Chapter XLI


He slept heavily all night, and did not stir until aroused by the
postman on his morning round.  Martin felt tired and passive, and
went through his letters aimlessly.  One thin envelope, from a
robber magazine, contained for twenty-two dollars.  He had been
dunning for it for a year and a half.  He noted its amount
apathetically.  The old-time thrill at receiving a publisher's
check was gone.  Unlike his earlier checks, this one was not
pregnant with promise of great things to come.  To him it was a
check for twenty-two dollars, that was all, and it would buy him
something to eat.

Another check was in the same mail, sent from a New York weekly in
payment for some humorous verse which had been accepted months
before.  It was for ten dollars.  An idea came to him, which he
calmly considered.  He did not know what he was going to do, and he
felt in no hurry to do anything.  In the meantime he must live.
Also he owed numerous debts.  Would it not be a paying investment
to put stamps on the huge pile of manuscripts under the table and
start them on their travels again?  One or two of them might be
accepted.  That would help him to live.  He decided on the
investment, and, after he had cashed the checks at the bank down in
Oakland, he bought ten dollars' worth of postage stamps.  The
thought of going home to cook breakfast in his stuffy little room
was repulsive to him.  For the first time he refused to consider
his debts.  He knew that in his room he could manufacture a
substantial breakfast at a cost of from fifteen to twenty cents.
But, instead, he went into the Forum Cafe and ordered a breakfast
that cost two dollars.  He tipped the waiter a quarter, and spent
fifty cents for a package of Egyptian cigarettes.  It was the first
time he had smoked since Ruth had asked him to stop.  But he could
see now no reason why he should not, and besides, he wanted to
smoke.  And what did the money matter?  For five cents he could
have bought a package of Durham and brown papers and rolled forty
cigarettes - but what of it?  Money had no meaning to him now
except what it would immediately buy.  He was chartless and
rudderless, and he had no port to make, while drifting involved the
least living, and it was living that hurt.

The days slipped along, and he slept eight hours regularly every
night.  Though now, while waiting for more checks, he ate in the
Japanese restaurants where meals were served for ten cents, his
wasted body filled out, as did the hollows in his cheeks.  He no
longer abused himself with short sleep, overwork, and overstudy.
He wrote nothing, and the books were closed.  He walked much, out
in the hills, and loafed long hours in the quiet parks.  He had no
friends nor acquaintances, nor did he make any.  He had no
inclination.  He was waiting for some impulse, from he knew not
where, to put his stopped life into motion again.  In the meantime
his life remained run down, planless, and empty and idle.

Once he made a trip to San Francisco to look up the "real dirt."
But at the last moment, as he stepped into the upstairs entrance,
he recoiled and turned and fled through the swarming ghetto.  He
was frightened at the thought of hearing philosophy discussed, and
he fled furtively, for fear that some one of the "real dirt" might
chance along and recognize him.

Sometimes he glanced over the magazines and newspapers to see how
"Ephemera" was being maltreated.  It had made a hit.  But what a
hit!  Everybody had read it, and everybody was discussing whether
or not it was really poetry.  The local papers had taken it up, and
daily there appeared columns of learned criticisms, facetious
editorials, and serious letters from subscribers.  Helen Della
Delmar (proclaimed with a flourish of trumpets and rolling of
tomtoms to be the greatest woman poet in the United States) denied
Brissenden a seat beside her on Pegasus and wrote voluminous
letters to the public, proving that he was no poet.

THE PARTHENON came out in its next number patting itself on the
back for the stir it had made, sneering at Sir John Value, and
exploiting Brissenden's death with ruthless commercialism.  A
newspaper with a sworn circulation of half a million published an
original and spontaneous poem by Helen Della Delmar, in which she
gibed and sneered at Brissenden.  Also, she was guilty of a second
poem, in which she parodied him.

Martin had many times to be glad that Brissenden was dead.  He had
hated the crowd so, and here all that was finest and most sacred of
him had been thrown to the crowd.  Daily the vivisection of Beauty
went on.  Every nincompoop in the land rushed into free print,
floating their wizened little egos into the public eye on the surge
of Brissenden's greatness.  Quoth one paper:  "We have received a
letter from a gentleman who wrote a poem just like it, only better,
some time ago."  Another paper, in deadly seriousness, reproving
Helen Della Delmar for her parody, said:  "But unquestionably Miss
Delmar wrote it in a moment of badinage and not quite with the
respect that one great poet should show to another and perhaps to
the greatest.  However, whether Miss Delmar be jealous or not of
the man who invented 'Ephemera,' it is certain that she, like
thousands of others, is fascinated by his work, and that the day
may come when she will try to write lines like his."

Ministers began to preach sermons against "Ephemera," and one, who
too stoutly stood for much of its content, was expelled for heresy.
The great poem contributed to the gayety of the world.  The comic
verse-writers and the cartoonists took hold of it with screaming
laughter, and in the personal columns of society weeklies jokes
were perpetrated on it to the effect that Charley Frensham told
Archie Jennings, in confidence, that five lines of "Ephemera" would
drive a man to beat a cripple, and that ten lines would send him to
the bottom of the river.

Martin did not laugh; nor did he grit his teeth in anger.  The
effect produced upon him was one of great sadness.  In the crash of
his whole world, with love on the pinnacle, the crash of
magazinedom and the dear public was a small crash indeed.
Brissenden had been wholly right in his judgment of the magazines,
and he, Martin, had spent arduous and futile years in order to find
it out for himself.  The magazines were all Brissenden had said
they were and more.  Well, he was done, he solaced himself.  He had
hitched his wagon to a star and been landed in a pestiferous marsh.
The visions of Tahiti - clean, sweet Tahiti - were coming to him
more frequently.  And there were the low Paumotus, and the high
Marquesas; he saw himself often, now, on board trading schooners or
frail little cutters, slipping out at dawn through the reef at
Papeete and beginning the long beat through the pearl-atolls to
Nukahiva and the Bay of Taiohae, where Tamari, he knew, would kill
a pig in honor of his coming, and where Tamari's flower-garlanded
daughters would seize his hands and with song and laughter garland
him with flowers.  The South Seas were calling, and he knew that
sooner or later he would answer the call.

In the meantime he drifted, resting and recuperating after the long
traverse he had made through the realm of knowledge.  When THE
PARTHENON check of three hundred and fifty dollars was forwarded to
him, he turned it over to the local lawyer who had attended to
Brissenden's affairs for his family.  Martin took a receipt for the
check, and at the same time gave a note for the hundred dollars
Brissenden had let him have.

The time was not long when Martin ceased patronizing the Japanese
restaurants.  At the very moment when he had abandoned the fight,
the tide turned.  But it had turned too late.  Without a thrill he
opened a thick envelope from THE MILLENNIUM, scanned the face of a
check that represented three hundred dollars, and noted that it was
the payment on acceptance for "Adventure."  Every debt he owed in
the world, including the pawnshop, with its usurious interest,
amounted to less than a hundred dollars.  And when he had paid
everything, and lifted the hundred-dollar note with Brissenden's
lawyer, he still had over a hundred dollars in pocket.  He ordered
a suit of clothes from the tailor and ate his meals in the best
cafes in town.  He still slept in his little room at Maria's, but
the sight of his new clothes caused the neighborhood children to
cease from calling him "hobo" and "tramp" from the roofs of
woodsheds and over back fences.

"Wiki-Wiki," his Hawaiian short story, was bought by WARREN'S
MONTHLY for two hundred and fifty dollars.  THE NORTHERN REVIEW
took his essay, "The Cradle of Beauty," and MACKINTOSH'S MAGAZINE
took "The Palmist" - the poem he had written to Marian.  The
editors and readers were back from their summer vacations, and
manuscripts were being handled quickly.  But Martin could not
puzzle out what strange whim animated them to this general
acceptance of the things they had persistently rejected for two
years.  Nothing of his had been published.  He was not known
anywhere outside of Oakland, and in Oakland, with the few who
thought they knew him, he was notorious as a red-shirt and a
socialist.  So there was no explaining this sudden acceptability of
his wares.  It was sheer jugglery of fate.

After it had been refused by a number of magazines, he had taken
Brissenden's rejected advice and started, "The Shame of the Sun" on
the round of publishers.  After several refusals, Singletree,
Darnley & Co. accepted it, promising fall publication.  When Martin
asked for an advance on royalties, they wrote that such was not
their custom, that books of that nature rarely paid for themselves,
and that they doubted if his book would sell a thousand copies.
Martin figured what the book would earn him on such a sale.
Retailed at a dollar, on a royalty of fifteen per cent, it would
bring him one hundred and fifty dollars.  He decided that if he had
it to do over again he would confine himself to fiction.
"Adventure," one-fourth as long, had brought him twice as much from
THE MILLENNIUM.  That newspaper paragraph he had read so long ago
had been true, after all.  The first-class magazines did not pay on
acceptance, and they paid well.  Not two cents a word, but four
cents a word, had THE MILLENNIUM paid him.  And, furthermore, they
bought good stuff, too, for were they not buying his?  This last
thought he accompanied with a grin.

He wrote to Singletree, Darnley & Co., offering to sell out his
rights in "The Shame of the Sun" for a hundred dollars, but they
did not care to take the risk.  In the meantime he was not in need
of money, for several of his later stories had been accepted and
paid for.  He actually opened a bank account, where, without a debt
in the world, he had several hundred dollars to his credit.
"Overdue," after having been declined by a number of magazines,
came to rest at the Meredith-Lowell Company.  Martin remembered the
five dollars Gertrude had given him, and his resolve to return it
to her a hundred times over; so he wrote for an advance on
royalties of five hundred dollars.  To his surprise a check for
that amount, accompanied by a contract, came by return mail.  He
cashed the check into five-dollar gold pieces and telephoned
Gertrude that he wanted to see her.

She arrived at the house panting and short of breath from the haste
she had made.  Apprehensive of trouble, she had stuffed the few
dollars she possessed into her hand-satchel; and so sure was she
that disaster had overtaken her brother, that she stumbled forward,
sobbing, into his arms, at the same time thrusting the satchel
mutely at him.

"I'd have come myself," he said.  "But I didn't want a row with Mr.
Higginbotham, and that is what would have surely happened."

"He'll be all right after a time," she assured him, while she
wondered what the trouble was that Martin was in.  "But you'd best
get a job first an' steady down.  Bernard does like to see a man at
honest work.  That stuff in the newspapers broke 'm all up.  I
never saw 'm so mad before."

"I'm not going to get a job," Martin said with a smile.  "And you
can tell him so from me.  I don't need a job, and there's the proof
of it."

He emptied the hundred gold pieces into her lap in a glinting,
tinkling stream.

"You remember that fiver you gave me the time I didn't have
carfare?  Well, there it is, with ninety-nine brothers of different
ages but all of the same size."

If Gertrude had been frightened when she arrived, she was now in a
panic of fear.  Her fear was such that it was certitude.  She was
not suspicious.  She was convinced.  She looked at Martin in
horror, and her heavy limbs shrank under the golden stream as
though it were burning her.

"It's yours," he laughed.

She burst into tears, and began to moan, "My poor boy, my poor
boy!"

He was puzzled for a moment.  Then he divined the cause of her
agitation and handed her the Meredith-Lowell letter which had
accompanied the check.  She stumbled through it, pausing now and
again to wipe her eyes, and when she had finished, said:-

"An' does it mean that you come by the money honestly?"

"More honestly than if I'd won it in a lottery.  I earned it."

Slowly faith came back to her, and she reread the letter carefully.
It took him long to explain to her the nature of the transaction
which had put the money into his possession, and longer still to
get her to understand that the money was really hers and that he
did not need it.

"I'll put it in the bank for you," she said finally.

"You'll do nothing of the sort.  It's yours, to do with as you
please, and if you won't take it, I'll give it to Maria.  She'll
know what to do with it.  I'd suggest, though, that you hire a
servant and take a good long rest."

"I'm goin' to tell Bernard all about it," she announced, when she
was leaving.

Martin winced, then grinned.

"Yes, do," he said.  "And then, maybe, he'll invite me to dinner
again."

"Yes, he will - I'm sure he will!" she exclaimed fervently, as she
drew him to her and kissed and hugged him.

Chapter XLII


One day Martin became aware that he was lonely.  He was healthy and
strong, and had nothing to do.  The cessation from writing and
studying, the death of Brissenden, and the estrangement from Ruth
had made a big hole in his life; and his life refused to be pinned
down to good living in cafes and the smoking of Egyptian
cigarettes.  It was true the South Seas were calling to him, but he
had a feeling that the game was not yet played out in the United
States.  Two books were soon to be published, and he had more books
that might find publication.  Money could be made out of them, and
he would wait and take a sackful of it into the South Seas.  He
knew a valley and a bay in the Marquesas that he could buy for a
thousand Chili dollars.  The valley ran from the horseshoe, land-
locked bay to the tops of the dizzy, cloud-capped peaks and
contained perhaps ten thousand acres.  It was filled with tropical
fruits, wild chickens, and wild pigs, with an occasional herd of
wild cattle, while high up among the peaks were herds of wild goats
harried by packs of wild dogs.  The whole place was wild.  Not a
human lived in it. And he could buy it and the bay for a thousand
Chili dollars.

The bay, as he remembered it, was magnificent, with water deep
enough to accommodate the largest vessel afloat, and so safe that
the South Pacific Directory recommended it to the best careening
place for ships for hundreds of miles around.  He would buy a
schooner - one of those yacht-like, coppered crafts that sailed
like witches - and go trading copra and pearling among the islands.
He would make the valley and the bay his headquarters.  He would
build a patriarchal grass house like Tati's, and have it and the
valley and the schooner filled with dark-skinned servitors.  He
would entertain there the factor of Taiohae, captains of wandering
traders, and all the best of the South Pacific riffraff.  He would
keep open house and entertain like a prince.  And he would forget
the books he had opened and the world that had proved an illusion.

To do all this he must wait in California to fill the sack with
money.  Already it was beginning to flow in.  If one of the books
made a strike, it might enable him to sell the whole heap of
manuscripts.  Also he could collect the stories and the poems into
books, and make sure of the valley and the bay and the schooner.
He would never write again.  Upon that he was resolved.  But in the
meantime, awaiting the publication of the books, he must do
something more than live dazed and stupid in the sort of uncaring
trance into which he had fallen.

He noted, one Sunday morning, that the Bricklayers' Picnic took
place that day at Shell Mound Park, and to Shell Mound Park he
went.  He had been to the working-class picnics too often in his
earlier life not to know what they were like, and as he entered the
park he experienced a recrudescence of all the old sensations.
After all, they were his kind, these working people.  He had been
born among them, he had lived among them, and though he had strayed
for a time, it was well to come back among them.

"If it ain't Mart!" he heard some one say, and the next moment a
hearty hand was on his shoulder.  "Where you ben all the time?  Off
to sea?  Come on an' have a drink."

It was the old crowd in which he found himself - the old crowd,
with here and there a gap, and here and there a new face.  The
fellows were not bricklayers, but, as in the old days, they
attended all Sunday picnics for the dancing, and the fighting, and
the fun.  Martin drank with them, and began to feel really human
once more.  He was a fool to have ever left them, he thought; and
he was very certain that his sum of happiness would have been
greater had he remained with them and let alone the books and the
people who sat in the high places.  Yet the beer seemed not so good
as of yore.  It didn't taste as it used to taste.  Brissenden had
spoiled him for steam beer, he concluded, and wondered if, after
all, the books had spoiled him for companionship with these friends
of his youth.  He resolved that he would not be so spoiled, and he
went on to the dancing pavilion.  Jimmy, the plumber, he met there,
in the company of a tall, blond girl who promptly forsook him for
Martin.

"Gee, it's like old times," Jimmy explained to the gang that gave
him the laugh as Martin and the blonde whirled away in a waltz.
"An' I don't give a rap.  I'm too damned glad to see 'm back.
Watch 'm waltz, eh?  It's like silk.  Who'd blame any girl?"

But Martin restored the blonde to Jimmy, and the three of them,
with half a dozen friends, watched the revolving couples and
laughed and joked with one another.  Everybody was glad to see
Martin back.  No book of his been published; he carried no
fictitious value in their eyes.  They liked him for himself.  He
felt like a prince returned from excile, and his lonely heart
burgeoned in the geniality in which it bathed.  He made a mad day
of it, and was at his best.  Also, he had money in his pockets,
and, as in the old days when he returned from sea with a pay-day,
he made the money fly.

Once, on the dancing-floor, he saw Lizzie Connolly go by in the
arms of a young workingman; and, later, when he made the round of
the pavilion, he came upon her sitting by a refreshment table.
Surprise and greetings over, he led her away into the grounds,
where they could talk without shouting down the music.  From the
instant he spoke to her, she was his.  He knew it.  She showed it
in the proud humility of her eyes, in every caressing movement of
her proudly carried body, and in the way she hung upon his speech.
She was not the young girl as he had known her.  She was a woman,
now, and Martin noted that her wild, defiant beauty had improved,
losing none of its wildness, while the defiance and the fire seemed
more in control.  "A beauty, a perfect beauty," he murmured
admiringly under his breath.  And he knew she was his, that all he
had to do was to say "Come," and she would go with him over the
world wherever he led.

Even as the thought flashed through his brain he received a heavy
blow on the side of his head that nearly knocked him down.  It was
a man's fist, directed by a man so angry and in such haste that the
fist had missed the jaw for which it was aimed.  Martin turned as
he staggered, and saw the fist coming at him in a wild swing.
Quite as a matter of course he ducked, and the fist flew harmlessly
past, pivoting the man who had driven it.  Martin hooked with his
left, landing on the pivoting man with the weight of his body
behind the blow.  The man went to the ground sidewise, leaped to
his feet, and made a mad rush.  Martin saw his passion-distorted
face and wondered what could be the cause of the fellow's anger.
But while he wondered, he shot in a straight left, the weight of
his body behind the blow.  The man went over backward and fell in a
crumpled heap.  Jimmy and others of the gang were running toward
them.

Martin was thrilling all over.  This was the old days with a
vengeance, with their dancing, and their fighting, and their fun.
While he kept a wary eye on his antagonist, he glanced at Lizzie.
Usually the girls screamed when the fellows got to scrapping, but
she had not screamed.  She was looking on with bated breath,
leaning slightly forward, so keen was her interest, one hand
pressed to her breast, her cheek flushed, and in her eyes a great
and amazed admiration.

The man had gained his feet and was struggling to escape the
restraining arms that were laid on him.

"She was waitin' for me to come back!" he was proclaiming to all
and sundry.  "She was waitin' for me to come back, an' then that
fresh guy comes buttin' in.  Let go o' me, I tell yeh.  I'm goin'
to fix 'm."

"What's eatin' yer?" Jimmy was demanding, as he helped hold the
young fellow back.  "That guy's Mart Eden.  He's nifty with his
mits, lemme tell you that, an' he'll eat you alive if you monkey
with 'm."

"He can't steal her on me that way," the other interjected.

"He licked the Flyin' Dutchman, an' you know HIM," Jimmy went on
expostulating.  "An' he did it in five rounds.  You couldn't last a
minute against him.  See?"

This information seemed to have a mollifying effect, and the irate
young man favored Martin with a measuring stare.

"He don't look it," he sneered; but the sneer was without passion.

"That's what the Flyin' Dutchman thought," Jimmy assured him.
"Come on, now, let's get outa this.  There's lots of other girls.
Come on."

The young fellow allowed himself to be led away toward the
pavilion, and the gang followed after him.

"Who is he?" Martin asked Lizzie.  "And what's it all about,
anyway?"

Already the zest of combat, which of old had been so keen and
lasting, had died down, and he discovered that he was self-
analytical, too much so to live, single heart and single hand, so
primitive an existence.

Lizzie tossed her head.

"Oh, he's nobody," she said.  "He's just ben keepin' company with
me."

"I had to, you see," she explained after a pause.  "I was gettin'
pretty lonesome.  But I never forgot."  Her voice sank lower, and
she looked straight before her.  "I'd throw 'm down for you any
time."

Martin looking at her averted face, knowing that all he had to do
was to reach out his hand and pluck her, fell to pondering whether,
after all, there was any real worth in refined, grammatical
English, and, so, forgot to reply to her.

"You put it all over him," she said tentatively, with a laugh.

"He's a husky young fellow, though," he admitted generously.  "If
they hadn't taken him away, he might have given me my hands full."

"Who was that lady friend I seen you with that night?" she asked
abruptly.

"Oh, just a lady friend," was his answer.

"It was a long time ago," she murmured contemplatively.  "It seems
like a thousand years."

But Martin went no further into the matter.  He led the
conversation off into other channels.  They had lunch in the
restaurant, where he ordered wine and expensive delicacies and
afterward he danced with her and with no one but her, till she was
tired.  He was a good dancer, and she whirled around and around
with him in a heaven of delight, her head against his shoulder,
wishing that it could last forever.  Later in the afternoon they
strayed off among the trees, where, in the good old fashion, she
sat down while he sprawled on his back, his head in her lap.  He
lay and dozed, while she fondled his hair, looked down on his
closed eyes, and loved him without reserve.  Looking up suddenly,
he read the tender advertisement in her face.  Her eyes fluttered
down, then they opened and looked into his with soft defiance.

"I've kept straight all these years," she said, her voice so low
that it was almost a whisper.

In his heart Martin knew that it was the miraculous truth.  And at
his heart pleaded a great temptation.  It was in his power to make
her happy.  Denied happiness himself, why should he deny happiness
to her?  He could marry her and take her down with him to dwell in
the grass-walled castle in the Marquesas.  The desire to do it was
strong, but stronger still was the imperative command of his nature
not to do it.  In spite of himself he was still faithful to Love.
The old days of license and easy living were gone.  He could not
bring them back, nor could he go back to them.  He was changed -
how changed he had not realized until now.

"I am not a marrying man, Lizzie," he said lightly.

The hand caressing his hair paused perceptibly, then went on with
the same gentle stroke.  He noticed her face harden, but it was
with the hardness of resolution, for still the soft color was in
her cheeks and she was all glowing and melting.

"I did not mean that - " she began, then faltered.  "Or anyway I
don't care."

"I don't care," she repeated.  "I'm proud to be your friend.  I'd
do anything for you.  I'm made that way, I guess."

Martin sat up.  He took her hand in his.  He did it deliberately,
with warmth but without passion; and such warmth chilled her.

"Don't let's talk about it," she said.

"You are a great and noble woman," he said.  "And it is I who
should be proud to know you.  And I am, I am.  You are a ray of
light to me in a very dark world, and I've got to be straight with
you, just as straight as you have been."

"I don't care whether you're straight with me or not.  You could do
anything with me.  You could throw me in the dirt an' walk on me.
An' you're the only man in the world that can," she added with a
defiant flash.  "I ain't taken care of myself ever since I was a
kid for nothin'."

"And it's just because of that that I'm not going to," he said
gently.  "You are so big and generous that you challenge me to
equal generousness.  I'm not marrying, and I'm not - well, loving
without marrying, though I've done my share of that in the past.
I'm sorry I came here to-day and met you.  But it can't be helped
now, and I never expected it would turn out this way."

"But look here, Lizzie.  I can't begin to tell you how much I like
you.  I do more than like you.  I admire and respect you.  You are
magnificent, and you are magnificently good.  But what's the use of
words?  Yet there's something I'd like to do.  You've had a hard
life; let me make it easy for you."  (A joyous light welled into
her eyes, then faded out again.)  "I'm pretty sure of getting hold
of some money soon - lots of it."

In that moment he abandoned the idea of the valley and the bay, the
grass-walled castle and the trim, white schooner.  After all, what
did it matter?  He could go away, as he had done so often, before
the mast, on any ship bound anywhere.

"I'd like to turn it over to you.  There must be something you want
- to go to school or business college.  You might like to study and
be a stenographer.  I could fix it for you.  Or maybe your father
and mother are living - I could set them up in a grocery store or
something.  Anything you want, just name it, and I can fix it for
you."

She made no reply, but sat, gazing straight before her, dry-eyed
and motionless, but with an ache in the throat which Martin divined
so strongly that it made his own throat ache.  He regretted that he
had spoken.  It seemed so tawdry what he had offered her - mere
money - compared with what she offered him.  He offered her an
extraneous thing with which he could part without a pang, while she
offered him herself, along with disgrace and shame, and sin, and
all her hopes of heaven.

"Don't let's talk about it," she said with a catch in her voice
that she changed to a cough.  She stood up.  "Come on, let's go
home.  I'm all tired out."

The day was done, and the merrymakers had nearly all departed.  But
as Martin and Lizzie emerged from the trees they found the gang
waiting for them.  Martin knew immediately the meaning of it.
Trouble was brewing.  The gang was his body-guard.  They passed out
through the gates of the park with, straggling in the rear, a
second gang, the friends that Lizzie's young man had collected to
avenge the loss of his lady.  Several constables and special police
officers, anticipating trouble, trailed along to prevent it, and
herded the two gangs separately aboard the train for San Francisco.
Martin told Jimmy that he would get off at Sixteenth Street Station
and catch the electric car into Oakland.  Lizzie was very quiet and
without interest in what was impending.  The train pulled in to
Sixteenth Street Station, and the waiting electric car could be
seen, the conductor of which was impatiently clanging the gong.

"There she is," Jimmy counselled.  "Make a run for it, an' we'll
hold 'em back.  Now you go!  Hit her up!"

The hostile gang was temporarily disconcerted by the manoeuvre,
then it dashed from the train in pursuit.  The staid and sober
Oakland folk who sat upon the car scarcely noted the young fellow
and the girl who ran for it and found a seat in front on the
outside.  They did not connect the couple with Jimmy, who sprang on
the steps, crying to the motorman:-

"Slam on the juice, old man, and beat it outa here!"

The next moment Jimmy whirled about, and the passengers saw him
land his fist on the face of a running man who was trying to board
the car.  But fists were landing on faces the whole length of the
car.  Thus, Jimmy and his gang, strung out on the long, lower
steps, met the attacking gang.  The car started with a great
clanging of its gong, and, as Jimmy's gang drove off the last
assailants, they, too, jumped off to finish the job.  The car
dashed on, leaving the flurry of combat far behind, and its
dumfounded passengers never dreamed that the quiet young man and
the pretty working-girl sitting in the corner on the outside seat
had been the cause of the row.

Martin had enjoyed the fight, with a recrudescence of the old
fighting thrills.  But they quickly died away, and he was oppressed
by a great sadness.  He felt very old - centuries older than those
careless, care-free young companions of his others days.  He had
travelled far, too far to go back.  Their mode of life, which had
once been his, was now distasteful to him.  He was disappointed in
it all.  He had developed into an alien.  As the steam beer had
tasted raw, so their companionship seemed raw to him.  He was too
far removed.  Too many thousands of opened books yawned between
them and him.  He had exiled himself.  He had travelled in the vast
realm of intellect until he could no longer return home.  On the
other hand, he was human, and his gregarious need for companionship
remained unsatisfied.  He had found no new home.  As the gang could
not understand him, as his own family could not understand him, as
the bourgeoisie could not understand him, so this girl beside him,
whom he honored high, could not understand him nor the honor he
paid her.  His sadness was not untouched with bitterness as he
thought it over.

"Make it up with him," he advised Lizzie, at parting, as they stood
in front of the workingman's shack in which she lived, near Sixth
and Market.  He referred to the young fellow whose place he had
usurped that day.

"I can't - now," she said.

"Oh, go on," he said jovially.  "All you have to do is whistle and
he'll come running."

"I didn't mean that," she said simply.

And he knew what she had meant.

She leaned toward him as he was about to say good night.  But she
leaned not imperatively, not seductively, but wistfully and humbly.
He was touched to the heart.  His large tolerance rose up in him.
He put his arms around her, and kissed her, and knew that upon his
own lips rested as true a kiss as man ever received.

"My God!" she sobbed.  "I could die for you.  I could die for you."

She tore herself from him suddenly and ran up the steps.  He felt a
quick moisture in his eyes.

"Martin Eden," he communed.  "You're not a brute, and you're a damn
poor Nietzscheman.  You'd marry her if you could and fill her
quivering heart full with happiness.  But you can't, you can't.
And it's a damn shame."

"'A poor old tramp explains his poor old ulcers,'" he muttered,
remembering his Henly.  "'Life is, I think, a blunder and a shame.'
It is - a blunder and a shame."

Chapter XLIII


"The Shame of the Sun" was published in October.  As Martin cut the
cords of the express package and the half-dozen complimentary
copies from the publishers spilled out on the table, a heavy
sadness fell upon him.  He thought of the wild delight that would
have been his had this happened a few short months before, and he
contrasted that delight that should have been with his present
uncaring coldness.  His book, his first book, and his pulse had not
gone up a fraction of a beat, and he was only sad.  It meant little
to him now.  The most it meant was that it might bring some money,
and little enough did he care for money.

He carried a copy out into the kitchen and presented it to Maria.

"I did it," he explained, in order to clear up her bewilderment.
"I wrote it in the room there, and I guess some few quarts of your
vegetable soup went into the making of it.  Keep it.  It's yours.
Just to remember me by, you know."

He was not bragging, not showing off.  His sole motive was to make
her happy, to make her proud of him, to justify her long faith in
him.  She put the book in the front room on top of the family
Bible.  A sacred thing was this book her lodger had made, a fetich
of friendship.  It softened the blow of his having been a
laundryman, and though she could not understand a line of it, she
knew that every line of it was great.  She was a simple, practical,
hard-working woman, but she possessed faith in large endowment.

Just as emotionlessly as he had received "The Shame of the Sun" did
he read the reviews of it that came in weekly from the clipping
bureau.  The book was making a hit, that was evident.  It meant
more gold in the money sack.  He could fix up Lizzie, redeem all
his promises, and still have enough left to build his grass-walled
castle.

Singletree, Darnley & Co. had cautiously brought out an edition of
fifteen hundred copies, but the first reviews had started a second
edition of twice the size through the presses; and ere this was
delivered a third edition of five thousand had been ordered.  A
London firm made arrangements by cable for an English edition, and
hot-footed upon this came the news of French, German, and
Scandinavian translations in progress.  The attack upon the
Maeterlinck school could not have been made at a more opportune
moment.  A fierce controversy was precipitated.  Saleeby and
Haeckel indorsed and defended "The Shame of the Sun," for once
finding themselves on the same side of a question.  Crookes and
Wallace ranged up on the opposing side, while Sir Oliver Lodge
attempted to formulate a compromise that would jibe with his
particular cosmic theories.  Maeterlinck's followers rallied around
the standard of mysticism.  Chesterton set the whole world laughing
with a series of alleged non-partisan essays on the subject, and
the whole affair, controversy and controversialists, was well-nigh
swept into the pit by a thundering broadside from George Bernard
Shaw.  Needless to say the arena was crowded with hosts of lesser
lights, and the dust and sweat and din became terrific.

"It is a most marvellous happening," Singletree, Darnley & Co.
wrote Martin, "a critical philosophic essay selling like a novel.
You could not have chosen your subject better, and all contributory
factors have been unwarrantedly propitious.  We need scarcely to
assure you that we are making hay while the sun shines.  Over forty
thousand copies have already been sold in the United States and
Canada, and a new edition of twenty thousand is on the presses.  We
are overworked, trying to supply the demand.  Nevertheless we have
helped to create that demand.  We have already spent five thousand
dollars in advertising.  The book is bound to be a record-breaker."

"Please find herewith a contract in duplicate for your next book
which we have taken the liberty of forwarding to you.  You will
please note that we have increased your royalties to twenty per
cent, which is about as high as a conservative publishing house
dares go.  If our offer is agreeable to you, please fill in the
proper blank space with the title of your book.  We make no
stipulations concerning its nature.  Any book on any subject.  If
you have one already written, so much the better.  Now is the time
to strike.  The iron could not be hotter."

"On receipt of signed contract we shall be pleased to make you an
advance on royalties of five thousand dollars.  You see, we have
faith in you, and we are going in on this thing big.  We should
like, also, to discuss with you the drawing up of a contract for a
term of years, say ten, during which we shall have the exclusive
right of publishing in book-form all that you produce.  But more of
this anon."

Martin laid down the letter and worked a problem in mental
arithmetic, finding the product of fifteen cents times sixty
thousand to be nine thousand dollars.  He signed the new contract,
inserting "The Smoke of Joy" in the blank space, and mailed it back
to the publishers along with the twenty storiettes he had written
in the days before he discovered the formula for the newspaper
storiette.  And promptly as the United States mail could deliver
and return, came Singletree, Darnley & Co.'s check for five
thousand dollars.

"I want you to come down town with me, Maria, this afternoon about
two o'clock," Martin said, the morning the check arrived.  "Or,
better, meet me at Fourteenth and Broadway at two o'clock.  I'll be
looking out for you."

At the appointed time she was there; but SHOES was the only clew to
the mystery her mind had been capable of evolving, and she suffered
a distinct shock of disappointment when Martin walked her right by
a shoe-store and dived into a real estate office.  What happened
thereupon resided forever after in her memory as a dream.  Fine
gentlemen smiled at her benevolently as they talked with Martin and
one another; a type-writer clicked; signatures were affixed to an
imposing document; her own landlord was there, too, and affixed his
signature; and when all was over and she was outside on the
sidewalk, her landlord spoke to her, saying, "Well, Maria, you
won't have to pay me no seven dollars and a half this month."

Maria was too stunned for speech.

"Or next month, or the next, or the next," her landlord said.

She thanked him incoherently, as if for a favor.  And it was not
until she had returned home to North Oakland and conferred with her
own kind, and had the Portuguese grocer investigate, that she
really knew that she was the owner of the little house in which she
had lived and for which she had paid rent so long.

"Why don't you trade with me no more?" the Portuguese grocer asked
Martin that evening, stepping out to hail him when he got off the
car; and Martin explained that he wasn't doing his own cooking any
more, and then went in and had a drink of wine on the house.  He
noted it was the best wine the grocer had in stock.

"Maria," Martin announced that night, "I'm going to leave you.  And
you're going to leave here yourself soon.  Then you can rent the
house and be a landlord yourself.  You've a brother in San Leandro
or Haywards, and he's in the milk business.  I want you to send all
your washing back unwashed - understand? - unwashed, and to go out
to San Leandro to-morrow, or Haywards, or wherever it is, and see
that brother of yours.  Tell him to come to see me.  I'll be
stopping at the Metropole down in Oakland.  He'll know a good milk-
ranch when he sees one."

And so it was that Maria became a landlord and the sole owner of a
dairy, with two hired men to do the work for her and a bank account
that steadily increased despite the fact that her whole brood wore
shoes and went to school.  Few persons ever meet the fairy princes
they dream about; but Maria, who worked hard and whose head was
hard, never dreaming about fairy princes, entertained hers in the
guise of an ex-laundryman.

In the meantime the world had begun to ask:  "Who is this Martin
Eden?"  He had declined to give any biographical data to his
publishers, but the newspapers were not to be denied.  Oakland was
his own town, and the reporters nosed out scores of individuals who
could supply information.  All that he was and was not, all that he
had done and most of what he had not done, was spread out for the
delectation of the public, accompanied by snapshots and photographs
- the latter procured from the local photographer who had once
taken Martin's picture and who promptly copyrighted it and put it
on the market.  At first, so great was his disgust with the
magazines and all bourgeois society, Martin fought against
publicity; but in the end, because it was easier than not to, he
surrendered.  He found that he could not refuse himself to the
special writers who travelled long distances to see him.  Then
again, each day was so many hours long, and, since he no longer was
occupied with writing and studying, those hours had to be occupied
somehow; so he yielded to what was to him a whim, permitted
interviews, gave his opinions on literature and philosophy, and
even accepted invitations of the bourgeoisie.  He had settled down
into a strange and comfortable state of mind.  He no longer cared.
He forgave everybody, even the cub reporter who had painted him red
and to whom he now granted a full page with specially posed
photographs.

He saw Lizzie occasionally, and it was patent that she regretted
the greatness that had come to him.  It widened the space between
them.  Perhaps it was with the hope of narrowing it that she
yielded to his persuasions to go to night school and business
college and to have herself gowned by a wonderful dressmaker who
charged outrageous prices.  She improved visibly from day to day,
until Martin wondered if he was doing right, for he knew that all
her compliance and endeavor was for his sake.  She was trying to
make herself of worth in his eyes - of the sort of worth he seemed
to value.  Yet he gave her no hope, treating her in brotherly
fashion and rarely seeing her.

"Overdue" was rushed upon the market by the Meredith-Lowell Company
in the height of his popularity, and being fiction, in point of
sales it made even a bigger strike than "The Shame of the Sun."
Week after week his was the credit of the unprecedented performance
of having two books at the head of the list of best-sellers.  Not
only did the story take with the fiction-readers, but those who
read "The Shame of the Sun" with avidity were likewise attracted to
the sea-story by the cosmic grasp of mastery with which he had
handled it.  First he had attacked the literature of mysticism, and
had done it exceeding well; and, next, he had successfully supplied
the very literature he had exposited, thus proving himself to be
that rare genius, a critic and a creator in one.

Money poured in on him, fame poured in on him; he flashed, comet-
like, through the world of literature, and he was more amused than
interested by the stir he was making.  One thing was puzzling him,
a little thing that would have puzzled the world had it known.  But
the world would have puzzled over his bepuzzlement rather than over
the little thing that to him loomed gigantic.  Judge Blount invited
him to dinner.  That was the little thing, or the beginning of the
little thing, that was soon to become the big thing.  He had
insulted Judge Blount, treated him abominably, and Judge Blount,
meeting him on the street, invited him to dinner.  Martin bethought
himself of the numerous occasions on which he had met Judge Blount
at the Morses' and when Judge Blount had not invited him to dinner.
Why had he not invited him to dinner then? he asked himself.  He
had not changed.  He was the same Martin Eden.  What made the
difference?  The fact that the stuff he had written had appeared
inside the covers of books?  But it was work performed.  It was not
something he had done since.  It was achievement accomplished at
the very time Judge Blount was sharing this general view and
sneering at his Spencer and his intellect.  Therefore it was not
for any real value, but for a purely fictitious value that Judge
Blount invited him to dinner.

Martin grinned and accepted the invitation, marvelling the while at
his complacence.  And at the dinner, where, with their womankind,
were half a dozen of those that sat in high places, and where
Martin found himself quite the lion, Judge Blount, warmly seconded
by Judge Hanwell, urged privately that Martin should permit his
name to be put up for the Styx - the ultra-select club to which
belonged, not the mere men of wealth, but the men of attainment.
And Martin declined, and was more puzzled than ever.

He was kept busy disposing of his heap of manuscripts.  He was
overwhelmed by requests from editors.  It had been discovered that
he was a stylist, with meat under his style.  THE NORTHERN REVIEW,
after publishing "The Cradle of Beauty," had written him for half a
dozen similar essays, which would have been supplied out of the
heap, had not BURTON'S MAGAZINE, in a speculative mood, offered him
five hundred dollars each for five essays.  He wrote back that he
would supply the demand, but at a thousand dollars an essay.  He
remembered that all these manuscripts had been refused by the very
magazines that were now clamoring for them.  And their refusals had
been cold-blooded, automatic, stereotyped.  They had made him
sweat, and now he intended to make them sweat.  BURTON'S MAGAZINE
paid his price for five essays, and the remaining four, at the same
rate, were snapped up by MACKINTOSH'S MONTHLY, THE NORTHERN REVIEW
being too poor to stand the pace.  Thus went out to the world "The
High Priests of Mystery," "The Wonder-Dreamers," "The Yardstick of
the Ego," "Philosophy of Illusion," "God and Clod," "Art and
Biology," "Critics and Test-tubes," "Star-dust," and "The Dignity
of Usury," - to raise storms and rumblings and mutterings that were
many a day in dying down.

Editors wrote to him telling him to name his own terms, which he
did, but it was always for work performed.  He refused resolutely
to pledge himself to any new thing.  The thought of again setting
pen to paper maddened him.  He had seen Brissenden torn to pieces
by the crowd, and despite the fact that him the crowd acclaimed, he
could not get over the shock nor gather any respect for the crowd.
His very popularity seemed a disgrace and a treason to Brissenden.
It made him wince, but he made up his mind to go on and fill the
money-bag.

He received letters from editors like the following:  "About a year
ago we were unfortunate enough to refuse your collection of love-
poems.  We were greatly impressed by them at the time, but certain
arrangements already entered into prevented our taking them.  If
you still have them, and if you will be kind enough to forward
them, we shall be glad to publish the entire collection on your own
terms.  We are also prepared to make a most advantageous offer for
bringing them out in book-form."

Martin recollected his blank-verse tragedy, and sent it instead.
He read it over before mailing, and was particularly impressed by
its sophomoric amateurishness and general worthlessness.  But he
sent it; and it was published, to the everlasting regret of the
editor.  The public was indignant and incredulous.  It was too far
a cry from Martin Eden's high standard to that serious bosh.  It
was asserted that he had never written it, that the magazine had
faked it very clumsily, or that Martin Eden was emulating the elder
Dumas and at the height of success was hiring his writing done for
him.  But when he explained that the tragedy was an early effort of
his literary childhood, and that the magazine had refused to be
happy unless it got it, a great laugh went up at the magazine's
expense and a change in the editorship followed.  The tragedy was
never brought out in book-form, though Martin pocketed the advance
royalties that had been paid.

COLEMAN'S WEEKLY sent Martin a lengthy telegram, costing nearly
three hundred dollars, offering him a thousand dollars an article
for twenty articles.  He was to travel over the United States, with
all expenses paid, and select whatever topics interested him.  The
body of the telegram was devoted to hypothetical topics in order to
show him the freedom of range that was to be his.  The only
restriction placed upon him was that he must confine himself to the
United States.  Martin sent his inability to accept and his regrets
by wire "collect."

"Wiki-Wiki," published in WARREN'S MONTHLY, was an instantaneous
success.  It was brought out forward in a wide-margined,
beautifully decorated volume that struck the holiday trade and sold
like wildfire.  The critics were unanimous in the belief that it
would take its place with those two classics by two great writers,
"The Bottle Imp" and "The Magic Skin."

The public, however, received the "Smoke of Joy" collection rather
dubiously and coldly.  The audacity and unconventionality of the
storiettes was a shock to bourgeois morality and prejudice; but
when Paris went mad over the immediate translation that was made,
the American and English reading public followed suit and bought so
many copies that Martin compelled the conservative house of
Singletree, Darnley & Co. to pay a flat royalty of twenty-five per
cent for a third book, and thirty per cent flat for a fourth.
These two volumes comprised all the short stories he had written
and which had received, or were receiving, serial publication.
"The Ring of Bells" and his horror stories constituted one
collection; the other collection was composed of "Adventure," "The
Pot," "The Wine of Life," "The Whirlpool," "The Jostling Street,"
and four other stories.  The Lowell-Meredith Company captured the
collection of all his essays, and the Maxmillian Company got his
"Sea Lyrics" and the "Love-cycle," the latter receiving serial
publication in the LADIES' HOME COMPANION after the payment of an
extortionate price.

Martin heaved a sigh of relief when he had disposed of the last
manuscript.  The grass-walled castle and the white, coppered
schooner were very near to him.  Well, at any rate he had
discovered Brissenden's contention that nothing of merit found its
way into the magazines.  His own success demonstrated that
Brissenden had been wrong.

And yet, somehow, he had a feeling that Brissenden had been right,
after all.  "The Shame of the Sun" had been the cause of his
success more than the stuff he had written.  That stuff had been
merely incidental.  It had been rejected right and left by the
magazines.  The publication of "The Shame of the Sun" had started a
controversy and precipitated the landslide in his favor.  Had there
been no "Shame of the Sun" there would have been no landslide, and
had there been no miracle in the go of "The Shame of the Sun" there
would have been no landslide.  Singletree, Darnley & Co. attested
that miracle.  They had brought out a first edition of fifteen
hundred copies and been dubious of selling it.  They were
experienced publishers and no one had been more astounded than they
at the success which had followed.  To them it had been in truth a
miracle.  They never got over it, and every letter they wrote him
reflected their reverent awe of that first mysterious happening.
They did not attempt to explain it.  There was no explaining it.
It had happened.  In the face of all experience to the contrary, it
had happened.

So it was, reasoning thus, that Martin questioned the validity of
his popularity.  It was the bourgeoisie that bought his books and
poured its gold into his money-sack, and from what little he knew
of the bourgeoisie it was not clear to him how it could possibly
appreciate or comprehend what he had written.  His intrinsic beauty
and power meant nothing to the hundreds of thousands who were
acclaiming him and buying his books.  He was the fad of the hour,
the adventurer who had stormed Parnassus while the gods nodded.
The hundreds of thousands read him and acclaimed him with the same
brute non-understanding with which they had flung themselves on
Brissenden's "Ephemera" and torn it to pieces - a wolf-rabble that
fawned on him instead of fanging him.  Fawn or fang, it was all a
matter of chance.  One thing he knew with absolute certitude:
"Ephemera" was infinitely greater than anything he had done.  It
was infinitely greater than anything he had in him.  It was a poem
of centuries.  Then the tribute the mob paid him was a sorry
tribute indeed, for that same mob had wallowed "Ephemera" into the
mire.  He sighed heavily and with satisfaction.  He was glad the
last manuscript was sold and that he would soon be done with it
all.

Chapter XLIV


Mr. Morse met Martin in the office of the Hotel Metropole.  Whether
he had happened there just casually, intent on other affairs, or
whether he had come there for the direct purpose of inviting him to
dinner, Martin never could quite make up his mind, though he
inclined toward the second hypothesis.  At any rate, invited to
dinner he was by Mr. Morse - Ruth's father, who had forbidden him
the house and broken off the engagement.

Martin was not angry.  He was not even on his dignity.  He
tolerated Mr. Morse, wondering the while how it felt to eat such
humble pie.  He did not decline the invitation.  Instead, he put it
off with vagueness and indefiniteness and inquired after the
family, particularly after Mrs. Morse and Ruth.  He spoke her name
without hesitancy, naturally, though secretly surprised that he had
had no inward quiver, no old, familiar increase of pulse and warm
surge of blood.

He had many invitations to dinner, some of which he accepted.
Persons got themselves introduced to him in order to invite him to
dinner.  And he went on puzzling over the little thing that was
becoming a great thing.  Bernard Higginbotham invited him to
dinner.  He puzzled the harder.  He remembered the days of his
desperate starvation when no one invited him to dinner.  That was
the time he needed dinners, and went weak and faint for lack of
them and lost weight from sheer famine.  That was the paradox of
it.  When he wanted dinners, no one gave them to him, and now that
he could buy a hundred thousand dinners and was losing his
appetite, dinners were thrust upon him right and left.  But why?
There was no justice in it, no merit on his part.  He was no
different.  All the work he had done was even at that time work
performed.  Mr. and Mrs. Morse had condemned him for an idler and a
shirk and through Ruth had urged that he take a clerk's position in
an office.  Furthermore, they had been aware of his work performed.
Manuscript after manuscript of his had been turned over to them by
Ruth.  They had read them.  It was the very same work that had put
his name in all the papers, and, it was his name being in all the
papers that led them to invite him.

One thing was certain:  the Morses had not cared to have him for
himself or for his work.  Therefore they could not want him now for
himself or for his work, but for the fame that was his, because he
was somebody amongst men, and - why not? - because he had a hundred
thousand dollars or so.  That was the way bourgeois society valued
a man, and who was he to expect it otherwise?  But he was proud.
He disdained such valuation.  He desired to be valued for himself,
or for his work, which, after all, was an expression of himself.
That was the way Lizzie valued him.  The work, with her, did not
even count.  She valued him, himself.  That was the way Jimmy, the
plumber, and all the old gang valued him.  That had been proved
often enough in the days when he ran with them; it had been proved
that Sunday at Shell Mound Park.  His work could go hang.  What
they liked, and were willing to scrap for, was just Mart Eden, one
of the bunch and a pretty good guy.

Then there was Ruth.  She had liked him for himself, that was
indisputable.  And yet, much as she had liked him she had liked the
bourgeois standard of valuation more.  She had opposed his writing,
and principally, it seemed to him, because it did not earn money.
That had been her criticism of his "Love-cycle."  She, too, had
urged him to get a job.  It was true, she refined it to "position,"
but it meant the same thing, and in his own mind the old
nomenclature stuck.  He had read her all that he wrote - poems,
stories, essays - "Wiki-Wiki," "The Shame of the Sun," everything.
And she had always and consistently urged him to get a job, to go
to work - good God! - as if he hadn't been working, robbing sleep,
exhausting life, in order to be worthy of her.

So the little thing grew bigger.  He was healthy and normal, ate
regularly, slept long hours, and yet the growing little thing was
becoming an obsession.  WORK PERFORMED.  The phrase haunted his
brain.  He sat opposite Bernard Higginbotham at a heavy Sunday
dinner over Higginbotham's Cash Store, and it was all he could do
to restrain himself from shouting out:-

"It was work performed!  And now you feed me, when then you let me
starve, forbade me your house, and damned me because I wouldn't get
a job.  And the work was already done, all done.  And now, when I
speak, you check the thought unuttered on your lips and hang on my
lips and pay respectful attention to whatever I choose to say.  I
tell you your party is rotten and filled with grafters, and instead
of flying into a rage you hum and haw and admit there is a great
deal in what I say.  And why?  Because I'm famous; because I've a
lot of money.  Not because I'm Martin Eden, a pretty good fellow
and not particularly a fool.  I could tell you the moon is made of
green cheese and you would subscribe to the notion, at least you
would not repudiate it, because I've got dollars, mountains of
them.  And it was all done long ago; it was work performed, I tell
you, when you spat upon me as the dirt under your feet."

But Martin did not shout out.  The thought gnawed in his brain, an
unceasing torment, while he smiled and succeeded in being tolerant.
As he grew silent, Bernard Higginbotham got the reins and did the
talking.  He was a success himself, and proud of it.  He was self-
made.  No one had helped him.  He owed no man.  He was fulfilling
his duty as a citizen and bringing up a large family.  And there
was Higginbotham's Cash Store, that monument of his own industry
and ability.  He loved Higginbotham's Cash Store as some men loved
their wives.  He opened up his heart to Martin, showed with what
keenness and with what enormous planning he had made the store.
And he had plans for it, ambitious plans.  The neighborhood was
growing up fast.  The store was really too small.  If he had more
room, he would be able to put in a score of labor-saving and money-
saving improvements.  And he would do it yet.  He was straining
every effort for the day when he could buy the adjoining lot and
put up another two-story frame building.  The upstairs he could
rent, and the whole ground-floor of both buildings would be
Higginbotham's Cash Store.  His eyes glistened when he spoke of the
new sign that would stretch clear across both buildings.

Martin forgot to listen.  The refrain of "Work performed," in his
own brain, was drowning the other's clatter.  The refrain maddened
him, and he tried to escape from it.

"How much did you say it would cost?" he asked suddenly.

His brother-in-law paused in the middle of an expatiation on the
business opportunities of the neighborhood.  He hadn't said how
much it would cost.  But he knew.  He had figured it out a score of
times.

"At the way lumber is now," he said, "four thousand could do it."

"Including the sign?"

"I didn't count on that.  It'd just have to come, onc't the
buildin' was there."

"And the ground?"

"Three thousand more."

He leaned forward, licking his lips, nervously spreading and
closing his fingers, while he watched Martin write a check.  When
it was passed over to him, he glanced at the amount-seven thousand
dollars.

"I - I can't afford to pay more than six per cent," he said
huskily.

Martin wanted to laugh, but, instead, demanded:-

"How much would that be?"

"Lemme see.  Six per cent - six times seven - four hundred an'
twenty."

"That would be thirty-five dollars a month, wouldn't it?"

Higginbotham nodded.

"Then, if you've no objection, well arrange it this way."  Martin
glanced at Gertrude.  "You can have the principal to keep for
yourself, if you'll use the thirty-five dollars a month for cooking
and washing and scrubbing.  The seven thousand is yours if you'll
guarantee that Gertrude does no more drudgery.  Is it a go?"

Mr. Higginbotham swallowed hard.  That his wife should do no more
housework was an affront to his thrifty soul.  The magnificent
present was the coating of a pill, a bitter pill.  That his wife
should not work!  It gagged him.

"All right, then," Martin said.  "I'll pay the thirty-five a month,
and - "

He reached across the table for the check.  But Bernard
Higginbotham got his hand on it first, crying:

"I accept!  I accept!"

When Martin got on the electric car, he was very sick and tired.
He looked up at the assertive sign.

"The swine," he groaned.  "The swine, the swine."

When MACKINTOSH'S MAGAZINE published "The Palmist," featuring it
with decorations by Berthier and with two pictures by Wenn, Hermann
von Schmidt forgot that he had called the verses obscene.  He
announced that his wife had inspired the poem, saw to it that the
news reached the ears of a reporter, and submitted to an interview
by a staff writer who was accompanied by a staff photographer and a
staff artist.  The result was a full page in a Sunday supplement,
filled with photographs and idealized drawings of Marian, with many
intimate details of Martin Eden and his family, and with the full
text of "The Palmist" in large type, and republished by special
permission of MACKINTOSH'S MAGAZINE.  It caused quite a stir in the
neighborhood, and good housewives were proud to have the
acquaintances of the great writer's sister, while those who had not
made haste to cultivate it.  Hermann von Schmidt chuckled in his
little repair shop and decided to order a new lathe.  "Better than
advertising," he told Marian, "and it costs nothing."

"We'd better have him to dinner," she suggested.

And to dinner Martin came, making himself agreeable with the fat
wholesale butcher and his fatter wife - important folk, they,
likely to be of use to a rising young man like Hermann Yon Schmidt.
No less a bait, however, had been required to draw them to his
house than his great brother-in-law.  Another man at table who had
swallowed the same bait was the superintendent of the Pacific Coast
agencies for the Asa Bicycle Company.  Him Von Schmidt desired to
please and propitiate because from him could be obtained the
Oakland agency for the bicycle.  So Hermann von Schmidt found it a
goodly asset to have Martin for a brother-in-law, but in his heart
of hearts he couldn't understand where it all came in.  In the
silent watches of the night, while his wife slept, he had
floundered through Martin's books and poems, and decided that the
world was a fool to buy them.

And in his heart of hearts Martin understood the situation only too
well, as he leaned back and gloated at Von Schmidt's head, in fancy
punching it well-nigh off of him, sending blow after blow home just
right - the chuckle-headed Dutchman!  One thing he did like about
him, however.  Poor as he was, and determined to rise as he was, he
nevertheless hired one servant to take the heavy work off of
Marian's hands.  Martin talked with the superintendent of the Asa
agencies, and after dinner he drew him aside with Hermann, whom he
backed financially for the best bicycle store with fittings in
Oakland.  He went further, and in a private talk with Hermann told
him to keep his eyes open for an automobile agency and garage, for
there was no reason that he should not be able to run both
establishments successfully.

With tears in her eyes and her arms around his neck, Marian, at
parting, told Martin how much she loved him and always had loved
him.  It was true, there was a perceptible halt midway in her
assertion, which she glossed over with more tears and kisses and
incoherent stammerings, and which Martin inferred to be her appeal
for forgiveness for the time she had lacked faith in him and
insisted on his getting a job.

"He can't never keep his money, that's sure," Hermann von Schmidt
confided to his wife.  "He got mad when I spoke of interest, an' he
said damn the principal and if I mentioned it again, he'd punch my
Dutch head off.  That's what he said - my Dutch head.  But he's all
right, even if he ain't no business man.  He's given me my chance,
an' he's all right."

Invitations to dinner poured in on Martin; and the more they
poured, the more he puzzled.  He sat, the guest of honor, at an
Arden Club banquet, with men of note whom he had heard about and
read about all his life; and they told him how, when they had read
"The Ring of Bells" in the TRANSCONTINENTAL, and "The Peri and the
Pearl" in THE HORNET, they had immediately picked him for a winner.
My God! and I was hungry and in rags, he thought to himself.  Why
didn't you give me a dinner then?  Then was the time.  It was work
performed.  If you are feeding me now for work performed, why did
you not feed me then when I needed it?  Not one word in "The Ring
of Bells," nor in "The Peri and the Pearl" has been changed.  No;
you're not feeding me now for work performed.  You are feeding me
because everybody else is feeding me and because it is an honor to
feed me.  You are feeding me now because you are herd animals;
because you are part of the mob; because the one blind, automatic
thought in the mob-mind just now is to feed me.  And where does
Martin Eden and the work Martin Eden performed come in in all this?
he asked himself plaintively, then arose to respond cleverly and
wittily to a clever and witty toast.

So it went.  Wherever he happened to be - at the Press Club, at the
Redwood Club, at pink teas and literary gatherings - always were
remembered "The Ring of Bells" and "The Peri and the Pearl" when
they were first published.  And always was Martin's maddening and
unuttered demand:  Why didn't you feed me then?  It was work
performed.  "The Ring of Bells" and "The Peri and the Pearl" are
not changed one iota.  They were just as artistic, just as worth
while, then as now.  But you are not feeding me for their sake, nor
for the sake of anything else I have written.  You're feeding me
because it is the style of feeding just now, because the whole mob
is crazy with the idea of feeding Martin Eden.

And often, at such times, he would abruptly see slouch in among the
company a young hoodlum in square-cut coat and under a stiff-rim
Stetson hat.  It happened to him at the Gallina Society in Oakland
one afternoon.  As he rose from his chair and stepped forward
across the platform, he saw stalk through the wide door at the rear
of the great room the young hoodlum with the square-cut coat and
stiff-rim hat.  Five hundred fashionably gowned women turned their
heads, so intent and steadfast was Martin's gaze, to see what he
was seeing.  But they saw only the empty centre aisle.  He saw the
young tough lurching down that aisle and wondered if he would
remove the stiff-rim which never yet had he seen him without.
Straight down the aisle he came, and up the platform.  Martin could
have wept over that youthful shade of himself, when he thought of
all that lay before him.  Across the platform he swaggered, right
up to Martin, and into the foreground of Martin's consciousness
disappeared.  The five hundred women applauded softly with gloved
hands, seeking to encourage the bashful great man who was their
guest.  And Martin shook the vision from his brain, smiled, and
began to speak.

The Superintendent of Schools, good old man, stopped Martin on the
street and remembered him, recalling seances in his office when
Martin was expelled from school for fighting.

"I read your 'Ring of Bells' in one of the magazines quite a time
ago," he said.  "It was as good as Poe.  Splendid, I said at the
time, splendid!"

Yes, and twice in the months that followed you passed me on the
street and did not know me, Martin almost said aloud.  Each time I
was hungry and heading for the pawnbroker.  Yet it was work
performed.  You did not know me then.  Why do you know me now?

"I was remarking to my wife only the other day," the other was
saying, "wouldn't it be a good idea to have you out to dinner some
time?  And she quite agreed with me.  Yes, she quite agreed with
me."

"Dinner?" Martin said so sharply that it was almost a snarl.

"Why, yes, yes, dinner, you know - just pot luck with us, with your
old superintendent, you rascal," he uttered nervously, poking
Martin in an attempt at jocular fellowship.

Martin went down the street in a daze.  He stopped at the corner
and looked about him vacantly.

"Well, I'll be damned!" he murmured at last.  "The old fellow was
afraid of me."

Chapter XLV



Kreis came to Martin one day - Kreis, of the "real dirt"; and
Martin turned to him with relief, to receive the glowing details of
a scheme sufficiently wild-catty to interest him as a fictionist
rather than an investor.  Kreis paused long enough in the midst of
his exposition to tell him that in most of his "Shame of the Sun"
he had been a chump.

"But I didn't come here to spout philosophy," Kreis went on.  "What
I want to know is whether or not you will put a thousand dollars in
on this deal?"

"No, I'm not chump enough for that, at any rate," Martin answered.
"But I'll tell you what I will do.  You gave me the greatest night
of my life.  You gave me what money cannot buy.  Now I've got
money, and it means nothing to me.  I'd like to turn over to you a
thousand dollars of what I don't value for what you gave me that
night and which was beyond price.  You need the money.  I've got
more than I need.  You want it.  You came for it.  There's no use
scheming it out of me.  Take it."

Kreis betrayed no surprise.  He folded the check away in his
pocket.

"At that rate I'd like the contract of providing you with many such
nights," he said.

"Too late."  Martin shook his head.  "That night was the one night
for me.  I was in paradise.  It's commonplace with you, I know.
But it wasn't to me.  I shall never live at such a pitch again.
I'm done with philosophy.  I want never to hear another word of
it."

"The first dollar I ever made in my life out of my philosophy,"
Kreis remarked, as he paused in the doorway.  "And then the market
broke."

Mrs. Morse drove by Martin on the street one day, and smiled and
nodded.  He smiled back and lifted his hat.  The episode did not
affect him.  A month before it might have disgusted him, or made
him curious and set him to speculating about her state of
consciousness at that moment.  But now it was not provocative of a
second thought.  He forgot about it the next moment.  He forgot
about it as he would have forgotten the Central Bank Building or
the City Hall after having walked past them.  Yet his mind was
preternaturally active.  His thoughts went ever around and around
in a circle.  The centre of that circle was "work performed"; it
ate at his brain like a deathless maggot.  He awoke to it in the
morning.  It tormented his dreams at night.  Every affair of life
around him that penetrated through his senses immediately related
itself to "work performed."  He drove along the path of relentless
logic to the conclusion that he was nobody, nothing.  Mart Eden,
the hoodlum, and Mart Eden, the sailor, had been real, had been he;
but Martin Eden! the famous writer, did not exist.  Martin Eden,
the famous writer, was a vapor that had arisen in the mob-mind and
by the mob-mind had been thrust into the corporeal being of Mart
Eden, the hoodlum and sailor.  But it couldn't fool him.  He was
not that sun-myth that the mob was worshipping and sacrificing
dinners to.  He knew better.

He read the magazines about himself, and pored over portraits of
himself published therein until he was unable to associate his
identity with those portraits.  He was the fellow who had lived and
thrilled and loved; who had been easy-going and tolerant of the
frailties of life; who had served in the forecastle, wandered in
strange lands, and led his gang in the old fighting days.  He was
the fellow who had been stunned at first by the thousands of books
in the free library, and who had afterward learned his way among
them and mastered them; he was the fellow who had burned the
midnight oil and bedded with a spur and written books himself.  But
the one thing he was not was that colossal appetite that all the
mob was bent upon feeding.

There were things, however, in the magazines that amused him.  All
the magazines were claiming him.  WARREN'S MONTHLY advertised to
its subscribers that it was always on the quest after new writers,
and that, among others, it had introduced Martin Eden to the
reading public.  THE WHITE MOUSE claimed him; so did THE NORTHERN
REVIEW and MACKINTOSH'S MAGAZINE, until silenced by THE GLOBE,
which pointed triumphantly to its files where the mangled "Sea
Lyrics" lay buried.  YOUTH AND AGE, which had come to life again
after having escaped paying its bills, put in a prior claim, which
nobody but farmers' children ever read.  The TRANSCONTINENTAL made
a dignified and convincing statement of how it first discovered
Martin Eden, which was warmly disputed by THE HORNET, with the
exhibit of "The Peri and the Pearl."  The modest claim of
Singletree, Darnley & Co. was lost in the din.  Besides, that
publishing firm did not own a magazine wherewith to make its claim
less modest.

The newspapers calculated Martin's royalties.  In some way the
magnificent offers certain magazines had made him leaked out, and
Oakland ministers called upon him in a friendly way, while
professional begging letters began to clutter his mail.  But worse
than all this were the women.  His photographs were published
broadcast, and special writers exploited his strong, bronzed face,
his scars, his heavy shoulders, his clear, quiet eyes, and the
slight hollows in his cheeks like an ascetic's.  At this last he
remembered his wild youth and smiled.  Often, among the women he
met, he would see now one, now another, looking at him, appraising
him, selecting him.  He laughed to himself.  He remembered
Brissenden's warning and laughed again.  The women would never
destroy him, that much was certain.  He had gone past that stage.

Once, walking with Lizzie toward night school, she caught a glance
directed toward him by a well-gowned, handsome woman of the
bourgeoisie.  The glance was a trifle too long, a shade too
considerative.  Lizzie knew it for what it was, and her body tensed
angrily.  Martin noticed, noticed the cause of it, told her how
used he was becoming to it and that he did not care anyway.

"You ought to care," she answered with blazing eyes.  "You're sick.
That's what's the matter."

"Never healthier in my life.  I weigh five pounds more than I ever
did."

"It ain't your body.  It's your head.  Something's wrong with your
think-machine.  Even I can see that, an' I ain't nobody."

He walked on beside her, reflecting.

"I'd give anything to see you get over it," she broke out
impulsively.  "You ought to care when women look at you that way, a
man like you.  It's not natural.  It's all right enough for sissy-
boys.  But you ain't made that way.  So help me, I'd be willing an'
glad if the right woman came along an' made you care."

When he left Lizzie at night school, he returned to the Metropole.

Once in his rooms, he dropped into a Morris chair and sat staring
straight before him.  He did not doze.  Nor did he think.  His mind
was a blank, save for the intervals when unsummoned memory pictures
took form and color and radiance just under his eyelids.  He saw
these pictures, but he was scarcely conscious of them - no more so
than if they had been dreams.  Yet he was not asleep.  Once, he
roused himself and glanced at his watch.  It was just eight
o'clock.  He had nothing to do, and it was too early for bed.  Then
his mind went blank again, and the pictures began to form and
vanish under his eyelids.  There was nothing distinctive about the
pictures.  They were always masses of leaves and shrub-like
branches shot through with hot sunshine.

A knock at the door aroused him.  He was not asleep, and his mind
immediately connected the knock with a telegram, or letter, or
perhaps one of the servants bringing back clean clothes from the
laundry.  He was thinking about Joe and wondering where he was, as
he said, "Come in."

He was still thinking about Joe, and did not turn toward the door.
He heard it close softly.  There was a long silence.  He forgot
that there had been a knock at the door, and was still staring
blankly before him when he heard a woman's sob.  It was
involuntary, spasmodic, checked, and stifled - he noted that as he
turned about.  The next instant he was on his feet.

"Ruth!" he said, amazed and bewildered.

Her face was white and strained.  She stood just inside the door,
one hand against it for support, the other pressed to her side.
She extended both hands toward him piteously, and started forward
to meet him.  As he caught her hands and led her to the Morris
chair he noticed how cold they were.  He drew up another chair and
sat down on the broad arm of it.  He was too confused to speak.  In
his own mind his affair with Ruth was closed and sealed.  He felt
much in the same way that he would have felt had the Shelly Hot
Springs Laundry suddenly invaded the Hotel Metropole with a whole
week's washing ready for him to pitch into.  Several times he was
about to speak, and each time he hesitated.

"No one knows I am here," Ruth said in a faint voice, with an
appealing smile.

"What did you say?"

He was surprised at the sound of his own voice.

She repeated her words.

"Oh," he said, then wondered what more he could possibly say.

"I saw you come in, and I waited a few minutes."

"Oh," he said again.

He had never been so tongue-tied in his life.  Positively he did
not have an idea in his head.  He felt stupid and awkward, but for
the life of him he could think of nothing to say.  It would have
been easier had the intrusion been the Shelly Hot Springs laundry.
He could have rolled up his sleeves and gone to work.

"And then you came in," he said finally.

She nodded, with a slightly arch expression, and loosened the scarf
at her throat.

"I saw you first from across the street when you were with that
girl."

"Oh, yes," he said simply.  "I took her down to night school."

"Well, aren't you glad to see me?" she said at the end of another
silence.

"Yes, yes."  He spoke hastily.  "But wasn't it rash of you to come
here?"

"I slipped in.  Nobody knows I am here.  I wanted to see you.  I
came to tell you I have been very foolish.  I came because I could
no longer stay away, because my heart compelled me to come, because
- because I wanted to come."

She came forward, out of her chair and over to him.  She rested her
hand on his shoulder a moment, breathing quickly, and then slipped
into his arms.  And in his large, easy way, desirous of not
inflicting hurt, knowing that to repulse this proffer of herself
was to inflict the most grievous hurt a woman could receive, he
folded his arms around her and held her close.  But there was no
warmth in the embrace, no caress in the contact.  She had come into
his arms, and he held her, that was all.  She nestled against him,
and then, with a change of position, her hands crept up and rested
upon his neck.  But his flesh was not fire beneath those hands, and
he felt awkward and uncomfortable.

"What makes you tremble so?" he asked.  "Is it a chill?  Shall I
light the grate?"

He made a movement to disengage himself, but she clung more closely
to him, shivering violently.

"It is merely nervousness," she said with chattering teeth.  "I'll
control myself in a minute.  There, I am better already."

Slowly her shivering died away.  He continued to hold her, but he
was no longer puzzled.  He knew now for what she had come.

"My mother wanted me to marry Charley Hapgood," she announced.

"Charley Hapgood, that fellow who speaks always in platitudes?"
Martin groaned.  Then he added, "And now, I suppose, your mother
wants you to marry me."

He did not put it in the form of a question.  He stated it as a
certitude, and before his eyes began to dance the rows of figures
of his royalties.

"She will not object, I know that much," Ruth said.

"She considers me quite eligible?"

Ruth nodded.

"And yet I am not a bit more eligible now than I was when she broke
our engagement," he meditated.  "I haven't changed any.  I'm the
same Martin Eden, though for that matter I'm a bit worse - I smoke
now.  Don't you smell my breath?"

In reply she pressed her open fingers against his lips, placed them
graciously and playfully, and in expectancy of the kiss that of old
had always been a consequence.  But there was no caressing answer
of Martin's lips.  He waited until the fingers were removed and
then went on.

"I am not changed.  I haven't got a job.  I'm not looking for a
job.  Furthermore, I am not going to look for a job.  And I still
believe that Herbert Spencer is a great and noble man and that
Judge Blount is an unmitigated ass.  I had dinner with him the
other night, so I ought to know."

"But you didn't accept father's invitation," she chided.

"So you know about that?  Who sent him?  Your mother?"

She remained silent.

"Then she did send him.  I thought so.  And now I suppose she has
sent you."

"No one knows that I am here," she protested.  "Do you think my
mother would permit this?"

"She'd permit you to marry me, that's certain."

She gave a sharp cry.  "Oh, Martin, don't be cruel.  You have not
kissed me once.  You are as unresponsive as a stone.  And think
what I have dared to do."  She looked about her with a shiver,
though half the look was curiosity.  "Just think of where I am."

"I COULD DIE FOR YOU!  I COULD DIE FOR YOU!" - Lizzie's words were
ringing in his ears.

"Why didn't you dare it before?" he asked harshly.  "When I hadn't
a job?  When I was starving?  When I was just as I am now, as a
man, as an artist, the same Martin Eden?  That's the question I've
been propounding to myself for many a day - not concerning you
merely, but concerning everybody.  You see I have not changed,
though my sudden apparent appreciation in value compels me
constantly to reassure myself on that point.  I've got the same
flesh on my bones, the same ten fingers and toes.  I am the same.
I have not developed any new strength nor virtue.  My brain is the
same old brain.  I haven't made even one new generalization on
literature or philosophy.  I am personally of the same value that I
was when nobody wanted me.  And what is puzzling me is why they
want me now.  Surely they don't want me for myself, for myself is
the same old self they did not want.  Then they must want me for
something else, for something that is outside of me, for something
that is not I!  Shall I tell you what that something is?  It is for
the recognition I have received.  That recognition is not I.  It
resides in the minds of others.  Then again for the money I have
earned and am earning.  But that money is not I.  It resides in
banks and in the pockets of Tom, Dick, and Harry.  And is it for
that, for the recognition and the money, that you now want me?"

"You are breaking my heart," she sobbed.  "You know I love you,
that I am here because I love you."

"I am afraid you don't see my point," he said gently.  "What I mean
is:  if you love me, how does it happen that you love me now so
much more than you did when your love was weak enough to deny me?"

"Forget and forgive," she cried passionately.  "I loved you all the
time, remember that, and I am here, now, in your arms."

"I'm afraid I am a shrewd merchant, peering into the scales, trying
to weigh your love and find out what manner of thing it is."

She withdrew herself from his arms, sat upright, and looked at him
long and searchingly.  She was about to speak, then faltered and
changed her mind.

"You see, it appears this way to me," he went on.  "When I was all
that I am now, nobody out of my own class seemed to care for me.
When my books were all written, no one who had read the manuscripts
seemed to care for them.  In point of fact, because of the stuff I
had written they seemed to care even less for me.  In writing the
stuff it seemed that I had committed acts that were, to say the
least, derogatory.  'Get a job,' everybody said."

She made a movement of dissent.

"Yes, yes," he said; "except in your case you told me to get a
position.  The homely word JOB, like much that I have written,
offends you.  It is brutal.  But I assure you it was no less brutal
to me when everybody I knew recommended it to me as they would
recommend right conduct to an immoral creature.  But to return.
The publication of what I had written, and the public notice I
received, wrought a change in the fibre of your love.  Martin Eden,
with his work all performed, you would not marry.  Your love for
him was not strong enough to enable you to marry him.  But your
love is now strong enough, and I cannot avoid the conclusion that
its strength arises from the publication and the public notice.  In
your case I do not mention royalties, though I am certain that they
apply to the change wrought in your mother and father.  Of course,
all this is not flattering to me.  But worst of all, it makes me
question love, sacred love.  Is love so gross a thing that it must
feed upon publication and public notice?  It would seem so.  I have
sat and thought upon it till my head went around."

"Poor, dear head."  She reached up a hand and passed the fingers
soothingly through his hair.  "Let it go around no more.  Let us
begin anew, now.  I loved you all the time.  I know that I was weak
in yielding to my mother's will.  I should not have done so.  Yet I
have heard you speak so often with broad charity of the fallibility
and frailty of humankind.  Extend that charity to me.  I acted
mistakenly.  Forgive me."

"Oh, I do forgive," he said impatiently.  "It is easy to forgive
where there is really nothing to forgive.  Nothing that you have
done requires forgiveness.  One acts according to one's lights, and
more than that one cannot do.  As well might I ask you to forgive
me for my not getting a job."

"I meant well," she protested.  "You know that I could not have
loved you and not meant well."

"True; but you would have destroyed me out of your well-meaning."

"Yes, yes," he shut off her attempted objection.  "You would have
destroyed my writing and my career.  Realism is imperative to my
nature, and the bourgeois spirit hates realism.  The bourgeoisie is
cowardly.  It is afraid of life.  And all your effort was to make
me afraid of life.  You would have formalized me.  You would have
compressed me into a two-by-four pigeonhole of life, where all
life's values are unreal, and false, and vulgar."  He felt her stir
protestingly.  "Vulgarity - a hearty vulgarity, I'll admit - is the
basis of bourgeois refinement and culture.  As I say, you wanted to
formalize me, to make me over into one of your own class, with your
class-ideals, class-values, and class-prejudices."  He shook his
head sadly.  "And you do not understand, even now, what I am
saying.  My words do not mean to you what I endeavor to make them
mean.  What I say is so much fantasy to you.  Yet to me it is vital
reality.  At the best you are a trifle puzzled and amused that this
raw boy, crawling up out of the mire of the abyss, should pass
judgment upon your class and call it vulgar."

She leaned her head wearily against his shoulder, and her body
shivered with recurrent nervousness.  He waited for a time for her
to speak, and then went on.

"And now you want to renew our love.  You want us to be married.
You want me.  And yet, listen - if my books had not been noticed,
I'd nevertheless have been just what I am now.  And you would have
stayed away.  It is all those damned books - "

"Don't swear," she interrupted.

Her reproof startled him.  He broke into a harsh laugh.

"That's it," he said, "at a high moment, when what seems your
life's happiness is at stake, you are afraid of life in the same
old way - afraid of life and a healthy oath."

She was stung by his words into realization of the puerility of her
act, and yet she felt that he had magnified it unduly and was
consequently resentful.  They sat in silence for a long time, she
thinking desperately and he pondering upon his love which had
departed.  He knew, now, that he had not really loved her.  It was
an idealized Ruth he had loved, an ethereal creature of his own
creating, the bright and luminous spirit of his love-poems.  The
real bourgeois Ruth, with all the bourgeois failings and with the
hopeless cramp of the bourgeois psychology in her mind, he had
never loved.

She suddenly began to speak.

"I know that much you have said is so.  I have been afraid of life.
I did not love you well enough.  I have learned to love better.  I
love you for what you are, for what you were, for the ways even by
which you have become.  I love you for the ways wherein you differ
from what you call my class, for your beliefs which I do not
understand but which I know I can come to understand.  I shall
devote myself to understanding them.  And even your smoking and
your swearing - they are part of you and I will love you for them,
too.  I can still learn.  In the last ten minutes I have learned
much.  That I have dared to come here is a token of what I have
already learned.  Oh, Martin! - "

She was sobbing and nestling close against him.

For the first time his arms folded her gently and with sympathy,
and she acknowledged it with a happy movement and a brightening
face.

"It is too late," he said.  He remembered Lizzie's words.  "I am a
sick man - oh, not my body.  It is my soul, my brain.  I seem to
have lost all values.  I care for nothing.  If you had been this
way a few months ago, it would have been different.  It is too
late, now."

"It is not too late," she cried.  "I will show you.  I will prove
to you that my love has grown, that it is greater to me than my
class and all that is dearest to me.  All that is dearest to the
bourgeoisie I will flout.  I am no longer afraid of life.  I will
leave my father and mother, and let my name become a by-word with
my friends.  I will come to you here and now, in free love if you
will, and I will be proud and glad to be with you.  If I have been
a traitor to love, I will now, for love's sake, be a traitor to all
that made that earlier treason."

She stood before him, with shining eyes.

"I am waiting, Martin," she whispered, "waiting for you to accept
me.  Look at me."

It was splendid, he thought, looking at her.  She had redeemed
herself for all that she had lacked, rising up at last, true woman,
superior to the iron rule of bourgeois convention.  It was
splendid, magnificent, desperate.  And yet, what was the matter
with him?  He was not thrilled nor stirred by what she had done.
It was splendid and magnificent only intellectually.  In what
should have been a moment of fire, he coldly appraised her.  His
heart was untouched.  He was unaware of any desire for her.  Again
he remembered Lizzie's words.

"I am sick, very sick," he said with a despairing gesture.  "How
sick I did not know till now.  Something has gone out of me.  I
have always been unafraid of life, but I never dreamed of being
sated with life.  Life has so filled me that I am empty of any
desire for anything.  If there were room, I should want you, now.
You see how sick I am."

He leaned his head back and closed his eyes; and like a child,
crying, that forgets its grief in watching the sunlight percolate
through the tear-dimmed films over the pupils, so Martin forgot his
sickness, the presence of Ruth, everything, in watching the masses
of vegetation, shot through hotly with sunshine that took form and
blazed against this background of his eyelids.  It was not restful,
that green foliage.  The sunlight was too raw and glaring.  It hurt
him to look at it, and yet he looked, he knew not why.

He was brought back to himself by the rattle of the door-knob.
Ruth was at the door.

"How shall I get out?" she questioned tearfully.  "I am afraid."

"Oh, forgive me," he cried, springing to his feet.  "I'm not
myself, you know.  I forgot you were here."  He put his hand to his
head.  "You see, I'm not just right.  I'll take you home.  We can
go out by the servants' entrance.  No one will see us.  Pull down
that veil and everything will be all right."

She clung to his arm through the dim-lighted passages and down the
narrow stairs.

"I am safe now," she said, when they emerged on the sidewalk, at
the same time starting to take her hand from his arm.

"No, no, I'll see you home," he answered.

"No, please don't," she objected.  "It is unnecessary."

Again she started to remove her hand.  He felt a momentary
curiosity.  Now that she was out of danger she was afraid.  She was
in almost a panic to be quit of him.  He could see no reason for it
and attributed it to her nervousness.  So he restrained her
withdrawing hand and started to walk on with her.  Halfway down the
block, he saw a man in a long overcoat shrink back into a doorway.
He shot a glance in as he passed by, and, despite the high turned-
up collar, he was certain that he recognized Ruth's brother,
Norman.

During the walk Ruth and Martin held little conversation.  She was
stunned.  He was apathetic.  Once, he mentioned that he was going
away, back to the South Seas, and, once, she asked him to forgive
her having come to him.  And that was all.  The parting at her door
was conventional.  They shook hands, said good night, and he lifted
his hat.  The door swung shut, and he lighted a cigarette and
turned back for his hotel.  When he came to the doorway into which
he had seen Norman shrink, he stopped and looked in in a
speculative humor.

"She lied," he said aloud.  "She made believe to me that she had
dared greatly, and all the while she knew the brother that brought
her was waiting to take her back."  He burst into laughter.  "Oh,
these bourgeois!  When I was broke, I was not fit to be seen with
his sister.  When I have a bank account, he brings her to me."

As he swung on his heel to go on, a tramp, going in the same
direction, begged him over his shoulder.

"Say, mister, can you give me a quarter to get a bed?" were the
words.

But it was the voice that made Martin turn around.  The next
instant he had Joe by the hand.

"D'ye remember that time we parted at the Hot Springs?" the other
was saying.  "I said then we'd meet again.  I felt it in my bones.
An' here we are."

"You're looking good," Martin said admiringly, "and you've put on
weight."

"I sure have."  Joe's face was beaming.  "I never knew what it was
to live till I hit hoboin'.  I'm thirty pounds heavier an' feel
tiptop all the time.  Why, I was worked to skin an' bone in them
old days.  Hoboin' sure agrees with me."

"But you're looking for a bed just the same," Martin chided, "and
it's a cold night."

"Huh?  Lookin' for a bed?"  Joe shot a hand into his hip pocket and
brought it out filled with small change.  "That beats hard graft,"
he exulted.  "You just looked good; that's why I battered you."

Martin laughed and gave in.

"You've several full-sized drunks right there," he insinuated.

Joe slid the money back into his pocket.

"Not in mine," he announced.  "No gettin' oryide for me, though
there ain't nothin' to stop me except I don't want to.  I've ben
drunk once since I seen you last, an' then it was unexpected, bein'
on an empty stomach.  When I work like a beast, I drink like a
beast.  When I live like a man, I drink like a man - a jolt now an'
again when I feel like it, an' that's all."

Martin arranged to meet him next day, and went on to the hotel.  He
paused in the office to look up steamer sailings.  The Mariposa
sailed for Tahiti in five days.

"Telephone over to-morrow and reserve a stateroom for me," he told
the clerk.  "No deck-stateroom, but down below, on the weather-
side, - the port-side, remember that, the port-side.  You'd better
write it down."

Once in his room he got into bed and slipped off to sleep as gently
as a child.  The occurrences of the evening had made no impression
on him.  His mind was dead to impressions.  The glow of warmth with
which he met Joe had been most fleeting.  The succeeding minute he
had been bothered by the ex-laundryman's presence and by the
compulsion of conversation.  That in five more days he sailed for
his loved South Seas meant nothing to him.  So he closed his eyes
and slept normally and comfortably for eight uninterrupted hours.
He was not restless.  He did not change his position, nor did he
dream.  Sleep had become to him oblivion, and each day that he
awoke, he awoke with regret.  Life worried and bored him, and time
was a vexation.

Chapter XLVI


"Say, Joe," was his greeting to his old-time working-mate next
morning, "there's a Frenchman out on Twenty-eighth Street.  He's
made a pot of money, and he's going back to France.  It's a dandy,
well-appointed, small steam laundry.  There's a start for you if
you want to settle down.  Here, take this; buy some clothes with it
and be at this man's office by ten o'clock.  He looked up the
laundry for me, and he'll take you out and show you around.  If you
like it, and think it is worth the price - twelve thousand - let me
know and it is yours.  Now run along.  I'm busy.  I'll see you
later."

"Now look here, Mart," the other said slowly, with kindling anger,
"I come here this mornin' to see you.  Savve?  I didn't come here
to get no laundry.  I come a here for a talk for old friends' sake,
and you shove a laundry at me.  I tell you, what you can do.  You
can take that laundry an' go to hell."

He was out of the room when Martin caught him and whirled him
around.

"Now look here, Joe," he said; "if you act that way, I'll punch
your head.  An for old friends' sake I'll punch it hard.  Savve? -
you will, will you?"

Joe had clinched and attempted to throw him, and he was twisting
and writhing out of the advantage of the other's hold.  They reeled
about the room, locked in each other's arms, and came down with a
crash across the splintered wreckage of a wicker chair.  Joe was
underneath, with arms spread out and held and with Martin's knee on
his chest.  He was panting and gasping for breath when Martin
released him.

"Now we'll talk a moment," Martin said.  "You can't get fresh with
me.  I want that laundry business finished first of all.  Then you
can come back and we'll talk for old sake's sake.  I told you I was
busy.  Look at that."

A servant had just come in with the morning mail, a great mass of
letters and magazines.

"How can I wade through that and talk with you?  You go and fix up
that laundry, and then we'll get together."

"All right," Joe admitted reluctantly.  "I thought you was turnin'
me down, but I guess I was mistaken.  But you can't lick me, Mart,
in a stand-up fight.  I've got the reach on you."

"We'll put on the gloves sometime and see," Martin said with a
smile.

"Sure; as soon as I get that laundry going."  Joe extended his arm.
"You see that reach?  It'll make you go a few."

Martin heaved a sigh of relief when the door closed behind the
laundryman.  He was becoming anti-social.  Daily he found it a
severer strain to be decent with people.  Their presence perturbed
him, and the effort of conversation irritated him.  They made him
restless, and no sooner was he in contact with them than he was
casting about for excuses to get rid of them.

He did not proceed to attack his mail, and for a half hour he
lolled in his chair, doing nothing, while no more than vague, half-
formed thoughts occasionally filtered through his intelligence, or
rather, at wide intervals, themselves constituted the flickering of
his intelligence.

He roused himself and began glancing through his mail.  There were
a dozen requests for autographs - he knew them at sight; there were
professional begging letters; and there were letters from cranks,
ranging from the man with a working model of perpetual motion, and
the man who demonstrated that the surface of the earth was the
inside of a hollow sphere, to the man seeking financial aid to
purchase the Peninsula of Lower California for the purpose of
communist colonization.  There were letters from women seeking to
know him, and over one such he smiled, for enclosed was her receipt
for pew-rent, sent as evidence of her good faith and as proof of
her respectability.

Editors and publishers contributed to the daily heap of letters,
the former on their knees for his manuscripts, the latter on their
knees for his books - his poor disdained manuscripts that had kept
all he possessed in pawn for so many dreary months in order to find
them in postage.  There were unexpected checks for English serial
rights and for advance payments on foreign translations.  His
English agent announced the sale of German translation rights in
three of his books, and informed him that Swedish editions, from
which he could expect nothing because Sweden was not a party to the
Berne Convention, were already on the market.  Then there was a
nominal request for his permission for a Russian translation, that
country being likewise outside the Berne Convention.

He turned to the huge bundle of clippings which had come in from
his press bureau, and read about himself and his vogue, which had
become a furore.  All his creative output had been flung to the
public in one magnificent sweep.  That seemed to account for it.
He had taken the public off its feet, the way Kipling had, that
time when he lay near to death and all the mob, animated by a mob-
mind thought, began suddenly to read him.  Martin remembered how
that same world-mob, having read him and acclaimed him and not
understood him in the least, had, abruptly, a few months later,
flung itself upon him and torn him to pieces.  Martin grinned at
the thought.  Who was he that he should not be similarly treated in
a few more months?  Well, he would fool the mob.  He would be away,
in the South Seas, building his grass house, trading for pearls and
copra, jumping reefs in frail outriggers, catching sharks and
bonitas, hunting wild goats among the cliffs of the valley that lay
next to the valley of Taiohae.

In the moment of that thought the desperateness of his situation
dawned upon him.  He saw, cleared eyed, that he was in the Valley
of the Shadow.  All the life that was in him was fading, fainting,
making toward death.

He realized how much he slept, and how much he desired to sleep.
Of old, he had hated sleep.  It had robbed him of precious moments
of living.  Four hours of sleep in the twenty-four had meant being
robbed of four hours of life.  How he had grudged sleep!  Now it
was life he grudged.  Life was not good; its taste in his mouth was
without tang, and bitter.  This was his peril.  Life that did not
yearn toward life was in fair way toward ceasing.  Some remote
instinct for preservation stirred in him, and he knew he must get
away.  He glanced about the room, and the thought of packing was
burdensome.  Perhaps it would be better to leave that to the last.
In the meantime he might be getting an outfit.

He put on his hat and went out, stopping in at a gun-store, where
he spent the remainder of the morning buying automatic rifles,
ammunition, and fishing tackle.  Fashions changed in trading, and
he knew he would have to wait till he reached Tahiti before
ordering his trade-goods.  They could come up from Australia,
anyway.  This solution was a source of pleasure.  He had avoided
doing something, and the doing of anything just now was unpleasant.
He went back to the hotel gladly, with a feeling of satisfaction in
that the comfortable Morris chair was waiting for him; and he
groaned inwardly, on entering his room, at sight of Joe in the
Morris chair.

Joe was delighted with the laundry.  Everything was settled, and he
would enter into possession next day.  Martin lay on the bed, with
closed eyes, while the other talked on.  Martin's thoughts were far
away - so far away that he was rarely aware that he was thinking.
It was only by an effort that he occasionally responded.  And yet
this was Joe, whom he had always liked.  But Joe was too keen with
life.  The boisterous impact of it on Martin's jaded mind was a
hurt.  It was an aching probe to his tired sensitiveness.  When Joe
reminded him that sometime in the future they were going to put on
the gloves together, he could almost have screamed.

"Remember, Joe, you're to run the laundry according to those old
rules you used to lay down at Shelly Hot Springs," he said.  "No
overworking.  No working at night.  And no children at the mangles.
No children anywhere.  And a fair wage."

Joe nodded and pulled out a note-book.

"Look at here.  I was workin' out them rules before breakfast this
A.M.  What d'ye think of them?"

He read them aloud, and Martin approved, worrying at the same time
as to when Joe would take himself off.

It was late afternoon when he awoke.  Slowly the fact of life came
back to him.  He glanced about the room.  Joe had evidently stolen
away after he had dozed off.  That was considerate of Joe, he
thought.  Then he closed his eyes and slept again.

In the days that followed Joe was too busy organizing and taking
hold of the laundry to bother him much; and it was not until the
day before sailing that the newspapers made the announcement that
he had taken passage on the Mariposa.  Once, when the instinct of
preservation fluttered, he went to a doctor and underwent a
searching physical examination.  Nothing could be found the matter
with him.  His heart and lungs were pronounced magnificent.  Every
organ, so far as the doctor could know, was normal and was working
normally.

"There is nothing the matter with you, Mr. Eden," he said,
"positively nothing the matter with you.  You are in the pink of
condition.  Candidly, I envy you your health.  It is superb.  Look
at that chest.  There, and in your stomach, lies the secret of your
remarkable constitution.  Physically, you are a man in a thousand -
in ten thousand.  Barring accidents, you should live to be a
hundred."

And Martin knew that Lizzie's diagnosis had been correct.
Physically he was all right.  It was his "think-machine" that had
gone wrong, and there was no cure for that except to get away to
the South Seas.  The trouble was that now, on the verge of
departure, he had no desire to go.  The South Seas charmed him no
more than did bourgeois civilization.  There was no zest in the
thought of departure, while the act of departure appalled him as a
weariness of the flesh.  He would have felt better if he were
already on board and gone.

The last day was a sore trial.  Having read of his sailing in the
morning papers, Bernard Higginbotham, Gertrude, and all the family
came to say good-by, as did Hermann von Schmidt and Marian.  Then
there was business to be transacted, bills to be paid, and
everlasting reporters to be endured.  He said good-by to Lizzie
Connolly, abruptly, at the entrance to night school, and hurried
away.  At the hotel he found Joe, too busy all day with the laundry
to have come to him earlier.  It was the last straw, but Martin
gripped the arms of his chair and talked and listened for half an
hour.

"You know, Joe," he said, "that you are not tied down to that
laundry.  There are no strings on it.  You can sell it any time and
blow the money.  Any time you get sick of it and want to hit the
road, just pull out.  Do what will make you the happiest."

Joe shook his head.

"No more road in mine, thank you kindly.  Hoboin's all right,
exceptin' for one thing - the girls.  I can't help it, but I'm a
ladies' man.  I can't get along without 'em, and you've got to get
along without 'em when you're hoboin'.  The times I've passed by
houses where dances an' parties was goin' on, an' heard the women
laugh, an' saw their white dresses and smiling faces through the
windows - Gee!  I tell you them moments was plain hell.  I like
dancin' an' picnics, an' walking in the moonlight, an' all the rest
too well.  Me for the laundry, and a good front, with big iron
dollars clinkin' in my jeans.  I seen a girl already, just
yesterday, and, d'ye know, I'm feelin' already I'd just as soon
marry her as not.  I've ben whistlin' all day at the thought of it.
She's a beaut, with the kindest eyes and softest voice you ever
heard.  Me for her, you can stack on that.  Say, why don't you get
married with all this money to burn?  You could get the finest girl
in the land."

Martin shook his head with a smile, but in his secret heart he was
wondering why any man wanted to marry.  It seemed an amazing and
incomprehensible thing.

From the deck of the Mariposa, at the sailing hour, he saw Lizzie
Connolly hiding in the skirts of the crowd on the wharf.  Take her
with you, came the thought.  It is easy to be kind.  She will be
supremely happy.  It was almost a temptation one moment, and the
succeeding moment it became a terror.  He was in a panic at the
thought of it.  His tired soul cried out in protest.  He turned
away from the rail with a groan, muttering, "Man, you are too sick,
you are too sick."

He fled to his stateroom, where he lurked until the steamer was
clear of the dock.  In the dining saloon, at luncheon, he found
himself in the place of honor, at the captain's right; and he was
not long in discovering that he was the great man on board.  But no
more unsatisfactory great man ever sailed on a ship.  He spent the
afternoon in a deck-chair, with closed eyes, dozing brokenly most
of the time, and in the evening went early to bed.

After the second day, recovered from seasickness, the full
passenger list was in evidence, and the more he saw of the
passengers the more he disliked them.  Yet he knew that he did them
injustice.  They were good and kindly people, he forced himself to
acknowledge, and in the moment of acknowledgment he qualified -
good and kindly like all the bourgeoisie, with all the
psychological cramp and intellectual futility of their kind, they
bored him when they talked with him, their little superficial minds
were so filled with emptiness; while the boisterous high spirits
and the excessive energy of the younger people shocked him.  They
were never quiet, ceaselessly playing deck-quoits, tossing rings,
promenading, or rushing to the rail with loud cries to watch the
leaping porpoises and the first schools of flying fish.

He slept much.  After breakfast he sought his deck-chair with a
magazine he never finished.  The printed pages tired him.  He
puzzled that men found so much to write about, and, puzzling, dozed
in his chair.  When the gong awoke him for luncheon, he was
irritated that he must awaken.  There was no satisfaction in being
awake.

Once, he tried to arouse himself from his lethargy, and went
forward into the forecastle with the sailors.  But the breed of
sailors seemed to have changed since the days he had lived in the
forecastle.  He could find no kinship with these stolid-faced, ox-
minded bestial creatures.  He was in despair.  Up above nobody had
wanted Martin Eden for his own sake, and he could not go back to
those of his own class who had wanted him in the past.  He did not
want them.  He could not stand them any more than he could stand
the stupid first-cabin passengers and the riotous young people.

Life was to him like strong, white light that hurts the tired eyes
of a sick person.  During every conscious moment life blazed in a
raw glare around him and upon him.  It hurt.  It hurt intolerably.
It was the first time in his life that Martin had travelled first
class.  On ships at sea he had always been in the forecastle, the
steerage, or in the black depths of the coal-hold, passing coal.
In those days, climbing up the iron ladders out the pit of stifling
heat, he had often caught glimpses of the passengers, in cool
white, doing nothing but enjoy themselves, under awnings spread to
keep the sun and wind away from them, with subservient stewards
taking care of their every want and whim, and it had seemed to him
that the realm in which they moved and had their being was nothing
else than paradise.  Well, here he was, the great man on board, in
the midmost centre of it, sitting at the captain's right hand, and
yet vainly harking back to forecastle and stoke-hole in quest of
the Paradise he had lost.  He had found no new one, and now he
could not find the old one.

He strove to stir himself and find something to interest him.  He
ventured the petty officers' mess, and was glad to get away.  He
talked with a quartermaster off duty, an intelligent man who
promptly prodded him with the socialist propaganda and forced into
his hands a bunch of leaflets and pamphlets.  He listened to the
man expounding the slave-morality, and as he listened, he thought
languidly of his own Nietzsche philosophy.  But what was it worth,
after all?  He remembered one of Nietzsche's mad utterances wherein
that madman had doubted truth.  And who was to say?  Perhaps
Nietzsche had been right.  Perhaps there was no truth in anything,
no truth in truth - no such thing as truth.  But his mind wearied
quickly, and he was content to go back to his chair and doze.

Miserable as he was on the steamer, a new misery came upon him.
What when the steamer reached Tahiti?  He would have to go ashore.
He would have to order his trade-goods, to find a passage on a
schooner to the Marquesas, to do a thousand and one things that
were awful to contemplate.  Whenever he steeled himself
deliberately to think, he could see the desperate peril in which he
stood.  In all truth, he was in the Valley of the Shadow, and his
danger lay in that he was not afraid.  If he were only afraid, he
would make toward life.  Being unafraid, he was drifting deeper
into the shadow.  He found no delight in the old familiar things of
life.  The Mariposa was now in the northeast trades, and this wine
of wind, surging against him, irritated him.  He had his chair
moved to escape the embrace of this lusty comrade of old days and
nights.

The day the Mariposa entered the doldrums, Martin was more
miserable than ever.  He could no longer sleep.  He was soaked with
sleep, and perforce he must now stay awake and endure the white
glare of life.  He moved about restlessly.  The air was sticky and
humid, and the rain-squalls were unrefreshing.  He ached with life.
He walked around the deck until that hurt too much, then sat in his
chair until he was compelled to walk again.  He forced himself at
last to finish the magazine, and from the steamer library he culled
several volumes of poetry.  But they could not hold him, and once
more he took to walking.

He stayed late on deck, after dinner, but that did not help him,
for when he went below, he could not sleep.  This surcease from
life had failed him.  It was too much.  He turned on the electric
light and tried to read.  One of the volumes was a Swinburne.  He
lay in bed, glancing through its pages, until suddenly he became
aware that he was reading with interest.  He finished the stanza,
attempted to read on, then came back to it.  He rested the book
face downward on his breast and fell to thinking.  That was it.
The very thing.  Strange that it had never come to him before.
That was the meaning of it all; he had been drifting that way all
the time, and now Swinburne showed him that it was the happy way
out.  He wanted rest, and here was rest awaiting him.  He glanced
at the open port-hole.  Yes, it was large enough.  For the first
time in weeks he felt happy.  At last he had discovered the cure of
his ill.  He picked up the book and read the stanza slowly aloud:-


"'From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives forever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.'"


He looked again at the open port.  Swinburne had furnished the key.
Life was ill, or, rather, it had become ill - an unbearable thing.
"That dead men rise up never!"  That line stirred him with a
profound feeling of gratitude.  It was the one beneficent thing in
the universe.  When life became an aching weariness, death was
ready to soothe away to everlasting sleep.  But what was he waiting
for?  It was time to go.

He arose and thrust his head out the port-hole, looking down into
the milky wash.  The Mariposa was deeply loaded, and, hanging by
his hands, his feet would be in the water.  He could slip in
noiselessly.  No one would hear.  A smother of spray dashed up,
wetting his face.  It tasted salt on his lips, and the taste was
good.  He wondered if he ought to write a swan-song, but laughed
the thought away.  There was no time.  He was too impatient to be
gone.

Turning off the light in his room so that it might not betray him,
he went out the port-hole feet first.  His shoulders stuck, and he
forced himself back so as to try it with one arm down by his side.
A roll of the steamer aided him, and he was through, hanging by his
hands.  When his feet touched the sea, he let go.  He was in a
milky froth of water.  The side of the Mariposa rushed past him
like a dark wall, broken here and there by lighted ports.  She was
certainly making time.  Almost before he knew it, he was astern,
swimming gently on the foam-crackling surface.

A bonita struck at his white body, and he laughed aloud.  It had
taken a piece out, and the sting of it reminded him of why he was
there.  In the work to do he had forgotten the purpose of it.  The
lights of the Mariposa were growing dim in the distance, and there
he was, swimming confidently, as though it were his intention to
make for the nearest land a thousand miles or so away.

It was the automatic instinct to live.  He ceased swimming, but the
moment he felt the water rising above his mouth the hands struck
out sharply with a lifting movement.  The will to live, was his
thought, and the thought was accompanied by a sneer.  Well, he had
will, - ay, will strong enough that with one last exertion it could
destroy itself and cease to be.

He changed his position to a vertical one.  He glanced up at the
quiet stars, at the same time emptying his lungs of air.  With
swift, vigorous propulsion of hands and feet, he lifted his
shoulders and half his chest out of water.  This was to gain
impetus for the descent.  Then he let himself go and sank without
movement, a white statue, into the sea.  He breathed in the water
deeply, deliberately, after the manner of a man taking an
anaesthetic.  When he strangled, quite involuntarily his arms and
legs clawed the water and drove him up to the surface and into the
clear sight of the stars.

The will to live, he thought disdainfully, vainly endeavoring not
to breathe the air into his bursting lungs.  Well, he would have to
try a new way.  He filled his lungs with air, filled them full.
This supply would take him far down.  He turned over and went down
head first, swimming with all his strength and all his will.
Deeper and deeper he went.  His eyes were open, and he watched the
ghostly, phosphorescent trails of the darting bonita.  As he swam,
he hoped that they would not strike at him, for it might snap the
tension of his will.  But they did not strike, and he found time to
be grateful for this last kindness of life.

Down, down, he swam till his arms and leg grew tired and hardly
moved.  He knew that he was deep.  The pressure on his ear-drums
was a pain, and there was a buzzing in his head.  His endurance was
faltering, but he compelled his arms and legs to drive him deeper
until his will snapped and the air drove from his lungs in a great
explosive rush.  The bubbles rubbed and bounded like tiny balloons
against his cheeks and eyes as they took their upward flight.  Then
came pain and strangulation.  This hurt was not death, was the
thought that oscillated through his reeling consciousness.  Death
did not hurt.  It was life, the pangs of life, this awful,
suffocating feeling; it was the last blow life could deal him.

His wilful hands and feet began to beat and churn about,
spasmodically and feebly.  But he had fooled them and the will to
live that made them beat and churn.  He was too deep down.  They
could never bring him to the surface.  He seemed floating languidly
in a sea of dreamy vision.  Colors and radiances surrounded him and
bathed him and pervaded him.  What was that?  It seemed a
lighthouse; but it was inside his brain - a flashing, bright white
light.  It flashed swifter and swifter.  There was a long rumble of
sound, and it seemed to him that he was falling down a vast and
interminable stairway.  And somewhere at the bottom he fell into
darkness.  That much he knew.  He had fallen into darkness.  And at
the instant he knew, he ceased to know.