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   The door of Mallory's room had been axed in, and the warped floor was awash with sand and water. Mallory's heaps of magazines and paper correspondence had blazed up very fiercely, thoroughly consuming his desk and a great blackened swatch of the carpet. There was a huge charred hole in the wall behind the desk and the ceiling above it, with naked joists and rafters gone to charcoal, and Mallory's wardrobe, replete with all his London finery, burnt to cindered rags and smashed mirror-glass. Mallory was beside himself with anger and a deep foreboding shame.
   "You locked your door, sir?" Fraser asked.
   "I always do. Always!"
   "May I see your key?"
   Mallory handed Fraser his key-chain. Fraser knelt quietly beside the splintered door-frame. He examined the keyhole closely, then rose to his feet.
   "Were there any suspicious characters reported in the hall?" Fraser asked Kelly.
   Kelly was offended. "May I ask who you are to inquire, sir?"
   "Inspector Fraser, Bow Street."
   "No, Inspector," Kelly said, sucking his teeth. "No suspicious characters. Not to my personal knowledge!"
   "You'll keep this matter confidential, Mr. Kelly. I assume that like other Royal Society establishments you take only guests who are accredited savants?"
   "That is our firm policy. Inspector!"
   "But your guests are allowed visitors?"
   "Male visitors, sir. Properly escorted ladies—nothing scandalous, sir!"
   "A well-dressed hotel cracksman," Fraser concluded. "And arsonist. Not so good an arsonist as he is a cracksman, for he was rather clumsy in the way he heaped those papers below the desk and the wardrobe. He'd a skeleton bar-key for this tumbler-lock. Had to scrape about a bit, but I doubt it took him five full minutes."
   "This beggars belief," Mallory said.
   Kelly looked near tears. "A savant guest burned out of his room! I don't know what to say! I have not heard of such a wickedness since the days of Ludd! 'Tis a shame. Dr. Mallory—a foul shame!"
   Mallory shook his head. "I should have warned you of this, Mr. Kelly. I have dire enemies."
   Kelly swallowed. "We know, sir. There's much talk of it among the staff, sir."
   Fraser was examining the remnants of the desk, poking about in the litter with the warped brass hanger-rod from the wardrobe. "Tallow," he said.
   "We carry insurance. Dr. Mallory," Kelly said hopefully. "I don't know if our policy covers exactly this sort of matter, but I do hope we can make good your losses! Please accept my most sincere apologies!"
   "It scotches me," Mallory said, looking about the wreckage. "But not so great a hurt as perhaps they hoped! I keep all my most important papers in the Palace safety-box. And of course I never leave money here." He paused. "I assume the Palace safe remains unrifled, Mr. Kelly."
   "Yes, sir," Kelly said. "Or rather—let me see to that at once, sir." He left hastily, bowing.
   "Your friend the Derby stiletto-man," Fraser said. "He did not dare dog you today, but once we'd left, he crept up here, cracked the door, and lit candles among your heaped-up papers. He was long and safely gone before the alarm was raised."
   "He must know a deal about my schedule," Mallory said. "Knows all about me, I daresay. He's plundered my number. He's taken me for a cake."
   "In a manner of speaking, sir." Fraser tossed the brass pole aside. "He's a trumped-up amateur. Your skilled arsonist uses liquid paraffin, which consumes itself and all it touches."
   "I shan't make that dinner with the Agnostics tonight, Fraser. I've nothing to wear!"
   Fraser stood quite still. "I can see you face misfortune very bravely—like a scholar and a gentleman. Dr. Mallory."
   "Thank you," Mallory said. There was a silence. "Fraser, I need a drink."
   Fraser nodded slowly.
   "For Heaven's sake, Fraser, let us go somewhere where we can do some genuine, blackguard, poverty-stricken drinking, with no false gingerbread glitter thrown over everything! Let us away from the fashionable Palace, to a house where they don't mind letting in a man with nothing left but the coat on his back!" Mallory kicked about in the rubble of his wardrobe.
   "I know what you need, sir," Fraser said soothingly. "A cheery place to let off a bit of steam—where there's drink and dance and lively ladies."
   Mallory discovered the blackened brass toggles of his Wyoming military-coat. The sight of this stung him deeply. "You wouldn't be trying to nanny me, would you, Fraser? I suppose Oliphant told you to nanny me. I think that would be a mistake. I'm in a mood for trouble, Fraser."
   "I don't mistake you at all, sir. The day has been very unkind. But then, you've yet to see Cremorne Gardens."
   "The only thing I want to see is the stiletto-man in the sights of a buffalo-rifle!"
   "I understand that sentiment perfectly, sir."
   Mallory opened his silver cigar-case—at least he still had that possession—and lit his last prime Havana. He puffed it hard, until the calm of good tobacco hit his blood. "On the other hand," he said at last, "I suppose your Cremorne Gardens might well do in a pinch."

   Fraser led the way, far down Cromwell Lane, past the great pile of pale brick that was the Diseased Chest Hospital: a nightmarishly dire place this evening. Mallory could not help but think.
   A vague notion of medical grimness continued to prey on Mallory's mind, so much so that they stopped at the next public-house, where Mallory had four or possibly five shots of a surprisingly decent whiskey. The pub was crowded with New Brompton locals, who seemed quite cheery in a cozy, besieged sort of way, though they kept slipping tuppenny bits into a pianola that tinkled "Come to the Bower," a song Mallory loathed. "There was no rest for him here. In any case, it was not Cremorne Gardens.
   They came across the first sign of real trouble a few blocks down New Brompton Road, by Bennett & Harper's Patent Floor-Covering Manufactory. An unruly crowd of uniformed men milled at the gates of the sprawling factory. Industrial trouble of some sort.
   It took Fraser and Mallory some time to discover that the crowd actually consisted almost entirely of policemen. Bennett & Harper's produced a gaily patterned water-proof stuff made of burlap, ground cork, and coal derivatives, suitable for trimming and gluing-down in the kitchens and baths of the middle-class. They also produced great volumes of effluent from half-a-dozen stacks, which clearly the city would temporarily be better off without. The first officials on the scene—or at least they claimed that distinction—had been a group of inspectors from the Royal Patent Office, pressed into emergency industrial duty by a Government contingency plan. But Messrs. Bennett and Harper, anxious not to lose the day's production, had challenged the patent-men's legal authority to shut down their works. They were soon confronted by two more inspectors from a Royal Society industrial committee, who claimed precedent. The local constable had been attracted by the uproar, followed by a flying-squad of Bow Street metropolitans arriving in a commandeered steam-bus. Most 'buses had now been seized by Government, along with the city's cab-fleet, in accordance with contingency measures intended to deal with rail strikes.
   The police had immediately shut down the stacks, fine work and a credit to the Government's good intentions, but the manufactory's workers were still on the premises, idle and very restive, for no one had mentioned a holiday with pay, though the workers clearly felt they deserved one under the circumstances. It also remained to be seen who was responsible for guarding the property of Messrs. Bennett and Harper, and who would be responsible for giving the official word to start the boilers again.
   Worst of all, there seemed to be dire problems with the police telegraph-service—routed, presumably, through the Westminster pyramid of the Central Statistics Bureau. There must be trouble there from the Stink, Mallory surmised. "You're Special Branch, Mr. Fraser," Mallory said. "Why don't you straighten these dullards out?"
   "Very witty," Fraser said.
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   "I wondered why we hadn't seen officers patrolling the streets. They must be snarled up in the premises of factories all over London!"
   "You seem awfully pleased about the matter," Fraser said.
   "Bureaucrats!" Mallory scoffed cheerily. "They might have known this would happen, if they'd properly studied Catastrophist theory. It is a concatenation of synergistic interactions; the whole system is on the period-doubling route to Chaos!"
   "What does that mean, pray?"
   "Essentially," Mallory said, smiling behind his kerchief, "in layman's terms, it means that everything gets twice as bad, twice as fast, until everything falls completely apart!"
   "That's savantry talk. You don't presume that has anything to do with real matters here in London, do you?"
   "Very interesting question!" Mallory nodded. "Deep metaphysical roots! If I model a phenomenon accurately, does that mean I understand it? Or might it be simple coincidence, or an artifact of the technique? Of course, as an ardent simulationist, I myself put much faith in Engine-modeling. But the doctrine can be questioned, no doubt of it. Deep waters, Fraser! The sort of thing that old Hume and Bishop Berkeley used to thrive on!"
   "You're not drunk, are you, sir?"
   "Just a bit elevated," Mallory said. "Squiffy, you might say." They tramped on, wisely leaving the police to their squabbling.
   Mallory suddenly felt the loss of his good old Wyoming toggle-coat. He missed his canteen, his spyglass, the snug stiffness of a rifle over his back. The look of a cold, clean, wild horizon where life was fully lived and death was swift and honest. He wished he were out of London, on expedition again. He could cancel all his engagements. He could apply for funding to the Royal Society, or better yet, the Geographical. He would leave England!
   "You needn't do that, sir," Fraser said. "Might make matters worse, actually."
   "Was I talking aloud?"
   "A bit, sir. Yes."
   "Where could a man get a first-class game-rifle here in town, Fraser?"
   They were behind Chelsea Park now, in a place called Camera Square, where the shops offered fancy optical goods: talbotypes, magic-lanterns, phenakistoscopes, telescopes for the amateur star-gazer. There were toy microscopes for the boy-savant of the house, boys often taking a strong interest in the wriggling animalcules in pond-water. The minute creatures were of no practical interest, but their study might lead young minds to the doctrines of genuine Science. Stung by sentiment, Mallory paused before a window displaying such microscopes. They reminded him of kindly old Lord Mantell, who had given him his first job tidying-up about the Lewes Museum. From there he'd moved to cataloguing bones and birds'-eggs, and at last to a real Cambridge scholarship. The old Lord had been a bit eager with the birch-switch, he now recalled, but likely no more than Mallory had deserved.
   There came an odd whizzing sound from up the pavement. Mallory glanced in that direction and saw a queer half-crouching ghostly figure emerge from the fog, clothing flapping about it with speed, a pair of walking-canes doubled up under its arms.
   Mallory jumped back at the last possible instant as the boy shot past him with a yowling whoop. A London boy, thirteen or so, on rubber-wheeled boots. The boy turned swiftly, skidded to an expert stop, and began to pole himself back up the pavement with the walking-sticks. Presently, an entire pack of boys had surrounded Mallory and Fraser, leaping and yelping in devilish glee. None of the others had wheeled shoes, but nearly all wore the little square cloth masks that Bureau clerks donned to tend their Engines.
   "Say, you lads!" Fraser barked, "where did you get those masks?"
   They ignored him. "That was dead flash!" one of them shouted. "Do it again. Bill!" Another boy cocked his leg three times with an odd ritual motion, then jumped high in the air and crowed "Sugar!" Those around him laughed and cheered.
   "Calm down, you," Fraser ordered.
   "Vinegar phiz!" a wicked boy fleered at him. "Shocking bad hat!" The whole pack of them burst into raucous hilarity.
   "Where are your parents?" Fraser demanded. "You shouldn't be running about in this weather."
   "Nuts and knuckles!" sneered the boy in wheeled shoes. "Forward all, my hearty crew! Panther Bill commands!" He jabbed his walking-sticks down and off. The others followed, yelling and whooping.
   "Far too well-dressed to be street-arabs," Mallory remarked.
   The boys had run off a short distance and were setting up for a game of crack-the-whip. Swiftly, each boy grabbed the next by the arm, forming a chain. The boy on wheels took the tail-end.
   "Don't like the look of that," Mallory muttered.
   The chain of boys swung out across Camera Square, each link gathering impetus, and suddenly the wheel-footed boy shot loose from the end like a stone from a catapult. He skidded off with a scream of devilish glee, hit some small discontinuity in the pavement, and tripped headlong into a sheet of plate-glass.
   Shards of glass burst from the store-front, toppling like guillotine blades.
   Young Panther Bill lay upon the pavement, seemingly stunned or dead. There was an awful moment of shocked silence.
   "Treasure!" shrilled one of the boys. With maddened shrieks, the pack scrambled for the broken store-front and began grabbing every display-item in sight: telescopes, tripods, chemical glassware—
   "Halt!" Fraser shouted. "Police!" He reached inside his coat, yanked his kerchief down, and sounded three sharp blasts on a nickel-plate police-whistle.
   The boys fled instantly. A few dropped their snatched booty, but the rest clutched their prizes fiercely and ran like Barbary apes. Fraser hoofed it after them, Mallory at his heels, reaching the store-front where Panther Bill still lay sprawled. As they approached, the boy levered himself up on his elbow and shook his bleeding head.
   "You're hurt, son," Mallory said.
   "I'm right and fly!" said Panther Bill sluggishly. His scalp was slashed to the bone and blood was pouring over both his ears. "Hands off me, you masked bandits!"
   Belatedly, Mallory pulled his own kerchief down and tried to smile at the boy. "You're injured, son. You need help." Together with Fraser, he bent over the boy.
   "Help!" the boy screeched. "Help me, my crew!"
   Mallory turned to look. Perhaps one of the other boys could be sent for aid.
   A glittering triangular shard of flung glass spun from the fog, catching Fraser square in the back. The policeman jerked upright with a look of wide-eyed animal shock.
   Panther Bill scrambled off on his hands and knees and jumped to his skidding feet. There was a loud smash from another store-front nearby, the musical clatter of glass, and delighted screams.
   The glass-shard protruded in shocking fashion from Fraser's back. It was imbedded in him. "They're going to kill us!" Mallory cried, hauling Fraser along by the arm. Behind them glass was bursting like bombs, some of it flung blindly to shatter against the walls, some cascading from its shop-front mullions.
   "Bloody hell…," Fraser muttered.
   Panther Bill's cry rang through the fog. "Treasure, my hearties! Treasure!"
   "Clench your teeth," Mallory said. Folding his kerchief to protect his hand, he plucked the shard from Fraser's back. To his great relief, it came out of a piece. Fraser shuddered.
   Mallory helped him gently out of his coat. Gore had streaked Fraser's shirt to the waistline, though it seemed not as bad as it might have been. The glass-shard had stabbed the chamois-leather strap of Fraser's shoulder-holster, which held a stout little pepperbox. "Your holster stopped most of it," Mallory said. "You're cut, but it's not deep, not through the ribs. We need to staunch that bleeding… "
   "Police station," Fraser nodded, "Kings Road West." He had gone very pale.
   A fresh cascade of smashing glass echoed distantly behind them.
   They walked on swiftly, Fraser wincing with each step. "You'd better stay with me," he said. "Spend the night at the police station. This has become very bad."
   "Surely," Mallory said. "Don't trouble yourself."
   "I mean it. Mallory."
   "To be sure."
   Two hours later Mallory was in Cremorne Gardens.

   The document under analysis is a holographic letter. The letterhead has been removed, and the sheet was hastily folded. There is no date, but holographic analysis establishes that it is the genuine script of Edward Mallory, written in haste, and in a condition suggesting some loss of muscular coordination.
   The paper-stock, of modest quality and badly yellowed by age, is of a sort in common governmental use in the mid-1850s. Its probable origin is the Kings Road West police station.
   The text, in a badly faded ink from a pen-nib worn by long use, reads as follows:

   MADAME.

   I have told no one. But someone must be told. I conclude that you must be my confidante, for there is no one else.
   When I took your property into my safe-keeping, I did so freely. Your request is one I honor as I would a royal command, and your enemies are, of course, my own. It is the highest privilege of my life to act as your paladin.
   Pray do not be alarmed for my safety. I beg you, take no steps on my behalf that might endanger yourself. Any risk in this battle I assume gladly, but there is indeed risk. Should the worst befall me, it is likely that your property would never be recovered.
   I have examined the cards. I believe I have some inkling of their use, though they are far beyond my meager skill in Enginery. If this was an impertinence, I beg your pardon.
   I have bound the cards securely in wrappings of clean linen, and personally sealed them away within an airtight container of plaster. That container is the skull of the Brontosaurus specimen in the Museum of Practical Geology in Jermyn Street. Your property now reposes in perfect safety some thirty feet above the ground. No human soul knows this, excepting yourself, and

   Your Ladyship's most humble servant,

EDWARD MALLORY, F.R.S., F.R.G.S.
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FOURTH ITERATION
Seven Curses

   This object is a patriotic funerary plaque in dense white porcelain, of the sort produced to commemorate the deaths of royalty and heads of state. Beneath an originally colorless glaze, cracked and yellowed by processes of time, are visible the features of Lord Byron.
   Tens of thousands of these objects were sold throughout England during the months following the Prime Minister's death. The plaques themselves were of a standard manufacture, held in readiness for the demise of any sufficiently noted personage. The image of Byron, surrounded by wreaths, ornate scroll-work, and figures representative of the early history of the Industrial Radical Party, has been Engine-stippled upon a film of transparent material, which was then transferred to the plaque, glazed, and fired.
   To Byron's left, amid stippled scroll-work, a crowned British lion poses rampant above the blurred coils of a defeated serpent, most probably meant to represent the Luddite cause.
   It was sometimes remarked upon, both during and after Byron's rise to leadership, that his maiden speech in the House of Lords, February, 1812, urged clemency for the Luddites. Byron himself, questioned in this regard, is widely believed to have replied, "But there were Luddites, sir, and then there were Luddites." While this remark may be apocryphal, it is wholly in keeping with what is known of the Prime Minister's personality, and would seem to refer to the extraordinary severity with which he later put down and suppressed the popular Manchester-based anti-industrial movement led by Walter Gerard. For this was a form of Luddism attacking, not the old order, but the order that the Rads themselves had established.
   This object was once the property of Inspector Ebenezer Fraser, of the Bow Street Special Branch.

   Mallory had stayed with Fraser, watching the police surgeon at work with dirty sponge and bandage, until he was sure that Fraser was fully distracted. To further ease Fraser's evident suspicions, Mallory had borrowed a sheet of police stationery and set to the task of composing a letter.
   In the meantime, the Kings Road station had slowly filled with bellowing ruffian drunks and various species of rioter. It was very interesting as a social phenomenon, but Mallory was in no mood to spend the night on a cheerless cot in some raucous cell. His taste was most stubbornly set on something else entirely.
   So he had politely asked directions of a harried and exhausted sergeant, noted them with care in his field-book, and eased out of the station. He'd had no problem finding Cremorne Gardens.
   The situation there was nicely indicative of the city's crisis dynamic. It was quite calm. No one in the Gardens seemed aware of events beyond, the shock-waves of localized dissolution having not yet permeated the system.
   And it did not stink so badly here. The Gardens were on the Chelsea Reach, well upstream of the worst of the Thames. There was a faint night-breeze off the river, somewhat fishy but not altogether unpleasant, and the fog was broken by the great leafy boughs of Cremorne's ancient elms. The sun had set, and a thousand cloudy gas-lights twinkled for the pleasure of the public.
   Mallory could imagine the pastoral charm of the Gardens in happier times. The place had bright geranium-beds, plots of well-rolled lawn, pleasant vine-enshrouded kiosks, whimsical plaster follies, and of course the famous Crystal Circle. And the "monster platform" as well, a great roofed and wall-less ballroom, where thousands might have strolled or waltzed or polkaed on the shoe-streaked wooden deck. There were liquor-stands inside, and food, and a great horse-cranked panmelodium playing a medley of selections from favorite operas.
   There were not, however, thousands present tonight. Perhaps three hundred people circulated listlessly, and no more than a hundred of these were respectable. This hundred were weary of confinement, Mallory assumed, or courting couples braving all unpleasantness to meet. Of the remainder, two-thirds were men, more or less desperate, and prostitutes, more or less brazen.
   Mallory had two more whiskeys at the platform's bar. The whiskey was cheap and smelled peculiar, either tainted by the Stink or doctored with hartshorn or potash or quassia. Or perhaps indian-berry, for the stuff had the color of bad stout. The whiskey-shots sat in his stomach like a pair of hot coals.
   There was only a bit of dancing going on, a few couples attempting a self-conscious waltz. Mallory was not much of a dancer at the best of times. He watched the women. A tall, finely shaped young woman danced with an older, bearded gentleman. The fellow was stout and looked gouty in his knees, but the woman stood tall as a dart and danced with as much grace as a professional, the brass heels of her dolly-boots glinting in the light. The sway of her petticoats suggested the shape and size of the haunches beneath. No padding or whalebone was there. She'd fine ankles in red stockings and her skirts were two inches higher than propriety allowed.
   He could not see her face.
   The panmelodium struck up another tune, but the stout gentleman seemed winded. The pair of them stopped and moved off among a group of friends: an older, modest-looking woman in a bonnet, two other young girls who looked like dollymops, and another older gentleman who looked bleak-faced and foreign, from Holland perhaps or one of the Germanies. The dancing girl was talking with the others and tossing her head as if laughing. She had fine brunette hair and a bonnet knotted round her throat and hanging down her back. A fine, solid, womanly back and slim waist.
   Mallory began walking slowly toward them. The girl talked with seeming earnestness to the foreign man, but his face showed reluctance and a seeming disdain. The girl sketched out something like a half-reluctant curtsey, then turned away from him.
   Mallory saw her face for the first time. She had a strange long jaw, thick eyebrows, and a broad mobile slash of a mouth, lips edged with rouge. It was not exactly an ugly face, but decidedly plain. Yet there was a sharp, reckless look in her grey eyes and a strangely voluptuous expression that caught him as he stood. And she had a splendid form. He could see it as she walked—rolled, slid almost—to the bar. Again those marvelous hips and the line of that back. She leaned across the bar to chaff with the barman and her skirt rose behind her almost to her red-stockinged calf. The sight of her muscular leg thrilled him with a jolt of lewd intensity. It was as if she had kicked him with it.
   Mallory moved to the bar. She was not chaffing with the barman but arguing with him, in a half-painful, nagging, womanly way. She was thirsty and had no cash and said that her friends were paying. The barman didn't believe her, but would not say so straight out.
   Mallory tapped a shilling on the bar. "Barman, give the lady what she wants."
   She looked at him with annoyed surprise. Then she recovered herself, and smiled, and looked at him through half-shut lashes. "You know what I like best, Nicholas," she told the barman.
   He brought her a flute of champagne and relieved Mallory of his money. "I love champagne," she told Mallory. "You can dance like a feather when you drink champagne. Do you dance?"
   "Abominably," Mallory said. "May I go home with you?"
   She looked him up and down, and the corner of her mouth moved, with a wry but voluptuous smirk. "I'll tell you in a moment." And she went to rejoin her friends.
   Mallory did not wait, for he thought it likely a gull. He walked slowly about the monster promenade and looked at other women, but then he saw the tall plain-faced girl beckoning. He went to her.
   "I think I can go with you, but you may not like it," she said.
   "Why shouldn't I?" he said. "I like you."
   She laughed. "I don't mean in that way. I don't live here in Brompton; I live in Whitechapel."
   "That's a long way."
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   "The trains aren't running. And we can't get a cab at all. I was afraid I would sleep in the park!"
   "What about your friends?" Mallory asked.
   The girl tossed her head, as if to say she didn't care for them. Her fine neck showed a bit of machine-made lace at the hollow of her throat. "I want to go back to Whitechapel. Will you take me? I haven't any money, not a tuppence."
   "All right," Mallory said. He offered her his arm. "It's a five-mile walk—but your legs are a marvel."
   She took his elbow and smiled at him. "We can catch a river-steamer at Cremorne Pier."
   "Oh," Mallory said. "Down the Thames, eh?"
   "It's not very dear." They walked down the steps of the monster platform into the twinkling gas-lit darkness. "You're not from London, are you? A traveling-gent."
   Mallory shook his head.
   "Will you give me a sovereign if I sleep with you?"
   Mallory, surprised at her bluntness, said nothing.
   "You can stay all night," she said. "I've a very nice room."
   "Yes, that's what I want."
   He stumbled a bit on the gravel walk. She steadied him, then boldly met his eyes. "You're a bit lushed, are you? But you look good-natured. What do they call you?"
   "Edward. Ned, mostly."
   "That's my name, too!" she said. "Harriet Edwardes, with an 'e' on the end. My stage-name. But my friends call me Hetty."
   "You have the figure of a goddess, Hetty. I'm not surprised you're on the stage."
   She gave him that bold, grey-eyed look. "You like wicked girls, Ned? I hope you do, for I'm in a mood to do wicked things tonight."
   "I like them fine," Mallory said. He grabbed her by her tapered waist, thrust one hand against her swelling bosom, and kissed her mouth. She gave a little surprised shriek, and then threw her arms around his neck. They kissed a long while beneath the dark bulk of an elm. He felt her tongue against his teeth.
   She pulled back a bit. "We have to get home, Ned. All right?"
   "All right," he said, breathing hard. "But show me your legs now. Please?"
   She looked up and down the path, then lifted her petticoats to the knee and dropped them again.
   "They're perfection," he said. "You could sit to painters."
   "I have sat to painters," she said, "and it don't pay."
   A steamer sounded at Cremorne Pier. They ran to it and got aboard with moments to spare. The effort sent whiskey racing through Mallory's head. He gave the girl a shilling to pay the four-pence toll, and found a canvas steamer-chair up near the bow. The little ferry got up steam, its side-wheels slapping black water. "Let's go in the saloon," she said. "There's drink."
   "I like to see London."
   "I don't think you'll like what you see on this trip."
   "I will if you stay with me," he said.
   "How you talk, Ned," she said, and laughed. "Funny, I thought you were a copper at first, you looked so stern and solemn. But coppers don't talk like that, drunk or sober."
   "You don't like compliments?"
   "No, they're sweet. But I like champagne, too."
   "In a moment," Mallory said. He was drunker than he liked to be. He stood and walked to the bow railing and gripped it hard, squeezing sensation back into his fingertips. "Damned dark in the city," he said.
   "Why, it is," she said, standing near him. She smelled of salt sweat and tea-rose and cunt. He wondered if she had much hair there and what its color was. He was dying to see it. "Why is that, Ned?"
   "What?"
   "Why is it so dark? Is it the fog?"
   "Gas-lights," he said. "Government have a scheme to turn off the gas-lights because they smoke so."
   "How clever of them."
   "Now people are running about in the blackened streets, smashing everything in sight."
   "How do you know that?"
   He shrugged.
   "You're not a copper?"
   "No, Hetty."
   "I don't like coppers. They're always talking as if they know things you don't know. And they won't tell you how they know it."
   "I could tell you," Mallory said. "I should like to tell you. But you wouldn't understand."
   "Of course I'd understand, Ned," Hetty said in a voice as bright as peeling paint. "I love to hear clever men talk."
   "London is a complex system out of equilibrium. It's like—it's like a drunken man, blind drunk, in a room with whiskey bottles. The whiskey is hidden—so he's always walking about looking for it. When he finds a bottle, he takes a long drink, but puts it down and forgets it at once. Then he wanders and looks again, over and over."
   "Then he runs out of liquor and has to buy more," Hetty said.
   "No. He never runs out. There's a demon that tops up the bottles constantly. That's why it is an open dynamical system. He walks round and round in the room, forever, never knowing what his next step may be. All blind and unknowing, he traces circles, figure-eights, every figure that a skater might make, but he never leaves the boundaries. And then one day the lights go out, and he instantly runs headlong out of the room and into outer darkness. And anything may happen then, anything at all, for the outer darkness is Chaos. It is Chaos, Hetty."
   "And you like that, eh?"
   "What?"
   "I don't know what that means that you just said; but I can tell you like it. You like to think about it." With a gentle, quite natural movement, she put her hand against the front of his trousers. "Isn't it stiff!" She snatched her hand back and grinned triumphantly.
   Mallory looked hastily about the deck. There were other people out, a dozen or so. It seemed none of them were watching, but it was hard to tell in the foggy darkness. "You tease," he said.
   "Pull it out, and you'll see how I tease."
   "I'd rather wait for the proper time and place."
   "Fancy a man saying that," she said, and laughed.
   The steady slapping paddle-wheels suddenly changed their tenor. The black Thames gave up a vile rush of stench and the crisping sound of bubbles.
   "Oh, it's horrid," cried Hetty, clapping a hand to her mouth. "Let's go in the saloon, Ned, please!"
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   A strange curiosity pinned Mallory in place. "Does it get worse than this? Down-river?"
   "Much worse," Hetty said through her fingers. "I've seen folk swoon away."
   "Why do the ferries still run, then?"
   "They always run," Hetty said, half-turning away. "They're mail-boats."
   "Oh," Mallory said. "Could I buy a stamp here?"
   "Inside," said Hetty, "and you can buy me something, too."

   Hetty lit an oil-lamp in the cramped little hallway of her upstairs lodging in Flower-and-Dean Street. Mallory, powerfully glad to be free of the fog-choked eeriness of back-street Whitechapel, edged past her into the parlor. A square, plank-topped table held a messy stack of illustrated tabloids, somehow still delivered despite the Stink. In the dimness he could make out fat Engine-printed headlines bemoaning the poor state of the Prime Minister's health. Old Byron was always feigning sickness, some gammy foot or rheumy lung or raddled liver.
   Hetty entered the parlor with her glowing lamp, and faded roses bloomed in the dusty wallpaper. Mallory dropped a gold sovereign on the table-top. He hated trouble in these matters, and always paid in advance. She noted the ring of the coin, smiling. Then she kicked off her street-muddied dolly-boots, and walked, swaying, to a doorway, which she flung open. A grey cat ran out, mewing, and she fussed at it, petting it and calling it Toby. She let it out to the stairs. Mallory watched her do this, and stood flat-footed in unhappy patience.
   "Well, then, come on with you," she said, tossing her plaited brown head.
   The bedroom was small enough, and shabby, with a pressed-oak two-poster and a tall, tarnished cheval-glass that looked as if it had once cost some money. Hetty set the lamp on the badly delaminated veneer of a bedside commode and began to pick at the buttons of her blouse, pulling her arms from the sleeves and tossing the garment aside as if clothing were more trouble to her than she cared for. Stepping deftly out of her skirt, she began to remove her corset and a stiff crinkled petticoat.
   "You wear no crinoline," Mallory noted hoarsely.
   "Don't like 'em." She popped the waistband of the petticoat and laid it aside. She deftly picked the wire hooks of the corset and eased its laces open, then wriggled it over her hips and stood there, breathing in relief, in her lace chemise.
   Mallory got out of his jacket and shoes. His member strained at his fly-buttons. He was anxious to get it out of his trousers, but didn't care to parade his erect prick by lamplight.
   Hetty jumped into the bed in her chemise, the worn springs complaining loudly. Mallory sat on the edge of the bed, which smelled powerfully of cheap orange-water and Hetty's sweat, and got his trousers and unmentionables off, leaving himself in his shirt.
   Leaning off the bed, he unbuttoned one compartment of his money-belt and removed a French-letter. "I'll do it in armor, dear," he muttered. "Is that all right?"
   Hetty sat up brightly on her elbow. "Let me see it, then." Mallory showed her the rolled membrane of sheep-gut. "It isn't one of those queer ones," she noted, with apparent relief. "Do as you like, dearie."
   Mallory carefully peeled the device over the taut skin of his prick. This was better. Mallory thought, happier for this act of foresight. It felt more as if he knew what he was doing here, and that he would be safe after all, and get his money's worth as well. He climbed under the dingy sheet.
   Hetty wrapped her strong arms around his neck and kissed him fiercely with her great crooked mouth, as if she meant to glue it to him. Mallory, startled, felt her tongue writhing about on his teeth like a slick warm eel. The strange sensation powerfully stimulated his virility. He struggled atop her, her solid flesh feeling marvelous through the obscenely thin veil of the chemise, and fought with the garment till he had it up about her waist. Hetty made enthusiastic groaning noises as Mallory groped about in the damp fleece between her legs. Finally, seeming impatient, Hetty reached down without ceremony and jammed his prick into her cunt.
   She stopped sucking his mouth as they began to rut. Soon they were breathing like steam-gurneys, the bed creaking and jouncing beneath them like a badly tuned panmelodium. "Oh, Ned, darling!" she yelped suddenly, setting eight sharp fingernails into his back. "What a fine big one it is! I'm going to spend!" And she writhed under him in near-convulsion. Jolted by the strangeness of a woman speaking English in the midst of sexual congress, he spent abruptly, as if the seed were wrenched unwilling from his flesh by the hard lewd plunging of her loins.
   After a quiet, panting moment, Hetty kissed his bearded cheek with the half-shy lash-fluttering look of a woman conquered by desire. "That was fine indeed, Ned. You really do know how to do it. Now let's have something to eat, shall we? I'm bloody starving."
   "Good," Mallory said, rolling off the sweaty cradle of her hips. He felt grateful to her, as he always did to any woman who had favored him, and a bit ashamed of himself, and of her as well. But very hungry, too. He had not eaten in many hours.
   "We can get a nice petit-souper downstairs from the Hart. Mrs. Cairns can fetch it up for us. She's my landlady what lives next door."
   "Fine," Mallory said.
   "You'll have to pay for it and tip her, though." Hetty rolled from bed, her chemise rucked up. She tugged it loose, but the glimpse of her magnificent backside sent a wash of gratified amazement through him. She knuckle-thumped the bedroom wall in quick staccato. After a slow moment there was an answering knock.
   "Your friend's up late?" Mallory said.
   "She's used to this business," Hetty told him, sliding back in bed with a chorus of squeaks. "Never you mind Mrs. Cairns. She mills her poor husband about every Wednesday and keeps the whole building awake."
   Mallory carefully removed his French-letter, which had stretched out of shape but not torn, and dropped it into the pot-de-chambre. "Should we open a window? It's damned hot… "
   "No, don't let in the Stink, dearie!" Hetty grinned in the lamplight, and scratched herself beneath the sheet. "Anyway, the windows don't open."
   "Why not?"
   "The casements are all nailed tight. The girl who used to live here, last winter… Queer little thing, with a po-face and fine gentry airs, but awful frightened of her enemies. She nailed all the windows shut, I think. They finally got her even so, poor creature."
   "How is that, then?" Mallory asked.
   "Oh, she never brought her men here, that I ever saw, but finally the coppers came here looking for her. Specials, if you know the kind I mean. And they gave me a sharp time of it too, the bastards, as if I knew what she did, or who her friends were. I didn't even know her real name. Sybil something. Sybil Jones."
   Mallory tugged at his beard. "What did she do, this Sybil Jones?"
   "She had a child by an M.P. when she was young," Hetty said. "Fellow name of, well, I doubt you want to know. She was a politician's tart, who used to sing a bit. Me, I'm a tart who poses. Connaissez-vous poses plastiques?"
   "No." Mallory noted without surprise that a flea had landed on his bare knee-cap. He caught it, then cracked it bloodily between his thumbnails.
   "We dress in tight leotards colored just like skin, and swan about and let gentlemen gawk at us. Mrs. Winterhalter—you saw her tonight in Cremorne, bossing us about—she's my manageress, as they say. The crowd was dreadful thin tonight, and those Swede diplomats we was with are as tight as a chicken's arse. So it was a bit of luck for me that you showed."
   A rapping came at the door of the hall. Hetty rose. "Donnez-moi four shillings," she said. Mallory gave her some coins, which swiftly vanished as she left. Hetty returned with a dented and chipped japanned tray and displayed a misshapen loaf of bread, a lump of ham, mustard, four fried sausages, and a dusty split of warm champagne.
   Filling two stained champagne-flutes, she began to eat her supper, quite composedly, without speaking. Mallory gazed fixedly at her dimpled arms and shoulders and the swell of her heavy, dark-nippled breasts in the thin chemise, and wondered a bit about the plainness of her face. He drank a glass of the acrid, bad champagne, and ate the greenish ham in famished mouthfuls.
   Hetty finished the sausages. "Then, with a crooked smile, she slid out of bed, and squatted by its side, hoisting the chemise to her waist. "That champagne runs right through you, don't it? I need the pot. Don't look unless you want to." Mallory looked aside politely and listened to the rattle of piss.
   "Let's wash," she said. "I'll fetch a basin." She came back with an enameled pan of reeking London water, and sponged at herself with a loofah.
   "Your form is splendid," Mallory said. Her hands and feet were small, but the columnar roundness of her calves and thighs were marvels of mammalian anatomy. Her great solid buttocks were faultless. They seemed weirdly familiar to him, like the white female buttocks he had seen in a dozen historical canvases. It occurred to him that likely they were the very same. Her neat-lipped cunt was furred with auburn hair.
   She smiled at his stare. "Would you like to see me naked?"
   "Very much."
   "For a shilling?"
   "All right."
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   She threw off her chemise with apparent relief, sweat standing out all over her. She sponged tenderly at her dripping armpits. "I can stand in pose, not moving at all, for full five minutes at a time," she said, slurring a bit. She had drunk nearly all of the champagne. "Have you a watch? Ten shilling an' I'll do it! Do you bet I can?"
   "I'm sure you can do it," Mallory said.
   Hetty bent gracefully, grasped her left ankle, and lifted it straight above her head, her leg stiff at the knee. She began spinning about, slowly, shuffling on heel and toe. "You like it?"
   "Wonderful," Mallory said, stunned.
   "Look, I can put both my hands quite flat on the floor," she said, bending at the waist. "Most London girls are so tight-laced they'd break in bloody half if they tried this." Then she went into a split on the floor, and gazed up at him, drunken and triumphant.
   "I never lived till I came to London," Mallory said.
   "Take off your shirt, then, and let's fuck starkers." Her long-jawed face was flushed, her grey eyes bulging. Mallory took his shirt off. She advanced on him with the enamel basin. "Fucking naked's fine in beastly hot weather like this. I always like to fuck naked. My, you have fine firm flesh on you, an' I do like a man with some hairiness. Let's have a look at your prick." She grabbed it forthrightly, skinned it back and examined it, then dabbled it in the basin. "You're not sick, dear—there's nothing wrong with you, it's quite a fine one. Why not fuck me without that nasty sausage-skin and save yourself nine pence?"
   "Nine pence isn't much," Mallory said. He put on another French-letter, then mounted her. He rutted nakedly, sweating like a blacksmith. The sweat was pouring off the both of them, with a reek of bad champagne, yet the sticky skin of her great teats felt quite cool against his naked chest. She galloped along under him, her eyes shut and her tongue showing at the corner of her crooked mouth, and put the backs of her heels sharply into his buttocks. At last he spent, groaning between clenched teeth at the burning rush through his prick. There was a roaring in his ears.
   "You're a bawdy devil, my Ned, and sure." Her neck and shoulders were red with prickly heat.
   "So are you," Mallory gasped.
   "I am, dear, and I like to do it with a man who knows how to treat a girl. Let's have some nice bottled ale, then. More cooling than that champagne."
   "All right. Fine."
   "And some papirosi. Do you like papirosi?"
   "What are those, exactly?"
   "Turkish cigarettoes, from the Crimea. They're all the rage since the war."
   "You smoke tobacco?" Mallory asked, surprised.
   "I learnt it from Gabrielle," she said, climbing from bed. "Gabrielle, she lived here after Sybil left. She was a Frenchie from Marseilles. But she sailed to French Mexico last month, with one of her embassy soldiers. She married him, lucky thing." Hetty wrapped herself in a robe-de-nuit of yellow silk. In the lantern-light it looked a fine garment, despite its frayed hems. "Sweet she was, Gabrielle. Donnez-moi four shillings, dear. No, five."
   "Can you change a pound-note?" Mallory said. Hetty gave him fifteen shillings, with a sour look, and vanished into the parlor.
   She was absent a long time—chatting with Mrs. Landlord, it seemed. Mallory lay at ease in her bed, listening to strange distant echoes of the great metropolis: bells ringing, distant high-pitched cries, bangs that might be gunshots. He was as drunk as a Lordship, it seemed, and Lordship felt mortal fine. The weight would be back on his heart soon enough, and no doubt redoubled for the sin, but for the moment fleshly pleasure had lifted him, and he felt quite free and feather-light.
   Hetty returned with a wire crate of bottles in one hand, puffing a lit cigarette with the other.
   "You took a long time," he said.
   She shrugged. "A bit of trouble downstairs. Some ruffians." She set the crate down, pulled a bottle out, and flung it to him. "Feel how cool—they keep these in the cellar. Nice, ain't it?"
   Mallory unloosed the complex stopper of porcelain, cork, and levered wire, and thirstily drank. NEWCASTLE ALE, the bottle said, in molded letters of raised glass. A modern brewery where they made the liquor in great steel vats near the size of a ship-of-the-line. Fine machine-made brew, free of any cheater's taint of jalap or indian-berry.
   Hetty got into the bed in her robe, drained the last of a bottle, and opened another. "Take the robe off," Mallory said.
   "You didn't give me my shilling."
   "Here, then."
   She slipped the coin under the mattress, and smiled. "You're a rum'un, Neddie. I like you." She took the robe off, flung it at the iron coat-hook on the back of the door, missed. "I'm in a rare mood tonight. Let's have another go."
   "In a bit," Mallory said, and yawned. His lids felt heavy suddenly, grainy. The back of his head throbbed, where Velasco had smacked him, it seemed an age ago. It seemed an age since he had done anything but drink and rut.
   Hetty gripped his limp prick and began to fondle it. "When did you last have a woman, Ned?"
   "Ah… two months, I think. Three."
   "And who was she?"
   "She was…" She had been a whore in Canada, but Mallory suddenly stopped. "Why do you ask?"
   "Tell me. I like to hear about it. I like to know what the fancy do."
   "I don't know anything about that. Nor do you, I imagine."
   Hetty released his prick and folded her arms. She leaned back against the headboard, then lit another papirosi, scraping her lucifer against a rough patch of plaster. She blew smoke through her oddly shaped nose—a disconcerting sight, for Mallory. "You don't think I know anything," she said. "I've heard such things as you don't imagine, I'll wager." "No doubt," Mallory said politely. He finished his ale.
   "Did you know that old Lady Byron flogs her husband naked? His prick won't stand till she beats him on the arse with a German riding-crop, and I'd that straight from a copper, who was sweet on me, who had it from an upstairs servant in the household!"
   "Oh?"
   "That Byron family is dead bawdy and wicked to the core. He's too old now, but in his younger days he'd fuck a sheep, Lord Byron would. He'd fuck a bush if he thought a sheep was in it! His wife's no better. She doesn't fuck other men, but she's of the flogging sisterhood."
   "Remarkable, " Mallory said. "What about their daughter, then?"
   Hetty said nothing for a moment. He was surprised at the sudden gravity of her expression. "She's dead flash, Ada is. She's the greatest whore in all of London."
   "Why do you say that?"
   "Because she fucks whoever she pleases, and none dare make a peep about what she does. She's had half the House of Lords, and they all tag at her skirts like little boys. And call themselves her favorites and her paladins, and if any man breaks troth and dares breathe a word against her, then the others see to it that he comes to a very bad end. They all ring round her, and protect her, and worship her like Romish priests do their Madonna."
   Mallory grunted. It was whore's talk, not a proper thing to say. He knew that Lady Ada had her gallants, but the thought that she let men have her, that there was shoving and spending, prick and cunt in the mathematical bed of the Queen of Engines… Best not to think about it. His head had a whiskey-spin, somehow.
   "Your expertise is impressive, Hetty," Mallory muttered. "You certainly command the data of your trade… "
   Hetty, who had been guzzling at another bottle of ale, laughed explosively. Foam splattered her chest. "Oh, Christ," she said, coughing, and smearing at her breasts. "Lor', Neddie, how you do talk. Look what you made me do."
   "Sorry," Mallory said.
   She gave him a fleering grin and picked her smoldering cigarette from the edge of the bureau. "Get the rag and give 'em a good wash," she suggested. "I'll bet you'd like that, eh?"
   Without a word, Mallory stooped to his work. He fetched the basin, and sopped the hand-towel, scrubbing the wet terry carefully over her breasts and the fat, navel-dimpled white rise of her belly. Hetty watched with hooded eyes, puffing at her cigarette and flicking ashes on the floor, as if her flesh belonged to someone else. After a while, she silently gripped his prick, working it back and forth encouragingly as he wiped at her legs.
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   Mallory put on another sheath, with some clumsy fumbling, almost losing his erection as he did so. To his relief, he managed to enter her, where he soon regained stiffness in her welcoming flesh, and thumped hard at her, tired and drunk, with an ache in his arms and his wrists and his back, and a strange painful tingling at the root of his prick. The glans felt quite sore, almost painfully tender within its sheep-gut armor, and to spend seemed as hard and tricky as pulling a rusty nail. The bed-springs creaked like a field of metal crickets. Halfway through, Mallory felt as if he had run for miles, and Hetty, whose dead cigarette had burnt the bureau, seemed entranced, or perhaps only stunned, or drunk. For a moment he wondered if he should simply stop, quit, tell her somehow that it simply wasn't working, but he could not even begin to find the words that would satisfactorily explain this situation, so he sawed on. His mind wandered, to another woman, a cousin of his, a red-haired girl whom he had seen being shagged behind a Sussex hedgerow, when he had been up a tree as a boy, hunting cuckoo's eggs. The red-haired cousin had married the man, and was forty years old now with grown children, a round little proper woman in a round little proper bonnet, but Mallory never met her without remembering the tortured look of pleasure on her freckled face. He clutched that secret image now like a galley-slave to his oar, and fought his way stubbornly toward a climax. Finally, there was that melting, cresting feeling in his loins that told him that he would, in fact, spend soon, that nothing would hold him back, and he shoved on with a new desperation, panting very hard, and the agonized rush of spending came up his aching spine like a rocket, a surge of shocking pleasure in his arms, in his legs, even in the naked soles of his cramping feet, and he cried out, a loud ecstatic bestial groan that surprised him.
   "Lordy," Hetty commented.
   Mallory collapsed off of her and lay blowing like a beached cetacean in the foetid air. His muscles felt like rubber, and he'd half-sweated the whiskey off with the sheer work of it. He felt utterly wonderful. He felt quite willing to die. If the tout had arrived and shot him on the spot he would somehow have welcomed it, welcomed the opportunity never to come back from that plateau of sensibility, the opportunity never to be Edward Mallory again, but only a splendid creature drowned in cunt and tea-rose.
   But after a moment the feeling was gone and he was Mallory again. Too stupefied for any refinements of guilt or regret. Mallory nevertheless felt ready to leave. Some unspoken crisis had passed, and the episode was finished. He was simply too tired to move just yet, but he knew that he was about to. The whore's bedroom no longer felt like any kind of haven to him. The walls seemed unreal, mere mathematical abstractions, boundaries that could no longer restrain his momentum.
   "Let's sleep a bit," Hetty said, her words blurred with drink and exhaustion.
   "All right." He sensibly set the box of lucifers within convenient reach, turned out the lantern, and lay in the hot London dark like a suspended Platonic soul. He rested, eyes open, a flea feasting with leisurely precision on his ankles. He did not sleep, exactly, but rested for some indefinite time. When his mind began to run in circles, he lit and smoked one of Hetty's cigarettoes, a pleasant ritual, though without much point as far as the proper use of tobacco went. Later he left the bed and pissed in the pot-de-chambre, by feel. Ale had spilled on the floor there, or perhaps it was something else. He would have liked to wipe his feet, but there seemed little point.
   He waited for something akin to dawn to show at Hetty's bare and grimy casement, which gazed out gloomily at a nearby wall. At length there came a feeble glow, not much at all like honest daylight. He had sobered now, and lay there parched, his head feeling stuffed with gun-cotton. Not at all bad, really, if he didn't move it suddenly, but full of grim premonitory throbs.
   He lit the bedside candle, found his shirt. Hetty woke with a groan, and stared at him, her hair snarled and sweaty, her eyes bulging with a look that almost frightened him—ellynge, they would have called it in Sussex—fey. "You're not going," she said.
   "Yes."
   "Why? It's so dark, still."
   "I prefer an early start." He paused. "An old camp habit."
   Hetty snorted. "Get back in bed, my brave soldier, don't be silly. Stay a bit. We'll wash and have breakfast. You can get that, can't you? A nice big breakfast?"
   "I'd rather not. It's late, I must go, I have business."
   "How late?" she yawned. "Not even dawn yet."
   "It's late. I'm certain of it."
   "What does Big Ben say?"
   "I haven't heard Ben all night," Mallory said, the recognition surprising him. "Government have shut it down, I suppose."
   This bit of speculation seemed to vaguely alarm Hetty. "French breakfast, then," she suggested, "sent up from downstairs. Pastry, pot o' coffee. It's cheap."
   He shook his head.
   Hetty paused, narrowed her eyes. The refusal seemed to have startled her. She sat up, the bed creaking, and tugged at her disordered hair. "Don't go out, the weather's dreadful. If you can't sleep, dear, then let's fuck."
   "I don't think I can."
   "I know you like me, Neddie." She raised the sweat-dampened sheet. "Come and feel me all over, that will make it stand." She lay there waiting, with the sheet up.
   Mallory, unwilling to disappoint, came toward her, patted her lovely haunches, and groped about the luscious smoothness of her breasts. Her flesh delighted his touch, but his prick, though it stirred, did not stand. "I really must go," he said.
   "It will stand again if you wait a bit."
   "I can't stay anymore."
   "I would not do this if you were not such a nice man," Hetty said slowly, "but I can make it stand right now if you like; connaissez-vous la belle gamahuche?"
   "What's that, then?"
   "Well," she said, "if you'd been with Gabrielle instead of me, you'd have had it by now; she always did it with her men, and said they were mad for it; it's what they call gamahuching, the French pleasure."
   "I'm not sure I understand."
   "Prick-sucking."
   "Oh. That." He had heard the term, though only as the foulest kind of abusive curse, and was startled to find himself in a situation where it might be performed as a physical act. He tugged at his beard. "Ah… how much would that cost?"
   "I wouldn't do it for any price, for some," she assured him, "but I do like you, Ned, and for you I'd do it."
   "How much?"
   She blinked. "Ten shillings?"
   Half-a-pound. "I don't think so," he said.
   "Well, all right, five shillings, if you don't finish there. But you have to promise that, and I mean it."
   The implications of this proposal gave him an exquisite thrill of disgust. "No, I don't care for that." He began to dress.
   "You'll come again then? When will you see me?"
   "Soon."
   She sighed, knowing he was lying. "Go then, if you must. But listen, Neddie, I do know you like me. And I don't remember your proper name exactly, but I know I've seen your portrait in the papers. You're a famous savant, and you have a deal of tin. I'm right about that, aren't I?"
   Mallory said nothing.
   She hurried on. "A fellow like you can get in bad trouble with the wrong sort of London girl. But you're safe as houses with Hetty Edwardes, for I only go with gentlemen, and I'm very discreet."
   "I'm sure that you are," Mallory said, dressing hastily.
   "I dance Tuesdays and Thursdays at the Pantascopic Theatre, down Haymarket. Will you come and see me?"
   "If I'm in London."
   He left her then, and felt his way out of the place. On his hasty way to the stairs he bloodily scraped his shin on the pedal of someone's chained bicycle.
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Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   The sky above the Hart was like nothing Mallory had ever seen, yet he knew it. He had seen such a sky with his mind's-eye, a lowering dome abrim with explosive filth, awash with obliterating dust—a sky that was the very harbinger of Catastrophe.
   By the twilight blur of the fully risen sun he reckoned it near eight o'clock. Dawn had come, yet brought no day. The Land Leviathans had seen this very sky, he knew, after the earth-shaking shock of the Great Comet. For the scaly herds, ceaselessly progressing through the teeming jungles, driven always by a mighty hunger in their great fermenting bellies, this had been the sky of Armageddon. Storms of Cataclysm lashed the Cretaceous earth, vast fires raged, and cometary grit sifted through the roiling atmosphere, to blight and kill the wilting foliage, till the mighty Dinosauria, adapted to a world now shattered, fell in massed extinction, and the leaping machineries of Evolution were loosed in chaos, to re-populate the stricken Earth with strange new orders of being.
   He scuffed down Flower-and-Dean Street, awestruck, coughing. He could see little more than thirty feet ahead, for the alley roiled with a low-lying yellow fog that blurred his eyes with its clinging acid tang.
   More by luck than design, he emerged on Commercial Street, ordinarily a thriving Whitechapel avenue. Deserted now, its smooth tarmac was spread with fountained shards of shop-front glass.
   He walked a block, then another. There was scarcely a window intact. Cobbles, grubbed up from side-streets, had been flung right and left like a shower of meteors. A seeming whirlwind had descended on a nearby grocery, leaving the street ankle-deep in dirty snow-drifts of flour and sugar. Mallory picked his way through battered cabbages, squashed greengages, crushed jars of syrupped peaches, and the booted footballs of whole smoked hams. Scatterings of damp flour showed a stampede of men's brogues, the small bare feet of street-urchins, the dainty trace of women's shoes, and the sweep of their skirt-hems.
   Four mist-shrouded figures, three men and a woman, all dressed respectably, all carefully masked in thick cloth, came shuffling into view. Noticing him, they pointedly crossed the street. They moved slowly, unhurriedly, talking together in low tones.
   Mallory moved on, splintered glass crunching under his shoe-heels. Meyer's Gent's Furnishings, Peterson's Haberdashery, LaGrange's Parisian Pneumatique Launderette, all presented disintegrated store-fronts and doors torn off their hinges. Their fronts had been thoroughly pelted with stones, with bricks, with raw eggs.
   Now a more cohesive group appeared. Men and young boys, some rolling heaped barrows, though they were clearly not costers. In their masks, they seemed tired, bemused, somber, as though attending a funeral. In their aimless progress they slowed before a sacked cobbler's, picking over the scattered shoes with the limp enthusiasm of scavengers.
   Mallory realized that he had been a fool. While he had wallowed in mindless dissipation, London had become a locus of anarchy. He should be home in peaceful Sussex now, with the family. He should be readying for little Madeline's wedding, in clean country air, with his brothers and sisters at hand, with decent home-cooked food and decent homely drink. A sudden agony of homesickness struck him, and he wondered what chaotic amalgam of lust and ambition and circumstance had marooned him in this dreadful, vicious place. He wondered what the family were doing at that very moment. What was the time, exactly?
   With a jolt, Mallory remembered Madeline's clock. His sister's wedding-gift was sitting in its brass-hasped carry-case in the safety-box of the Palace of Paleontology. The lovely fancy clock for dear Madeline, now grotesquely out of his reach. The Palace was seven miles from Whitechapel. Seven miles of roiling chaos.
   There must be some way back, some way to cross that distance, surely. Mallory wondered if any of the city's trains were running, or the omnibuses. Perhaps a hansom? Horses would choke in this foul mist. He was down to shank's mare. Likely any effort to cross London was foolish, and likely it would be wisest to cower in some quiet cellar like a rat, hoping for Catastrophe to pass him over. And yet Mallory found his shoulders squaring, his legs tramping forward of their own accord. Even the throbbing in his parched head began to pass as his wits focused on a goal. Back to the Palace. Back to his life.
   "Hullo! Say there! Sir!" The voice echoed over Mallory's head like the cry of a bad conscience. He glanced up, startled.
   From a third-floor window of Jackson Bros., Furriers & Hatters, protruded the black barrel of a rifle. Behind it, Mallory made out the balding head of a spectacled shopping-clerk, leaning from his open window now to reveal a striped shirt and scarlet braces.
   "May I be of service?" Mallory called, the phrase emerging out of reflex.
   "Thank you, sir!" the clerk cried, his voice cracking. "Sir, could you, please, have a look at our door there—just to the side, below the steps? I believe—there may be someone hurt!"
   Mallory waved one hand in reply, walked to the shop's entrance. Its double-doors were intact but badly battered, dripping splattered eggs. A young man in a sailor's striped blouse and bell-bottomed trousers lay sprawled there, facedown, a pry-bar of forged iron near his hand.
   Mallory seized the shoulder of the sailor's coarse blouse and turned him over. A bullet had taken him through the throat. He was quite dead, and his nose had been mashed to one side by the pavement, giving his bloodless young face a bizarre cast, so that he seemed to have come from some nameless country of sea-going albinos.
   Mallory straightened. "You've shot him dead!" he shouted upward.
   The clerk, seeming rattled, began coughing loudly, and made no reply.
   Mallory spied the wooden butt of a pistol tucked in the dead sailor's intricately knotted sash; he tugged it out. A revolver of unfamiliar make, its massive cylinder curiously slotted and grooved. The long octagonal barrel, under-hung with a sort of piston, stank of black-powder. He glanced at the furrier's battered door. Clearly an entire mob had been at it, an armed mob, bent on the worst kind of mischief. The wretches must have scattered when the sailor had been shot.
   He stepped into the street, waving the pistol. "The rascal was armed!" he shouted. "You did well to—"
   A bullet from the clerk's rifle screamed off a cement stair-step, bleaching it white with impact and narrowly missing Mallory on the ricochet.
   "God blame ye, ye cack-handed fool!" Mallory bellowed. "Stop that this instant!"
   There was a moment's silence. "Sorry, sir!" the clerk cried.
   "What in hell do you think you're doing?"
   "I said I was sorry! You best throw away that gun, though, sir!"
   "The hell I will!" Mallory roared, slipping the pistol into the waistband of his trousers. He meant to demand that the clerk come down and decently cover the dead man, but he thought better of it as other windows rattled up on their casters, four more rifle barrels appearing in defense of Jackson Bros.
   Mallory backed up, showing empty hands and attempting to smile. When the fog had thickened around him, he turned and ran.
   Now he moved more cautiously, keeping to the center of the street. He discovered a trampled cambric shirt and cut its baggy sleeve loose with the small saw-tooth blade of his Sheffield knife. It made a serviceable mask.
   He examined the sailor's revolver, and plucked a blackened cartridge-case from the cylinder. It still held five shots. It was a clumsy thing, foreign, unevenly blued, though the mechanism looked to have been executed with a decent degree of accuracy. He made out BALLESTER-MOLINA, stamped faintly on the side of the octagonal barrel, but there were no other markings.
   Mallory emerged on Aldgate High Street, recalling it from his walk with Hetty from the London Bridge pier, though it looked, if anything, more eerie and horrid than it had in the middle of the night. The mob did not seem to have touched it as yet, in the inherent vagary of Chaos.
   A rhythmic clanging of alarm sounded from the fog behind him. He stepped aside to watch a fire-gurney steam past, its red-painted sides battered and dented. Some London mob had brutally attacked the firemen, attacked the trained men and machines that stood between the city and mass conflagration. This struck Mallory as the acme of perverse stupidity, yet somehow it failed to surprise him. Exhausted firemen clung to the gurney's running-boards, wearing bizarre rubber masks with gleaming eye-pieces and accordioned breathing-tubes. Mallory dearly wished for such a mask himself, for his eyes were misting so painfully now that he squinted like a pantomime pirate, but he tramped on.
   Aldgate became Fenchurch, then Lombard, then Poultry Street, and still he was miles from his goal, if the Palace of Paleontology could be said to be one. His head pounded and swam with the sullen lees of bad whiskey and worse air, and he seemed to be nearer the Thames now, for a damp and viscous taint arose that sickened him.
   On Cheapside, a city omnibus had been toppled on its side and set afire with its own boiler-coals. Every window in it had been shattered, and it had burnt to a blackened husk. Mallory hoped no one had died inside it. The smoking wreckage stank too fiercely for him to want to look more closely.
   There were people in the churchyard of St. Paul's. The air seemed somewhat clearer there, for the dome was visible, and a large crowd of men and boys had collected among the churchyard trees. Unaccountably, they seemed in the highest spirits. Mallory perceived to his astonishment that they were brazenly tossing dice on the very steps of Wren's masterpiece
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Zodijak Gemini
Pol Muškarac
Poruke Odustao od brojanja
Zastava 44°49′N - 20°29′E
mob
Apple iPhone 6s
   A little farther on, and Cheapside itself was blocked by scattered crowds of eager and determined gamblers. Fairy-rings of rascals had sprouted left and right from the very pavement, men kneeling to guard their mounting stakes of coins and paper-money. Eager leaders in mischief, tough, squint-eyed cockneys who seemed to have leapt whole from the coagulated Stink of London, cried aloud, hoarsely, like patterers, as Mallory passed. "A shilling to open! Who'll shoot? Who will shoot, my lads?" From the scattered rings came cries of triumph at winning, angry groans muffled by masks.
   For each man boldly gambling, there were three who timidly watched. A carnival attraction, it seemed, a stinking and criminal carnival, but a London lark nonetheless. There were no police in sight, no authority, no decency. Mallory edged warily through the thin, excited crowd, a cautious hand on the butt of the sailor's pistol. In an alley, two masked men booted a third, then relieved him of his watch and wallet. A crowd of at least a dozen watched the sight with only mild interest.
   These Londoners were like a gas, thought Mallory, like a cloud of minute atomies. The bonds of society broken, they had simply flown apart, like the perfectly elastic gassy spheres in Boyle's Laws of Physics. Most of them looked respectable enough by their dress; they were merely reckless now, stripped by Chaos to a moral vacuity. Most of them, Mallory thought, had never seen any event remotely like this one. They had no proper standards left for judgment or comparison. They had become puppets of base impulse.
   Like the Cheyenne tribesmen of Wyoming, dancing in the devil's grip of drink, the goodmen of civilized London had surrendered themselves to primitive madness. And by the patent look of surprised bliss on their shining faces, Mallory perceived that they enjoyed it. They enjoyed it very greatly indeed. It was exaltation to them, a wicked freedom more perfect and desirable than any they had ever known.
   Along the edge of the crowd a line of gaudy handbills had been newly slapped-up across a formerly sacrosanct brick wall of Paternoster Row. They were adverts of the cheapest and most ubiquitous kind, the sort that pursued the eye all over London: PROFESSOR RENBOURNE'S MAGNETIC HEADACHE PILLS, BEARDSLEY'S SHREDDED CODFISH, MCKESSON & ROBBINS' TARTARLITHINE, ARNICA TOOTH SOAP… And some theatrical prints: MADAME SCAPIGLIONI at the Saville House in Leicester Square, a VAUXHALL PANMELODIUM SYMPHONY… Events, Mallory thought, that would surely never come off, and indeed the sheets had been posted with a careless haste that had badly wrinkled the paper. Fresh glue dripped from beneath the bills in rivulets of white ooze, a sight that perturbed Mallory in a way he could not define.
   But slapped amid these mundane bills, as if it belonged there by right, was a great three-sheet broadside, a thing the size of a horse-blanket. Engine-printed, rumpled in the hasty plastering. Indeed, its very ink seemed still damp.
   A mad thing.
   Mallory stopped dead before it, stricken by its crude bizarrity. It had been done in three colors—scarlet, black, and an ugly greyish-pink that seemed a muddle of the two.
   A scarlet blindfolded woman—a Goddess of Justice?—in a blurry scarlet toga brandished a scarlet sword labeled LUDD over the pinkish-grey heads of two very crudely rendered figures, a man and a woman depicted in busts—a king and queen? Lord and Lady Byron perhaps? The scarlet goddess trampled the midsection of a large two-headed snake, or scaly dragon, its writhing body labeled MERIT-LORDSHIP. Behind the scarlet woman, the skyline of London was vigorously aflame in scarlet tongues of fire, while the sky all about the various demented figures was full of stylized scrolls of thick black cloud. Three men, clergymen or savants apparently, dangled from a gallows in the upper-right-hand corner, and in the upper-left a confused mass of ill-formed gesticulating figures waved flags and Jacobin pikes, advancing toward some unknown goal under the bearded star of a comet.
   And this was not the half of it. Mallory rubbed at his aching eyes. The vast rectangular sheet seethed with smaller images like a billiard-table littered with random pool-balls. Here a dwarfish wind-god blew out a cloud labeled PESTILENCE. There a cannon-shell, or bomb, exploded in stylized spiky fragments, small black misshapen imps being flung aside by the blast. A coffin heaped with flowers held a noose atop it. A nude woman crouched at the feet of a monster, a well-dressed man with the head of a reptile. A tiny praying man in epaulets stood on a gallows, while the hangman, a little fellow with a hood and his sleeves rolled up, gestured brusquely at the noose… More of the smudgy smoke-clouds, flung onto the image like mud, connected the whole business like the dough of a fruit-cake. And there was text, too, near the bottom. A title, in large smudgy Engine-type: "THE SEVEN CURSES OF THE WHORE OF BABYLONDON"!"
   Babylondon. Baby what? What "curses," and why "seven"? The sheet seemed flung together out of random chunks of Engine-imagery. Mallory knew that modern printers had special printers' punch-cards, clacked-up to print specific blocky pictures, much like the cheap woodcut-blocks on old murder-ballads. In the Engine-work of the catchpenny prints you might see the same hackneyed picture a hundred times. But here the colors were hideous, the images jammed hither and thither in apparent madness, and worst of all the broadsheet seemed to be attempting to express something, in however halting and convulsive a way, that was simply and truly unspeakable.
   "Be ye talkin' a' me?" demanded a man next to Mallory.
   Mallory jumped a bit, startled. "Nothing," he muttered.
   The man loomed nearer at Mallory's shoulder, a very tall, gaunt cockney, with lank, filthy yellow hair under a towering stovepipe hat. He was drunk, for his eyes were maddened and bright. His face was masked securely in polka-dot fabric. His dirty clothes were near-rags—save the shoes, which were stolen and spanking-new. The cockney reeked with days of unwashed sweat, the stink of dereliction, madness. He squinted hard at the broadsheet, then at Mallory again. "Friends of yours, squire?"
   "No," Mallory said.
   "Tell me what it means!" the cockney insisted. "I heard you a-talking over it. You do know, don't you?"
   The man's sharp voice trembled, and when he looked from the poster to Mallory again the bright accusing eyes above the mask seemed kindled with animal hate.
   "Get away from me!" Mallory shouted.
   "Blasphemin' Christ the Savior!" the tall man screeched, his voice rising, his gnarled hands kneading the air. "Christ's holy blood, what washed us free o' sin—"
   He reached for Mallory. Mallory knocked the grasping hand away.
   "Kill 'im!" an anonymous voice suggested eagerly. The gloating words charged the sullen air like a Leyden-jar. Suddenly, Mallory and his opponent were in the midst of a crowd—no longer random particles, but the focus of real trouble. The tall cockney, half-shoved perhaps, stumbled into Mallory. Mallory doubled him up with a punch to the breadbasket. Someone screamed then, a high hilarious bloodcurdling sound. A flung wad of mud missed Mallory's head and splattered against the picture. As if this were a signal, there was a sudden blinding melee of shrieks, thudding bodies, flung punches.
   Mallory, shoving, swearing, dancing on his trampled feet, yanked the revolver from his waistband, pointed it in the air, and squeezed the trigger.
   Nothing. An elbow caught him hard in the ribs.
   He cocked the hammer with his thumb, squeezed again. The report was shocking, deafening.
   In a split-second the melee was melting away from Mallory, men falling, billowing, scrambling away headlong on hands and knees in their utter beast-like eagerness to flee. Men were trampled before his eyes. Mallory stood for an instant, his jaw dropping in astonishment within his cambric mask, the gun still poised overhead.
   Then a bolt of good sense struck him. He retreated. He tried to jam the pistol back into his waistband as he ran, but saw with shocked alarm that the hammer was cocked again, the gun ready to fire at any touch of the trigger. He dangled the treacherous thing at arm's-length as he fled.
   At length he stopped, coughing bitterly. From behind him, wrapped in the roiling obscurity of fog, came scattered pistol-shots and bestial cries of rage, derision, glee.
   "Dear Christ," Mallory muttered, and peered at the mechanism. The devilish thing had cocked itself automatically, channeling part of the powder-blast into the piston beneath the barrel, which shunted the grooved cylinder back against a stationary ratchet, spinning the next round into place and kicking the hammer back. Mallory hooked both thumbs over the hammer and worked at the trigger with care, until he could close the mechanism. He slid the pistol back into his waistband.
   He had not outrun the line of pasted handbills. They still ranged before him, apparently inexhaustible in number, slapped-up one after another in a ragged line. He followed them, through a street now seemingly empty. From somewhere came a distant crash of glass and whoops of boyish laughter.
   SECRET KEYS made CHEAPLY, said a plastered bill. Handsome WATER-PROOFS for INDIA and the COLONIES. Apprentice CHYMISTS and DRUGGISTS Wanted.
   Ahead he heard the quiet clop of slow hooves, the squeak of an axle. Emerging from the mist, then, the bill-sticker's van, a tall, black wagon, its towering sides mounted with great shouting billboards. A masked fellow in a loose grey raincoat was shoving a plastered bill against a wall. The wall was protected by a tall iron fence some five feet distant from the brick, but this bothered the sticker-man not at all, for he had a specialized roller-device on a kind of long broom-handle.
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Zodijak Gemini
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   Mallory stepped nearer to watch. The bill-sticker did not look up, having reached a crucial moment of his work. The bill itself, which was tightly wrapped about a black rubber roller, was pressed and rolled, bottom-upward, against the wall; the sticker, at the same moment, deftly squeezing a hand-piston on the shaft of his device, which squirted out a gruelly mess of paste from twin spigots bracketed to the roller's ends. Another swipe downward to complete the pasting, and it was done.
   The van moved on. Mallory stepped closer and examined the bill, which extolled, and depicted in an Engine-cut, the beautifying effects of Colgate's Clear Complexion Soap.
   The sticker-man and his van moved on. Mallory followed it. The sticker-man noticed Mallory's attention, and it seemed to rattle him a bit, for he muttered something at the driver, and the van moved on a good ways.
   Mallory followed discreetly. The van stopped now at a corner of Fleet Street, where the hoardings bore, by old tradition, the great shouting bills of the city's newspapers. But a bill was boldly slapped across the face of the Morning Clarion, and then another, and another.
   More theatrical prints this time. DR. BENET of PARIS was to lecture on the "Therapeutic Value of Aquatic Sleep"; THE CHAUTAUQUA SOCIETY OF THE SUSQUEHANNA PHALANSTERY would present a symposium on "The Social Philosophy of the Late Dr. Coleridge", and a Scientific Lecture with Kinotropy would be presented by DR. EDWARD MALLORY…
   Mallory halted, grinning behind his mask. EDWARD MALLORY! He had to admit that the name looked very well in eighty-point Engine-Gothic. It was a great pity that the speech could not come off, but clearly Huxley, or likely one of his staff-men, had placed the order for bills with promptness, and there had been no cancellation.
   A shame, Mallory thought, gazing at the departing bill-van with a new proprietorial fondness. EDWARD MALLORY. He would have liked to keep the bill as a souvenir; and thought, indeed, of peeling it loose, but the gobbets of paste dissuaded him.
   He looked more closely, hoping to commit the text to memory. At a second glance the printing-job was not all it might have been, for the black lettering had, here and there, smudgy rims of scarlet, as if the printing-pins had been soaked in red ink and not properly cleaned.
   "The Museum of Practical Geology, Jermyn Street, has the honor to present to the London Public, for two shows only, DR. EDWARD MALLORY. Dr. Mallory, F.R.S., F.R.G.S., will present the thrilling history of his discovery of the famous LAND LEVIATHAN in savage Wyoming; his theories of its milieu, habits, and sustenance; his encounters with the savage Cheyenne INDIANS; detailing with this the MELANCHOLY and HIDEOUS MURDER of his closest rival the late PROFESSOR RUDWICH; Secrets of Professional Gambling, specifically that of RATTING-DENS, to be imparted to those eager to know the TECHNIQUE OF ODDS-MAKING, to be followed by a most luscious DANCE OF THE 7 VEILS to be performed by the several Misses Mallory, giving a Frank Account of their Several Introductions to the ART of LOVE; only Gentlemen will be admitted; Price 2/6. Show to be accompanied by the advanced kinotropy of MR. KEETS."
   Mallory gritted his teeth and broke into a sprint. He ran ahead of the van, which was moving on at foot-pace, and seized the bridle of the mule, two-handed. The animal stopped with a snort and a stumble. Its filthy head was swaddled in a canvas mask adapted from a feed-bag.
   The coachman emitted a yelp from behind a smut-stained muffler. He leapt down from his wooden seat to land with a stagger, waving a hickory cudgel. "Hullo! Leave off!" he cried. "Bar that nonsense, Davey, and hook it sharp…" His voice trailed off as he took Mallory's measure, slapping the cudgel against his callused palm with an attempt at menace.
   The second bill-sticker rushed up from behind the van to join his friend, brandishing his long-handled rig like a pitchfork.
   "Hedge off, mister," the coachman suggested. "We ain't doin' you no harm."
   "You most certainly are!" Mallory bellowed. "Where did you rascals obtain those bills? Tell me at once!"
   The taller man defiantly shook the paste-smeared roller of his rig at Mallory's face. "London's wide-open today! You want to make a fight of where we dab our paper, then just you try us!"
   One of the large advert-boards on the side of the van swung open suddenly, on squealing brass hinges. A carriage-door, it seemed, for a small stout balding man hopped through it, from within the van. He wore a neat red shooting-coat, and checkered trousers tucked into patent-leather walking-boots. He was bare-headed, his round, red-cheeked face was not masked, and to Mallory's astonishment, he was smoking a large, vilely fuming pipe.
   "What's all this then?" he inquired mildly.
   "A ruffian, sir!" the coachman declared. "Some villain bully-rock sent by Turkey-Legs!"
   "What, all by hisself?" the stout man said, with a quizzical arch of his brows. "That don't seem right." He looked Mallory up and down. "You know who I am, son?"
   "No," Mallory said. "Who are you?"
   "I'm the gent they call the King of the Bill-Stickers, my boy! If you don't know that fact, you must be mighty green at this business!"
   "I'm not in your business. I, sir, am Dr. Edward Mallory!"
   The stout man folded his arms, and rocked a bit on his boot-heels. "So?"
   "You just pasted-up a bill that grossly libeled me!"
   "Oh," said the King. "So that's your bellyache, is it?" He grinned in evident relief. "Well, that's nothing to do with me, Dr. Edward Mallory. I just paste 'em; I don't print 'em. I ain't liable."
   "Well, you're not putting up any more of those damnable libel-sheets!" Mallory said. "I want all the rest of them, and I demand to know where you obtained them!"
   The King quieted his two bristling henchmen with a regal move of his hand. "I'm a very busy man, Dr. Mallory. If you'd care to step up in my van, and talk to me like a reasonable gentleman, then perhaps I'll listen, but I've no time for any bluster or threats." He fixed Mallory with a sharp squint of his little blue eyes.
   "Well," Mallory blurted, taken aback. Though he knew he was in the right, the King's quiet retort had taken the steam out of his indignation; he felt rather foolish of a sudden, and rather out of his element, somehow. "Surely," he muttered. "Very well."
   "Fair enough. Tom, Jemmy, let's back to work." The King clambered deftly into his van.
   Mallory, after a moment's hesitation, followed him, heaving himself up into the body of the oddly made carnage. There were no seats inside; the flooring from wall to wall was dimpled and buttoned with thick maroon cushioning, like a Turkish ottoman. Slanted pigeon-holes of varnished wood lined the walls, stuffed with tightly rolled bills. A large trapdoor in the ceiling had been flung open, admitting a gloomy light. It stank direly of paste and cheap, black, shag tobacco.
   The King sprawled at his ease, propping himself on a fat tufted pillow. The mule brayed under the driver's whip-crack, and the van lurched into sluggish squeaking motion. "Gin and water?" the King offered, opening a cabinet.
   "Plain water, if you please," Mallory said.
   "Straight water it is." The King poured from a pottery canteen into a tin mug. Mallory tugged his frayed mask down below his chin, and drank with an aching thirst.
   The King gave Mallory a second round, and then a third. "Perhaps a tasty squeeze o' lemon with that?" The King winked. "I do hope you know your limit."
   Mallory cleared his slimy throat. "Very decent of you." His face felt oddly naked without the mask, and this show of civility within the King's van, together with its chemical stink of glue, almost worse than the Thames, had quite dizzied him. "I regret it if I, er, seemed a bit sharp earlier."
   "Well, it's the lads, you know," said the King, with generous tact. "A cove must stand ready to handle his fists in the bill-sticking business. Just yesterday, my boys had to lay it on pretty brisk with old Turkey-Legs and his lads, over a matter of sticking-space within Trafalgar Square." The King sniffed in disdain.
   "I've had certain sharp troubles of my own during this emergency," Mallory said hoarsely. "But basically. I'm a reasonable man, sir. Very rational—not the sort who looks for trouble; you mustn't think that."
   The King nodded sagely. "I've never yet known Turkey-Legs to hire any scholar as a bully-rock. By your dress and manner I take you to be a savant, sir."
   "You have a sharp eye."
   "I like to think so," the King allowed. "So now that we have that matter clear, perhaps you'll informate me concerning this grievance you seem to hold."
   "Those bills you've pasted are forgeries," Mallory said. "And libelous. They're certainly not legal."
   "As I explained before, that's none of my affair," the King said. "Let me tell you a few facts of commerce, straight-out. For dabbing-up a hundred double-crown sheets, I expect to make one pound one shilling; which is to say tuppence and six-tenths of a penny per sheet; say three pence, rounded out. Now if you should care to purchase certain of my bills at that rate, I might be ready to talk business."
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