-style Italian wife was supposed to, and that helped. The second kid on the way in two years was just icing.
   Kay would be waiting for him at the airport, she always came to meet him, she was always so glad when he came back from a trip. And he was too. Except now. For the end of this trip meant that he finally had to take the action he had been groomed for over the last three years. The Don would be waiting for him. The caporegimes would be waiting for him. And he, Michael Corleone, would have to give the orders, make the decisions which would decide his and his Family’s fate.


* * *

   Every morning when Kay Adams Corleone got up to take care of the baby’s early feeding, she saw Mama Corleone, the Don’s wife, being driven away from the mall by one of the bodyguards, to return an hour later. Kay soon learned that her mother-in-law went to church every single morning. Often on her return, the old woman stopped by for morning coffee and to see her new grandchild.
   Mama Corleone always started off by asking Kay why she didn’t think of becoming a Catholic, ignoring the fact that Kay’s child had already been baptized a Protestant. So Kay felt it was proper to ask the old woman why she went to church every morning, whether that was a necessary part of being a Catholic.
   As if she thought that this might have stopped Kay from converting the old woman said, “Oh, no, no, some Catholics only go to church on Easter and Christmas. You go when you feel like going.”
   Kay laughed. “Then why do you go every single morning?”
   In a completely natural way, Mama Corleone said, “I go for my husband,” she pointed down toward the floor, “so he don’t go down there.” She paused. “I say prayers for his soul every day so he go up there.” She pointed heavenward. She said this with an impish smile, as if she were subverting her husband’s will in some way, or as if it were a losing cause. It was said jokingly almost, in her grim, Italian, old crone fashion. And as always when her husband was not present, there was an attitude of disrespect to the great Don.
   “How is your husband feeling?” Kay asked politely.
   Mama Corleone shrugged. “He’s not the same man since they shot him. He lets Michael do all the work, he just plays the fool with his garden, his peppers, his tomatoes. As if he were some peasant still. But men are always like that.”
   Later in the morning Connie Corleone would walk across the mall with her two children to pay Kay a visit and chat. Kay liked Connie, her vivaciousness, her obvious fondness for her brother Michael. Connie had taught Kay how to cook some Italian dishes but sometimes brought her own more expert concoctions over for Michael to taste.
   Now this morning as she usually did, she asked Kay what Michael thought of her husband, Carlo. Did Michael really like Carlo, as he seemed to? Carlo had always had a little trouble with the Family but now over the last years he had straightened out. He was really doing well in the labor union but he had to work so hard, such long hours. Carlo really liked Michael, Connie always said. But then, everybody liked Michael, just as everybody liked her father. Michael was the Don all over again. It was the best thing that Michael was going to run the Family olive oil business.
   Kay had observed before that when Connie spoke about her husband in relation to the Family, she was always nervously eager for some word of approval for Carlo. Kay would have been stupid if she had not noticed the almost terrified concern Connie had for whether Michael liked Carlo or not. One night she spoke to Michael about it and mentioned the fact that nobody ever spoke about Sonny Corleone, nobody even referred to him; at least not in her presence. Kay had once tried to express her condolences to the Don and his wife and had been listened to with almost rude silence and then ignored. She had tried to get Connie talking about her older brother without success.
   Sonny’s wife, Sandra, had taken her children and moved to Florida, where her own parents now lived. Certain financial arrangements had been made so that she and her children could live comfortably, but Sonny had left no estate.
   Michael reluctantly explained what had happened the night Sonny was killed. That Carlo had beaten his wife and Connie had called the mall and Sonny had taken the call and rushed out in a blind rage. So naturally Connie and Carlo were always nervous that the rest of the Family blamed her for indirectly causing Sonny’s death. Or blamed her husband, Carlo. But this wasn’t the case. The proof was that they had given Connie and Carlo a house in the mall itself and promoted Carlo to an important job in the labor union setup. And Carlo had straightened out, stopped drinking, stopped whoring, stopped trying to be a wise guy. The Family was pleased with his work and attitude for the last two years. Nobody blamed him for what had happened.
   “Then why don’t you invite them over some evening and you can reassure your sister?” Kay said. “The poor thing is always so nervous about what you think of her husband. Tell her. And tell her to put those silly worries out of her head.”
   “I can’t do that,” Michael said. “We don’t talk about those things in our family.”
   “Do you want me to tell her what you’ve told me?” Kay said.
   She was puzzled because he took such a long time thinking over a suggestion that was obviously the proper thing to do. Finally he said, “I don’t think you should, Kay. I don’t think it will do any good. She’ll worry anyway. It’s something nobody can do anything about.”
   Kay was amazed. She realized that Michael was always a little colder to his sister Connie than he was to anyone else, despite Connie’s affection. “Surely you don’t blame Connie for Sonny being killed?” she said.
   Michael sighed. “Of course not,” he said. “She’s my kid sister and I’m very fond of her. I feel sorry for her. Carlo straightened out, but he’s really the wrong kind of husband. It’s just one of those things. Let’s forget about it.”
   It was not in Kay’s nature to nag; she let it drop. Also she had learned that Michael was not a man to push, that he could become coldly disagreeable. She knew she was the only person in the world who could bend his will, but she also knew that to do it too often would be to destroy that power. And living with him the last two years had made her love him more.
   She loved him because he was always fair. An odd thing. But he always was fair to everybody around him, never arbitrary even in little things. She had observed that he was now a very powerful man, people came to the house to confer with him and ask favors, treating him with deference and respect but one thing had endeared him to her above everything else.
   Ever since Michael had come back from Sicily with his broken face, everybody in the Family had tried to get him to undergo corrective surgery. Michael’s mother was after him constantly; one Sunday dinner with all the Corleones gathered on the mall she shouted at Michael, “You look like a gangster in the movies, get your face fixed for the sake of Jesus Christ and your poor wife. And so your nose will stop running like a drunken Irish.”
   The Don, at the head of the table, watching everything, said to Kay, “Does it bother you?”
   Kay shook her head. The Don said to his wife. “He’s out of your hands, it’s no concern of yours.” The old woman immediately held her peace. Not that she feared her husband but because it would have been disrespectful to dispute him in such a matter before the others.
   But Connie, the Don’s favorite, came in from the kitchen, where she was cooking the Sunday dinner, her face flushed from the stove, and said, “I think he should get his face fixed. He was the most handsome one in the family before he got hurt. Come on, Mike, say you’ll do it.”
   Michael looked at her in an absentminded fashion. It seemed as if he really and truly had not heard anything said. He didn’t answer.
   Connie came to stand beside her father. “Make him do it,” she said to the Don. Her two hands rested affectionately on his shoulders and she rubbed his neck. She was the only one who was ever so familiar with the Don. Her affection for her father was touching. It was trusting, like a little girl’s. The Don patted one of her hands and said, “We’re all starving here. Put the spaghetti on the table and then chatter.”
   Connie turned to her husband and said, “Carlo, you tell Mike to get his face fixed. Maybe he’ll listen to you.” Her voice implied that Michael and Carlo Rizzi had some friendly relationship over and above anyone else’s.
   Carlo, handsomely sunburned, blond hair neatly cut and combed, sipped at his glass of homemade wine and said, “Nobody can tell Mike what to do.” Carlo had become a different man since moving into the mall. He knew his place in the Family and kept to it.
   There was something that Kay didn’t understand in all this, something that didn’t quite meet the eye. As a woman she could see that Connie was deliberately charming her father, though it was beautifully done and even sincere. Yet it was not spontaneous. Carlo’s reply had been a manly knuckling of his forehead. Michael had absolutely ignored everything.
   Kay didn’t care about her husband’s disfigurement but she worried about his sinus trouble which sprang from it. Surgery repair of the face would cure the sinus also. For that reason she wanted Michael to enter the hospital and get the necessary work done. But she understood that in a curious way he desired his disfigurement. She was sure that the Don understood this too.
   But after Kay gave birth to her first child, she was surprised by Michael asking her, “Do you want me to get my face fixed?”
   Kay nodded. “You know how kids are, your son will feel bad about your face when he gets old enough to understand it’s not normal. I just don’t want our child to see it. I don’t mind at all, honestly, Michael.”
   “OK.” He smiled at her. “I’ll do it.”
   He waited until she was home from the hospital and then made all the necessary arrangements. The operation was successful. The cheek indentation was now just barely noticeable.
   Everybody in the Family was delighted, but Connie more so than anyone. She visited Michael every day in the hospital, dragging Carlo along. When Michael came home, she gave him a big hug and a kiss and looked at him admiringly and said, “Now you’re my handsome brother again.”
   Only the Don was unimpressed, shrugging his shoulders and remarking, “What’s the difference?”
   But Kay was grateful. She knew that Michael had done it against all his own inclinations. Had done it because she had asked him to, and that she was the only person in the world who could make him act against his own nature.


* * *

   On the afternoon of Michael’s return from Vegas, Rocco Lampone drove the limousine to the mall to pick up Kay so that she could meet her husband at the airport. She always met her husband when he arrived from out of town, mostly because she felt lonely without him, living as she did in the fortified mall.
   She saw him come off the plane with Tom Hagen and the new man he had working for him, Albert Neri. Kay didn’t care much for Neri, he reminded her of Luca Brasi in his quiet ferociousness. She saw Neri drop behind Michael and off to the side, saw his quick penetrating glance as his eyes swept over everybody nearby. It was Neri who first spotted Kay and touched Michael’s shoulder to make him look in the proper direction.
   Kay ran into her husband’s arms and he quickly kissed her and let her go. He and Tom Hagen and Kay got into the limousine and Albert Neri vanished. Kay did not notice that Neri had gotten into another car with two other men and that this car rode behind the limousine until it reached Long Beach.
   Kay never asked Michael how his business had gone. Even such polite questions were understood to be awkward, not that he wouldn’t give her an equally polite answer, but it would remind them both of the forbidden territory their marriage could never include. Kay didn’t mind anymore. But when Michael told her he would have to spend the evening with his father to tell him about the Vegas trip, she couldn’t help making a little frown of disappointment.
   “I’m sorry,” Michael said. “Tomorrow night we’ll go into New York and see a show and have dinner, OK?” He patted her stomach, she was almost seven months pregnant. “After the kid comes you’ll be tied down again. Hell, you’re more Italian than Yankee. Two kids in two years.”
   Kay said tartly, “And you’re more Yankee than Italian. Your first evening home and you spend it on business.” But she smiled at him when she said it. “You won’t be home late?”
   “Before midnight,” Michael said. “Don’t wait up for me if you feel tired.”
   “I’ll wait up,” Kay said.


* * *

   At the meeting that night, in the corner room library of Don Corleone’s house, were the Don himself, Michael, Tom Hagen, Carlo Rizzi, and the two caporegimes, Clemenza and Tessio.
   The atmosphere of the meeting was by no means so congenial as in former days. Ever since Don Corleone had announced his semiretirement and Michael’s take-over of the Family business, there had been some strain. Succession in control of such an enterprise as the Family was by no means hereditary. In any other Family powerful caporegimes such as Clemenza and Tessio might have succeeded to the position of Don. Or at least they might have been allowed to split off and form their own Family.
   Then, too, ever since Don Corleone had made the peace with the Five Families, the strength of the Corleone Family had declined. The Barzini Family was now indisputably the most powerful one in the New York area; allied as they were to the Tattaglias, they now held the position the Corleone Family had once held. Also they were slyly whittling down the power of the Corleone Family, muscling into their gambling areas, testing the Corleones’ reactions and, finding them weak, establishing their own bookmakers.
   The Barzinis and Tattaglias were delighted with the Don’s retirement. Michael, formidable as he might prove to be, could never hope to equal the Don in cunning and influence for at least another decade. The Corleone Family was definitely in a decline.
   It had, of course, suffered serious misfortunes. Freddie had proved to be nothing more than an innkeeper and ladies’ man, the idiom for ladies’ man untranslatable but connotating a greedy infant always at its mother’s nipple– in short, unmanly. Sonny’s death too, had been a disaster. Sonny had been a man to be feared, not to be taken lightly. Of course he had made a mistake in sending his younger brother, Michael, to kill the Turk and the police captain. Though necessary in a tactical sense, as a long-term strategy it proved to be a serious error. It had forced the Don, eventually, to rise from his sickbed. It had deprived Michael of two years of valuable experience and training under his father’s tutelage. And of course an Irish as a Consigliere had been the only foolishness the Don had ever perpetrated. No Irishman could hope to equal a Sicilian for cunning. So went the opinion of all the Families and they were naturally more respectful to the Barzini-Tattaglia alliance than to the Corleones. Their opinion of Michael was that he was not equal to Sonny in force though more intelligent certainly, but not as intelligent as his father. A mediocre successor and a man not to be feared too greatly.
   Also, though the Don was generally admired for his statesmanship in making the peace, the fact that he had not avenged Sonny’s murder lost the Family a great deal of respect. It was recognized that such statesmanship sprang out of weakness.
   All this was known to the men sitting in the room and perhaps even believed by a few. Carlo Rizzi liked Michael but did not fear him as he had feared Sonny. Clemenza, too, though he gave Michael credit for a bravura performance with the Turk and the police captain, could not help thinking Michael too soft to be a Don. Clemenza had hoped to be glven permission to form his own Family, to have his own empire split away from the Corleone. But the Don had indicated that this was not to be and Clemenza respected the Don too much to disobey. Unless of course the whole situation became intolerable.
   Tessio had a better opinion of Michael. He sensed something else in the young man: a force cleverly kept hidden, a man jealously guarding his true strength from public gaze, following the Don’s precept that a friend should always underestimate your virtues and an enemy overestimate your faults.
   The Don himself and Tom Hagen were of course under no illusions about Michael. The Don would never have retired if he had not had absolute faith in his son’s ability to retrieve the Family position. Hagen had been Michael’s teacher for the last two years and was amazed at how quickly Michael grasped all the intricacies of the Family business. Truly his father’s son.
   Clemenza and Tessio were annoyed with Michael because he had reduced the strength of their regimes and had never reconstituted Sonny’s regime. The Corleone Family, in effect, had now only two fighting divisions with less personnel than formerly. Clemenza and Tessio considered this suicidal, especially with the Barzini-Tattaglia encroachments on their empires. So now they were hopeful these errors might be corrected at this extraordinary meeting convened by the Don.
   Michael started off by telling them about his trip to Vegas and Moe Greene’s refusing the offer to buy him out. “But we’ll make him an offer he can’t refuse,” Michael said. “You already know the Corleone Family plans to move its operations West. We’ll have four of the hotel casinos on the Strip. But it can’t be right away. We need time to get things straightened out.” He spoke directly to Clemenza. “Pete, you and Tessio, I want you to go along with me for a year without questioning and without reservations. At the end of that year, both of you can split off from the Corleone Family and be your own bosses, have your own Families. Of course it goes without saying we’d maintain our friendship, I wouldn’t insult you and your respect for my father by thinking otherwise for a minute. But up until that time l want you just to follow my lead and don’t worry. There are negotiations going on that will solve problems that you think are not solvable. So just be a little patient.”
   Tessio spoke up. “If Moe Greene wanted to talk to your father, why not let him? The Don could always persuade anybody, there was never anyone who could stand up to his reasonableness.”
   The Don answered this directly. “I’ve retired, Michael would lose respect if I interfered. And besides that’s a man I’d rather not talk to.”
   Tessio remembered the stories he’d heard about Moe Greene slapping Freddie Corleone around one night in the Vegas hotel. He began to smell a rat. He leaned back. Moe Greene was a dead man, he thought. The Corleone Family did not wish to persuade him.
   Carlo Rizzi spoke up. “Is the Corleone Family going to stop operating in New York altogether?”
   Michael nodded. “We’re selling the olive oil business. Everything we can, we turn over to Tessio and Clemenza. But, Carlo, I don’t want you to worry about your job. You grew up in Nevada, you know the state, you know the people. I’m counting on you being my right-hand man when we make our move out there.”
   Carlo leaned back, his face flushed with gratification. His time was coming, he would move in the constellations of power.
   Michael went on. “Tom Hagen is no longer the Consigliere. He’s going to be our lawyer in Vegas. In about two months he’ll move out there permanently with his family. Strictly as a lawyer. Nobody goes to him with any other business as of now, this minute. He’s a lawyer and that’s all. No reflection on Tom. That’s the way I want it. Besides, if I ever need any advice, who’s a better counselor than my father?” They all laughed. But they had gotten the message despite the joke. Tom Hagen was out; he no longer held any power. They all took their fleeting glances to check Hagen’s reaction but his face was impassive.
   Clemenza spoke up in his fat man’s wheeze. “Then in a year’s time we’re on our own, is that it?”
   “Maybe less,” Michael said courteously. “Of course you can always remain part of the Family, that’s your choice. But most of our strength will be out West and maybe you’d do better organized on your own.”
   Tessio said quietly, “In that case I think you should give us permission to recruit new men for our regimes. Those Barzini bastards keep chiseling in on my territory. I think maybe it would be wise to teach them a little lesson in manners.”
   Michael shook his head. “No. No good. Just stay still. All that stuff will be negotiated, everything will be straightened out before we leave.”
   Tessio was not to be so easily satisfied. He spoke to the Don directly, taking a chance on incurring Michael’s ill will. “Forgive me, Godfather, let our years of friendship be my excuse. But I think you and your son are all wrong with this Nevada business. How can you hope for success there without your strength here to back you up? The two go hand in hand. And with you gone from here the Barzini and the Tattaglia will be too strong for us. Me and Pete will have trouble, we’ll come under their thumb sooner or later. And Barzini is a man not to my taste. I say the Corleone Family has to make its move from strength, not from weakness. We should build up our regimes and take back our lost territories in Staten Island at least.”
   The Don shook his head. “I made the peace, remember, I can’t go back on my word.”
   Tessio refused to be silenced. “Everybody knows Bartini gave you provocation since then. And besides, if Michael is the new chief of the Corleone Family, what’s to stop him from taking any action he sees fit? Your word doesn’t strictly bind him.”
   Michael broke in sharply. He said to Tessio, very much the chief now, “There are things being negotiated which will answer your questions and resolve your doubts. If my word isn’t enough for you, ask your Don.”
   But Tessio understood he had finally gone too far. If he dared to question the Don he would make Michael, his enemy. So he shrugged and said, “I spoke for the good of the Family, not for myself. I can take care of myself.”
   Michael gave him a friendly smile. “Tessio, I never doubt you in any way. I never did. But trust in me. Of course I’m not equal to you and Pete in these things, but after all I’ve my father to guide me. I won’t do too badly, we’ll all come out fine.”
   The meeting was over. The big news was that Clemenza and Tessio would be permitted to form their own Families from their regimes. Tessio would have his gambling and docks in Brooklyn, Clemenza the gambling in Manhattan and the Family contacts in the racing tracks of Long Island.
   The two caporegimes left not quite satisfied, still a little uneasy. Carlo Rizzi lingered hoping that the time had come when he finally would be treated as one of the family, but he quickly saw that Michael was not of that mind. He left the Don, Tom Hagen and Michael alone in the corner library room. Albert Neri ushered him out of the house and Carlo noticed that Neri stood in the doorway watching him walk across the floodlit mall.
   In the library the three men had relaxed as only people can who have lived years together in the same house, in the same family. Michael served some anisette to the Don and scotch to Tom Hagen. He took a drink for himself, which he rarely did.
   Tom Hagen spoke up first. “Mike, why are you cutting me out of the action?”
   Michael seemed surprised. “You’ll be my number one man in Vegas. We’ll be legitimate all the way and you’re the legal man. What can be more important than that?”
   Hagen smiled a little sadly. “I’m not talking about that. I’m talking about Rocco Lampone building a secret regime without my knowledge. I’m talking about you dealing direct with Neri rather than through me or a caporegime. Unless of course you don’t know what Lampone’s doing.”
   Michael said softly, “How did you find out about Lampone’s regime?”
   Hagen shrugged. “Don’t worry, there’s no leak, nobody else knows. But in my position I can see what’s happening. You gave Lampone his own living, you gave him a lot of freedom. So he needs people to help him in his little empire. But everybody he recruits has to be reported to me. And I notice everybody he puts on the payroll is a little too good for that particular job, is getting a little more money than that particular exercise is worth. You picked the right man when you picked Lampone, by the way. He’s operating perfectly.”
   Michael grimaced. “Not so damn perfect if you noticed. Anyway the Don picked Lampone.”
   “OK,” Tom said, “so why am I cut out of the action?”
   Michael faced him and without flinching gave it to him straight. “Tom, you’re not a wartime Consigliere. Things may get tough with this move we’re trying to make and we may have to fight. And I want to get you out of the line of fire too, just in case.”
   Hagen’s face reddened. If the Don had told him the same thing, he would have accepted it humbly. But where the hell did Mike come off making such a snap judgment?
   “OK,” he said, “but I happen to agree with Tessio. I think you’re going about this all wrong. You’re making the move out of weakness, not strength. That’s always bad. Barzini is like a wolf, and if he tears you limb from limb, the other Families won’t come rushing to help the Corleones.”
   The Don finally spoke. “Tom, it’s not just Michael. I advised him on these matters. There are things that may have to be done that I don’t want in any way to be responsible for. That is my wish, not Michael’s. I never thought you were a bad Consigliere, I thought Santino a bad Don, may his soul rest in peace. He had a good heart but he wasn’t the right man to head the Family when I had my little misfortune. And who would have thought that Fredo would become a lackey of women? So don’t feel badly. Michael has all my confidence as you do. For reasons which you can’t know, you must have no part in what may happen. By the way, I told Michael that Lampone’s secret regime would not escape your eye. So that shows I have faith in you.”
   Michael laughed. “I honestly didn’t think you’d pick that up, Tom.”
   Hagen knew he was being mollified. “Maybe I can help,” he said.
   Michael shook his head decisively. “You’re out, Tom.”
   Tom finished his drink and before he left he gave Michael a mild reproof. “You’re nearly as good as your father,” he told Michael. “But there’s one thing you still have to learn.”
   “What’s that?” Michael said politely.
   “How to say no,” Hagen answered.
   Michael nodded gravely. “You’re right,” he said. “I’ll remember that.”
   When Hagen had left, Michael said jokingly to his father, “So you’ve taught me everything else. Tell me how to say no to people in a way they’ll like.”
   The Don moved to sit behind the big desk. “You cannot say ‘no’ to the people you love, not often. That’s the secret. And then when you do, it has to sound like a ‘yes.’ Or you have to make them say ‘no.’ You have to take time and trouble. But I’m old-fashioned, you’re the new modern generation, don’t listen to me.”
   Michael laughed. “Right. You agree about Tom being out, though, don’t you?”
   The Don nodded. “He can’t be involved in this.”
   Michael said quietly, “I think it’s time for me to tell you that what I’m going to do is not purely out of vengeance for Apollonia and Sonny. It’s the right thing to do. Tessio and Tom are right about the Barzinis.”
   Don Corleone nodded. “Revenge is a dish that tastes best when it is cold,” he said. “I would not have made that peace but that I knew you would never come home alive otherwise. I’m surprised, though, that Barzini still made a last try at you. Maybe it was arranged before the peace talk and he couldn’t stop it. Are you sure they were not after Don Tommasino?”
   Michael said, “That’s the way it was supposed to look. And it would have been perfect, even you would never have suspected. Except that I came out alive. I saw Fabrizzio going through the gate, running away. And of course I’ve checked it all out since I’ve been back.”
   “Have they found that shepherd?” the Don asked.
   “I found him,” Michael said. “I found him a year ago. He’s got his own little pizza place up in Buffalo. New name, phony passport and identification. He’s doing very well is Fabrizzio the shepherd.”
   The Don nodded. “So it’s to no purpose to wait any longer. When will you start?”
   Michael said, “I want to wait until after Kay has the baby. Just in case anything goes wrong. And I want Tom settled in Vegas so he won’t be concerned in the affair. I think a year from now.”
   “You’ve prepared for everything?” the Don asked. He did not look at Michael when he said this.
   Michael said gently, “You have no part. You’re not responsible. I take all responsibility. I would refuse to let you even veto. If you tried to do that now, I would leave the Family and go my own way. You’re not responsible.”
   The Don was silent for a long time and then he sighed. He said, “So be it. Maybe that’s why I retired, maybe that’s why I’ve turned everything over to you. I’ve done my share in life, I haven’t got the heart anymore. And there are some duties the best of men can’t assume. That’s it then.”
   During that year Kay Adams Corleone was delivered of a second child, another boy. She delivered easily, without any trouble whatsoever, and was welcomed back to the mall like a royal princess. Connie Corleone presented the baby with a silk layette handmade in Italy, enormously expensive and beautiful. She told Kay, “Carlo found it. He shopped all over New York to get something extra special after I couldn’t find anything I really liked.” Kay smiled her thanks, understood immediately that she was to tell Michael this fine tale. She was on her way to becoming a Sicilian.
   Also during that year, Nino Valenti died of a cerebral hemorrhage. His death made the front pages of the tabloids because the movie Johnny Fontane had featured him in had opened a few weeks before and was a smash hit, establishing Nino as a major star. The papers mentioned that Johnny Fontane was handling the funeral arrangements, that the funeral would be private, only family and close friends to attend. One sensational story even claimed that in an interview Johnny Fontane had blamed himself for his friend’s death, that he should have forced his friend to place himself under medical care, but the reporter made it sound like the usual self-reproach of the sensitive but innocent bystander to a tragedy. Johnny Fontane had made his childhood friend, Nino Valenti, a movie star and what more could a friend do?
   No member of the Corleone Family attended the California funeral except Freddie. Lucy and Jules Segal attended. The Don himself had wanted to go to California but had suffered a slight heart attack, which kept him in his bed for a month. He sent a huge floral wreath instead. Albert Neri was also sent West as the official representative of the Family.
   Two days after Nino’s funeral, Moe Greene was shot to death in the Hollywood home of his movie-star mistress; Albert Neri did not reappear in New York until almost a month later. He had taken his vacation in the Caribbean and returned to duty tanned almost black. Michael Corleone welcomed him with a smile and a few words of praise, which included the information that Neri would from then on receive an extra “living,” the Family income from an East Side “book” considered especially rich. Neri was content, satisfied that he lived in a world that properly rewarded a man who did his duty.

Book Eight

Chapter 29

   Michael Corleone had taken precautions against every eventuality. His planning was faultless, his security impeccable. He was patient, hoping to use the full year to prepare. But he was not to get his necessary year because fate itself took a stand against him, and in the most surprising fashion. For it was the Godfather, the great Don himself, who failed Michael Corleone.


* * *

   On one sunny Sunday morning, while the women were at church, Don Vito Corleone dressed in his gardening uniform: baggy gray trousers, a faded blue shirt, battered dirty-brown fedora decorated by a stained gray silk hatband. The Don had gained considerable weight in his few years and worked on his tomato vines, he said, for the sake of his health. But he deceived no one.
   The truth was, he loved tending his garden; he loved the sight of it early on a morning. It brought back his childhood in Sicily sixty years ago, brought it back without the terror, the sorrow of his own father’s death. Now the beans in their rows grew little white flowers on top; strong green stalks of scallion fenced everything in. At the foot of the garden a spouted barrel stood guard. It was filled with liquidy cow manure, the finest garden fertilizer. Also in that lower part of the garden were the square wooden frames he had built with his own hands, the sticks cross-tied with thick white string. Over these frames crawled the tomato vines.
   The Don hastened to water his garden. It must be done before the sun waxed too hot and turned the water into a prism of fire that could burn his lettuce leaves like paper. Sun was more important than water, water also was important; but the two, imprudently mixed, could cause great misfortune.
   The Don moved through his garden hunting for ants. If ants were present, it meant that lice were in his vegetables and the ants were going after the lice and he would have to spray.
   He had watered just in time. The sun was becoming hot and the Don thought, “Prudence. Prudence.” But there were just a few more plants to be supported by sticks and he bent down again. He would go back into the house when he finished this last row.
   Quite suddenly it felt as if the sun had come down very close to his head. The air filled with dancing golden specks. Michael’s oldest boy came running through the garden toward where the Don knelt and the boy was enveloped by a yellow shield of blinding light. But the Don was not to be tricked, he was too old a hand. Death hid behind that flaming yellow shield ready to pounce out on him and the Don with a wave of his hand warned the boy away from his presence. Just in time. The sledgehammer blow inside his chest made him choke for air. The Don pitched forward into the earth.
   The boy raced away to call his father. Michael Corleone and some men at the mall gate ran to the garden and found the Don lying prone, clutching handfuls of earth. They lifted the Don up and carried him to the shade of his stone-flagged patio. Michael knelt beside his father, holding his hand, while the other men called for an ambulance and doctor.
   With a great effort the Don opened his eyes to see his son once more. The massive heart attack had turned his ruddy face almost blue. He was in extremis. He smelled the garden, the yellow shield of light smote his eyes, and he whispered, “Life is so beautiful.”
   He was spared the sight of his women’s tears, dying before they came back from church, dying before the ambulance arrived, or the doctor. He died surrounded by men, holding the hand of the son he had most loved.
   The funeral was royal. The Five Families sent their Dons and caporegimes, as did the Tessio and Clemenza Families. Johnny Fontane made the tabloid headlines by attending the funeral despite the advice of Michael not to appear. Fontane gave a statement to the newspapers that Vito Corleone was his Godfather and the finest man he had ever known and that he was honored to be permitted to pay his last respects to such a man and didn’t give a damn who knew it.
   The wake was held in the house of the mall, in the old-fashioned style. Amerigo Bonasera had never done finer work, had discharged all obligations, by preparing his old friend and Godfather as lovingly as a mother prepares a bride for her wedding. Everyone commented on how not even death itself had been able to erase the nobility and the dignity of the great Don’s countenance and such remarks made Amerigo Bonasera fill with knowing pride, a curious sense of power. Only he knew what a terrible massacre death had perpetrated on the Don’s appearance.
   All the old friends and servitors came. Nazorine, his wife, his daughter and her husband and their children, Lucy Mancini came with Freddie from Las Vegas. Tom Hagen and his wife and children, the Dons from San Francisco and Los Angeles, Boston and Cleveland. Rocco Lampone and Albert Neri were pallbearers with Clemenza and Tessio and, of course, the sons of the Don. The mall and all its houses were filled with floral wreaths.
   Outside the gates of the mall were the newspapermen and photographers and a small truck that was known to contain FBI men with their movie cameras recording this epic. Some newspapermen who tried to crash the funeral inside found that the gate and fence were manned with security guards who demanded identification and an invitation card. And though they were treated with the utmost courtesy, refreshment sent out to them, they were not permitted inside. They tried to speak with some of the people coming out but were met with stony stares and not a syllable.
   Michael Corleone spent most of the day in the corner library room with Kay, Tom Hagen and Freddie. People were ushered in to see him, to offer their condolences. Michael received them with all courtesy even when some of them addressed him as Godfather or Don Michael, only Kay noticing his lips tighten with displeasure.
   Clemenza and Tessio came to join this inner circle and Michael personally served them with a drink. There was some gossip of business. Michael informed them that the mall and all its houses were to be sold to a development and construction company. At an enormous profit, still another proof of the great Don’s genius.
   They all understood that now the whole empire would be in the West. That the Corleone Family would liquidate its power in New York. Such action had been awaiting the retirement or death of the Don.
   It was nearly ten years since there had been such a celebration of people in this house, nearly ten years since the wedding of Constanzia Corleone and Carlo Rizzi, so somebody said. Michael walked to the window that looked out on the garden. That long time ago he had sat in the garden with Kay never dreaming that so curious a destiny was to be his. And his father dying had said, “Life is so beautiful.” Michael could never remember his father ever having uttered a word about death, as if the Don respected death too much to philosophize about it.
   It was time for the cemetery. It was time to bury the great Don. Michael linked his arm with Kay’s and went out into the garden to join the host of mourners. Behind him came the caporegimes followed by their soldiers and then all the humble people the Godfather had blessed during his lifetime. The baker Nazorine, the widow Colombo and her sons and all the countless others of his world he had ruled so firmly but justly. There were even some who had been his enemies, come to do him honor.
   Michael observed all this with a tight, polite smile. He was not impressed. Yet, he thought, if I can die saying, “Life is so beautiful,” then nothing else is important. If I can believe in myself that much, nothing else matters. He would follow his father. He would care for his children, his family, his world. But his children would grow in a different world. They would be doctors, artists, scientists. Governors. Presidents. Anything at all. He would see to it that they joined the general family of humanity, but he, as a powerful and prudent parent would most certainly keep a wary eye on that general family.


* * *

   On the morning after the funeral, all the most important officials of the Corleone Family assembled on the mall. Shortly before noon they were admitted into the empty house of the Don. Michael Corleone received them.
   They almost filled the corner library room. There were the two caporegimes, Clemenza and Tessio; Rocco Lampone, with his reasonable, competent air; Carlo Rizzi, very quiet, very much knowing his place; Tom Hagen forsaking his strictly legal role to rally around in this crisis; Albert Neri trying to stay physically close to Michael, lighting his new Don’s cigarette, mixing his drink, all to show an unswerving loyalty despite the recent disaster to the Corleone Family.
   The death of the Don was a great misfortune for the Family. Without him it seemed that half their strength was gone and almost all their bargaining power against the Barzini-Tattaglia alliance. Everyone in the room knew this and they waited for what Michael would say. In their eyes he was not yet the new Don; he had not earned the position or the title. If the Godfather had lived, he might have assured his son’s succession; now it was by no means certain.
   Michael waited until Ned had served drinks. Then he said quietly, “I just want to tell everybody here that I understand how they feel. I know you all respected my father, but now you have to worry about yourselves and your families. Some of you wonder how what happened is going to affect the planning we’ve done and the promises I made. Well, the answer to that is: nothing. Everything goes on as before.”
   Clemenza shook his great shaggy buffalo head. His hair was an iron gray and his features, more deeply embedded in added layers of fat, were unpleasant. “The Barzinis and Tattaglias are going to move in on us real hard, Mike. You gotta fight or have a ‘sit-down’ with them.” Everyone in the room noticed that Clemenza had not used a formal form of address to Michael, much less the title of Don.
   “Let’s wait and see what happens,” Michael said. “Let them break the peace first.”
   Tessio spoke up in his soft voice. “They already have, Mike. They opened up two ‘books’ in Brooklyn this morning. I got the word from the police captain who runs the protection list at the station house. In a month I won’t have a place to hang my hat in all Brooklyn.”
   Michael stared at him thoughtfully. “Have you done anything about it?”
   Tessio shook his small, ferretlike head. “No,” he said. “I didn’t want to give you any problems.”
   “Good,” Michael said. “Just sit tight. And I guess that’s what I want to say to all of you. Just sit tight. Don’t react to any provocation. Give me a few weeks to straighten things out, to see which way the wind is going to blow. Then I’ll make the best deal I can for everybody here. Then we’ll have a final meeting and make some final decisions.”
   He ignored their surprise and Albert Neri started ushering them out. Michael said sharply, “Tom, stick around a few minutes.”
   Hagen went to the window that faced the mall. He waited until he saw the caporegimes and Carlo Rizzo and Rocco Lampone being shepherded through the guarded gate by Neri. Then he turned to Michael and said, “Have you got all the political connections wired into you?”
   Michael shook his head regretfully. “Not all. I needed about four more months. The Don and I were working on it. But I’ve got all the judges, we did that first, and some of the more important people in Congress. And the big party boys here in New York were no problem, of course. The Corleone Family is a lot stronger than anybody thinks, but I hoped to make it foolproof.” He smiled at Hagen. “I guess you’ve figured everything out by now.”
   Hagen nodded. “It wasn’t hard. Except why you wanted me out of the action. But I put on my Sicilian hat and I finally figured that too.”
   Michael laughed. “The old man said you would. But that’s a luxury I can’t afford anymore. I need you here. At least for the next few weeks. You better phone Vegas and talk to your wife. Just tell her a few weeks.”
   Hagen said musingly, “How do you think they’ll come at you?”
   Michael sighed. “The Don instructed me. Through somebody close. Brazini will set me up through somebody close that, supposedly, I won’t suspect.”
   Hagen smiled at him. “Somebody like me.”
   Michael smiled back. “You’re Irish, they won’t trust you.”
   “I’m German-American,” Hagen said.
   “To them that’s Irish,” Michael said. “They won’t go to you and they won’t go to Neri because Neri was a cop. Plus both of you are too close to me. They can’t take that gamble. Rocco Lampone isn’t close enough. No, it will be Clemenza, Tessio or Carlo Rizzi.”
   Hagen said softly, “I’m betting it’s Carlo.”
   “We’ll see,” Michael said. “It won’t be long.”


* * *

   It was the next morning, while Hagen and Michael were having breakfast together. Michael took a phone call in the library, and when he came back to the kitchen, he said to Hagen, “It’s all set up. I’m going to meet Barzini a week from now. To make new peace now that the Don is dead.” Michael laughed.
   Hagen asked, “Who phoned you, who made the contact?” They both knew that whoever in the Corleone Family had made the contact had turned traitor.
   Michael gave Hagen a sad regretful smile. “Tessio,” he said.
   They ate the rest of their breakfast in silence. Over coffee Hagen shook his head. “I could have sworn it would have been Carlo or maybe Clemenza. I never figured Tessio. He’s the best of the lot.”
   “He’s the most intelligent,” Michael said. “And he did what seems to him to be the smart thing. He sets me up for the hit by Barzini and inherits the Corleone Family. He sticks with me and he gets wiped out; he’s figuring I can’t win.”
   Hagen paused before he asked reluctantly, “How right is he figuring?”
   Michael shrugged. “It looks bad. But my father was the only one who understood that political connections and power are worth ten regimes. I think I’ve got most of my father’s political power in my hands now, but I’m the only one who really knows that.” He smiled at Hagen, a reassuring smile. “I’ll make them call me Don. But I feel lousy about Tessio.”
   Hagen said, “Have you agreed to the meeting with Barzini?” ’
   “Yeah,” Michael said. “A week from tonight. In Brooklyn, on Tessio’s ground where I’ll be safe.” He laughed again.
   Hagen said, “Be careful before then.”
   For the first time Michael was cold with Hagen. “I don’t need a Consigliere to give me that kind of advice,” he said.


* * *

   During the week preceding the peace meeting between the Corleone and Barzini Families, Michael showed Hagen just how careful he could be. He never set foot outside the mall and never received anyone without Neri beside him. There was only one annoying complication. Connie and Carlo’s oldest boy was to receive his Confirmation in the Catholic Church and Kay asked Michael to be the Godfather. Michael refused.
   “I don’t often beg you,” Kay said. “Please do this just for me. Connie wants it so much. And so does Carlo. It’s very important to them. Please, Michael.”
   She could see he was angry with her for insisting and expected him to refuse. So she was surprised when he nodded and said, “OK. But I can’t leave the mall. Tell them to arrange for the priest to confirm the kid here. I’ll pay whatever it costs. If they run into trouble with the church people, Hagen will straighten it out.”
   And so the day before the meeting with the Barzini Family, Michael Corleone stood Godfather to the son of Carlo and Connie Rizzi. He presented the boy with an extremely expensive wristwatch and gold band. There was a small party in Carlo’s house, to which were invited the caporegimes, Hagen, Lampone and everyone who lived on the mall, including, of course, the Don’s widow. Connie was so overcome with emotion that she hugged and kissed her brother and Kay all during the evening. And even Carlo Rizzi became sentimental, wringing Michael’s hand and calling him Godfather at every excuse– old country style. Michael himself had never been so affable, so outgoing. Connie whispered to Kay, “I think Carlo and Mike are going to be real friends now. Something like this always brings people together.”
   Kay squeezed her sister-in-law’s arm. “I’m so glad,” she said.

Chapter 30

   Albert Neri sat in his Bronx apartment and carefully brushed the blue serge of his old policeman’s uniform. He unpinned the badge and set it on the table to be polished. The regulation holster and gun were draped over a chair. This old routine of detail made him happy in some strange way, one of the few times he had felt happy since his wife had left him, nearly two years ago.
   He had married Rita when she was a high school kid and he was a rookie policeman. She was shy, dark-haired, from a straitlaced Italian family who never let her stay out later than ten o’clock at night. Neri was completely in love with her, her innocence, her virtue, as well as her dark prettiness.
   At first Rita Neri was fascinated by her husband. He was immensely strong and she could see people were afraid of him because of that strength and his unbending attitude toward what was right and wrong. He was rarely tactful. If he disagreed with a group’s attitude or an individual’s opinion, he kept his mouth shut or brutally spoke his contradiction. He never gave a polite agreement. He also had a true Sicilian temper and his rages could be awesome. But he was never angry with his wife.
   Neri in the space of five years became one of the most feared policemen on the New York City force. Also one of the most honest. But he had his own ways of enforcing the law. He hated punks and when he saw a bunch of young rowdies making a disturbance on a street corner at night, disturbing passersby, he took quick and decisive action. He employed a physical strength that was truly extraordinary, which he himself did not fully appreciate.
   One night in Central Park West he jumped out of the patrol car and lined up six punks in black silk jackets. His partner remained in the driver’s seat, not wanting to get involved, knowing Neri. The six boys, all in their late teens, had been stopping people and asking them for cigarettes in a youthfully menacing way but not doing anyone any real physical harm. They had also teased girls going by with a sexual gesture more French than American.
   Neri lined them up against the stone wall that closed off Central Park from Eighth Avenue. It was twilight, but Neri carried his favorite weapon, a huge flashlight. He never bothered drawing his gun; it was never necessary. His face when he was angry was so brutally menacing, combined with his uniform, that the usual punks were cowed. These were no exception.
   Neri asked the first youth in the black silk jacket, “What’s your name?” The kid answered with an Irish name. Neri told him, “Get off the street. I see you again tonight, I’ll crucify you.” He motioned with his flashlight and the youth walked quickly away. Neri followed the same procedure with the next two boys. He let them walk off. But the fourth boy gave an Italian name and smiled at Neri as if to claim some sort of kinship. Neri was unmistakably of Italian descent. Neri looked at this youth for a moment and asked superfluously, “You Italian?” The boy grinned confidently.
   Neri hit him a stunning blow on the forehead with his flashlight. The boy dropped to his knees. The skin and flesh of his forehead had cracked open and blood poured down his face. But it was strictly a flesh wound. Neri said to him harshly, “You son of a bitch, you’re a disgrace to the Italians. You give us all a bad name. Get on your feet.” He gave the youth a kick in the side, not gentle, not too hard. “Get home and stay off the street. Don’t ever let me catch you wearing that jacket again either. I’ll send you to the hospital. Now get home. You’re lucky I’m not your father.”
   Neri didn’t bother with the other two punks. He just booted their asses down the Avenue, telling them he didn’t want them on the street that night.
   In such encounters all was done so quickly that there was no time for a crowd to gather or for someone to protest his actions. Neri would get into the patrol car and his partner would zoom it away. Of course once in a while there would be a real hard case who wanted to fight and might even pull a knife. These were truly unfortunate people. Neri would, with awesome, quick ferocity, beat them bloody and throw them into the patrol car. They would be put under arrest and charged with assaulting an officer. But usually their case would have to wait until they were discharged from the hospital.
   Eventually Neri was transferred to the beat that held the United Nations building area, mainly because he had not shown his precinct sergeant the proper respect. The United Nations people with their diplomatic immunity parked their limousines all over the streets without regard to police regulations. Neri complained to the precinct and was told not to make waves, to just ignore it. But one night there was a whole side street that was impassable because of the carelessly parked autos. It was after midnight, so Neri took his huge flashlight from the patrol car and went down the street smashing windshields to smithereens. It was not easy, even for high-ranking diplomats, to get the windshields repaired in less than a few days. Protests poured into the police precinct station house demanding protection against this vandalism. After a week of windshield smashing the truth gradually hit somebody about what was actually happening and Albert Neri was transferred to Harlem.
   One Sunday shortly afterward, Neri took his wife to visit his widowed sister in Brooklyn. Albert Neri had the fierce protective affection for his sister common to all Sicilians and he always visited her at least once every couple of months to make sure she was all right. She was much older than he was and had a son who was twenty. This son, Thomas, without a father’s hand, was giving trouble. He had gotten into a few minor scrapes, was running a little wild. Neri had once used his contacts on the police force to keep the youth from being charged with larceny. On that occasion he had kept his anger in check but had given his nephew a warning. “Tommy, you make my sister cry over you and I’ll straighten you out myself.” It was intended as a friendly pally-uncle warning, not really as a threat. But even though Tommy was the toughest kid in that tough Brooklyn neighborhood, he was afraid of his Uncle Al.
   On this particular visit Tommy had come in very late Saturday night and was still sleeping in his room. His mother went to wake him, telling him to get dressed so that he could eat Sunday dinner with his uncle and aunt. The boy’s voice came harshly through the partly opened door, “I don’t give a shit, let me sleep,” and his mother came back out into the kitchen smiling apologetically.
   So they had to eat their dinner without him. Neri asked his sister if Tommy was giving her any real trouble and she shook her head.
   Neri and his wife were about to leave when Tommy finally got up. He barely grumbled a hello and went into the kitchen. Finally he yelled in to his mother, “Hey, Ma, how about cooking me something to eat?” But it was not a request. It was the spoiled complaint of an indulged child.
   His mother said shrilly, “Get up when it’s dinnertime and then you can eat. I’m not going to cook again for you.”
   It was the sort of little ugly scene that was fairly commonplace, but Tommy still a little irritable from his slumber made a mistake. “Ah, fuck you and your nagging, I’ll go out and eat.” As soon as he said it he regretted it.
   His Uncle Al was on him like a cat on a mouse. Not so much for the insult to his sister this particular day but because it was obvious that he often talked to his mother in such a fashion when they were alone. Tommy never dared say such a thing in from of her brother. This particular Sunday he had just been careless. To his misfortune.
   Before the frightened eyes of the two women, Al Neri gave his nephew a merciless, careful, physical beating. At first the youth made an attempt at self-defense but soon gave that up and begged for mercy. Neri slapped his face until the lips were swollen and bloody. He rocked the kid’s head back and slammed him against the wall. He punched him in the stomach, then got him prone on the floor and slapped his face into the carpet. He told the two women to wait and made Tommy go down the street and get into his car. There he put the fear of God into him. “If my sister ever tells me you talk like that to her again, this beating will seem like kisses from a broad,” he told Tommy. “I want to see you straighten out. Now go up the house and tell my wife I’m waiting for her.”
   It was two months after this that Al Neri got back from a late shift on the force and found his wife had left him. She had packed all her clothes and gone back to her family. Her father told him that Rita was afraid of him, that she was afraid to live with him because of his temper. Al was stunned with disbelief. He had never struck his wife, never threatened her in any way, had never felt anything but affection for her. But he was so bewildered by her action that he decided to let a few days go by before he went over to her family’s house to talk to her.
   It was unfortunate that the next night he ran into trouble on his shift. His car answered a call in Harlem, a report of a deadly assault. As usual Neri jumped out of the patrol car while it was still rolling to a stop. It was after midnight and he was carrying his huge flashlight. It was easy spotting the trouble. There was a crowd gathered outside a tenement doorway. One Negro woman said to Neri, “There’s a man in there cutting a little girl.”
   Neri went into the hallway. There was an open door at the far end with light streaming out and he could hear moaning. Still handling the flashlight, he went down the hall and through the open doorway.
   He almost fell over two bodies stretched out on the floor. One was a Negro woman of about twenty-five. The other was a Negro girl of no more than twelve. Both were bloody from razor cuts on their faces and bodies. In the living room Neri saw the man who was responsible. He knew him well.
   The man was Wax Baines, a notorious pimp, dope pusher and strong-arm artist. His eyes were popping from drugs now, the bloody knife he held in his hand wavered. Neri had arrested him two weeks before for severely assaulting one of his whores in the street. Baines had told him, “Hey, man, this none of your business.” And Neri’s partner had also said something about letting the niggers cut each other up if they wanted to, but Neri had hauled Baines into the station house. Baines was bailed out the very next day.
   Neri had never much liked Negroes, and working in Harlem had made him like them even less. They all were on drugs or booze while they let their women work or peddle ass. He didn’t have any use for any of the bastards. So Baines’ brazen breaking of the law infuriated him. And the sight of the little girl all cut up with the razor sickened him. Quite coolly, in his own mind, he decided not to bring Baines in.
   But witnesses were already crowding into the apartment behind him, some people who lived in the building and his partner from the patrol car.
   Neri ordered Baines, “Drop your knife, you’re under arrest.”
   Baines laughed. “Man, you gotta use your gun to arrest me.” He held his knife up. “Or maybe you want this.”
   Neri moved very quickly, so his partner would not have time to draw a gun. The Negro stabbed with his knife, but Neri’s extraordinary reflexes enabled him to catch the thrust with his left palm. With his right hand he swung the flashlight in a short vicious arc. The blow caught Baines on the side of the head and made his knees buckle comically like a drunk’s. The knife dropped from his hand. He was quite helpless. So Neri’s second blow was inexcusable, as the police departmental hearing and his criminal trial later proved with the help of the testimony of witnesses and his fellow policeman. Neri brought the flashlight down on the top of Baines’ skull in an incredibly powerful blow which shattered the glass of the flashlight; the enamel shield and the bulb itself popping out and flying across the room. The heavy aluminum barrel of the flashlight tube bent and only the batteries inside prevented it from doubling on itself. One awed onlooker, a Negro man who lived in the tenement and later testified against Neri, said, “Man that’s a hard-headed nigger.”
   But Baines’ head was not quite hard enough. The blow caved in his skull. He died two hours later in the Harlem Hospital.
   Albert Neri was the only one surprised when he was brought up on departmental charges for using excessive force. He was suspended and criminal charges were brought against him. He was indicted for manslaughter, convicted and sentenced to from one to ten years in prison. By this time he was so filled with a baffled rage and hatred of all society that he didn’t give a damn. That they dared to judge him a criminal! That they dared to send him to prison for killing an animal like that pimp-nigger! That they didn’t give a damn for the woman and little girl who had been carved up, disfigured for life, and still in the hospital.
   He did not fear prison. He felt that because of his having been a policeman and especially because of the nature of the offense, he would be well taken care of. Several of his buddy officers had already assured him they would speak to friends. Only his wife’s father, a shrewd old-style Italian who owned a fish market in the Bronx, realized that a man like Albert Neri had little chance of surviving a year in prison. One of his fellow inmates might kill him; if not, he was almost certain to kill one of them. Out of guilt that his daughter had deserted a fine husband for some womanly foolishness, Neri’s father-in-law used his contacts with the Corleone Family (he paid protection money to one of its representatives and supplied the Corleone itself with the finest fish available, as a gift), he petitioned for their intercession.
   The Corleone Family knew about Albert Neri. He was something of a legend as a legitimately tough cop; he had made a certain reputation as a man not to be held lightly, as a man who could inspire fear out of his own person regardless of the uniform and the sanctioned gun he wore. The Corleone Family was always interested in such man.. The fact that he was a policeman did not mean too much. Many young men started down a false path to their true destiny. Time and fortune usually set them aright.
   It was Pete Clemenza, with his fine nose for good personnel, who brought the Neri affair to Tom Hagen’s attention. Hagen studied the copy of the official police dossier and listened to Clemenza. He said, “Maybe we have another Luca Brasi here.”
   Clemenza nodded his head vigorously. Though he was very fat, his face had none of the usual stout man’s benignity. “My thinking exactly. Mike should look into this himself.”
   And so it was that before Albert Neri was transferred from the temporary jail to what would have been his permanent residence upstate, he was informed that the judge had reconsidered his case on the basis of new information and affidavits submitted by high police officials. His sentence was suspended and he was released.
   Albert Neri was no fool and his father-in-law no shrinking violet. Neri learned what had happened and paid his debt to his father-in-law by agreeing to get a divorce from Rita. Then he made a trip out to Long Beach to thank his benefactor. Arrangements had been made beforehand, of course. Michael received him in his library.
   Neri stated his thanks in formal tones and was surprised and gratified by the warmth with which Michael received his thanks.
   “Hell, I couldn’t let them do that to a fellow Sicilian,” Michael said. “They should have given you a goddamn medal. But those damn politicians don’t give a shit about anything except pressure groups. Listen, I would never have stepped into the picture if I hadn’t checked everything out and saw what a raw deal you got. One of my people talked to your sister and she told us how you were always worried about her and her kid, how you straightened the kid out, kept him from going bad. Your father-in-law says you’re the finest fellow in the world. That’s rare.” Tactfully Michael did not mention anything about Neri’s wife having left him.
   They chatted for a while. Neri had always been a taciturn man, but he found himself opening up to Michael Corleone. Michael was only about five years his senior, but Neri spoke to him as if he were much older, older enough to be his father.
   Finally Michael said, “There’s no sense getting you out of jail and then just leaving you high and dry. I can arrange some work for you. I have interests out in Las Vegas, with your experience you could be a hotel security man. Or if there’s some little business you’d like to go into, I can put a word in with the banks to advance you a loan for capital.”
   Neri was overcome with grateful embarrassment. He proudly refused and then added, “I have to stay under the jurisdiction of the court anyway with the suspended sentence.”
   Michael said briskly, “That’s all crap detail, I can fix that. Forget about that supervision and just so the banks won’t get choosy I’ll have your yellow sheet pulled.”
   The yellow sheet was a police record of criminal offenses committed by any individual. It was usually submitted to a judge when he was considering what sentence to give a convicted criminal. Neri had been long enough on the police force to know that many hoodlums going up for sentencing had been treated leniently by the judge because a clean yellow sheet had been submitted by the bribed Police Records Department. So he was not too surprised that Michael Corleone could do such a thing; he was, however, surprised that such trouble would be taken on his account.
   “If I need help, I’ll get in touch,” Neri said.
   “Good, good,” Michael said. He looked at his watch and Neri took this for his dismissal. He rose to go. Again he was surprised.
   “Lunchtime,” Michael said. “Come on and eat with me and my family. My father said he’d like to meet you. We’ll walk over to his house. My mother should have some fried peppers and eggs and sausages. Real Sicilian style.”
   That afternoon was the most agreeable Albert Neri had spent since he was a small boy, since the days before his parents had died when he was only fifteen. Don Corleone was at his most amiable and was delighted when he discovered that Neri’s parents had originally come from a small village only a few minutes from his own. The talk was good, the food was delicious, the wine robustly red. Neri was struck by the thought that he was finally with his own true people. He understood that he was only a casual guest but he knew he could find a permanent place and be hazy in such a world.
   Michael and the Don walked him out to his car. The Don shook his hand and said, “You’re a fine fellow. My son Michael here, I’ve been teaching him the olive business, I’m getting old, I want to retire. And he comes to me and he says he wants to interfere in your little affair. I tell him to just learn about the olive oil. But he won’t leave me alone. He says, here is this fine fellow, a Sicilian and they are doing this dirty trick to him. He kept on, he gave me no peace until I interested myself in it. I tell you this to tell that he was right. Now that I’ve met you, I’m glad we took the trouble. So if we can do anything further for you, just ask the favor. Understand? We’re at your service.” (Remembering the Don’s kindness, Neri wished the great man was still alive to see the service that would be done this day.)
   It took Neri less than three days to make up his mind. He understood he was being courted but understood more. That the Corleone Family approved that act of his which society condemned and had punished him for. The Corleone Family valued him, society did not. He understood that he would be happier in the world the Corleones had created than in the world outside. And he understood that the Corleone Family was the more powerful, within its narrower limits.
   He visited Michael again and put his cards on the table. He did not want to work in Vegas but he would take a job with the Family in New York. He made his loyalty clear. Michael was touched, Neri could see that. It was arranged. But Michael insisted that Neri take a vacation first, down in Miami at the Family hotel there, all expenses paid and a month’s salary in advance so he could have the necessary cash to enjoy himself properly.
   That vacation was Neri’s first taste of luxury. People at the hotel took special care of him, saying, “Ah, you’re a friend of Michael Corleone.” The word had been passed along. He was given one of the plush suites, not the grudging small room a poor relation might be fobbed off with. The man running the nightclub in the hotel fixed him up with some beautiful girls. When Neri got back to New York he had a slightly different view on life in general.
   He was put in the Clemenza regime and tested carefully by that masterful personnel man. Certain precautions had to be taken. He had, after all, once been a policeman. But Neri’s natural ferocity overcame whatever scruples he might have had at being on the other side of the fence. In less than a year he had “made his bones.” He could never turn back.
   Clemenza sang his praises. Neri was a wonder, the new Luca Brasi. He would be better than Luca, Clemenza bragged. After all, Neri was his discovery. Physically the man was a marvel. His reflexes and coordination such that he could have been another Joe DiMaggio. Clemenza also knew that Neri was not a man to be controlled by someone like himself. Neri was made directly responsible to Michael Corleone, with Tom Hagen as the necessary buffer. He was a “special” and as such commanded a high salary but did not have his own living, a bookmaking or strong-arm operation. It was obvious that his respect for Michael Corleone was enormous and one day Hagen said jokingly to Michael, “Well now you’ve got your Luca.”
   Michael nodded. He had brought it off. Albert Neri was his man to the death. And of course it was a trick learned from the Don himself. While learning the business, undergoing the long days of tutelage by his father, Michael had one time asked, “How come you used a guy like Luca Brasi? An animal like that?”
   The Don had proceeded to instruct him. “There are men in this world,” he said, “who go about demanding to be killed. You must have noticed them. They quarrel in gambling games, they jump out of their automobiles in a rage if someone so much as scratches their fender, they humiliate and bully people whose capabilities they do not know. I have seen a man, a fool, deliberately infuriate a group of dangerous men, and he himself without any resources. These are people who wander through the world shouting, ‘Kill me. Kill me.’ And there is always somebody ready to oblige them. We read about it in the newspapers every day. Such people of course do a great deal of harm to others also.
   “Luca Brasi was such a man. But he was such an extraordinary man that for a long time nobody could kill him. Most of these people are of no concern to ourselves but a Brasi is a powerful weapon to be used. The trick is that since he does not fear death and indeed looks for it, then the trick is to make yourself the only person in the world that he truly desires not to kill him. He has only that one fear, not of death, but that you may be the one to kill him. He is yours then.”
   It was one of the most valuable lessons given by the Don before he died, and Michael had used it to make Neri his Luca Brasi.


* * *

   And now, finally, Albert Neri, alone in his Bronx apartment, was going to put on his police uniform again. He brushed it carefully. Polishing the holster would be next. And his policeman’s cap too, the visor had to be cleaned, the stout black shoes shined. Neri worked with a will. He had found his place in the world, Michael Corelone had placed his absolute trust in him, and today he would not fail that trust.

Chapter 31

   On that same day two limousines parked on the Long Beach mall. One of the big cars waited to take Connie Corleone, her mother, her husband and her two children to the airport. The Carlo Rizzi family was to take a vacation in Las Vegas in preparation for their permanent move to that city. Michael had given Carlo the order, over Connie’s protests. Michael had not bothered to explain that he wanted everyone out of the mall before the Corleone-Barzini Families’ meeting. Indeed the meeting itself was top secret. The only ones who knew about it were the capos of the Family.
   The other limousine was for Kay and her children, who were being driven up to New Hampshire for a visit with her parents. Michael would have to stay in the mall; he had affairs too pressing to leave.
   The night before Michael had also sent word to Carlo Rizzi that he would require his presence on the mall for a few days, that he could join his wife and children later that week. Connie had been furious. She had tried to get Michael on the phone, but he had gone into the city. Now her eyes were searching the mall for him, but he was closeted with Tom Hagen and not to be disturbed. Connie kissed Carlo good-bye when he put her in the limousine. “If you don’t come out there in two days, I’ll come back to get you,” she threatened him.
   He gave her a polite husbandly smile of sexual complicity. “I’ll be there,” he said.
   She hung out the window. “What do you think Michael wants you for?” she asked. Her worried frown made her look old and unattractive.
   Carlo shrugged. “He’s been promising me a big deal. Maybe that’s what he wants to talk about. That’s what he hinted anyway.” Carlo did not know of the meeting scheduled with the Barzini Family for that night.
   Connie said eagerly, “Really, Carlo?”
   Carlo nodded at her reassuringly. The limousine moved off through the gates of the mall.
   It was only after the first limousine had left that Michael appeared to say good-bye to Kay and his own two children. Carlo also came over and wished Kay a good trip and a good vacation. Finally the second limousine pulled away and went through the gate.
   Michael said, “I’m sorry I had to keep you here, Carlo. It won’t be more than a couple of days.”
   Carlo said quickly, “I don’t mind at all.”
   “Good,” Michael said. “Just stay by your phone and I’ll call you when I’m ready for you. I have to get some other dope before. OK?”
   “Sure, Mike, sure,” Carlo said. He went into his own house, made a phone call to the mistress he was discreetly keeping in Westbury, promising he would try to get to her late that night. Then he got set with a bottle of rye and waited. He waited a long time. Cars started coming through the gate shortly after noontime. He saw Clemenza get out of one, and then a little later Tessio came out of another. Both of them were admitted to Michael’s house by one of the bodyguards. Clemenza left after a few hours, but Tessio did not reappear.
   Carlo took a breath of fresh air around the mall, not more than ten minutes. He was familiar with all the guards who pulled duty on the mall, was even friendly with some of them. He thought he might gossip a bit to pass the time. But to his surprise none of the guards today were men he knew. They were all strangers to him. Even more surprising, the man in charge at the gate was Rocco Lampone, and Carlo knew that Rocco was of too high a rank is the Family to be pulling such menial duty unless something extraordinary was afoot.
   Rocco gave him a friendly smile and hello. Carlo was wary. Rocco said, “Hey, I thought you were going an vacation with the Don?”
   Carlo shrugged. “Mike wanted me to stick around for a couple of days. He has something for me to do.”
   “Yeah,” Rocco Lampone said. “Me too. Then he tells me to keep a check on the gate. Well, what the hell, he’s the boss.” His tones implied that Michael was not the man his father was; a bit derogatory.
   Carlo ignored the tone. “Mike knows what he’s doing,” he said. Rocco accepted the rebuke in silence. Carlo said so long and walked back to the house. Something was up, but Rocco didn’t know what it was.


* * *

   Michael stood in the window of his living room and watched Carlo strolling around the mall. Hagen brought him a drink, strong brandy. Michael sipped at it gratefully. Behind him, Hagen said, gently, “Mike, you have to start moving. It’s time.”
   Michael sighed. “I wish it weren’t so soon. I wish the old man had lasted a little longer.”
   “Nothing will go wrong,” Hagen said. “If I didn’t tumble, then nobody did. You set it up real good.”
   Michael turned away from the window. “The old man planned a lot of it. I never realized how smart he was. But I guess you know.”
   “Nobody like him,” Hagen said. “But this is beautiful. This is the best. So you can’t be too bad either.”
   “Let’s see what happens,” Michael said. “Are Tessio and Clemenza on the mall?”
   Hagen nodded. Michael finished the brandy in his glass. “Send Clemenza in to me. I’ll instruct him personally. I don’t want to see Tessio at all. Just tell him I’ll be ready to go to the Barzini meeting with him in about a half hour. Clemenza’s people will take care of him after that.”
   Hagen said in a noncommittal voice, “There’s no way to let Tessio off the hook?”
   “No way,” Michael said.


* * *

   Upstate in the city of Buffalo, a small pizza parlor on a side street was doing a rush trade. As the lunch hours passed, business finally slackened off and the counterman took his round tin tray with its few leftover slices out of the window and put it on the shelf on the huge brick oven. He peeked into the oven at a pie baking there. The cheese had not yet started to bubble. When he turned back to the counter that enabled him to serve people in the street, there was a young, tough-looking man standing there. The man said, “Gimme a slice.”
   The pizza counterman took his wooden shovel and scooped one of the cold slices into the oven to warm it up. The customer, instead of waiting outside, decided to come through the door and be served. The store was empty now. The counterman opened the oven and took out the hot slice and served it on a paper plate. But the customer, instead of giving the money for it, was staring at him intently.
   “I hear you got a great tattoo on your chest,” the customer said. “I can see the top of it over your shirt, how about letting me see the rest of it?”
   The counterman froze. He seemed to be paralyzed.
   “Open your shirt,” the customer said.
   The counterman shook his head. “I got no tattoo,” he said in heavily accented English. “That’s the man who works at night.”
   The customer laughed. It was an unpleasant laugh, harsh, strained. “Come on, unbutton your shirt, let me see.”
   The counterman started backing toward the rear of the store, aiming to edge around the huge oven. But the customer raised his hand above the counter. There was a gun in it. He fired. The bullet caught the counterman in the chest and hurled him against the oven. The customer fired into his body again and the counterman slumped to the floor. The customer came around the serving shelf, reached down and ripped the buttons off the shirt. The chest was covered with blood, but the tattoo was visible, the intertwined lovers and the knife transfixing them. The counterman raised one of his arms feebly as if to protect himself. The gunman said, “Fabrizzio, Michael Corleone sends you his regards.” He extended the gun so that it was only a few inches from the counterman’s skull and pulled the trigger. Then he walked out of the store. At the curb a car was waiting for him with its door open. He jumped in and the car sped off.
   Rocco Lampone answered the phone installed on one of the iron pillars of the gate. He heard someone saying, “Your package is ready,” and the click as the caller hung up. Rocco got into his car and drove out of the mall. He crossed the Jones Beach Causeway, the same causeway on which Sonny Corleone had been killed, and drove out to the railroad station of Wantagh. He parked his car there. Another car was waiting for him with two men in it. They drove to a motel ten minutes farther out on Sunrise Highway and turned into its courtyard. Rocco Lampone, leaving his two men in the car, went to one of the little chalet-type bungalows. One kick sent its door flying off its hinges and Rocco sprang into the room.
   Phillip Tattaglia, seventy years old and naked as a baby, stood over a bed on which lay a young girl. Phillip Tattaglia’s thick head of hair was jet black, but the plumage of his crotch was steel gray. His body had the soft plumpness of a bird. Rocco pumped four bullets into him, all in the belly. Then he turned and ran back to the car. The two men dropped him off in the Wantagh station. He picked up his car and drove back to the mall. He went in to see Michael Corleone for a moment and then came out and took up his position at the gate.


* * *

   Albert Neri, alone in his apartment, finished getting his uniform ready. Slowly he put it on, trousers, shirt, tie and jacket, holster and gunbelt. He had turned in his gun when he was suspended from the force, but, through some administrative oversight they had not made him give up his shield. Clemenza had supplied him with a new.38 Police Special that could not be traced. Neri broke it down, oiled it, checked the hammer, put it together again, clicked the trigger. He loaded the cylinders and was set to go.
   He put the policeman’s cap in a heavy paper bag and then put a civilian overcoat on to cover his uniform. He checked his watch. Fifteen minutes before the car would be waiting for him downstairs. He spent the fifteen minutes checking himself in the mirror. There was no question. He looked like a real cop.
   The car was waiting with two of Rocco Lampone’s men in front. Neri got into the back seat. As the car started downtown, after they had left the neighborhood of his apartment, he shrugged off the civilian overcoat and left it on the floor of the car. He ripped open the paper bag and put the police officer’s cap on his head.
   At 55th Street and Fifth Avenue the car pulled over to the curb and Neri got out. He started walking down the avenue. He had a queer feeling being back in uniform, patrolling the streets as he had done so many times. There were crowds of people. He walked downtown until he was in front of Rockefeller Center, across the way from St. Patrick’s Cathedral. On his side of Fifth Avenue he spotted the limousine he was looking for. It was parked, nakedly alone between a whole string of red NO PARKING and No STANDING signs. Neri slowed his pace. He was too early. He stopped to write something in his summons book and then kept walking. He was abreast of the limousine. He tapped its fender with his nightstick. The driver looked up in surprise. Neri pointed to the NO STANDING sign with his stick and motioned the driver to move his car. The driver turned his head away.
   Neri walked out into the street so that he was standing by the driver’s open window. The driver was a tough-looking hood, just the kind he loved to break up. Neri said with deliberate insultingness, “OK, wise guy, you want me to stick a summons up your ass or do you wanta get moving?”
   The driver said impassively, “You better check with your precinct. Just give me the ticket if it’ll make you feel happy.”
   “Get the hell out of here,” Neri said, “or I’ll drag you out of that car and break your ass.”
   The driver made a ten-dollar bill appear by some sort of magic, folded it into a little square using just one hand, attd tried to shove it inside Neri’s blouse. Neri moved back onto the sidewalk and crooked his finger at the driver. The driver came out of the car.
   “Let me see your license and registration,” Neri said. He had been hoping to get the driver to go around the block but there was no hope for that now. Out of the corner of his eye, Neri saw three short, heavyset men coming down the steps of the Plaza building, coming down toward the street. It was Barzini himself and his two bodyguards, on their way to meet Michael Corleone. Even as he saw this, one of the bodyguards peeled off to come ahead and see what was wrong with Barzini’s car.
   This man asked the driver, “What’s up?”
   The driver said curtly, “I’m getting a ticket, no sweat. This guy must be new in the precinct.”
   At that moment Barzini came up with his other bodyguard. He growled, “What the hell is wrong now?”
   Neri finished writing in his summons book and gave the driver back his registration and license. Then he put his summons book back in his hip pocket and with the forward motion of his hand drew the.38 Special.
   He put three bullets in Barzini’s barrel chest before the other three men unfroze enough to dive for cover. By that time Neri had darted into the crowd and around the corner where the car was waiting for him. The car sped up to Ninth Avenue and turned downtown. Near Chelsea Park, Neri, who had discarded the cap and put on the overcoat and changed clothing, transferred to another car that was waiting for him. He had left the gun and the police uniform in the other car. It would be gotten rid of. An hour later he was safely in the mall on Long Beach and talking to Michael Corleone.


* * *

   Tessio was waiting in the kitchen of the old Don’s house and was sipping at a cup of coffee when Tom Hagen came for him. “Mike is ready for you now,” Hagen said. “You better make your call to Barzini and tell him to start on his way.”
   Tessio rose and went to the wall phone. He dialed Barzini’s office in New York and said curtly, “We’re on our way to Brooklyn.” He hung up and smiled at Hagen. “I hope Mike can get us a good deal tonight.”
   Hagen said gravely, “I’m sure he will.” He escorted Tessio out of the kitchen and onto the mall. They walked toward Michael’s house. At the door they were stopped by one of the bodyguards. “The boss says he’ll come in a separate car. He says for you two to go on ahead.”
   Tessio frowned and turned to Hagen. “Hell, he can’t do that; that screws up all my arrangements.”
   At that moment three more bodyguards materialized around them. Hagen said gently, “I can’t go with you either, Tessio.”
   The ferret-faced caporegime understood everything in a flash of a second. And accepted it. There was a moment of physical weakness, and then he recovered. He said to Hagen, “Tell Mike it was business, I always liked him.”
   Hagen nodded. “He understands that.”
   Tessio paused for a moment and then said softly, “Tom, can you get me off the hook? For old times’ sake?”
   Hagen shook his head. “I can’t,” he said.
   He watched Tessio being surrounded by bodyguards and led into a waiting car. He felt a little sick. Tessio had been the best soldier in the Corleone Family; the old Don had relied on him more than any other man with the exception of Luca Brasi. It was too bad that so intelligent a man had made such a fatal error in judgment so late in life.


* * *

   Carlo Rizzi, still waiting for his interview with Michael, became jittery with all the arrivals and departures. Obviously something big was going on and it looked as if he were going to be left out. Impatiently he called Michael on the phone. One of the house bodyguards answered, went to get Michael, and came back with the message that Michael wanted him to sit tight, that he would get to him soon.
   Carlo called up his mistress again and told her he was sure he would be able to take her to a late supper and spend the night. Michael had said he would call him sin, whatever he had planned couldn’t take more than an hour, or two. Then it would take him about forty minutes to drive to Westbury. It could be done. He promised her he would do it and sweet-talked her into not being sore. When he hung up he decided to get properly dressed so as to save time afterward. He had just slipped into a fresh shirt when there was a knock on the door. He reasoned quickly that Mike had tried to get him on the phone and had kept getting a busy signal so had simply sent a messenger to call him. Carlo went to the door and opened it. He felt his whole body go weak with terrible sickening fear. Standing in the doorway was Michael Corleone, his face the face of that death Carlo Rizzi saw often in his dreams.
   Behind Michael Corleone were Hagen and Rocco Lampone. They looked grave, like people who had come with the utmost reluctance to give a friend bad news. The three of them entered the house and Carlo Rizzi led them into the living room. Recovered from his first shock, he thought that he had suffered an attack of nerves. Michael’s words made him really sick, physically nauseous.
   “You have to answer for Santino,” Michael said.
   Carlo didn’t answer, pretended not to understand. Hagen and Lampone had split away to opposite walls of the room. He and Michael faced each other.
   “You fingered Sonny for the Barzini people,” Michael said, his voice flat. “That little farce you played out with my sister, did Barzini kid you that would fool a Corleone?”
   Carlo Rizzi spoke out of his terrible fear, without dignity, without any kind of pride. “I swear I’m innocent. I swear on the head of my children I’m innocent. Mike, don’t do this to me, please, Mike, don’t do this to me.”
   Michael said quietly, “Barzini is dead. So is Phillip Tattaglia. I want to square all the Family accounts tonight. So don’t tell me you’re innocent. It would be better for you to admit what you did.”
   Hagen and Lampone stared at Michael with astonishment. They were thinking that Michael was not yet the man his father was. Why try to get this traitor to admit guilt? That guilt was already proven as much as such a thing could be proven. The answer was obvious. Michael still was not that confident of his right, still feared being unjust, still worried about that fraction of an uncertainty that only a confession by Carlo Rizzi could erase.
   There was still no answer. Michael said almost kindly, “Don’t be so frightened. Do you think I’d make my sister a widow? Do you think I’d make my nephews fatherless? After all I’m Godfather to one of your kids. No, your punishment will be that you won’t be allowed any work with the Family. I’m putting you on a plane to Vegas to join your wife and kids and then I want you to stay there. I’ll send Connie an allowance. That’s all. But don’t keep saying you’re innocent, don’t insult my intelligence and make me angry. Who approached you, Tattaglia or Barzini?”
   Carlo Rizzi in his anguished hope for life, in the sweet flooding relief that he was not going to be killed, murmured, “Barzini.”
   “Good, good,” Michael said softly. He beckoned with his right hand. “I want you to leave now. There’s a car waiting to take you to the airport.”
   Carlo went out the door first, the other three men very close to him. It was night now, but the mail as usual was bright with floodlights. A car pulled up. Carlo saw it was his own car. He didn’t recognize the driver. There was someone sitting in the back but on the far side. Lampone opened the front door and motioned to Carlo to get in. Michael said, “I’ll call your wife and tell her you’re on your way down.” Carlo got into the car. His silk shirt was soaked with sweat.
   The car pulled away, moving swiftly toward the gate. Carlo started to turn his head to see if he knew the man sitting behind him. At that moment, Clemenza, as cunningly and daintily as a little girl slipping a ribbon over the head of a kitten, threw his garrot around Carlo Rizzis neck. The smooth rope cut into the skin with Clemenza’s powerful yanking throttle, Carlo Rizzi’s body went leaping into the air like a fish on a line, but Clemenza held him fast, tightening the garrot until the body went slack. Suddenly there was a foul odor in the air of the car. Carlo’s body, sphincter released by approaching death, had voided itself. Clemenza kept the garrot tight for another few minutes to make sure, then released the rope and put it back in his pocket. He relaxed himself against the seat cushions as Carlo’s body slumped against the door. After a few moments Clemenza rolled the window down to let out the stink.
   The victory of the Corleone Family was complete. During that same twenty-four-hour period Clemenza and Lampone turned loose their regimes and punished the infiltrators of the Corleone domains. Neri was sent to take command of the Tessio regime. Barzini bookmakers were put out of business; two of the highest-ranking Barzini enforcers were shot to death as they were peaceably picking their teeth over dinner in an Italian restaurant on Mulberry Street. A notorious fixer of trotting races was also killed as he returned home from a winning night at the track. Two of the biggest shylocks on the waterfront disappeared, to be found months later in the New Jersey swamps.
   With this one savage attack, Michael Corleone made his reputation and restored the Corleone Family to its primary place in the New York Families. He was respected not only for his tactical brillance but because some of the most important caporegimes in both the Barzini and Tattaglia Families immediately went over to his side.
   It would have been a perfect triumph for Michael Corleone except for an exhibition of hysteria by his sister Connie.
   Connie had flown home with her mother, the children left in Vegas. She had restrained her widow’s grief until the limousine pulled into the mall. Then, before she could be restrained by her mother, she ran across the cobbled street to Michael Corleone’s house. She burst through the door and found Michael and Kay in the living room. Kay started to go to her, to comfort her and take her in her arms in a sisterly embrace but stopped short when Connie started screaming at her brother, screaming curses and reproaches. “You lousy bastard,” she shrieked. “You killed my husband. You waited until our father died and nobody could stop you and you killed him. You killed him. You blamed him about Sonny, you always did, everybody did. But you never thought about me. You never gave a damn about me. What am I going to do now, what am I going to do?” She was wailing. Two of Michael’s bodyguards had come up behind her and were waiting for orders from him. But he just stood there impassively and waited for his sister to finish.
   Kay said in a shocked voice, “Connie, you’re upset, don’t say such things.”
   Connie had recovered from her hysteria. Her voice held a deadly venom. “Why do you think he was always so cold to me? Why do you think he kept Carlo here on the mall? All the time he knew he was going to kill my husband. But he didn’t dare while my father was alive. My father would have stopped him. He knew that. He was just waiting. And then he stood Godfather to our child just to throw us off the track. The coldhearted bastard. You think you know your husband? Do you know how many men he had killed with my Carlo? Just read the papers. Barzini and Tattaglia and the others. My brother had them killed.”
   She had worked herself into hysteria again. She tried to spit in Michael’s face but she had no saliva.
   “Get her home and get her a doctor,” Michael said. The two guards immediately grabbed Connie’s arms and pulled her out of the house.
   Kay was still shocked, still horrified. She said to her husband, “What made her say all those things, Michael, what makes her believe that?”
   Michael shrugged. “She’s hysterical.”
   Kay looked into his eyes. “Michael, it’s not true, please say it’s not true.”
   Michael shook his head wearily. “Of course it’s not. Just believe me, this one time I’m letting you ask about my affairs, and I’m giving you an answer. It is not true.” He had never been more convincing. He looked directly into her eyes. He was using all the mutual trust they had built up in their married life to make her believe him. And she could not doubt any longer. She smiled at him ruefully and came into his arms for a kiss.
   “We both need a drink,” she said. She went into the kitchen for ice and while there heard the front door open. She went out of the kitchen and saw Clemenza, Neri and Rocco Lampone come in with the bodyguards. Michael had his back to her, but she moved so that she could see him in profile. At that moment Clemenza addressed her husband, greeting him formally.
   “Don Michael,” Clemenza said.
   Kay could see how Michael stood to receive their homage. He reminded her of statues in Rome, statues of those Roman emperors of antiquity, who, by divine right, held the power of life and death over their fellow men. One hand was on his hip, the profile of his face showed a cold proud power, his body was carelessly, arrogantly at ease, weight resting on one foot slightly behind the other. The caporegimes stood before him. In that moment Kay knew that everything Connie had accused Michael of was true. She went back into the kitchen and wept.

Book Nine

Chapter 32

   The bloody victory of the Corleone Family was not complete until a year of delicate political maneuvering established Michael Corleone as the most powerful Family chief in the United States. For twelve months, Michael divided his time equally between his headquarters at the Long Beach mall and his new home in Las Vegas. But at the end of that year he decided to close out the New York operation and sell the houses and the mall property. For that purpose he brought his whole family East on a last visit. They would stay a month, wind up business, Kay would do the personal family’s packing and shipping of household goods. There were a million other minor details.
   Now the Corleone Family was unchallengeable, and Clemenza had his own Family. Rocco Lampone was the Corleone caporegime. In Nevada, Albert Neri was head of all security for the Family-controlled hotels. Hagen too was part of Michael’s Western Family.
   Time helped heal the old wounds. Connie Corleone was reconciled to her brother Michael. Indeed not more than a week after her terrible accusations she apologized to Michael for what she had said and assured Kay that there had been no truth in her words, that it had been only a young widow’s hysteria.
   Connie Corleone easily found a new husband; in fact, she did not wait the year of respect before filling her bed again with a fine young fellow who had come to work for the Corleone Family as a male secretary. A boy from a reliable Italian family but graduated from the top business college in America. Naturally his marriage to the sister of the Don made his future assured.
   Kay Adams Corleone had delighted her in-laws by taking instruction in the Catholic religion and joining that faith. Her two boys were also, naturally, being brought up in that church, as was required. Michael himself had not been too pleased by this development. He would have preferred the children to be Protestant, it was more American.
   To her surprise, Kay came to love living in Nevada. She loved the scenery, the hills and canyons of garishly red rock, the burning deserts, the unexpected and blessedly refreshing lakes, even the heat. Her two boys rode their own ponies. She had real servants, not bodyguards. And Michael lived a more normal life. He owned a construction business; he joined the businessmen’s clubs and civic committees; he had a healthy interest in local politic without interfering publicly. It was a good life. Kay was happy that they were closing down their New York house and that Las Vegas would be truly their permanent home. She hated coming back to New York. And so on this last trip she had arranged all the packing and shipping of goods with the utmost efficiency and speed, and now on the final day she felt chat same urgency to leave that longtime patients feel when it is time to be discharged from the hospital.
   On that final day, Kay Adams Cory woke at dawn. She could hear the roar of the truck motors outside on the mall. The trucks that would empty all the houses of furniture. The Corleone Family would be flying back to Las Vegas in the afternoon, including Mama Corleone.
   When Kay came out of the bathroom, Michael was propped up on his pillow smoking a cigarette. “Why the hell do you have to go to church every morning?” he said. “I don’t mind Sundays, but why the hell during the week? You’re as bad as my mother.” He reached over in the darkness and switched on the tablelight.
   Kay sat at the edge of the bed to pull on her stockings. “You know how converted Catholics are,” she said. “They take it more seriously.”
   Michael reached over to touch her thigh, on the warm skin where the top of her nylon hose ended. “Don’t,” she said. “I’m taking Communion this morning.”
   He didn’t try to hold her when she got up from the bed. He said, smiling slightly, “If you’re such a strict Catholic, how come you let the kids duck going to church so much?”
   She felt uncomfortable and she was wary. He was studying her with what she thought of privately as his “Don’s” eye. “They have plenty of time,” she sate. “When we get back home, I’ll make them attend more.”
   She kissed him good-bye before she left. Outside the house the air was already getting warm. The summer sun rising in the east was red. Kay walked to where her car was parked near the gates of the mall. Mama Corleone, dressed in her widow black, was already sitting in it, waiting for her. It had become a set routine, early Mass, every morning, together.
   Kay kissed the old woman’s wrinkled cheek, then got behind the wheel. Mama Corleone asked suspiciously, “You eata breakfast?”
   “No,” Kay said.
   The old woman nodded her head approvingly. Kay had once forgotten that it was forbidden to take food from midnight on before receiving Holy Communion. That had been a long time ago, but Mama Corleone never trusted her after that and always checked. “You feel all right?” the old woman asked.
   “Yes,” Kay said.
   The church was small and desolate in the early morning sunlight. Its stained-glass windows shielded the interior from heat, it would be cool there, a place to rest. Kay helped her mother-in-law up the white stone steps and then let her go before her. The old woman preferred a pew up front, close to the altar. Kay waited on the steps for an extra minute. She was always reluctant at this last moment, always a little fearful.
   Finally she entered the cool darkness. She took the holy water on her fingertips and made the sign of the cross, fleetingly touched her wet fingertips to her parched lips. Candles flickered redly before the saints, the Christ on his cross. Kay genuflected before entering her row and then knelt on the hard wooden rail of the pew to wait for her call to Communion. She bowed her head as if she were praying, but she was not quite ready for that.


* * *

   It was only here in these dim, vaulted churches that she allowed herself to think about her husband’s other life. About that terrible night a year ago when he had deliberately used all their trust and love in each other to make her believe his lie that he had not killed his sister’s husband.
   She had left him because of that lie, not because of the deed. The next morning she had taken the children away with her to her parents’ house in New Hampshire. Without a word to anyone, without really knowing what action she meant to take. Michael had immediately understood. He had called her the first day and then left her alone. It was a week before the limousine from New York pulled up in front of her house with Tom Hagen.
   She had spent a long terrible afternoon with Tom Hagen, the most terrible afternoon of her life. They had gone for a walk in the woods outside her little town and Hagen had not been gentle.
   Kay had made the mistake of trying to be cruelly flippant, a role to which she was not suited. “Did Mike send you up here to threaten me?” she asked. “I expected to see some of the ‘boys’ get out of the car with their machine guns to make me go back.”
   For the first time since she had known him, she saw Hagen angry. He said harshly, “That’s the worst kind of juvenile crap I’ve ever heard. I never expected that from a woman like you. Come on, Kay.”
   “All right,” she said.
   They walked along the green country road. Hagen asked quietly, “Why did you run away?”
   Kay said, “Because Michael lied to me. Because he made a fool of me when he stood Godfather to Connie’s boy. He betrayed me. I can’t love a man like that. I can’t live with it. I can’t let him be father to my children.”
   “I don’t know what you’re talking about,” Hagen said.
   She turned on him with now-justified rage. “I mean that he killed his sister’s husband. Do you understand that?” She paused for a moment. “And he lied to me.”
   They walked on for a long time in silence. Finally Hagen said, “You have no way of really knowing that’s all true. But just for the sake of argument let’s assume that it’s true. I’m not saying it is, remember. But what if I gave you what might be some justification for what he did. Or rather some possible justifications?”
   Kay looked at him scornfully. “That’s the first time I’ve sees the lawyer side of you, Tom. It’s not your best side.”
   Hagen grinned. “OK. Just hear me out. What if Carlo had put Sonny on the spot, fingered him. What if Carlo beating up Connie that time was a deliberate plot to get Sonny out in the open, that they knew he would take the route over the Jones Beach Causeway? What if Carlo had been paid to help get Sonny killed? Then what?”
   Kay didn’t answer. Hagen went on. “And what if the Don, a great man, couldn’t bring himself to do what he had to do, avenge his son’s death by killing his daughter’s husband? What if that, finally, was too much for him, and he made Michael his successor, knowing that Michael would take that load off his shoulders, would take that guilt?”
   “It was all over with,” Kay said, tears springing into her eyes. “Everybody was happy. Why couldn’t Carlo be forgiven? Why couldn’t everything go on and everybody forget?”
   She had led across a meadow to a tree-shaded brook. Hagen sank down on the grass and sighed. He looked around, sighed again and said, “In this world you could do it.
   Kay said, “He’s not the man I married.”
   Hagen laughed shortly. “If he were, he’d be dead now. You’d be a widow now. You’d have no problem.”
   Kay blazed out at him. “What the hell does that mean? Come on, Tom, speak out straight once in your life. I know Michael can’t, but you’re not Sicilian, you can tell a woman the truth, you can treat her like an equal, a fellow human being.”
   There was another long silence. Hagen shook his head. “You’ve got Mike wrong. You’re mad because he lied to you. Well, he warned you never to ask him about business. You’re mad because he was Godfather to Carlo’s boy. But you made him do that. Actually it was the right move for him to make if he was going to take action against Carlo. The classical tactical move to win the victim’s trust.” Hagen gave her a grim smile. “Is that straight enough talk for you?” But Kay bowed her head.
   Hagen went on. “I’ll give you some more straight talk. After the Don died, Mike was set up to be killed. Do you know who set him up? Tessio. So Tessio had to be killed. Carlo had to be killed. Because treachery can’t be forgiven. Michael could have forgiven it, but people never forgive themselves and so they would always be dangerous. Michael really liked Tessio. He loves his sister. But he would be shirking his duty to you and his children, to his whole family, to me and my family, if he let Tessio and Carlo go free. They would have been a danger to us all, all our lives.”
   Kay had been listening to this with tears running down her face. “Is that what Michael sent you up here to tell me?”
   Hagen looked at her in genuine surprise. “No,” he said. “He told me to tell you you could have everything you want and do everything you want as long as you take good care of the kids.” Hagen smiled. “He said to tell you that you’re his Don. That’s just a joke.”
   Kay put her hand on Hagen’s arm. “He didn’t order you to tell me all the other things?”
   Hagen hesitated a moment as if debating whether to tell her a final truth. “You still don’t understand,” he said. “If you told Michael what I’ve told you today, I’m a dead man.” He paused again. “You and the children are the only people on this earth he couldn’t harm.”
   It was a long five minutes after that Kay rose from the grass and they started walking back to the house. When they were almost there, Kay said to Hagen, “After supper, can you drive me and the kids to New York in your car?”
   “That’s what I came for,” Hagen said.
   A week after she returned to Michael she went to a priest for instruction to become a Catholic.


* * *

   From the innermost recess of the church the bell tolled for repentance. As she had been taught to do, Kay struck her breast lightly with her clenched hand, the stroke of repentance. The bell tolled again and there was the shuffling of feet as the communicants left their seats to go to the altar rail. Kay rose to join them. She knelt at the altar and from the depths of the church the bell tolled again. With her closed hand she struck her heart once more. The priest was before her. She tilted back her head and opened her mouth to receive the papery thin wafer. This was the most terrible moment of all. Until it melted away and she could swallow and she could do what she came to do.
   Washed clean of sin, a favored supplicant, she bowed her head and folded her hands over the altar rail. She shifted her body to make her weight less punishing to her knees.
   She emptied her mind of all thought of herself, of her children, of all anger, of all rebellion, of all questions. Then with a profound and deeply willed desire to believe, to be heard, as she had done every day since the murder of Carlo Rizzi, she said the necessary prayers for the soul of Michael Corleone.

The Sicilian

Mario Puzo

Book I Michael Corleone 1950
Chapter 1
Book II Turi Guliano 1943
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Book III Michael Corleone 1950
Chapter 16
Chapter 17
Book IV Don Croce 1947
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Book V Turi Guliano and Michael Corleone 1950
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31

Book I Michael Corleone 1950

Chapter 1

   Michael Corleone stood on a long wooden dock in Palermo and watched the great ocean liner set sail for America. He was to have sailed on that ship, but new instructions had come from his father.
   He waved goodbye to the men on the little fishing boat who had brought him to this dock, men who had guarded him these past years. The fishing boat rode the white wake of the ocean liner, a brave little duckling after its mother. The men on it waved back; he would see them no more.
   The dock itself was alive with scurrying laborers in caps and baggy clothes unloading other ships, loading trucks that had come to the long dock. They were small wiry men who looked more Arabic than Italian, wearing billed caps that obscured their faces. Amongst them would be new bodyguards making sure he came to no harm before he met with Don Croce Malo, Capo di Capi of the "Friends of the Friends," as they were called here in Sicily. Newspapers and the outside world called them the Mafia, but in Sicily the word Mafia never passed the lips of the ordinary citizen. As they would never call Don Croce Malo the Capo di Capi but only "The Good Soul."
   In his two years of exile in Sicily, Michael had heard many tales about Don Croce, some so fantastic that he almost did not believe in the existence of such a man. But the instructions relayed from his father were explicit: he was ordered to have lunch with Don Croce this very day. And the two of them were to arrange for the escape from Sicily of the country's greatest bandit, Salvatore Guiliano. Michael Corleone could not leave Sicily without Guiliano.
   Down at the end of the pier, no more than fifty yards away, a huge dark car was parked in the narrow street. Standing before it were three men, dark rectangles cut out of the glaring sheet of light that fell like a wall of gold from the sun. Michael walked toward them. He paused for a moment to light a cigarette and survey the city.
   Palermo rested in the bottom of a bowl created by an extinct volcano, overwhelmed by mountains on three sides, and escaping into the dazzling blue of the Mediterranean Sea on the fourth side. The city shimmered in the golden rays of the Sicilian noontime sun. Veins of red light struck the earth, as if reflecting the blood shed on the soil of Sicily for countless centuries. The gold rays bathed stately marble columns of Greek temples, spidery Moslem turrets, the fiercely intricate facades of Spanish cathedrals; on a far hillside frowned the battlements of an ancient Norman castle. All left by diverse and cruel armies that had ruled Sicily since before Christ was born. Beyond the castle walls, cone-shaped mountains held the slightly effeminate city of Palermo in a strangler's embrace, as if both were sinking gracefully to their knees, a cord pulling tightly around the city's neck. Far above, countless tiny red hawks darted across the brilliant blue sky.
   Michael walked toward the three men waiting for him at the end of the pier. Features and bodies formed out of their black rectangles. With each step he could see them more clearly and they seemed to loosen, to spread away from each other as if to envelop him in their greeting.
   All three of these men knew Michael's history. That he was the youngest son of the great Don Corleone in America, the Godfather, whose power extended even into Sicily. That he had murdered a high police official of New York City while executing an enemy of the Corleone Empire. That he had been in hiding and exile here in Sicily because of those murders and that now finally, matters having been "arranged," he was on his way back to his homeland to resume his place as crown prince to the Corleone Family. They studied Michael, the way he moved so quickly and effortlessly, his watchful wariness, the caved-in side of his face which gave him the look of a man who had endured suffering and danger. He was obviously a man of "respect."
   As Michael stepped off the pier the first man to greet him was a priest, body plump in cassock, his head crowned by a greasy batlike hat. The white clerical collar was sprinkled with red Sicilian dust, the face above was worldly with flesh.
   This was Father Beniamino Malo, brother to the great Don Croce. He had a shy and pious manner, but he was devoted to his renowned relative and never flinched at having the devil so close to his bosom. The malicious even whispered that he handed over the secrets of the confessional to Don Croce.
   Father Beniamino smiled nervously as he shook Michael's hand and seemed surprised and relieved by Michael's friendly, lopsided grin, so unlike that of a famous murderer.
   The second man was not so cordial, though polite enough. This was Inspector Federico Velardi, head of the Security Police of all Sicily. He was the only one of the three who did not have a welcoming smile on his face. Thin and far too beautifully tailored for a man who received a government salary, his cold blue eyes shot two genetic bullets from long-ago Norman conquerors. Inspector Velardi could have no love for an American who killed high-ranking police officials. He might try his luck in Sicily. Velardi's handshake was like the touching of swords.
   The third man was taller and bulkier; he seemed huge beside the other two. He imprisoned Michael's hand, then pulled him forward into an affectionate embrace. "Cousin Michael," he said. "Welcome to Palermo." He drew back and regarded Michael with a fond but wary eye. "I am Stefano Andolini, your father and I grew up together in Corleone. I saw you in America, when you were a child. Do you remember me?"
   Oddly enough Michael did remember. For Stefano Andolini was that rarest of all Sicilians, a redhead. Which was his cross, for Sicilians believe that Judas was a redheaded man. His face too was unforgettable. The mouth was huge and irregular, the thick lips like bloody hacked meat; above were hairy nostrils, and eyes cavernous in deep sockets. Though he was smiling, it was a face that made you dream of murder.
   With the priest, Michael understood the connection at once. But Inspector Velardi was a surprise. Andolini, carrying out the responsibility of a relative, carefully explained to Michael the Inspector's official capacity. Michael was wary. What was the man doing here? Velardi was reputed to be one of Salvatore Guiliano's most implacable pursuers. And it was obvious that the Inspector and Stefano Andolini disliked each other; they behaved with the exquisite courtesy of two men readying themselves for a duel to the death.
   The chauffeur had the car door open for them. Father Beniamino and Stefano Andolini ushered Michael into the back seat with deferential pats. Father Beniamino insisted with Christian humility that Michael sit by the window while he sat in the middle, for Michael must see the beauties of Palermo. Andolini took the other back seat. The Inspector had already jumped in beside the chauffeur. Michael noticed that Inspector Velardi held the door handle so that he could twist it open quickly. The thought passed through Michael's mind that perhaps Father Beniamino had scurried into the middle seat to make himself less of a target.
   Like a great black dragon, the car moved slowly through the streets of Palermo. On this avenue rose graceful Moorish-looking houses, massive Greek-columned public buildings, Spanish cathedrals. Private houses painted blue, painted white, painted yellow, all had balconies festooned with flowers that formed another highway above their heads. It would have been a pretty sight except for squads of carabinieri, the Italian National Police, who patrolled every corner, rifles at the ready. And more of them on the balconies above.
   Their car dwarfed the other vehicles surrounding it, especially the mule-drawn peasant carts which carried in most of the fresh produce from the countryside. These carts were painted in gay, vivid colors, every inch of them down to the spokes of the wheels, the shafts that held the mules. On the sides of many carts were murals showing helmeted knights and crowned kings in dramatic scenes from the legends of Charlemagne and Roland, those ancient heroes of Sicilian folklore. But on some carts Michael saw scrawled, beneath the figure of a handsome youth in moleskin trousers and sleeveless white shirt, guns in his belt, guns slung over his shoulder, a legend of two lines which always ended with great red letters that spelled out the name Guiliano.
   During his exile in Sicily, Michael had heard a good deal about Salvatore Guiliano. His name had always been in the newspapers. People everywhere talked about him. Michael's bride, Apollonia, had confessed that every night she said prayers for the safety of Guiliano, as did nearly all the children and young people of Sicily. They adored him, he was one of them, he was the man they all dreamed of becoming. Young, in his twenties, he was acclaimed a great general because he outfought the carabinieri armies sent against him. He was handsome and he was generous, he gave most of his criminal earnings to the poor. He was virtuous and his bandits were never permitted to molest women or priests. When he executed an informer or a traitor, he always gave the victim time to say his prayers and cleanse his soul in order to be on the best of terms with the rulers of the next world. All this Michael knew without being briefed.
   They turned off the avenue and a huge black-lettered poster on a house wall caught Michael's eye. He just had time to see the word Guiliano on the top line. Father Beniamino had been leaning toward the window and said, "It is one of Guiliano's proclamations. Despite everything he still controls Palermo at night."
   "And what does it say?" Michael asked.
   "He permits the people of Palermo to ride the streetcars again," Father Beniamino said.
   "He permits?" Michael asked with a smile. "An outlaw permits?"
   On the other side of the car Stefano Andolini laughed. "The carabinieri ride the trams so Guiliano blows them up. But first he warned the public not to use them. Now he is promising not to blow them up anymore."
   Michael said dryly, "And why did Guiliano blow up trams full of police?"
   Inspector Velardi turned his head, blue eyes glaring at Michael. "Because Rome in its stupidity arrested his father and mother for consorting with a known criminal, their own son. A Fascist law never repealed by the republic."
   Father Beniamino said with quiet pride. "My brother, Don Croce, arranged for their release. Oh, my brother was very angry with Rome."
   Christ, Michael thought. Don Croce was angry with Rome? Who the hell was this Don Croce besides being pezzonovante in the Mafia?
   The car stopped in front of a block-long, rose-colored building. Blue minarets crowned each separate corner. Before the entrance an extraordinary, wide green-striped canopy lettered Hotel Umberto was guarded by two doormen stuffed into dazzling gold-buttoned uniforms. But Michael was not distracted by this splendor.
   His practiced eye photographed the street in front of the hotel. He spotted at least ten bodyguards walking in couples, leaning against the iron railings. These men were not disguising their function. Unbuttoned jackets revealed weapons strapped to their bodies. Two of them smoking thin cigars blocked Michael's path for a moment when he came out of the car, scrutinizing him closely – measuring him for a grave. They ignored Inspector Velardi and the others.
   As the group entered the hotel, the guards sealed off the entrance behind them. In the lobby four more guards materialized and escorted them down a long corridor. These men had the proud looks of palace servants to an emperor.
   The end of the corridor was barred by two massive oaken doors. A man seated in a high, thronelike chair stood up and unlocked the doors with a bronze key. He bowed, giving Father Beniamino a conspiratorial smile as he did so.
   The doors opened into a magnificent suite of rooms; open French windows revealed a luxuriously deep garden beyond, which blew in the smell of lemon trees. As they entered Michael could see two men posted on the inside of the suite. Michael wondered why Don Croce was so heavily guarded. He was Guiliano's friend, he was the confidant of the Minister of Justice in Rome and therefore safe from the carabinieri who filled the town of Palermo. Then who, and what, did the great Don fear? Who was his enemy?
   The furniture in the living room of the suite had been originally designed for an Italian palace – gargantuan armchairs, sofas as long and deep as small ships, massive marble tables that looked as if they had been stolen from museums. They suitably framed the man who now came in from the garden to greet them. His arms were held out to embrace Michael Corleone. Standing, Don Croce was almost as wide as he was tall. Thick gray hair, crinkly as a Negro's, carefully barbered, crowned a head massively leonine. His eyes were lizardly dark, two raisins embedded on top of heavily fleshed cheeks. These cheeks were two great slabs of mahogany, the left side planed smooth, the other creased with overgrown flesh. The mouth was surprisingly delicate, and above it was a thin mustache. The thick imperial spike of a nose nailed his face together.
   But beneath that emperor's head he was all peasant. Huge ill-fitting trousers encircled his enormous middle, and these were held up by wide off-white suspenders. His voluminous shirt was white and freshly laundered but not ironed. He wore no tie or coat and his feet were bare on the marble floor.
   He did not look like a man who "wet his beak" from every business enterprise in Palermo down to the lowly market stalls in the square. It was hard to believe that he was responsible for a thousand deaths. That he ruled Western Sicily far more than did the government in Rome. And that he was richer than the dukes and barons who owned great Sicilian estates.
   The embrace he gave Michael was swift and light as he said, "I knew your father when we were children. It is a joy to me that he has such a fine son." Then he inquired as to the comfort of his guest's journey and his present necessities. Michael smiled and said he would enjoy a morsel of bread and a drop of wine. Don Croce immediately led him into the garden, for like all Sicilians he ate his meals out of doors when he could.
   A table had been set up by a lemon tree. It sparkled with polished glass and fine white linen. Wide bamboo chairs were pulled back by servants. Don Croce supervised the seating with a vivacious courtesy, younger than his age; he was now in his sixties. He sat Michael on his right and his brother, the priest, on his left. He placed Inspector Velardi and Stefano Andolini across from him and regarded them both with a certain coolness.
   All Sicilians are good eaters, when there is food to be had, and one of the few jokes people dared to make about Don Croce was that he would rather eat well than kill an enemy. Now he sat with a smile of benign pleasure on his face, knife and fork in hand as the servants brought out the food. Michael glanced around the garden. It was enclosed by a high stone wall and there were at least ten guards scattered around at their own small luncheon tables, but no more than two at each table and well away to give Don Croce and his companions privacy. The garden was filled with the fragrance of lemon trees and olive oil.
   Don Croce served Michael personally, ladling roasted chicken and potatoes onto his plate, supervising the tossing of grated cheese on his little side dish of spaghetti, filling his wineglass with cloudy local white wine. He did this with an intense interest, a genuine concern that it was a matter of importance for his new friend to eat and drink well. Michael was hungry, he had not tasted food since dawn, and the Don was kept busy replenishing his plate. He also kept a sharp eye on the plates of the other guests, and when necessary he made a gesture for a servant to fill a glass or cover an empty dish with food.
   Finally they were done, and sipping his cup of espresso, the Don was ready for business.
   He said to Michael, "So you're going to help our friend Guiliano run off to America."
   "Those are my instructions," Michael said. "I must make certain he enters America without misfortune."
   Don Croce nodded; his massive mahogany face wore the sleepy amiable look of the obese. His vibrant tenor voice was surprising from that face and body. "It was all arranged between me and your father, I was to deliver Salvatore Guiliano to you. But nothing runs smooth in life, there is always the unexpected. It is now difficult to keep my part of the bargain." He held up his hand to keep Michael from interrupting. "Through no fault of my own. I have not changed. But Guiliano no longer trusts anyone, not even me. For years, almost from the first day he became an outlaw, I helped him survive; we were partners. With my help he became the greatest man in Sicily though even now he is a mere boy of twenty-seven. But his time is over. Five thousand Italian soldiers and field police are searching the mountains. Still he refuses to put himself in my hands."
   "Then there is nothing I can do for him," Michael said. "My orders are to wait no more than seven days, then I must leave for America."
   And even as he said this he wondered why it was so important for his father to have Guiliano escape. Michael desperately wanted to get home after so many years of exile. He worried about his father's health. When Michael had fled America his father had been lying, critically wounded, in the hospital. Since his flight his older brother Sonny had been murdered. The Corleone Family had been engaged in a desperate battle for survival against the Five Families of New York. A battle that had reached from America into the heart of Sicily to kill Michael's young bride. It was true that messengers from his father had brought news that the old Don had recovered from his wounds, that he had made peace with the Five Families, that he had arranged for all charges against Michael to be dropped. But Michael knew that his father was waiting for him to come to be his right-hand man. That everyone in his family would be anxious to see him – his sister, Connie, his brother Freddie, his foster brother, Tom Hagen, and his poor mother, who would certainly still be grieving over the death of Sonny. Michael thought fleetingly of Kay – would she still be thinking of him after his vanishing for two years? But the crucial thing was: Why was his father delaying his return? It could only be for something of the utmost importance connected with Guiliano.
   Suddenly he was aware of Inspector Velardi's cold blue eyes studying him. The thin aristocratic face was scornful, as if Michael had shown cowardice.
   "Be patient," Don Croce said. "Our friend Andolini still serves as contact between me and Guiliano and his family. We will all reason together. When you leave here, you will visit Guiliano's father and mother in Montelepre, it is on your way to Trapani." He paused for a moment and smiled, a smile that did not break the massiveness of his cheeks. "I have been told of your plans. All of them." He said this with peculiar emphasis, but, Michael thought, he could not possibly know all the plans. The Godfather never told anyone all of anything.
   Don Croce went on smoothly. "All of us who love Guiliano agree on two things. He can no longer stay in Sicily and he must emigrate to America. Inspector Velardi is in accord."
   "That is strange even for Sicily," Michael said with a smile. "The Inspector is head of the Security Police sworn to capture Guiliano."
   Don Croce laughed, a short mechanical laugh. "Who can understand Sicily? But this is simple. Rome prefers Guiliano happy in America, not screaming accusations from the witness cage in a Palermo court. It's all politics."
   Michael was bewildered. He felt an acute discomfort. This was not going according to plan. "Why is it in Inspector Velardi's interest to have him escape? Guiliano dead is no danger."
   Inspector Velardi answered in a contemptuous voice. "That would be my choice," he said. "But Don Croce loves him like a son."
   Stefano Andolini stared at the Inspector malevolently. Father Beniamino ducked his head as he drank from his glass. But Don Croce said sternly to the Inspector, "We are all friends here, we must speak the truth to Michael. Guiliano holds a trump card. He has a diary he calls his Testament. In it he gives proofs that the government in Rome, certain officials, have helped him during his years of banditry, for purposes of their own, political purposes. If that document becomes public the Christian Democratic government would fall and we would have the Socialists and Communists ruling Italy. Inspector Velardi agrees with me that anything must be done to prevent that. So he is willing to help Guiliano escape with the Testament with the understanding that it will not be made public."
   "Have you seen this Testament?" Michael asked. He wondered if his father knew about it. His instructions had never mentioned such a document.
   "I know of its contents," Don Croce said.
   Inspector Velardi said sharply, "If I could make the decision I would say kill Guiliano and be damned to his Testament."
   Stefano Andolini glared at the Inspector with a look of hatred so naked and intense that for the first time Michael realized that here was a man almost as dangerous as Don Croce himself. Andolini said, "Guiliano will never surrender and you are not a good enough man to put him in his grave. You would be much wiser to look after yourself."
   Don Croce raised his hand slowly and there was silence at the table. He spoke slowly to Michael, ignoring the others. "It may be I cannot keep my promise to your father to deliver Guiliano to you. Why Don Corleone concerns himself in this affair, I can't tell you. Be assured he has his reasons and that those reasons are good. But what can I do? This afternoon you go to Guiliano's parents, convince them their son must trust me and remind those dear people that it was I who had them released from prison." He paused for a moment. "Then perhaps we can help their son."
   In his years of exile and hiding, Michael had developed an animal instinct for danger. He disliked Inspector Velardi, he feared the murderous Stefano Andolini, Father Beniamino gave him the creeps. But most of all Don Croce sent alarm signals clanging through his brain.
   All the men at the table hushed their voices when they spoke to Don Croce, even his own brother, Father Beniamino. They leaned toward him with bowed heads waiting for his speech, they even stopped chewing their food. The servants circled around him as if he were a sun, the bodyguards scattered around the garden constantly kept their eyes on him, ready to spring forward at his command and tear everyone to pieces.
   Michael said carefully, "Don Croce, I am here to follow your every wish."
   The Don nodded his huge head in benediction, folded his well-shaped hands over his stomach and said in his powerful tenor voice, "We must be absolutely frank with each other. Tell me, what are your plans for Guiliano's escape? Speak to me as a son to his father."
   Michael glanced quickly at Inspector Velardi. He would never speak frankly, before the head of the Security Police of Sicily. Don Croce understood immediately. "Inspector Velardi is completely guided by my advice," he said. "You may trust him as you do me."
   Michael raised his glass of wine to drink. Over it he could see the guards watching them, spectators at a play. He could see Inspector Velardi grimace, not liking even the diplomacy of the Don's speech, the message being clear that Don Croce ruled him and his office. He saw the frown on the murderous huge-lipped face of Stefano Andolini. Only Father Beniamino refused to meet his gaze and bowed his head. Michael drank the glass of cloudy white wine and a servant immediately refilled it. Suddenly the garden seemed a dangerous place.
   He knew in his bones that what Don Croce had said could not be true. Why should any of them at this table trust the head of the Security Police of Sicily? Would Guiliano? The history of Sicily was larded with treachery, Michael thought sourly; he remembered his dead wife. So why was Don Croce being so trustful? And why the massive security around him? Don Croce was the top man of the Mafia. He had the most powerful connections in Rome and indeed served as their unofficial deputy here in Sicily. Then what did Don Croce fear? It could only be Guiliano.
   But the Don was watching. Michael tried to speak with the utmost sincerity. "My plans are simple. I am to wait in Trapani until Salvatore Guiliano is delivered to me. By you and your people. A fast ship will take us to Africa. We will of course have the necessary papers of identity. From Africa we fly to America where it has been arranged for us to enter without the usual formalities. I hope it will be as easy as they have made it sound." He paused for a moment. "Unless you have another counsel."
   The Don sighed and drank from his glass. Then he fixed his eyes on Michael. He started to speak slowly and impressively. "Sicily is a tragic land," he said. "There is no trust. There is no order. Only violence and treachery in abundance. You look wary, my young friend, and you have every right. And so, too, our Guiliano. Let me tell you this: Turi Guiliano could not have survived without my protection; he and I have been two fingers on one hand. And now he thinks me his enemy. Ah, you can't know what sorrow this brings me. My only dream is that one day Turi Guiliano can return to his family and be acclaimed the champion of Sicily. He is a true Christian and a brave man. And with a heart so tender that he has won the love of every Sicilian." Don Croce paused and drank off a glass of wine. "But the tide has turned against him. He is alone in the mountains with barely a handful of men to face the army that Italy sends against him. And he has been betrayed at every turn. So he trusts no one, not even himself.

  They all drank and Michael calculated. Did the Don want him to stay or to desert Guiliano? Stefano Andolini spoke. "Remember we have promised the parents of Guiliano that Michael will visit them in Montelepre."
   "By all means," Don Croce said gently. "We must give his parents some hope."
   Father Beniamino said with a too humble insistence, "And perhaps they will know something about the Testament."
   Don Croce sighed. "Yes, Guiliano's Testament. He thinks it will save his life or at least avenge his death." He spoke directly to Michael. "Remember this. Rome fears the Testament, but I do not. And tell his parents what is written on paper affects history. But not life. Life is a different history."
   The road from Palermo to Montelepre was no more than a one-hour drive. But in that hour Michael and Andolini went from the civilization of a city to the primitive culture of the Sicilian countryside. Stefano Andolini drove the tiny Fiat, and in the afternoon sun his close-shaved cheeks and chin blazed with countless grains of scarlet hair roots. He drove carefully and slowly, as men do who have learned to drive motor vehicles late in life. The Fiat panted as if short of breath as it wound uphill through the enormous range of mountains.
   At five different points they were stopped by roadblocks of the National Police, platoons of at least twelve men backed by an armored car bristling with machine guns. Andolini's papers got them through.
   It was strange to Michael that the country could become so wild and primitive such a short distance from the great city of Palermo. They passed tiny villages of stone houses that were precariously balanced on steep slopes. These slopes were carefully gardened into terraced narrow fields growing neat rows of spiky green plants. Small hills were studded with countless huge white boulders half-buried in moss and bamboo stalks; in the distance they looked like vast unsculptured cemeteries.
   At intervals along the road were holy shrines, padlocked wooden boxes that held statues of the Virgin Mary or some particular favored saint. At one of these shrines, Michael saw a woman on her knees praying, her husband sitting in their donkey-drawn cart guzzling a bottle of wine. The donkey's head drooped like a martyr's.
   Stefano Andolini reached over to caress Michael's shoulder and said, "It does my heart good to see you, my dear cousin. Did you know that the Guilianos are related to us?"
   Michael was sure this was a lie; there was something in that foxily red smile. "No," he said. "I only knew the parents worked for my father in America."
   "As I did," Andolini said. "We helped build your father's house on Long Island. Old Guiliano was a fine bricklayer, and though your father offered him a place in the olive oil business, he stuck to his trade. He worked like a Negro for eighteen years and saved like a Jew. Then he came back to Sicily to live like an Englishman. But the war and Mussolini made their lire worthless and now he owns only his house and a small piece of land to farm. He curses the day he left America. They thought their little boy would grow up a prince and now he is a bandit."
   The Fiat had stirred up a cloud of dust; alongside the road growths of prickly pears and bamboo had a ghostly appearance, the pears in their clusters seeming to form human hands. In the valleys they could see the olive groves and grapevines. Suddenly Andolini said, "Turi was conceived in America."
   He saw Michael's questioning glance. "Yes, he was conceived in America but born in Sicily. A few months' wait and Turi would be an American citizen." He paused for a moment. "Turi always talks about that. Do you really think you can help him escape?"
   "I don't know," Michael said. "After lunch with the Inspector and Don Croce, I don't know what anything means. Do they want me to help? My father said Don Croce would do so. He never mentioned the Inspector."
   Andolini brushed back his thinning hair. Unconsciously his foot pressed down on the gas pedal and the Fiat scooted forward. "Guiliano and Don Croce are enemies now," he said. "But we have made plans without Don Croce. Turi and his parents count on you. They know your father has never been false to a friend."
   Michael said, "And whose side are you on?"
   Andolini sighed. "I fight for Guiliano," he said. "We have been comrades for the last five years and before that he spared my life. But I live in Sicily and so cannot defy Don Croce to his face. I walk a tight rope between the two, but I will never betray Guiliano."
   Michael thought, What the hell was the man saying? Why couldn't he get a straight answer from any of them? Because this was Sicily, he thought. Sicilians had a horror of truth. Tyrants and Inquisitors had tortured them for the truth over thousands of years. The government in Rome with its legal forms demanded the truth. The priest in the confessional box commanded the truth under pain of everlasting hell. But truth was a source of power, a lever of control, why should anyone give it away?
   He would have to find his own way, Michael thought, or perhaps abandon the mission and hurry home. He was on dangerous ground here, there was obviously some sort of vendetta between Guiliano and Don Croce and to be caught in the vortex of a Sicilian vendetta was suicidal. For the Sicilian believes that vengeance is the only true justice, and that it is always merciless. On this Catholic island, statues of a weeping Jesus in every home, Christian forgiveness was a contemptible refuge of the coward.
   "Why did Guiliano and Don Croce become enemies?" Michael asked.
   "Because of the tragedy at the Portella della Ginestra," Andolini said. "Two years ago. After that it was never the same. Guiliano blamed Don Croce."
   Suddenly the car seemed to drop almost vertically, the road was descending out of the mountains into a valley. They passed the ruins of a Norman castle, built to terrorize the countryside nine hundred years ago and now crawling with harmless lizards and a few stray goats. Down below, Michael could see the town of Montelepre.
   It was buried deep in the closely surrounding mountains as if it were a bucket hanging in the bottom of a well. It formed a perfect circle, there were no outlying houses, and the late afternoon sun bathed the stones of its walls with dark red fire. Now the Fiat was coasting down a narrow twisting street and Andolini braked it to a stop where a roadblock manned by a platoon of carabinieri barred their way. One motioned with his rifle for them to get out of the car.
   Michael watched Andolini show his documents to the police. He saw the special red-bordered pass that he knew could only be issued by the Minister of Justice in Rome. Michael had one himself which he had been instructed to show only as a last resort. How did a man like Andolini get such a powerful document?
   Then they were back in the car and rolling through the narrow streets of Montelepre, so narrow that if a car came from the opposite direction they could not pass each other. The houses all had elegant balconies and were painted different colors. Many were blue, a few less were white and there were some painted pink. A very few were yellow. At this time of the day the women were inside cooking dinner for their husbands. But no children were in the streets. Instead, each corner was patrolled by a pair of carabinieri. Montelepre looked like an occupied town under martial law. Only a few old men looked down from their balconies with faces of stone.
   The Fiat stopped in front of a row of attached houses, one of which was painted a bright blue and had a gate in which the grillwork formed the letter "G." The gate was opened by a small wiry man of about sixty who wore an American suit, dark and striped, a white shirt and a black tie. This was Guiliano's father. He gave Andolini a quick but affectionate embrace. He patted Michael on the shoulder almost gratefully as he ushered them into the house.
   Guiliano's father had the face of a man suffering the awaited death of a loved one terminally ill. It was obvious he was controlling his emotions very strictly, but his hand went up to his face as if to force his features to keep their shape. His body was rigid, moving stiffly, yet wavering slightly.
   They entered a large sitting room, luxurious for a Sicilian home in this small town. Dominating the room was a huge enlargement of a photograph, too fuzzy to be recognizable, framed in oval cream-colored wood. Michael knew immediately this must be Salvatore Guiliano. Beneath, on a small round black table, was a votive light. On another table was a framed picture defined more clearly. Father, mother and son stood against a red curtain, the son with his arm possessively around his mother. Salvatore Guiliano looked directly into the camera, as if challenging it. The face was extraordinarily handsome, like that of a Grecian statue, the features a little heavy as though wrought in marble, the lips full and sensual, the eyes oval with half-closed lids set wide apart. It was the face of a man without self-doubt, determined to impose himself upon the world. But what no one had prepared Michael for was the good-humored sweetness of that handsome face.
   There were other pictures of him with his sisters and their husbands, but these were almost hidden on shadowy corner tables.
   Guiliano's father led them into the kitchen. Guiliano's mother turned from the cooking stove to greet them. Maria Lombardo Guiliano looked much older than the photograph of her in the other room, indeed looked like some other woman. Her polite smile was like a rictus on the bone-set exhaustion of her face, her skin chapped and rough. Her hair was long and full over her shoulders but streaked with heavy ropes of gray. What was startling was her eyes. They were almost black with an impersonal hatred of this world that was crushing her and her son.
   She ignored her husband and Stefano Andolini, she spoke directly to Michael. "Have you come to help my son or not?" The other two men looked embarrassed at the rudeness of her question, but Michael smiled at her gravely.
   "Yes, I am with you."
   Some of the tension went out of her, and she bowed her head into her hands as if she had expected a blow. Andolini said to her in a soothing voice, "Father Beniamino asked to come, I told him you did not wish it."
   Maria Lombardo raised her head and Michael marveled at how her face showed every emotion she felt. The scorn, the hatred, the fear, the irony of her words matching the flinty smile, the grimaces she could not repress. "Oh, Father Beniamino has a good heart, without a doubt," she said. "And with that good heart of his he is like the plague, he brings death to an entire village. He is like the sisal plant – brush against him and you will bleed. And he brings the secrets of the confessional to his brother, he sells the souls in his keeping to the devil."
   Guiliano's father said with quiet reasonableness, as if he were trying to quiet a madman, "Don Croce is our friend. He had us released from prison."
   Guiliano's mother burst out furiously, "Ah, Don Croce, 'The Good Soul,' how kind he is always. But let me tell you, Don Croce is a serpent. He aims a gun forward and slaughters his friend by his side. He and our son were going to rule Sicily together, and now Turi is hiding alone in the mountains and 'The Good Soul' is free as air in Palermo with his whores. Don Croce has only to whistle and Rome licks his feet. And yet he has committed more crimes than our Turi. He is evil and our son is good. Ah, if I were a man like you I would kill Don Croce. I would put 'The Good Soul' to rest." She made a gesture of disgust. "You men understand nothing."
   Guiliano's father said impatiently, "I understand our guest must be on the road in a few hours and that he must eat something before we can talk."
   Guiliano's mother suddenly became quite different. She was solicitous. "Poor man, you've traveled all day to see us, you had to listen to Don Croce's lies and my ravings. Where do you go?"
   "I must be in Trapani by morning," Michael said. "I stay with friends of my father until your son comes to me."
   There was a stillness in the room. He sensed they all knew his history. They saw the wound he had lived with for two years, the caved-in side of his face. Guiliano's mother came to him and gave him a quick embrace.
   "Have a glass of wine," she said. "Then you go for a walk through the town. Food will be waiting on the table within the hour. And by that time Turi's friends will have arrived and we can talk sensibly."
   Andolini and Guiliano's father put Michael between them and strolled down the narrow, cobbled streets of Montelepre, the stones gleaming black now that the sun had fallen out of the sky. In the hazy blue air before twilight, only the figures of the National Police, the carabinieri, moved around them. At every intersection, thin snakelike alleyways ran like venom off the Via Bella. The town seemed deserted.
   "This was once a lively town," Guiliano's father said. "Always, always very poor, like all of Sicily, a lot of misery, but it was alive. Now more than seven hundred of our citizens are in jail, arrested for conspiracy with my son. They are innocent, most of them, but the government arrests them to frighten the others, to make them inform against my Turi. There are over two thousand National Police around this town and other thousands hunt Turi in the mountains. And so people no longer eat their dinner out of doors, their children can no longer play in the street. The police are such cowards they fire their guns if a rabbit runs across the road. There is a curfew after dark, and if a woman of the town wants to visit a neighbor and is caught they offer her indignities and insults. The men they cart off to torture in their Palermo dungeons." He sighed. "Such things could never happen in America. I curse the day I left."
   Stefano Andolini made them pause as he lit a small cigar. Puffing, he said with a smile, "Tell the truth, all Sicilians prefer smelling the shit of their villages to the best perfumes in Paris. What am I doing here? I could have escaped to Brazil like some others. Ah, we love where we are born, we Sicilians, but Sicily does not love us."
   Guiliano's father shrugged. "I was a fool to come back. If I had only waited a few more months my Turi would have been an American by law. But the air of that country must have seeped into his mother's womb." He shook his head in bewilderment. "Why did my son always concern himself with the troubles of other people, even those not related by blood? He always had such grand ideas, he always talked of justice. A true Sicilian talks of bread."
   As they walked down the Via Bella, Michael saw that the town was built ideally for ambush and guerrilla warfare. The streets were so narrow that only one motor vehicle could pass through, and many were only wide enough for the small carts and donkeys Sicilians still used for the transport of goods. A few men could hold back any invading force and then escape to the white limestone mountains that encircled the town.
   They descended into the central square. Andolini pointed to the small church that dominated it and said, "It was in this church that Turi hid when the National Police tried to capture him that very first time. Since then, he has been a ghost." The three men watched the church door as if Salvatore Guiliano might appear before them.
   The sun dropped behind the mountains, and they returned to the house just before curfew. Two strange men were waiting inside for them, strangers only to Michael, for they embraced Guiliano's father and shook Stefano Andolini's hand.
   One was a slim young man with extremely sallow skin and huge dark feverish eyes. He had a dandyish mustache and an almost feminine prettiness, but he was in no way effeminate looking. He had the air of proud cruelty that comes to a man with a will to command at any cost.
   When he was introduced as Gaspare Pisciotta, Michael was astonished. Pisciotta was Turi Guiliano's second in command, his cousin and his dearest friend. Next to Guiliano, he was the most wanted man in Sicily, with a price of five million lire on his head. From the legends Michael had heard, the name Gaspare Pisciotta conjured up a more dangerous and evil-looking man. And yet here he stood, so slender and with the feverish flush of the consumptive on his face. Here in Montelepre surrounded by two thousand of Rome's military police.
   The other man was equally surprising but for a different reason. At first glance, Michael flinched. The man was so small that he could be taken for a dwarf but had such dignified bearing that Michael sensed immediately that his flinching might give mortal offense. He was dressed in an exquisitely tailored gray pin-striped suit, and a wide, rich-looking silver-toned tie rode down his creamy white shirt. His hair was thick and almost white; he could be no more than fifty years of age. He was elegant. Or as elegant as a very short man could be. He had a craggy, handsome face with a generous but sensitively curved mouth.
   He recognized Michael's discomfort and greeted him with an ironic but kindly smile. He was introduced as Professor Hector Adonis.
   Maria Lombardo Guiliano had dinner set out on the table in the kitchen. They ate by a window near the balcony where they could see the red-streaked sky, the darkness of night snuffing out the surrounding mountains. Michael ate slowly, aware they were all watching him, judging him. The food was very plain but good, spaghetti with the black inky sauce of squid and rabbit stew, hot with red pepper tomato sauce. Finally Gaspare Pisciotta spoke in the local Sicilian dialect. "So, you are the son of Vito Corleone who is greater even than our own Don Croce, they tell me. And it is you who will save our Turi."
   His voice had a cool mocking tone, a tone that invited you to take offense if you dared. His smile seemed to question the motive behind every action, as if to say, "Yes, it's true you are doing a good deed, but for what purpose of your own?" Yet it was not at all disrespectful, he knew Michael's history, they were fellow murderers.
   Michael said, "I follow my father's orders. I am to wait in Trapani until Guiliano comes to me. Then I will take him to America."
   Pisciotta said more seriously, "And once Turi is in your hands, you guarantee his safety? You can protect him against Rome?"
   Michael was aware of Guiliano's mother watching him intently, her face strained with anxiety. He said carefully, "As much as a man can guarantee anything against fate. Yes, I'm confident."
   He saw the mother's face relax, but Pisciotta said harshly, "I am not. You put your trust in Don Croce this afternoon. You told him your plan of escape."
   "Why should I not?" Michael fired back. How the hell did Pisciotta know the details of his lunch with Don Croce so quickly? "My father's briefing said that Don Croce would arrange Guiliano's delivery to me. In any case I told him only one escape plan."
   "And the others?" Pisciotta asked. He saw Michael hesitate. "Speak freely. If the people in this room cannot be trusted then there is no hope for Turi."
   The little man, Hector Adonis, spoke for the first time. He had an extraordinarily rich voice, the voice of a born orator, a natural persuader of men. "My dear Michael, you must understand that Don Croce is Turi Guiliano's enemy. Your father's information is behind the times. Obviously we can't deliver Turi to you without taking precautions." He spoke the elegant Italian of Rome, not the Sicilian dialect.
   Guiliano's father broke in. "I trust Don Corleone's promise to help my son. Of that there can be no question."
   Hector Adonis said, "I insist, we must know your plans."
   "I can tell you what I told Don Croce," Michael said. "But why should I tell anyone my other plans? If I asked you where Turi Guiliano was hiding now, would you tell me?"
   Michael saw Pisciotta smile with genuine approval of his answer. But Hector Adonis said, "It's not the same thing. You have no reason for knowing where Turi hides. We must know your plans to help."
   Michael said quietly, "I know nothing about you."
   A brilliant smile broke across the handsome face of Hector Adonis. Then the little man stood up and bowed. "Forgive me," he said with the utmost sincerity. "I was Turi's schoolteacher when he was a little boy and his parents honored me by making me his godfather. I am now a Professor of History and Literature at the University of Palermo. However, my best credentials can be vouched for by everyone at this table. I am now, and have always been, a member of Guiliano's band."
   Stefano Andolini said quietly, "I too am a member of the band. You know my name and that I am your cousin. But I am also called Fra Diavalo. "
   This too was a legendary name in Sicily that Michael had heard many times. He has earned that murderer's face, Michael thought. And he too was a fugitive with a price on his head. Yet that afternoon he had sat down to lunch next to Inspector Velardi.
   They were all waiting for him to answer. Michael had no intention of telling them his final plans, but he knew he must tell them something. Guiliano's mother was staring at him intently. He spoke directly to her. "It's very simple," Michael said. "First I must warn you I can wait no longer than seven days, I have been away from home too long and my father needs my help in troubles of his own. Of course you understand how anxious I am to return to my family. But it is my father's wish that I help your son. My last instructions from the courier were that I visit Don Croce here, then proceed to Trapani. There I stay at the villa of the local Don. Waiting there will be men from America whom I can trust absolutely. Qualified men." He paused for a moment. The word "qualified" had a special meaning in Sicily, usually applied to high-ranking Mafia executioners. He went on. "Once Turi comes to me he will be safe. The villa is a fortress. And within a few hours we will board a fast ship to a city in Africa. There a special plane waits to take us immediately to America and there he will be under my father's protection and you need fear for him no more."
   Hector Adonis said, "When will you be ready to accept Turi Guiliano?"
   Michael said, "I will be in Trapani by early morning. Give me twenty-four hours from then."
   Suddenly Guiliano's mother burst into tears. "My poor Turi trusts no one any longer. He will not go to Trapani."
   "Then I can't help him," Michael said coldly.
   Guiliano's mother seemed to fold up with despair. It was Pisciotta unexpectedly who went to comfort her. He kissed her and held her in his arms. "Maria Lombardo, don't worry," he said. "Turi still listens to me. I will tell him we all believe in this man from America, isn't that true?" He looked at the other men inquiringly and they nodded. "I will bring Turi to Trapani myself."
   Everyone seemed content. Michael realized that his cold reply was what had convinced them to trust him. Sicilians all, they were suspicious of a too warm and human generosity. On his part, he was impatient with their carefulness and the disarray of his father's plans. Don Croce was now an enemy, Guiliano might not come to him quickly, indeed might not come at all. After all, what was Turi Guiliano to him? For that matter, he wondered again, what was Guiliano to his father?
   They were ushering him into the small living room where the mother served coffee and anisette, apologizing that there was no sweet. The anisette would warm Michael for his long night journey to Trapani, they said. Hector Adonis took a gold cigarette case out of his elegantly tailored jacket and offered it around, then put a cigarette into his own delicately cut mouth and so far forgot himself that he leaned back in his chair so that his feet no longer touched the floor. For a moment he looked like a puppet dangling from a cord.
   Maria Lombardo pointed to the huge portrait on the wall. "Isn't he handsome?" she said. "And he is as good as he is beautiful. My heart broke when he became an outlaw. Do you remember that terrible day, Signor Adonis? And all the lies they tell about the Portella della Ginestra? My son would never have done such a thing."
   The other men were embarrassed. Michael wondered for the second time that day what had happened at the Portella della Ginestra but did not want to ask.
   Hector Adonis said, "When I was Turi's teacher, he was a great reader, he knew the legends of Charlemagne and Roland by heart and now he is one of the myths himself. My heart broke, too, when he became an outlaw."
   Guiliano's mother said bitterly, "He will be lucky if he remains alive. Oh, why did we want our son born here? Oh, yes, we wanted him to be a true Sicilian." She gave a wild and bitter laugh. "And so he is. He goes in fear of his life and with a price on his head." She paused and then said with fierce conviction, "And my son is a saint."
   Michael noticed that Pisciotta smiled in a peculiar way, as people do when listening to fond parents who speak too sentimentally about their children's virtues. Even Guiliano's father made a gesture of impatience. Stefano Andolini smiled in a crafty way and Pisciotta said affectionately but coolly, "My dear Maria Lombardo, don't make out your son to be so helpless. He gave better than he received and his enemies fear him still."
   Guiliano's mother said more calmly, "I know he's killed many times, but he never committed an injustice. And he always gave them time to cleanse their souls and say their last prayers to God." Suddenly she took Michael by the hand and led him into the kitchen and out onto the balcony. "None of those others really know my son," she said to Michael. "They don't know how kind and gentle he is. Maybe he has to be one way with other men, but he was his true self with me. He obeyed my every word, he never said a harsh word to me. He was a loving dutiful son. In his first days as an outlaw he looked down from the mountains but could not see. And I looked up and could not see. But we felt each other's presence, each other's love. And I feel him now tonight. And I think of him alone in those mountains with thousands of soldiers hunting him down and my heart breaks. And you may be the only one who can save him. Promise me you will wait." She held his hands tightly in her own and tears streamed down her cheeks.
   Michael looked out on the dark night, the town of Montelepre nestled in the belly of the great mountains, only the central square showing a pinpoint of light. The sky was stitched with stars. In the streets below there came the occasional clank of small arms and the hoarse voices of patrolling carabinieri. The town seemed full of ghosts. They came on the soft, summer night air laden with the smell of lemon trees, the small whirring of countless insects, the sudden shout of a roving police patrol.
   "I'll wait as long as I can," Michael said gently. "But my father needs me at home. You must make your son come to me."
   She nodded and then led him back to the others. Pisciotta was pacing up and down the room. He seemed nervous. "We have decided that we must all wait here until daybreak and curfew is over," he said. "There are too many trigger-happy soldiers out there in the dark and there could be an accident. Do you object?" he asked Michael.
   "No," Michael said. "As long as it's not too much of an imposition on our hosts."
   They dismissed this as irrelevant. They had stayed up through the night many times when Turi Guiliano had sneaked into town to visit his parents. And besides they had many things to talk about, many details to settle. They got comfortable for the long night ahead. Hector Adonis shed his jacket and tie but still looked elegant. The mother brewed fresh coffee.
   Michael asked them to tell him everything they could about Turi Guiliano. He felt he had to understand. His parents again told him what a wonderful son Turi had been always. Stefano Andolini told about the day Turi Guiliano had spared his life. Pisciotta told funny stories about Turi's daring and sense of fun and lack of cruelty. Though he could be merciless with traitors and enemies, he never offered an insult to their manhood with torture and humiliation. And then he told the story of the tragedy at the Portella della Ginestra. "He wept that day," Pisciotta said. "In front of all the members of his band."
   Maria Lombardo said, "He could not have killed those people at Ginestra."
   Hector Adonis soothed her. "We all know that. He was born gentle." He turned to Michael and said, "He loved books, I thought he would become a poet or a scholar. He had a temper, but he was never cruel. Because his was an innocent rage. He hated injustice. He hated the brutality of the carabinieri toward the poor and their obsequiousness toward the rich. Even as a boy he was outraged when he heard of a farmer who could not keep the corn he grew, drink the wine he pressed, eat the pigs he slaughtered. And yet he was a gentle boy."
   Pisciotta laughed. "He is not so gentle now. And you, Hector, don't play the little schoolteacher now. On horseback you were as big a man as any of us."
   Hector Adonis looked at him sternly. "Aspanu," he said, "this is not the time for your wit."
   Pisciotta said to him excitedly, "Little man, do you think I can ever be afraid of you?"
   Michael noted that Pisciotta's nickname was Aspanu, and that there was ingrained dislike between the two men. Pisciotta's constant reference to the other man's size, the stern tone in which Adonis always spoke to Pisciotta. There was, in fact, a distrust in the air amongst all of them; the others seemed to hold Stefano Andolini at arm's length, Guiliano's mother seemed to trust no one completely. And yet as the night wore on it was clear that they all loved Turi.
   Michael said cautiously, "There is a Testament written by Turi Guiliano. Where is it now?"
   There was a long silence, all of them watching him intently. And suddenly their distrust included him.
   Finally Hector Adonis spoke. "He started writing it on my advice and I helped him with it. Every page is signed by Turi. All the secret alliances with Don Croce, with the government in Rome and the final truth about the Portella della Ginestra. If it were made public the government must surely fall. It is Guiliano's last card to play if things come to the worst."
   "I hope then you have it in a safe place," Michael said.
   Pisciotta said, "Yes, Don Croce would like to get his hands on the Testament."
   Guiliano's mother said, "At the proper time we will arrange to have the Testament delivered to you. Perhaps you can send it to America with the girl."
   Michael looked at them all with surprise. "What girl?" They all looked away, as if with embarrassment or apprehension. They knew this was an unpleasant surprise and were afraid of his reaction.
   Guiliano's mother said, "My son's fiancee. She is pregnant." She turned to the others. "She won't vanish into thin air. Will he take her or not? Let him say so now." Though she tried to maintain her composure it was obvious she was worried about Michael's reaction. "She will come to you in Trapani. Turi wants you to send her ahead of him to America. When she sends word back that she is safe, then Turi will come to you."
   Michael said cautiously, "I have no instructions. I would have to consult my people in Trapani about the time element. I know that you and your husband are to follow once your son gets to America. Can't the girl wait and go with you?"
   Pisciotta said harshly, "The girl is your test. She will send back a code word and then Guiliano will know he is dealing not only with an honest man but an intelligent one. Only then can he believe you can get him safely out of Sicily."
   Guiliano's father said angrily, "Aspanu, I have already told you and my son. Don Corleone has given his word to help us."
   Pisciotta said smoothly, "Those are Turi's orders."
   Michael thought quickly. Finally he said, "I think it's very clever. We can test the escape route and see if it is compromised." He had no intention of using the same escape route for Guiliano. He said to Guiliano's mother, "I can send you and your husband with the girl." He looked at them questioningly, but both the parents shook their heads.
   Hector Adonis said to them gently, "It's not a bad idea."
   Guiliano's mother said, "We will not leave Sicily while our son is still here." Guiliano's father folded his arms and nodded in agreement. And Michael understood what they were thinking. If Turi Guiliano died in Sicily, they had no wish to be in America. They must stay to mourn him, to bury him, bring flowers to his grave. The final tragedy belonged to them. The girl could go, she was bound only by love, not by blood.
   Sometime during the night Maria Lombardo Guiliano showed Michael a scrapbook filled with newspaper stories, posters showing the different prices placed on Guiliano's head by the government in Rome. She showed a picture story published in America by Life magazine in 1948. The story stated that Guiliano was the greatest bandit of modern times, an Italian Robin Hood who robbed the rich to help the poor. It also printed one of the famous letters that Guiliano had sent to the newspapers.
   It read: "For five years I have fought to make Sicily free. I have given to the poor what I have taken from the rich. Let the people of Sicily speak out whether I am an outlaw or a fighter for freedom. If they speak against me, I will deliver myself into your hands for judgment. As long as they speak for me I will continue to wage total war."
   It sure as hell didn't sound like a bandit on the run, Michael thought, as Maria Lombardo's proud face beamed at him. He felt an identification with her, she looked very much like his own mother. Her face was seamed with past sorrows, but her eyes blazed with a natural love for even more combat against her fate.
   Finally it was dawn and Michael rose and said his goodbyes. He was surprised when Guiliano's mother gave him a warm embrace.
   "You remind me of my son," she said. "I trust you." She went to the mantel and took down a wooden statue of the Virgin Mary. It was black. The features were Negroid. "Take this as a gift. It is the only thing I own worthy to give you." Michael tried to refuse, but she pressed it on him.
   Hector Adonis said, "There are only a few of those statues left in Sicily. Curious, but we are very close to Africa."
   Guiliano's mother said, "It doesn't matter what she looks like, you can pray to her."
   "Yes," Pisciotta said. "She can do as much good as the other." There was contempt in his voice.
   Michael watched Pisciotta take his leave of Guiliano's mother. He could see the real affection between them. Pisciotta kissed her on both cheeks and patted her reassuringly. But she put her head on his shoulder for a brief moment and said, "Aspanu, Aspanu, I love you as I love my son. Don't let them kill Turi." She was weeping.
   Pisciotta lost all his coldness, his body seemed to crumple, his dark bony face softened. "You will all grow old in America," he said.
   Then he turned to Michael. "I will bring Turi to you within the week," he said.
   He went out the door quickly and silently. He had his own special red-bordered pass and he could melt again into the mountains. Hector Adonis would remain with the Guilianos, though he owned a house in town.
   Michael and Stefano Andolini got into the Fiat and drove through the central square and onto the road that led to Castelvetrano and the coastal city of Trapani. With Andolini's slow tentative driving and the numerous military roadblocks, it was noon before they came to the town of Trapani.