CHAP. X.


"Those hours, which lately smil'd, where are they now?
Pallid to thought and ghastly!"
Young.

The Marchesa di Vivaldi, of whose death Beatrice had given an imperfect account, struck with remorse of the crime she had meditated against Ellena, and with terror of the punishment due to it, had sent, when on her death-bed, for a Confessor, to whom she unburthened her conscience, and from whom she hoped to receive, in return; an alleviation of her despair. This Confessor was a man of good sense and humanity; and, when he fully understood the story of Vivaldi and Ellena di Rosalba, he declared, that her only hope of forgiveness, both for the crime she had meditated, and the undeserved sufferings she had occasioned, rested upon her willingness to make those now happy, whom she had formerly rendered miserable. Her conscience had already given her the same lesson; and, now that she was sinking to that grave which levels all distinctions, and had her just fear of retribution no longer opposed by her pride, she became as anxious to promote the marriage of Vivaldi with Ellena as she had ever been to prevent it. She sent, therefore, for the Marchese; and, having made an avowal of the arts she had practised against the peace and reputation of Ellena, without, however, confessing the full extent of her intended crimes, she made it her last request, that he would consent to the happiness of his son.

The Marchese, however, shocked as he was at this discovery of the duplicity and cruelty of his wife, had neither her terror of the future, or remorse for the past, to overcome his objection to the rank of Ellena; and he resisted all her importunity, till the anguish of her last hours overcame every consideration but that of affording her relief; he then gave a solemn promise, in the presence of the Confessor, that he would no longer oppose the marriage of Vivaldi and Ellena, should the former persist in his attachment to her. This promise was sufficient for the Marchesa, and she died with some degree of resignation. It did not, however, appear probable, that the Marchese would soon be called upon to fulfil the engagements, into which he had so unwillingly entered, every inquiry after Vivaldi having been hitherto ineffectual.

During the progress of this fruitless search for his son, and while the Marchese was almost lamenting him as dead, the inhabitants of the Vivaldi palace were, one night, aroused from sleep by a violent knocking at the great gate of the court. The noise was so loud and inceffant, that, before the porter could obey the summons, the Marchese, whose apartment looked upon the court, was alarmed, and sent an attendant from his anti-room, to inquire the occasion of it.

Presently a voice was heard from the first anti-chamber, exclaiming, "I must see my Lord Marchese directly; he will not be angry to be waked, when he knows all about it;" and, before the Marchese could order that no person, on whatever pretence, should be admitted, Paulo, haggard, ragged, and covered with dirt, was in the chamber. His wan and affrighted countenance, his disordered dress, and his very attitude, as on entering he half turned to look back upon the anti-rooms, like one, who, just escaped from bondage, listens to the fancied sounds of pursuit, were altogether so striking and terrific, that the Marchese, anticipating some dreadful news of Vivaldi, had scarcely power to inquire for him. Paulo, however, rendered questions unnecessary; for, without any circumlocution, or preface, he immediately informed the Marchese, that the Signor, his dear master, was in the prisons of the Inquisition, at Rome, if, indeed, they had not put an end to him before that time."

"Yes, my Lord," said Paulo, "I am just got out myself, for they would not let me be with the Signor, so it was of no use to stay there any longer. Yet it was a hard matter with me to go away, and leave my dear master within those dismal walls; and nothing should have persuaded me to do so, but that I hoped, when your Lordship knew where the Signor was, you might be able to get him out. But there is not a minute to be lost, my Lord, for when once a gentleman has got within the claws of those inquisitors, there is no knowing how soon they may take it in their heads to tear him in pieces. Shall I order horses for Rome, my Lord? I am ready to set off again directly."

The suddenness of such intelligence, concerning an only son, might have agitated stronger nerves than those of the Marchese, and so much was he shocked by it, that he could not immediately determine how to proceed, or give any answer to Paulo's repeated questions. When, however, he became sufficiently recollected to make further inquiry into the situation of Vivaldi, he perceived the necessity of an immediate journey; but first it would be prudent to consult with some friends, whose connections at Rome might be a means of greatly faoilitating the important purpose, which led him thither, and this could not be done till the following morning. Yet he gave orders, that preparation should be made for his fetting out at a moment's notice; and, having listened to as full an account as Paulo could give of the past and present circumstances of Vivaldi, he dismissed him to repose for the remainder of the night.

Paulo, however, though much in want of rest, was in too great an agitation of spirits either to seek or to find it; and the fear he had indicated, on entering the Marchese's apartment, proceede from the hurry of his mind, rather than from any positive apprehension of new evil. For his liberty he was indebied to the young centinel, who had on a former occasion been removed from the door of his prison, but who, by means of the guard, to whom Vivaldi had given money, as he returned one night from the tribunal, had since been able to communicate with him. This man, of a nature too humane for his situation, was become wretched in it, and he determined mined to escape from his office before the expiration of the time for which he had been engaged. He thought that to be a guard over prisoners was nearly as miserable as being a prisoner himself. "I see no difference between them," said he, "except that the prisoner watches on one side of the door, and the centinel on the other."

With the resolution to release himself; he conferred with Paulo, whose good nature and feeling heart, among so many people of a contrary character, had won his confidence and affection, and he laid his plan of escape so well, that it was on the point of succeeding, when Paulo's obstinacy in attempting an impossibility had nearly counteracted the whole. It went to his heart, he said, to leave his master in prison, while he himself was to march off in safety, and he would run the risk of his neck, rather than have such a deed upon his head. He proposed, therefore, as Vivaldi's guards were of too ferocious a nature to be tampered with, to scale a wall of the court into which a grate of Vivaldi's dungeon looked. But had this lofty wall been practicable, the grate was not; and the attempt had nearly cost Paulo not only his liberty, but his life.

When, at length, he had made his way through the perilous avenues of the prison, and was fairly beyond the walls, he could hardly be prevailed upon by his companion to leave them. For near an hour, he wandered under their shade, weeping and exclaiming, and calling up on his dear master, at the evident hazard of being retaken; and probably would have remained there much longer, had not the dawn of morning rendered his companion desperate. Just, however, as the man was forcing him away, Paulo fancied he distinguished, by the strengthening light, the roos of that particular building, in whose dungeon his master was confined, and the appearance of Vivaldi, himself could scarcely have occasioned a more sudden burst of joy; succeeded by one of grief. "It is the roof, it is the very roof!" exclaimed Paulo, vaulting from the ground, and clapping his hands; "it is the roof, the roof! O, my master, my master! the roof, the roof!" He continued alternately to exclaim, "My master! the roof! my master! the roof!" till his companion began to fear he was frantic, while tears streamed down his cheeks, and every look and gesture expressed the most extravagant and whimsical union of joy and sorrow. At length, the absolute terror of discovery compelled his companion to force him from the spot; when, having lost sight of the building which inclosed Vivaldi, he set off for Naples with a speed that desied all interruption, and arrived there in the condition, which has been mentioned, having taken no sleep, and scarcely any sustenance, since he left the Inquisition. Yet though in this exhausted state, the spirit, of his affection remained unbroken, and when, on the following morning, the Marchese quited Naples, neither his weariness, nor the imminent danger, to which this journey must expose him, could prevent his attending him to Rome.

The rank of the Marchese, and the influence he was known to posses at the court of Naples, were circumstances that promised to have weight with the Holy Office, and to procure Vivaldi a speedy release; but yet more than these, were the high connections which the Count di Maro, the friend of the Marchese, had in the church of Rome.

The applications, however, which were made to the inquisitors, were not so soon replied to as the wishes of the Marchese had expected, and he had been above afortnight in that city, before he was even permitted to visit his son. In this interview, affection predominated on both sides over all remembrance of the past. The condition of Vivaldi, his saded appearance, to which the wounds he had received at Celano, and from which he was scarcely recovered, had contributed; and his situation in a melancholy and terrible prison, were circumstances that awakened all the tenderness of the father; his crrors were forgiven, and the Marchese felt disposed to consent to all that might restore him to happiness, could he but be restored to liberty.

Vivaldi, when informed of his mother's death, shed bitter tears of sorrow and remorse, for having occasioned her so much uneasiness. The unreasonableness of her claims was forgotten, and her faults were extenuated; happily, indeed, for his peace, the extent of her criminal designs he had never understood; and when he learned that her dying request had been intended to promote his happiness, the cruel consciousness of having interrupted her's, occasioned him severe anguish, and he was obliged to recollect her former conduct towards Ellena at San Stefano, before he could become reconciled to himself.

CHAP. XI.


"Your's in the ranks of death."
Shakespeare.

Near three weeks had elapsed since the Marchese's arrival at Rome, and not any decisive answer was returned by the Inquisition to his application, when he and Vivaldi received at the same time a summons to attend father Schedoni in his dungeon. To meet the man who had occasioned so much suffering to his family, was extremely painful to the Marchese, but he was not allowed to refuse the interview; and at the hour appointed he called at the chamber of Vivaldi; and, followed by two officials, they passed on together to that of Schedoni.

While they waited at the door of the prison-room, till the numerous bars and locks were unsastened, the agitation, which Vivaldi had suffered, on receiving the summons, returned with redoubled force, now that he was about to behold, once more, that wretched man, who had announced himself to be the parent of Ellena di Rosalba. The Marchese suffered emotions of a different nature, and with his reluctance to see Schedoni, was mingled a degree of curiosity as to the event, which had occasioned this summons.

The door being thrown open, the officials entered first, and the Marchese and Vivaldi, on following, discovered the Confessor lying on a mattress. He did not rise to receive them, but, as he lifted his head, and bowed it in obeisance, his countenance, upon which the little light admitted through the triple grate of his dungeon gleamed, seemed more than usually ghastly; his eyes were hollow, and his shrunk features appeared as if death had already touched them. Vivaldi, on perceiving him, groaned, and averted his face; but, soon recovering a command of himself, he approached the mattress.

The Marchese, suppressing every expression of resentment towards an enemy, who was reduced to this deplorable condition, inquired what he had to communicate.

"Where is father Nicola?" said Schedoni to an official, without attending to the question: "I do not see him here. Is he gone so soon, and without having heard the purport of my summons? Let him be called."

The official spoke to a centinel, who immediately lest the chamber.

"Who are these that surround me?" said Schedoni. "Who is he that stands at the foot of the bed?" While he spoke, he bent his eyes on Vivaldi, who rested in deep dejection there, and was lost in thought, till, aroused by Schedoni's voice, he replied, "It is I, Vincentio dr Vivaldi I obey your requisition, and inquire the purpose of it?"

The Marchese repeated the demand. Schedoni appeared to meditate; sometimes he fixed his eyes upon Vivaldi, for an instant, and when he withdrew them, he seemed to sink into deeper thoughtfulness. As he raised them once again, they assumed a singular expression of wildness, and then settling, as if on vacancy, a sudden glare shot from them, while he said——"Who is he, that glides there in the dusk?"

His eyes were directed beyond Vivaldi, who, on turning, perceived the monk, father Nicola, passing behind him.

"I am here," said Nicola: "what do you require of me?"

"That you will bear testimony to the truth of what I shall declare," replied Schedoni.

Nicola, and an inquisitor who had accompanied him, immediately arranged themselves on one side of the bed, while the Marchese stationed himself on the other. Vivaldi remained at its foot.

Schedoni, after a pause, began: "That which I have to make known relates to the cabal formerly carried on by him, the father Nicola, and myself, against the peace of an innocent young woman, whom, at my instigation, he has basely traduced."

At these words, Nicola attempted to interrupt the Confessor, but Vivaldi restrained him.

"Ellena di Rosalba is known to you?" continued Schedoni, addressing the Marchese.

Vivaldi's countenance changed at this abrupt mention of Ellena, but he remained silent.

"I have heard of her," replied the Marchese, coldly.

"And you have heard falsely of her," rejoined Schedoni. "Lift your eyes, my lord Marchese, and say, do you not recollect that face?" pointing to Nicola.

The Marchese regarded the monk attentively, "It is a face not easily to be forgotten," he replied; "I remember to have seen it more than once."

"Where have you seen him, my Lord?"

"In my own palace, at Naples; and you yourself introduced him to me there."

"I did," replied Schedoni.

"Why, then, do you now accuse him of falshood," observed the Marchese, "since you acknowledge yourself to have been the instigator of his conduct?"

"O heavens!" said Vivaldi, "this monk, then, this father Nicola, is, as I suspected, the slanderet of Ellena di Rosalba!"

"Most true," rejoined Schedoni; "and it is for the purpose of vindicating——" "And you acknowledge yourself to be the author of those infamous slanders!" passionately interrupted Vivaldi;——"you, who but lately declared yourself to be her father!"

In the instant, that Vivaldi had uttered this, he became sensible of his indiscretion, for till now he had avoided informing the Marchese, that Ellena had been declared the daughter of Schedoni. This abrupt disclosure, and at such a moment, he immediately perceived might be satal to his hopes, and that the Marchese would not consider the promise he had given to his dying wife, however solemn, as binding, under circumstances so peculiar and unforeseen as the present. The astonishment of the Marchese, upon this discovery, cannot easily be imagined; he looked at his son for an explanation of what he had heard, and then with increased defestation at the Confessor; but Vivaldi was not in a state of mind to give any explanation at this moment, and he requested his father to suspend even his conjectures till he could converse with him alone.

The Marchese desisted for the present from further inquiry, but it was obvious that his opinion and his resolution, respecting the marriage of Vivaldi, was already formed.

"You, then, are the author of those slanders!" repeated Vivaldi.

"Hear me!" cried Schedoni, in a voice which the strength of his spirit contending with the seebleness of his condition, rendered hollow and terrible. ——"Hear me"

He stopped, unable to recover immediately from the effect of the exertion he had made. At length, he resumed, "I have declared, and I continue to declare, that Ellena di Rosalba, as she has been named for the purpose, I conjecture, of concealing her from an unworthy father, is my daughter!"

Vivaldi groaned in the excess of his despair, but made no further attempt to interrupt Schedoni. The Marchese was not equally passive. "And was it to listen to a vindication of your daughter," said he, "that I have been summoned hither? But let this Signora Rosalba, be who she may, of what importance can it be to me whether she is innocent or otherwise!"

Vivaldi, with the utmost difficulty, forbore to express the feelings, which this sentence excited. It appeared to recall all the spirit of Schedoni. "She is the daughter of a noble house," said the Confessor, haughtily, while he half raised himself from his mattress. "In me you behold the last of the Counts di Bruno."

The Marchese smiled contemptuously.

Schedoni proceeded "I call upon you, Nicola di Zampari, who have declared yourself, on a late occasion, so strenuous for justice, I call upon you now to do justice in this instance, and to acknowledge, before these witnesses, that Ellena Rosalba is innocent of every circumstance of misconduct, which you have formerly related to the Marchese di Vivaldi!"

"Villain! do you hesitate," said Vivaldi to Nicola, "to retract the cruel slanders which you have thrown upon her name, and which have been the means of destroying her peace, perhaps for ever? Do you persist——" The Marchese interrupted his son:—— "Let me put an end to the difficulty, by concluding the interview; I perceive that my presence has been required for a purpose that does not concern me."

Before the Confessor could reply, the Marchese had turned from him to quit the chamber; but the vchemence of Vivaldi's distress prevailed with him to pause, and thus allowed him to understand from Schedoni, that the justification of the innocent Ellena, though it had been mentioned first, as being the object nearcst to his heart, was not the only one that had urged him to require this meeting.

"If you consent," added Schedoni, "to listen to the vindication of my child, you shall afterwards perceive, Signor, that I, fallen though I am, have still been desirous of counteracting, as far as remains for me, the evil I have occasioned. You shall acknowledge, that what I then make known is of the utmost confequence to the repose of the Marchese di Vivaldi, high in influence, and haughty in prosperity as he now appears."

The latter part of this assurance threatened to overcome the effect of the first; the pride of the Marchese swelled high; he took some steps towards the door, but then stopped, and, conjecturing that the subject, to which Schedoni alluded, concerned the liberation of his son, he consented to attend to what Nicola should disclose.

This monk, meanwhile, had been balancing the necessity for acknowledging himself a slanderer, against the possibility of avoiding it; and it was the resolute manner of Vivaldi, who appeared to have no doubt as to his guilt in this instance, that made him apprehend the consequence of persisting in falshood, not either remorse of conscience, or the appeal of Schedoni. He acknowledged then, after considerable circumlocution, in which he contrived to defend himself, by throwing all the odium of the original design upon the Confessor, that he had been prevailed upon by his arts to impose on the credulity of the Marchese, respecting the conduct of Ellena di Rosalba. This avowal was made upon oath, and Schedoni, by the questions he put to him, was careful it should be so full and circumstantial that even the most prejudiced hearer must have been convinced of its truth; while the most unfeeling must have yielded for once to indignation against the asperser, and pity of the aspersed. Its effect upon the present auditors was various. The Marchese had listened to the whole explanation with an unmoved countenance, but with profound attention. Vivaldi had remained in a fixed attitude, with eyes bent on father Nicola, in such eager and stern regard, as seemed to search into his very soul; and, when the monk concluded, a smile of triumphant joy lighted up his features, as he looked upon the Marchese, and claimed an acknowledgment of his conviction, that Ellena had been calumniated. The cold glance, which the Marchese returned, struck the impassioned and generous Vivaldi to the heart, who perceived that he was not only totally indifferent as to the injustice, which an innocent and helpless young woman had suffered, but fancied that he was unwilling to admit the truth, which his judgment would no longer allow him to reject.

Schedoni, meanwhile, appeared almost to writhe under the agony, which his mind inflieted upon him, and it was only by strong effort, that he sustained his spirit so far as to go through with the interrogations he had judged it necessary to put to Nicola. When the subject was finished, he sunk back on his pillow, and, closing his eyes, a hue so pallid, succeeded by one so livid, overspread his features, that Vivaldi for an instant believed he was dying; and in this supposition he was not singular, for even an official was touched with the Confessor's condition, and had advanced to assist him, when he unclosed his eyes, and seemed to revive.

The Marohese, without making any comment upon the avowal of father Nicola, demanded, on its conclusion, the disclosure, which Schedoni had afforted to be intimately connected with his peace; and the latter now inquired of a person near him, whether a secretary of the Inquisition was in the chamber, who he had requested might attend, to take a formal deposition of what he should declare. He was answered, that such an one was already in waiting. He then asked, what other persons were in the room, adding, that he should require inquisitorial witnesses to his deposition; and was answered, that an inquisitor and two officials were present; and that their evidence was more than sufficient for his purpose.

A lamp was then called for by the secretary; but, as that could not immediately be procured, the torch of one of the centinels, who watched in the dark avenue without, was brought in its stead, and this discovered to Schedoni the various sigures assembled in his dusky chamber, and to them the emaciated form and ghastly visage of the Confessor. As Vivaldi now beheld him by the stronger light of the torch, he again fancied that death was in his aspect.

Every person was now ready for the declaration of Schedoni; but he himself seemed not fully prepared. He remained for some moments reclining on his pillow in silence, with his eyes shut, while the changes in his features indicated the strong emotion of his mind. Then, as if by a violent effort, he half raised himself, and made an ample confession of the arts he had practised against Vivaldi. He declared himself to be the anonymous accuser, who had caused him to be arrested by the Holy Office, and that the charge of heresy, which he had brought against him, was false and malicious.

At the moment when Vivaldi received this confirmation of his suspicions, as to the identity of his accuser, he discovered more fully that the charge was not what had been stated to him at the chapel of San Sebastian, in which Ellena was implicated; and he demanded an explanation of this circumstance. Schedoni acknowledged, that the persons, who had there arrested him, were not officers of the Inquisition, and that the instrument of arrest, containing the charge of elopement with a nun, was forged by himself, for the purpose of empowering the ruffians to carry off Ellena, without opposition from the inhabitants of the convent, in which she was then lodged.

To Vivaldi's inquiry, why it had been thought necessary to employ stratagem in the removal of Ellena, since, if Schedoni had only claimed her for his daughter, he might have removed her without any, the Confessor replied, that he was then ignorant of the relationship which existed between them. But to the further inquiries, with what design, and whither Ellena had been removed, and the means by which he had discovered her to be his daughter, Schedoni was silent; and he sunk back, overwhelmed by the recollections they awakened.

The depositions of Schedoni having been taken down by the secretary, were formally signed by the inquisitor and the officials present; and Vivaldi thus saw his innocence vindicated by the very man who had thrown him among the perils of the Inquisition. But the near prospect of release now before him failed to affect him with joy, while he understood that Ellena was the daughter of Schedoni, the child of a murderer, whom he himself had been in some degree instrumental in bringing to a dreadful and ignominious death. Still, however, willing to hope, that Schedoni had not spoken the truth concerning his relationship to Ellena, he claimed, in consideration of the affection he had so long cherished for her, a full explanation of the circumstances connected with the discovery of her family.

At this public avowal of his attachment, a haughty impatience appeared on the countenance of the Marchese, who forbade him to make further inquiry on the subject, and was immediately retiring from the chamber.

"My presence is no longer necessary," he added: "the prisoner has concluded the only detail which I could be interested to hear from him; and, in confideration of the confession he has made as to the innocence of my son, I pardon him the suffering, which his false charge has occasioned to me and my family. The paper containing his depositions is given to your responsibility, holy father," addressing the inquisitor; "and you are required to lay it upon the table of the Holy Office, that the innocence of Vincentio di Vivaldi may appear, and that he may be released from these prisons without further delay. But first, I demand a copy of those deelarations, and that the copy also shall be signed by the present witnesses."

The secretary was now bidden to copy them, and, while the Marchese waited to receive the paper, (for he would not leave the chamber till he had secured it) Vivaldi was urging his claim for an explantion respecting the family of Ellena, with unconquerable perseverance. Schedoni, no longer permitted to evade the inquiry, could not, however, give a circumstantial explanation, without partly diselosing, also, the satal designs which had been mediated by him and the late Marchesa di Vivaldi, of whose death he was ignorant; he related, therefore, little more respecting Ellena than that a portrait, which she wore as being her father's, had first led to the discovery of her family.

While the Confessor had been giving this brief explanation, Nicola, who was somewhat withdrawn from the circle, stood gazing at him with the malignity of a demon. His glowing cyes just appeared under the edge of his cowl, while, rolled up in his dark drapery, the lower features of his face were muffled; but the intermediate part of his countenance, reciving the full glare of the torch, displayed all its speaking and terrific lines. Vivaldi, as his eye glanced upon him, saw again the very monk of Paluzzi, and he thought he beheld also a man capable of the very crimes of which he had accused Schedoni. At this instant, he remembered the dreadful garment that had been discovered in a dungeon of the fortress; and, yet more, he remembered the extraordinary circumstances attending the death of Bianchi, together with the immediate knowledge which the monk had displayed of that event. Vivaldi's suspicions respecting the cause of her death being thus revived, he determined to obtain, if possible, either a relief from, or a confirmation of them; and he solemnly called upon Schedoni, who, ready condemned to die, had no longer any thing to fear from a disclosure of the truth, whatever it might be, to declare all that he knew on the subject. As he did so, he looked at Nicola, to observe the effect of this demand, whose countenance was, however, so much shrouded, that little of its expression could be seen; but Vivaldi remarked, that, while he had spoken, the monk drew his garment closer over the lower part of his face, and that he had immediately turned his eyes from him upon the Confessor.

With most solemn protestations, Schedoni declared himself to be both innocent and ignorant of the cause of Bianchi's death.

Vivaldi then demanded by what means his agent, Nicola, had obtained such immediate information, as the warning he had delivered at Paluzzi proved him to have, of an event, in which it appeared that he could be so little interested; and why that warning had been given.

Nicola did not attempt to anticipate the reply of Schedoni, who, after a momentary silence, said, "That warming, young man, was given to deter you from visiting Altieri, as was every circumstance of advice or intelligence, which you received beneath the arch of Paluzzi."

"Father," replied Vivaldi, "you have never loved, or you would have spared yourself the practice of artifices so ineffectual to mislead or to conquer a lover. Did you believe that an anonymous adviser could have more influence with me than my affection, or that I could could be terrisied by such stratagems into a renunciation of its object?"

"I believed," rejoined the Confessor, "that the disinterested advice of a stranger might have some weight with you; but I trusted more to the impression of awe, which the conduct and seeming fore-knowledge of that stranger were adapted to inspire in a mind like your's; and I thus endeavoured to avarl myself of your prevailing weakness."

"And what do you term my prevailing weakness," said Vivaldi, blushing.

"A susceptibility which renders you especially liable to superstition," replied Schedoni.

"What! does a monk call superstition a weakness!" rejoined Vivaldi. "But grant he does, on what occasion have I betrayed such weakness?"

"Have you forgotten a conversation which I once held with you on invisible spirits?" said Schedoni.

As he asked this, Vivaldi was struck with the tone of his voice; he thought it was different from what he had remembered ever to have heard from him; and he looked at Schedoni more intently, that he might be certain it was he who had spoken. The Confessor's eyes were fixed upon him, and he repeated slowly in the same tone, "Have you forgotten?"

"I have not forgotten the conversation to which you allude," replied Vivaldi, "and I do not recollect that I then disclosed any opinion that may justify your assertion."

"The opinions you avowed were rational," said Schedoni, "but the ardour of your imagination was apparent, and what ardent imagination ever was contented to trust to plain reasoning, or to the evidence of the senses? It may not willingly confine itself to the dull truths of this earth, but, eager to expand its faculties, to fill its capacity, and to experience its own peculiar delights, soars after new wonders into a world of its own!"

Vivaldi blushed at this reproof, now conscious of its justness; and was surprised that Schedoni should so well have understood the nature of his mind, while he himself, with whom conjecture had never assumed the stability of opinion, on the subject to which the Confessor alluded, had been ignorant even of its propensities.

"I acknowledge the truth of your remark," said Vivaldi, "as far as it concerns myself. I have, however, inquiries to make on a point less abstracted, and towards explaining which the evidence of my senses themselves have done little. To whom belonged the bloody garments I found in the dungeon of Paluzzi, and what became of the person to whom they had pertained?"

Consternation appeared for an instant on the features of Schedoni. "What garments?" said he.

"They appeared to be those of a person who had died by violence," replied Valdi, "and they were discovered in a place frequented by your avowed agent, Nicola, the monk."

As he concluded the sentence, Vivaldi looked at Nicola, upon whom the attention of every person present was now directed.

"They were my own," said this monk.

"Your own! and in that condition!" exclaimed Vivaldi. "They were covered with gore!"

"They were my own," repeated Nicola. "For their condition, I have to thank you,——the wound your pistol gave me occasioned it."

Vivaldi was astonished by this apparent subtersuge. "I had no pistol," he rejoined, "my sword was my only weapon!"

"Pause a moment," said the monk.

"I repeat that I had no fire-arms," replied Vivaldi.

"I appeal to father Schedoni," rejoined Nicola, "whether I was not wounded by a pistol shot."

"To me you have no longer any right of appeal," said Schedom. "Why should I save you from suspicions, that may bring you to a state like this, to which you have reduced me!"

"Your crimes have reduced you to it," replied Nicola, "I have only done my duty, and that which another person could have effected without my aid——the priest to whom Spalatro made his last confession."

"It is, however, a duty of such a kind," observed Vivaldi, "as I would not willingly have upon my conscience. You have betrayed the life of your former friend, and have compelled me to assist in the destruction of a fellow being."

"You, like me, have assisted to destroy a destroyer," replied the monk. "He has taken life, and deserves, therefore, to lose it. If, however, it will afford you consolation to know that you have not materially assisted in his destruction, I will hereafter give you proof for this assurance. There were other means of shewing that Schedoni was the Count di Bruno, than the testimony of Ansaldo, though I was ignorant of them when I bade you summon the penitentiary."

"If you had sooner avowed this," said Vivaldi, the assertion would have been more plausible. Now, I can only understand that it is designed to win my silence, and prevent my retorting upon you your own maxim——that he who has taken the life of another, deserves to lose his own.—— To whom did those bloody garments belong?"

"To myself, I repeat," replied Nicola, "Shedoni can bear testimony that I received at Paluzzi a pistol wound."

"Impossible," said Vivaldi, "I was armed only with my sword!"

"You had a companion," observed the monk, "had not he fire-arms?"

Vivaldi, after a momentary consideration, recollected that Paulo had pistols, and that he had fired one beneath the arch of Paluzzi, on the first alarm occasioned by the stranger's voice. He immediately acknowledged the recollection. "But I heard, no groan, no symptom of distress!" he added. "Besides, the garments were at a considerable distance from the spot where the pistol was fired! How could a person, so severely wounded as those garments indicated, have silently withdrawn to a remote dungeon, or, having done so, is it probable he would have thrown aside his dress!"

"All that is nevertheless true," replied Nicola. "My resolution enabled me to stifle the expression of my anguish; I withdrew to the interior of the ruin, to escape from you, but you pursued me even to the dungeon, where I threw off my discoloured vestments, in which I dared not return to my convent, and departed by a way which all your ingenuity failed to discover. The people who were already in the fort, for the purpose of assisting to confine you and your servant during the night on which Signora Rosalba was taken from Altieri, procured me another habit, and relief for my wound. But, though I was unseen by you during the night, I was not entirely unheard, for my groans reached you more than once from an adjoining chamber, and my companions were entertained with the alarn which your servant testified.——Are you now convinced?"

The groans were clearly remembered by Vivaldi, and many other circumstances of Nicola's narration accorded so well with others, which he recollected to have occurred on the night alluded to, that he had no longer a doubt of its veracity. The suddenness of Bianchi's death, however, still occasioned him suspicions as to its cause; yet Schedoni had declared not only that he was innocent, but ignorant of this cause, which it appeared from his unwillingness to give testimony in favour of his agent, he would not have affirmed, had he been conscious that the monk was in any degree guilty in this instance. That Nicola could have no inducement for attempting the life of Bianchi other than a reward offered him by Schedoni, was clear; and Vivaldi, after more fully considering these circumstances, became convinced that her death was in consequence of some incident of natural decay.

While this conversation was passing, the Marchese, impatient to put a conclusion to it, and to leave the chamber, repeatedly urged the secretary to dispatch; and, while he now earnestly renewed his request, another voice answered for the secretary, that he had nearly concluded. Vivaldi thought that he had heard the voice on some former occasion, and on turning his eyes upon the person who had spoken, discovered the stranger to be the same who had first visited him in prison. Perceiving by his dress, that he was an officer of the Inquisition, Vivaldi now understood too well the purport of his former visit, and that he had come with a design to betray him by affected sympathy into a confession of some heretical opinions. Similar instances of treachery Vivaldi had heard were frequently practised upon accused persons, but he had never fully believed such cruelty possible till now, that it had been attempted towards himself.

The visit of this person bringing to his recollection the subsequent one he had received from Nicola, Vivaldi inquired whether the centinels had really admitted him to his cell, or he had entered it by other means; a question to which the monk was silent, but the smile on his features, if so strange an expression deserved to be called a smile, seemed to reply, "Do you believe that I, a servant of the Inquisition, will betray its secrets?"

Vivaldi, however, urged the inquiry, for he wished to know whether the guard, who appeared to be faithful to their office, had escaped the punishment that was threatened.

"They were honest," replied Nicola, "seek no further."

"Are the tribunal convinced of their integrity?"

Nicola smiled again in derision, and replied, "They never doubted it."

"How!" said Vivaldi. "Why were these men put under arrest, if their faithfulness was not even suspected?"

"Be satisfied with the knowledge, which experience has given you of the secrets of the Inquisition," replied Nicola solemnly, "seek to know no more!"

"It has terrible secrets!" said Schedoni, who had been long silent. "Know, young man, that almost every cell of every prisoner has a concealed entrance, by which the ministers of death may pass unnoticed to their victims. This Nicola is now one of those dreadful summoners, and is acquainted with all the secret avenues, that lead to murder."

Vivaldi shrunk from Nicola in horror, and Schedoni paused; but while he had spoken, Vivaldi had again noticed the extraordinary change in his voice, and shuddered at its sound no less than at the information it had given. Nicola was silent; but his terrible eyes were fixed in vengeance on Schedoni.

"His office has been short," resumed the Confessor, turning his heavy eyes upon Nicola, "and his task is almost done!" As he pronounced the last words his voice saltered, but they were heard by the monk, who drawing nearer to the bed, demanded an explanation of them. A ghastly smile triumphed in the features of Schedoni; "Fear not but that an explanation will come full soon," said he.

Nicola fixed himself before the Confessor, and bent his brows upon him as if he would have searched into his very soul. When Vivaldi again looked at Schedoni, he was shocked on observing the sudden alteration in his countenance, yet still a faint smile of triumph lingered there. But, while Vivaldi gazed, the features suddenly became agitated; in the next instant his whole frame was convulsed, and heavy groans laboured from his breast. Schedoni was now evidently dying.

The horror of Vivaldi, and of the Marchese, who endeavoured to leave the chamber, was equalled only by the general confusion that reigned there; every person present seemed to feel at least a momentary compassion, except Nicola, who stood unmoved beside Schedoni, and looked stedsastly upon his pangs, while a smile of derision marked his countenance. As Vivaldi observed, with detestation, this expression, a slight spasm darted over Nicola's face, and his muscles also seemed to labour with sudden contraction; but the affection was transient, and vanished as abruptly as it had appeared. The monk, however, turned from the miserable spectacle before him, and as he turned he caught involuntarily at the arm of a person near him, and leaned on his shoulder for support. His manner appeared to betray that he had not been permitted to triumph in the sufferings of his enemy, without participating at least in their horror.

Schedoni's struggles now began to abate, and in a short time he lay motionless. When he unclosed his eyes, death was in them. He was yet nearly insensible; but presently a saint gleam of recollection shot from them, and gradually lighting them up, the character of his soul appeared there; the expression was indeed seeble, but it was true. He moved his lips as if he would have spoken, and looked languidly round the chamber, seemingly in search of some person. At length, he uttered a sound, but he had not yet sufficient command of his muscles, to modulate that sound into a word, till by repeated efforts the name of Nicola became intelligible. At the call, the monk raised his head from the shoulder of the person on whom he had reclined, and turning round, Schedoni, as was evident from the sudden change of expression in his countenance, discovered him; his eyes, as they settled on Nicola seemed to recollect all their wonted fire, and the malignant triumph, lately so prevalent in his physiognomy, again appeared as in the next moment, he pointed to him. His glance seemed suddenly impowered with the destructive fascination attributed to that of the basilisk, for while it now met Nicola's, that monk seemed as if transfixed to the spot, and unable to withdraw his eyes from the glare of Schedoni's; in their expression he read the dreadful sentence of his fate, the triumph of revenge and cunning. Struck with this terrible conviction a pallid hue overspread his face; at the same time an involuntary motion convulsed his features, cold trembling seized upon his frame, and, uttering a deep groan, he fell back, and was caught in the arms of the people near him. At the instant of his fall, Schedoni uttered a sound so strange and horrible, so convulsed, yet so loud, so exulting, yet so unlike any human voice, that every person in the chamber, except those who were assisting Nicola, struck with irresistible terror, endeavoured to make their way out of it. This, however, was impracticable, for the door was sastened, until a physician, who had been sent for, should arrive, and some investigation could be made into this mysterious affair. The consternation of the Marchese and of Vivaldi, compelled to witness this scene of horror, cannot easily be imagined.

Schedoni, having uttered that demoniacal found of exultation, was not permitted to repeat it, for the pangs he had lately suffered returned upon him, and he was again in strong convulsions, when the physician entered the chamber. The moment he beheld Schedoni, he declared him to be poisoned; and he pronounced a similar opinion on father Nicola; affirming, also, that the drug, as appeared from the violence of the effect, was of too subtle and inveterate a nature to allow of antidote. He was, however, willing to administer the medicine usual in such cases.

While he was giving orders to an attendant, with respect to this, the violence of Schedoni's convulsions once more relaxed; but Nicola appeared in the last extremity. His sufferings were incessant, his senses never for a moment returned, and he expired, before the medicine, which had been sent for, could be brought. When it came, however, it was administered with some success to Schedoni, who recovered not only his recollection, but his voice; and the first word he uttered was, as formerly, the name of Nicola.

"Does he live?" added the Confessor with the utmost difficulty, and after a long pause. The persons around him were silent, but the truth, which this silence indicated, seemed to revive him.

The inquisitor, who had attended, perceiving that Schedoni had recovered the use of his intellects, now judged it prudent to ask some questions relative to his present condition, and to the cause of Nicola's death.

"Poison," replied Schedoni readily.

"By whom administered?" said the inquisitor, "consider that, while you answer, you are on your death-bed."

"I have no wish to conceal the truth," rejoined Schedoni, "nor the satisfaction" ——he was obliged to pause, but presently added, "I have destroyed him, who would have destroyed me, and——and I have escaped an ignominious death."

He paused again; it was with difficulty that he had said thus much, and he was now overcome by the exertion he had made. The secretary, who had not been permitted to leave the chamber, was ordered to note Schedoni's words.

"You avow then," continued the inquisitor, "that the poison was administered, both in the case of father Nicola and in your own, by yourself?"

Schedoni could not immediately reply; but when he did, he said, "I avow it."

He was asked by what means he had contrived to procure the poison, and was bidden to name his accomplice.

"I had no accomplice," replied Schedoni. "How did you procure the poison, then?"

Schedoni, slowly and with difficulty, replied, "It was concealed in my vest."

"Consider that you are dying," said the inquisitor, "and confess the truth. We cannot believe what you have last asserted. It is improbable that you should have had an opportunity of providing yourself with poison after your arrest, and equally improbable that you should have thought such provision necessary before that period. Confess who is your accomplice."

This accusation of falshood recalled the spirit of Schedoni, which, contending with, and conquering, for a moment, corporeal suffering, he said in a firmer tone, "It was the poison, in which I dip my poniard, the better to defend me."

The inquisitor smiled in contempt of this explanation, and Schedoni, observing him, desired a particular part of his vest might be examined, where would be found some remains of the drug concealed as he had affirmed. He was indulged in his request, and the poison was discovered within a broad hem of his garment.

Still it was inconceivable how he had contrived to administer it to Nicola, who, though he had been for some time alone with him on this day, would scarcely have so far confided in an enemy, as to have accepted any seeming sustenance that might have been offered by him. The inquisitor, still anxious to discover an accomplice, asked Schedoni who had assisted to administer the drug to Nicola, but the Confessor was no longer in a condition to reply. Life was now sinking apace; the gleam of spirit and of character that had returned to his eyes, was departed, and left them haggard and fixed; and presently a livid corse was all that remained of the once terrible Schedoni!

While this awful event had been accomplishing, the Marchese, suffering under the utmost perturbation, had withdrawn to the distant grate of the dungeon, where he conversed with an official as to what might be the probable consequence of his present situation to himself; but Vivaldi, in an agony of horror, had been calling incessantly for the medicine, which might possibly afford some relief to the anguish he witnessed; and when it was brought, he had assisted to support the sufferers.

At length, now that the worst was over, and when the several witnesses had signed to the last avowal of Schedoni, every person in the chamber was suffered to depart; and Vivaldi was re-conducted to his prison, accompanied by the Marchese, where he was to remain till the decision of the holy office respecting his innocence, as asserted by the deposition of Schedoni, should be known. He was too much affected by the late scene to give the Marchese any explanation at present, respecting the family of Ellena di Rosalba, and the Marchese, having remained for some time with his son, withdrew to the residence of his friend.

CHAP. XI.


"Master, go on, and I will follow thee
To the last gasp, with truth and loyalty."
Shakespeare.

In consequence of the dying confession of Schedoni, an order was sent from the holy office for the release of Vivaldi, within a few days after the death of the Confessor; and the Marchese conducted his son from the prisons of the Inquisition to the mansion of his friend the Count di Maro, with whom he had resided since his arrival at Rome.

While they were receiving the ceremonious congratulations of the Count, and of some nobles assembled to welcome the emancipated prisoner a loud voice was heard from the anti-chamber exclaiming, "Let me pass! It is my master, let me pass! May all those who attempt to stop me, be sent to the Inquisition themselves!"

In the next instant Paulo burst into the saloon, followed by a group of lacqueys, who, however, paused at the door, fearful of the displeasure of their lord, yet scarcely able to stifle a laugh; while Paulo, springing forward, had nearly overset some of the company, who happened at that moment to be bowing with profound joy to Vivaldi.

"It is my master! it is my dear master!" cried Paulo, and, sending off a nobleman with each elbow, as he made his way between them, he hugged Vivaldi in his arms, repeating, "O, my master! my master!" till a passion of joy and affection overcame his voice, and he fell at his master's feet and wept.

This was a moment of finer joy to Vivaldi, than he had known since his meeting with his father, and he was too much interested by his faithful servant, to have leisure to apologize to the astonished company for his rudeness. While the lacqueys were repairing the mischief Paulo had occasioned, were picking up the rolling snuff-boxes he had jerked away in his passage, and wiping the snuff from the soiled clothes, Vivaldi was participating in all the delight, and returning all the affection of his servant, and was so wholly occupied by these pleasurable feelings as scarcely to be sensible that any persons besides themselves were in the room. The Marchese, meanwhile was making a thousand apologies for the disasters Paulo had occasioned; was alternately calling upon him to recollect in whose presence he was, and to quit the apartment immediately; explaining to the company that he had not seen Vivaldi since they were together in the Inquisition, and remarking profoundly, that he was much attached to his master. But Paulo, insensible to the repeated commands of the Marchese, and to the endeavours of Vivaldi to raise him, was still pouring forth his whole heart at his master's feet. "Ah! my Signor," said he, "if you could but know how miserable I was when I got out of the Inquisition!"—— "He raves!" observed the Count to the Marchese, "you perceive that joy has rendered him delirious!"

"How I wandered about the walls half the night, and what it cost me to leave them! But when I lost sight of them, Signor, O! San Dominico! I thought my heart would have broke. I had a great mind to have gone back again and given myself up; and, perhaps, I should too, if it had not been for my friend, the centinel, who escaped with me, and I would not do him an injury, poor fellow! for he meant nothing but kindness when he let me out. And sure enough, as it has proved, it was all for the best, for now I am here, too, Signor, as well as you; and can tell you all I felt when I believed I should never see you again."

The contrast of his present joy to his remembered grief again brought tears into Paulo's eyes; he smiled and wept, and sobbed and laughed with such rapid transition, that Vivaldi began to be alarmed for him; when, suddenly becoming calm, he looked up in his master's face and said gravely, but with eagerness, "Pray Signor, was not the roof of your little prison peaked, and was there not a little turret stuck up at one corner of it? and was there not a battlement round the turret? and was there not"——Vivaldi, after regarding him for a moment, replied smilingly, "Why truly, my good Paulo, my dungeon was so far from the roof, that I never had an opportunity of observing it."

"That is very true, Signor," replied Paulo, "very true indeed; but I did not happen to think of that. I am certain, though, it was as I say, and I was sure of it at the time. O Signor! I thought that roof would have broke my heart, O how I did look at it! and now to think that I am here, with my dear master once again!"

As Paulo concluded, his tears and sobs returned with more violence than before; and Vivaldi, who could not perceive any necessary connection between this mention of the roof of his late prison, and the joy his servant expressed on seeing him again, began to fear that his senses were bewildered, and desired an explanation of his words. Paulo's account, rude and simple as it was, soon discovered to him the relation of these apparently heterogeneous circumstances to each other; when Vivaldi, overcome by this new instance of the power of Paulo's affection, embraced him with his whole heart, and, compelling him to rise, presented him to the assembly as his faithful friend, and chief deliverer.

The Marchese, affected by the scene he had witnessed, and with the truth of Vivaldi's words, condescended to give Paulo a hearty shake by the hand, and to thank him warmly for the bravery and fidelity he had displayed in his master's interest. "I never can fully reward your attachment, added the Marchese, "but what remains for me to do, shall be done. From this moment I make you independent, and promise, in the presence of this noble company, to give you a thousand sequins, as some acknowledgement of your services."

Paulo did not express all the gratitude for this gift which the Marchese expected. He stammered, and bowed and blushed, and at length burst into tears; and when Vivaldi inquired what distressed him, he replied, "Why, Signor, of what use are the thousand sequins to me, if I am to be independent! what use if I am not to stay with you?"

Vivaldi cordially assured Paulo, that he should always remain with him, and that he should consider it as his duty to render his future life happy. "You shall henceforth," added Vivaldi, "be placed at the head of my houshold; the management of my servants, and the whole conduct of my domestic concerns shall be committed to you, as a proof of my entire confidence in your integrity and attachment; and because this is a situation which will allow you to be always near me."

"Thank you, my Signor," replied Paulo, in a voice rendered almost inarticulate by his gratitude, "Thank you with my whole heart! if I stay with you, that is enough for me, I ask no more. But I hope my Lord Marchese will not think me ungrateful for refusing to accept of the thousand sequins he was so kind as to offer me, if I would but be independent, for I thank him as much as if I had received them, and a great deal more too."

The Marchese, smiling at Paulo's mistake, rejoined, "As I do not perceive, my good friend, how your remaining with your master can be a circumstance to disqualify you from accepting a thousand sequins, I command you, on pain of my displeasure, to receive them; and whenever you marry, I shall expect that you will shew your obedience to me again, by accepting another thousand from me with your wife, as her dower."

"This is too much, Signor," said Paulo sobbing——"too much to be borne!" and ran out of the saloon. But amidst the murmur of applause which his conduct drew from the noble spectators, for Paulo's warm heart had subdued even the coldness of their pride, a convulsive sound from the anti-chamber betrayed the excess of emotion, which he had thus abruptly withdrawn himself to conceal.

In a few hours, the Marchese and Vivaldi took leave of their friends, and set out for Naples, where they arrived, without any interruption, on the fourth day. But it was a melancholy journey to Vivaldi, notwithstanding the joy of his late escape; for the Marchese, having introduced the mention of his attachment to Ellena di Rosalba, informed him, that, under the present unforeseen circumstances, he could not consider his late engagement to the Marchesa on that subject as binding, and that Vivaldi must relinquish Ellena, if it should appear that she really was the daughter of the late Schedoni.

Immediately on his arrival at Naples, however, Vivaldi, with a degree of impatience, to which his utmost speed was inadequate, and with a revived joy so powerful as to overcome every fear, and every melancholy consideration, which the late conversation with his father had occasioned, hastened to the Santa della Piéta.

Ellena heard his voice from the grate, inquiring for her of a nun, who was in the parlour, and in the next instant they beheld each other yet once again.

In such a meeting, after the long uncertainty and terror, which each had suffered for the fate of the other, and the dangers and hardships they had really incurred, joy was exalted almost to agony. Ellena wept, and some minutes passed before she could answer to Vivaldi's few words of tender exclamation: it was long ere she was tranquil enough to observe the alteration, which severe confinement had given to his appearance. The animated expression of his countenance was unchanged; yet, when the first glow of joy had faded from it, and Ellena had leisure to observe its wanness, she understood, too certainly, that he had been a prisoner in the Inquisition.

During this interview, he related, at Ellena's request, the particulars of his adventures, since he had been separated from her in the chapel of San Sebastian; but, when he came to that part of the narration where it was necessary to mention Schedoni, he paused in unconquerable embarrassment and a distress not unmingled with horror. Vivaldi could scarcely endure even to hint to Ellena any part of the unjust conduct, which the Confessor had practised towards him, yet it was impossible to conclude his account, without expressing much more than hints; nor could he bear to afflict her with a knowledge of the death of him who he believed to be her parent, however the dreadful circumstances of that event might be concealed. His embarrassment became obvious, and was still increased by Ellena's inquiries.

At length, as an introduction to the information it was necessary to give, and to the fuller explanation he wished to receive upon a subject, which, though it was the one that pressed most anxiously upon his mind, he had not yet dared to mention, Vivaldi ventured to declare his knowledge of her having discovered her parent to be living. The satisfaction immediately apparent upon Ellena's countenance heightened his distress, and his reluctance to proceed; believing, as he did, that the event he had to communicate must change her gladness to grief."

Ellena, however, upon this mention of a topic so interesting to them both, proceeded to express the happiness she had received from the discovery of a parent, whose virtues had even won her affection long before she understood her own interest in them. It was with some difficulty, that Vivaldi could conceal his surprize at such an avowal of prepossession; the manners of Schedoni, of whom he believed her to speak, having certainly never been adapted to inspire tenderness. But his surprize soon changed its object, when Olivia, who had heard that a stranger was at the grate, entered the parlour, and was announced as the mother of Ellena di Rosalba.

Before Vivaldi left the convent, a full explanation, as to family, was given on both sides, when he had the infinite joy of learning, that Ellena was not the daughter of Schedoni; and Olivia had the satisfaction to know that she had no future evil to apprehend from him who had hitherto been her worst enemy. The manner of his death, however, with all the circumstances of his character, as unfolded by his late trial, Vivaldi was careful to conceal.

When Ellena had withdrawn from the room, Vivaldi made a full acknowledgment to Olivia of his long attachment to her daughter, and supplicated for her consent to their marriage. To this application, however, Olivia replied, that, though she had long been no stranger to their mutual affection, or to the several circumstances which had both proved its durability, and tried their fortitude, she never could consent that her daughter should become a member of any family, whose principal was either insensible of her value, or unwilling to acknowledge it; and that in this instance it would be necessary to Vivaldi's success, not only that he, but that his father should be a suitor; on which condition only, she allowed him to hope for her acquiescence.

Such a stipulation scarcely chilled the hopes of Vivaldi, now that Ellena was proved to be the daughter not of the murderer Schedoni, but of a Count di Bruno, who had been no less respectable in character than in rank; and he had little doubt that his father would consent to fulfil the promise he had given to the dying Marchesa.

In this belief he was not mistaken. The Marchese, having attended to Vivaldi's account of Ellena's family, promised, that if it should appear there was no second mistake on the subject, he would not longer oppose the wishes of his son.

The Marchese immediately caused a private inquiry to be made as to the identity of Olivia, the present Countess di Bruno; and, though this was not pursued without difficulty, the physician, who had assisted in the plan of her escape from the cruelty of Ferando di Bruno, and who was living, as well as Beatrice, who clearly remembered the sister of her late mistress, at length rendered Olivia's identity unquestionable. Now, therefore, that the Marchese's every doubt was removed, he paid a visit to the Santa della Piéta, and solicited, in due form, Olivia's consent to the nuptials of Vivaldi with Ellena; which she granted him with an entire satisfaction. In this interview, the Marchese was so much fascinated by the manners of the Countess, and pleased with the delicacy and sweetness, which appeared in those of Ellena, that his consent was no longer a constrained one, and he willingly relinquished the views of superior rank and fortune, which he had formerly looked to for his son, for those of virtue and permanent happiness that were now unfolded to him.

On the twentieth of May, the day on which Ellena completed her eighteenth year, her nuptials with Vivaldi were solemnized in the church of the Santa Maria della Piéta, in the presence of the Marchese and of the Countess di Bruno. As Ellena advanced through the church, she recollected, when on a former occasion she had met Vivaldi at the altar, and, the scenes of San Sebastian rising to her memory, the happy character of those, which her present situation opposed to them, drew tears of tender joy and gratitude to her eyes. Then, irresolute, desolate, surrounded by strangers, and ensnared by enemies, she had believed she saw Vivaldi for the last time; now, supported by the presence of a beloved parent, and by the willing approbation of the person, who had hitherto so strenuously opposed her, they were met to part no more; and, as a recollection of the moment when she had been carried from the chapel glanced upon her mind, that moment when she had called upon him for succour, supplicated even to hear his voice once more, and when a blank silence, which, as she believed, was that of death, had succeeded; as the anguish of that moment was now remembered, Ellena became more than ever sensible of the happiness of the present.

Olivia, in thus relinquishing her daughter so soon after she had found her, suffered some pain, but she was consoled by the fair prospect of happiness, that opened to Ellena, and cheered, by considering, that, though she relinquished, she should not lose her, since the vicinity of Vivaldi's residence to La Piéta, would permit a frequent intercourse with the convent.

As a testimony of singular esteem, Paulo was permitted to be present at the marriage of his master, when, as perched in a high gallery of the church, he looked down upon the ceremony, and witnessed the delight in Vivaldi's countenance, the satisfaction in that of my "old Lord Marchese," the pensive happiness in the Countess di Bruno's, and the tender complacency of Ellena's, which her veil, partly undrawn, allowed him to observe, he could scarcely refrain from expressing the joy he felt, and shouting aloud, "O! giorno felíce! O! giorno felíce!" [Note: O happy day! O happy day!]

CHAP. XII.


"Ah! where shall I so sweet a dwelling find!
For all around, without, and all within,
Nothing save what delightful was and kind,
Of goodness favouring and a tender mind,
E'er rose to view."
Thomson.

The fête which, some time after the nuptials, was given by the Marchese, in celebration of them, was held at a delightful villa, belonging to Vivaldi, a few miles distant from Naples, upon the border of the gulf, and on the opposite shore to that which had been the frequent abode of the Marchesa. The beauty of its situation and its interior elegance induced Vivaldi and Ellena to select it as their chief residence. It was, in truth, a scene of fairy-land. The pleasure-grounds extended over a valley, which opened to the bay, and the house stood at the entrance of this valley, upon a gentle slope that margined the water, and commanded the whole extent of its luxuriant shores, from the lofty cape of Miseno to the bold mountains of the south, which, stretching across the distance, appeared to rise out of the sea, and divided the gulf of Naples from that of Salerno.

The marble porticoes and arcades of the villa were shadowed by groves of the beautiful magnolia flowering ash, cedrati, camellias, and majestic palms; and the cool and airy halls, opening on two opposite sides to a colonade, admitted beyond the rich soliage all the seas and shores of Naples, from the west; and to the east, views of the valley of the domain, withdrawing among winding hills wooded to their summits, except where cliffs of various-coloured granites, yellow, green, and purple, lifted their tall heads, and threw gay gleams of light amidst the umbrageous landscape.

The style of the gardens, where lawns and groves, and woods varied the undulating surface, was that of England, and of the present day, rather than of Italy; except "Where a long alley peeping on the main," exhibited such gigantic loftiness of shade, and grandeur of perspective, as characterize the Italian taste.

On this jubilee, every avenue and grove, and pavilion was richly illuminated. The villa itself, where each airy hall and arcade was resplendent with lights, and lavishly decorated with flowers and the most beautiful shrubs, whose buds seemed to pour all Arabia's perfumes upon the air, this villa resembled a fabric called up by enchantment, rather than a structure of human art.

The dresses of the higher rank of visitors were as splendid as the scenery, of which Ellena was, in every respect, the queen. But this entertainment was not given to persons of distinction only, for both Vivaldi and Ellena had wished that all the tenants of the domain should partake of it, and share the abundant happiness which themselves possessed; so that the grounds, which were extensive enough to accommodate each rank, were relinquished to a general gaiety. Paulo was, on this occasion, a sort of master of the revels; and, surrounded by a party of his own particular associates, danced once more, as he had so often wished, upon the moon-light shore of Naples.

As Vivaldi and Ellena were passing the spot, which Paulo had chosen for the scene of his festivity, they paused to observe his strange capers and extravagant gesticulation, as he mingled in the dance, while every now-and-then he shouted forth, though half breathless with the heartiness of the exercise, "O! giorno felíce! O! giorno felíce!"

On perceiving Vivaldi, and the smiles with which he and Ellena regarded him, he quitted his sports, and advancing, "Ah! my dear master," said he, "do you remember the night, when we were travelling on the banks of the Celano, before that diabolical accident happened in the chapel of San Sebastian; don't you remember how those people, who were tripping it away so joyously, by moonlight, reminded me of Naples and the many merry dances I had footed on the beach here?"

"I remember it well," replied Vivaldi.

"Ah! Signor mio, you said at the time, that you hoped we should soon be here, and that then I should frisk it away with as glad a heart as the best of them. The first part of your hope, my dear master, you was out in, for, as it happened, we had to go through purgatory before we could reach paradise; but the second part is come at last;——for here I am, sure enough! dancing by moonlight, in my own dear bay of Naples, with my own dear master and mistress, in safety, and as happy almost as myself; and with that old mountain yonder, Vesuvius, which I, forsooth! thought I was never to see again, spouting up fire, just as it used to do before we got ourselves put into the Inquisition! O! who could have foreseen all this! O! giorno felíce! O! giorno felíce!"

"I rejoice in your happiness, my good Paulo," said Vivaldi, "almost as much as in my own; though I do not entirely agree with you as to the comparative proportion of each."

"Paulo!" said Ellena, "I am indebted to you beyond any ability to repay; for to your intrepid affection your master owes his present safety. I will not attempt to thank you for your attachment to him; my care of your welfare shall prove how well I know it; but I wish to give to all your friends this acknowledgment of your worth, and of my sense of it."

Paulo bowed, and stammered, and writhed and blushed, and was unable to reply; till, at length, giving a sudden and lofty spring from the ground, the emotion which had nearly stifled him burst forth in words, and "O! giorno felíce! O! giorno felíce!" flew from his lips with the force of an electric shock. They communicated his enthusiasm to the whole company, the words passed like lightning from one individual to another, till Vivaldi and Ellena withdrew amidst a choral shout, and all the woods and strands of Naples re-echoed with—— "O! giorno felíce! O! giorno felíce!"

"You see," said Paulo, when they had departed, and he came to himself again, "you see how people get through their misfortunes, if they have but a heart to bear up against them, and do nothing that can lie on their conscience afterwards; and how suddenly one comes to be happy, just when one is beginning to think one never is to be happy again! Who would have guessed that my dear master and I, when we were clapped up in that diabolical place, the Inquisition, should ever come out again into this world! Who would have guessed when we were taken before those old devils of Inquisitors, sitting there all of a row in a place under ground, hung with black, and nothing but torches all around, and faces grinning at us, that looked as black as the gentry aforesaid; and when I was not so much as suffered to open my mouth, no! they would not let me open my mouth to my master!——who, I say, would have guessed we should ever be let loose again! who would have thought we should ever know what it is to be happy! Yet here we are all abroad once more! All at liberty! And may run, if we will, straight forward, from one end of the earth to the other, and back again without being stopped! May fly in the sea, or swim in the sky, or tumble over head and heels into the moon! For remember, my good friends, we have no lead in our consciences to keep us down!"

"You mean swim in the sea, and fly in the sky, I suppose," observed a grave personage near him, "but as for tumbling over head and heels into the moon! I don't know what you mean by that!"

"Pshaw!" replied Paulo, "who can stop, at such a time as this, to think about what he means! I wish that all those, who on this night are not merry enough to speak before they think, may ever after be grave enough to think before they speak! But you, none of you, no! not one of you! I warrant, ever saw the roof of a prison, when your master happened to be below in the dungeon, nor know what it is to be forced to run away, and leave him behind to die by himself. Poor souls! But no matter for that, you can be tolerably happy, perhaps, notwithstanding; but as for guessing how happy I am, or knowing any thing about the matter.——O! it's quite beyond what you can understand. O! giorno felice! O! giorno felice!" repeated Paulo, as he bounded forward to mingle in the dance, and "O! giorno felice!" was again shouted in chorus by his joyful companions.

ANN RADCLIFFE
THE CASTLES OF ATHLIN AND DUNBAYNE:
A HIGHLAND STORY

–For justice bares the arm of God,
And the grasp'd vengeance only waits his nod.
CAWTHORN
First published, London: Thomas Hookham, 1789
This edition, Dublin: second edition, 1794
CONTENTS

Chapter I
Chapter II
Chapter III
Chapter IV
Chapter V
Chapter VI
Chapter VII
Chapter VIII
Chapter IX
Chapter X
Chapter XI
Chapter XII

CHAPTER I

     ON the north-east coast of Scotland, in the most romantic part of the Highlands, stood the Castle of Athlin; an edifice built on the summit of a rock whose base was in the sea. This pile was venerable from its antiquity, and from its Gothic structure; but more venerable from the virtues which it enclosed. It was the residence of the still beautiful widow, and the children of the noble Earl of Athlin, who was slain by the hand of Malcolm, a neighbouring chief, proud, oppressive, revengeful; and still residing in all the pomp of feudal greatness, within a few miles of the castle of Athlin. Encroachment on the domain of Athlin, was the occasion of the animosity which subsisted between the chiefs. Frequent broils had happened between their clans, in which that of Athlin had generally been victorious. Malcolm, whose pride was touched by the defeat of his people; whose ambition was curbed by the authority, and whose greatness was rivalled by the power of the Earl, conceived for him that deadly hatred which opposition to its favourite passions naturally excites in a mind like his, haughty and unaccustomed to controul; and he meditated his destruction. He planned his purpose with all that address which so eminently marked his character, and in a battle which was attended by the chiefs of each party in person, he contrived, by a curious finesse, to entrap the Earl, accompanied by a small detachment, in his wiles, and there slew him. A general rout of his clan ensued, which was followed by a dreadful slaughter; and a few only escaped to tell the horrid catastrophe to Matilda. Overwhelmed by the news, and deprived of those numbers which would make revenge successful, Matilda forbore to sacrifice the lives of her few remaining people to a feeble attempt at retaliation, and she was constrained to endure in silence her sorrows and her injuries.

     Inconsolable for his death, Matilda had withdrawn from the public eye, into this ancient seat of feudal government, and there, in the bosom of her people and her family, had devoted herself to the education of her children. One son and one daughter were all that survived to her care, and their growing virtues promised to repay all her tenderness. Osbert was in his nineteenth year: nature had given him a mind ardent and susceptible, to which education had added refinement and expansion. The visions of genius were bright in his imagination, and his heart, unchilled by the touch of disappointment, glowed with all the warmth of benevolence.

     When first we enter on the theatre of the world, and begin to notice its features, young imagination heightens every scene, and the warm heart expands to all around it. The happy benevolence of our feelings prompts us to believe that every body is good, and excites our wonder why every body is not happy. We are fired with indignation at the recital of an act of injustice, and at the unfeeling vices of which we are told. At a tale of distress our tears flow a full tribute to pity: at a deed of virtue our heart unfolds, our soul aspires, we bless the action, and feel ourselves the doer. As we advance in life, imagination is compelled to relinquish a part of her sweet delirium; we are led reluctantly to truth through the paths of experience; and the objects of our fond attention are viewed with a severer eye. Here an altered scene appears;–frowns where late were smiles; deep shades where late was sunshine: mean passions, or disgusting apathy stain the features of the principal figures. We turn indignant from a prospect so miserable, and court again the sweet illusions of our early days; but ah! they are fled for ever! Constrained, therefore, to behold objects in their more genuine hues, their deformity is by degrees less painful to us. The fine touch of moral susceptibility, by frequent irritation becomes callous; and too frequently we mingle with the world, till we are added to the number of its votaries.

     Mary, who was just seventeen, had the accomplishments of riper years, with the touching simplicity of youth. The graces of her person were inferior only to those of her mind, which illumined her countenance with inimitable expression.

     Twelve years had now elapsed since the death of the Earl, and time had blunted the keen edge of sorrow. Matilda's grief had declined into a gentle, and not unpleasing melancholy, which gave a soft and interesting shade to the natural dignity of her character. Hitherto her attention had been solely directed towards rearing those virtues which nature had planted with so liberal a hand in her children, and which, under the genial influence of her eye, had flourished and expanded into beauty and strength. A new hope, and new solicitudes, now arose in her breast; these dear children were arrived at an age, dangerous from its tender susceptibility, and from the influence which imagination has at that time over the passions. Impressions would soon be formed which would stamp their destiny for life. The anxious mother lived but in her children, and she had yet another cause of apprehension.

     When Osbert learned the story of his father's death, his young heart glowed to avenge the deed. The late Earl, who had governed with the real dignity of power, was adored by his clan; they were eager to revenge his injuries; but oppressed by the generous compassion of the Countess, their murmurs sunk into silence: yet they fondly cherished the hope that their young Lord would one day lead them on to conquest and revenge. The time was now come when they looked to see this hope, the solace of many a cruel moment, realized. The tender fears of a mother would not suffer Matilda to risque the chief of her last remaining comforts. She forbade Osbert to engage. He submitted in silence, and endeavored by application to his favourite studies, to stifle the emotions which roused him to aims. He excelled in the various accomplishments of his rank, but chiefly in the martial exercises, for they were congenial to the nobility of his soul, and he had a secret pleasure in believing that they would one time assist him to do justice to the memory of his dead father. His warm imagination directed him to poetry, and he followed where she led. He loved to wander among the romantic scenes of the Highlands, where the wild variety of nature inspired him with all the enthusiasm of his favourite art. He delighted in the terrible and in the grand, more than in the softer landscape; and, wrapt in the bright visions of fancy, would often lose himself in awful solitudes.

     It was in one of these rambles, that having strayed for some miles over hills covered with heath, from whence the eye was presented with only the bold outlines of uncultivated nature, rocks piled on rocks, cataracts and vast moors unmarked by the foot of traveller, he lost the path which he had himself made; he looked in vain for the objects which had directed him, and his heart, for the first time, felt the repulse of fear. No vestige of a human being was to be seen, and the dreadful silence of the place was interrupted only by the roar of distant torrents, and by the screams of the birds which flew over his head. He shouted, and his voice was answered only by the deep echoes of the mountains. He remained for some time in a silent dread not wholly unpleasing, but which was soon heightened to a degree of terror not to be endured; and he turned his steps backward, forlorn, and dejected. His memory gave him back no image of the past; having wandered some time, he came to a narrow pass, which he entered, overcome with fatigue and fruitless search: he had not advanced far, when an abrupt opening in the rock suddenly presented him with a view of the most beautifully romantic spot he had ever seen. It was a valley almost surrounded by a barrier of wild rocks, whose base was shaded with thick woods of pine and fir. A torrent, which tumbled from the heights, and was seen between the woods, rushed with amazing impetuosity into a fine lake which flowed through the vale, and was lost in the deep recesses of the mountains. Herds of cattle grazed in the bottom, and the delighted eyes of Osbert were once more blessed with the sight of human dwellings. Far on the margin of the stream were scattered a few neat cottages. His heart was so gladdened at the prospect, that he forgot he had yet the way to find which led to this Elysian vale. He was just awakened to this distressing reality, when his attention was once more engaged by the manly figure of a young Highland peasant, who advanced towards him with an air of benevolence, and, having learned his distress, offered to conduct him to his cottage. Osbert accepted the invitation, and they wound down the hill, through an obscure and intricate path, together. They arrived at one of the cottages which the Earl had observed from the height; they entered, and the peasant presented his guest to a venerable old Highlander, his father. Refreshments were spread on the table by a pretty young girl, and Osbert, after having partook of them and rested awhile, departed, accompanied by Alleyn, the young peasant, who had offered to be his guide. The length of the walk was beguiled by conversation. Osbert was interested by discovering in his companion a dignity of thought, and a course of sentiment similar to his own. On their way, they passed at some distance the castle of Dunbayne. This object gave to Osbert a bitter reflection, and drew from him a deep sigh. Alleyn made observations on the bad policy of oppression in a chief, and produced as an instance the Baron Malcolm. These lands, said he, are his, and they are scarcely sufficient to support his wretched people, who, sinking under severe exactions, suffer to lie uncultivated, tracts which would otherwise add riches to their Lord. His clan, oppressed by their burdens, threaten to rise and do justice to themselves by force of arms. The Baron, in haughty confidence, laughs at their defiance, and is insensible to his danger: for should an insurrection happen, there are other clans who would eagerly join in his destruction, and punish with the same weapon the tyrant and the murderer. Surprized at the bold independence of these words, delivered with uncommon energy, the heart of Osbert beat quick, and "O God! my father!" burst from his lips. Alleyn stood aghast! uncertain of the effect which his speech had produced; in an instant the whole truth flashed upon his mind: he beheld the son of the Lord whom he had been taught to love, and whose sad story had been impressed upon his heart in the early days of childhood; he sunk at his feet, and embraced his knees with a romantic ardor. The young Earl raised him from the ground, and the following words relieved him from his astonishment, and filled his eyes with tears of mingled joy and sorrow: "There are other clans as ready as your own to avenge the wrongs of the noble Earl of Athlin; the Fitz-Henrys were ever friends to virtue." The countenance of the youth, while he spoke, was overspread with the glow of conscious dignity, and his eyes were animated with the pride of virtue.–The breast of Osbert kindled with noble purpose, but the image of his weeping mother crossed his mind, and checked the ardor of the impulse. "A time may come my friend," said he, "when your generous zeal will be accepted with the warmth of gratitude it deserves. Particular circumstances will not suffer me, at present, to say more." The warm attachment of Alleyn to his father sunk deep in his heart.

     It was evening before they reached the castle, and Alleyn remained the Earl's guest for that night.

CHAPTER II

     THE following day was appointed for the celebration of an annual festival given by the Earl to his people, and he would not suffer Alleyn to depart. The hall was spread with tables; and dance and merriment resounded through the castle. It was usual on that day for the clan to assemble in arms, on account of an attempt, the memory of which it was meant to perpetuate, made, two centuries before, by an hostile clan to surprize them in their festivity.

     In the morning were performed the martial exercises, in which emulation was excited by the honorary rewards bestowed on excellence. The Countess and her lovely daughter beheld, from the ramparts of the castle, the feats performed on the plains below. Their attention was engaged, and their curiosity excited, by the appearance of a stranger who managed the lance and the bow with such exquisite dexterity, as to bear off each prize of chivalry. It was Alleyn. He received the palm of victory, as was usual, from the hands of the Earl; and the modest dignity with which he accepted it, charmed the beholders.

     The Earl honoured the feast with his presence, at the conclusion of which, each guest arose, and seizing his goblet with his left hand, and with his right striking his sword, drank to the memory of their departed Lord. The hall echoed with the general voice. Osbert felt it strike upon his heart the alarum of war. The people then joined hands, and drank to the honour of the son of their late master. Osbert understood the signal, and overcome with emotion, every consideration yielded to that of avenging his father. He arose, and harangued the clan with all the fire of youth and indignant virtue. As he spoke, the countenance of his people flashed with impatient joy; a deep murmur of applause ran through the assembly: and when he was silent each man, crossing his sword with that of his neighbour, swore that sacred pledge of union, never to quit the cause in which they now engaged, till the life of their enemy had paid the debt of justice and of revenge.

     In the evening, the wives and daughters of the peasantry came to the castle, and joined in the festivity. It was usual for the Countess and her ladies to observe from a gallery of the hall, the various performances of dance and song; and it had been a custom of old for the daughter of the castle to grace the occasion by performing a Scotch dance with the victor of the morning. This victor now was Alleyn, who beheld the lovely Mary led by the Earl into the hall, and presented to him as his partner in the dance. She received his homage with a sweet grace. She was dressed in the habit of a Highland lass, and her fine auburn tresses, which waved in her neck, were ornamented only with a wreath of roses. She moved in the dance with the light steps of the Graces. Profound silence reigned through the hall during the performance, and a soft murmur of applause arose on its conclusion. The admiration of the spectators was divided between Mary and the victorious stranger. She retired to the gallery, and the night concluded in joy to all but the Earl, and to Alleyn; but very different was the source and the complexion of their inquietude. The mind of Osbert revolved the chief occurrences of the day, and his soul burned with impatience to accomplish the purposes of filial piety; yet he dreaded the effect which the communication of his designs might have on the tender heart of Matilda: on the morrow, however, he resolved to acquaint her with them, and in a few days to rise and prosecute his cause with arms.

     Alleyn, whose bosom, till now, had felt only for others' pains, began to be conscious of his own. His mind, uneasy and restless, gave him only the image of the high-born Mary; he endeavoured to exclude her idea, but with an effort so faint, that it would still intrude! Pleased, yet sad, he would not acknowledge, even to himself, that he loved; so ingenious are we to conceal every appearance of evil from ourselves. He arose with the dawn, and departed from the castle full of gratitude and secret love, to prepare his friends for the approaching war.

     The Earl awoke from broken slumbers, and summoned all his fortitude to encounter the tender opposition of his mother. He entered her apartment with faultering steps, and his countenance betrayed the emotions of his soul. Matilda was soon informed of what her heart had foreboded, and overcome with dreadful sensation, sunk lifeless in her chair. Osbert flew to her assistance, and Mary and the attendants soon recovered her to sense and wretchedness.

     The mind of Osbert was torn by the most cruel conflict: filial duty, honour, revenge, commanded him to go; filial love, regret, and pity, entreated him to stay. Mary fell at his feet, and clasping his knees with all the wild energy of grief besought him to relinquish his fatal purpose, and save his last surviving parent. Her tears, her sighs, and the soft simplicity of her air, spoke a yet stronger language than her tongue: but the silent grief of the Countess was still more touching, and in his endeavours to sooth her, he was on the point of yielding his resolution, when the figure of his dying father arose to his imagination, and stamped his purpose irrevocably. The anxiety of a fond mother, presented Matilda with the image of her son bleeding and ghastly; and the death of her Lord was revived in her memory with all the agonizing grief that sad event had impressed upon her heart, the harsher characters of which, the lenient hand of time had almost obliterated. So lovely is Pity in all her attitudes, that fondness prompts us to believe she can never transgress; but she changes into a vice, when she overcomes the purposes of stronger virtue. Sterner principles now nerved the breast of Osbert against her influence and impelled him on to deeds of arms. He summoned a few of the most able and trusty of the clan, and held a council of war; in which it was resolved that Malcolm should be attacked with all the force they could assemble, and with all the speed which the importance of the preparation would allow. To prevent suspicion and alarm to the Baron, it was agreed it should be given out, that these preparations were intended for assistance to the Chief of a distant part. That when they set out on the expedition, they should pursue, for some time, a contrary way, but under favour of the night should suddenly change their route, and turn upon the castle of Dunbayne.

     In the mean time, Alleyn was strenuous in exciting his friends to the cause, and so successful in the undertaking, as to have collected, in a few days, a number of no inconsiderable consequence. To the warm enthusiasm of virtue was now added a new motive of exertion. It was no longer simply an attachment to the cause of justice, which roused him to action; the pride of distinguishing himself in the eyes of his mistress, and of deserving her esteem by his zealous services, gave combined force to the first impulse of benevolence. The sweet thought of deserving her thanks, operated secretly on his soul, for he was yet ignorant of its influence there. In this state he again appeared at the castle, and told the Earl, that himself and his friends were ready to follow him whenever the signal should be given. His offer was accepted with the warmth of kindness it claimed, and he was desired to hold himself in readiness for the onset.

     In a few days the preparations were completed, Alleyn and his friends were summoned, the clan assembled in arms, and, with the young Earl at their head, departed on their expedition. The parting between Osbert and his family may be easily conceived; nor could all the pride of expected conquest suppress a sigh which escaped from Alleyn when his eyes bade adieu to Mary who, with the Countess, stood on the terrace of the castle, pursuing with aching sight the march of her beloved brother, till distance veiled him from her view; she then turned into the castle weeping, and foreboding future calamity. She endeavoured, however, to assume an appearance of tranquillity, that she might deceive the fears of Matilda, and sooth her sorrow. Matilda, whose mind was strong as her heart was tender, since she could not prevent this hazardous undertaking, summoned all her fortitude to resist the impressions of fruitless grief, and to search for the good which the occasion might present. Her efforts were not vain; she found it in the prospect which the enterprize afforded of honour to the memory of her murdered Lord, and of retribution on the head of the murderer.

     It was evening when the Earl departed from the castle; he pursued a contrary route till night favoured his designs, when he wheeled towards the castle of Dunbayne. The extreme darkness of the night assisted their plan, which was to scale the walls, surprize the centinels; burst their way into the inner courts sword in hand, and force the murderer from his retreat. They had trod many miles the dreary wilds, unassisted by the least gleam of light, when suddenly their ears were struck with the dismal note of a watch-bell, which chimed the hour of the night. Every heart beat to the sound. They knew they were near the abode of the Baron. They halted to consult concerning their proceedings, when it was agreed, that the Earl with Alleyn and a chosen few, should proceed to reconnoitre the castle, while the rest should remain at a small distance awaiting the signal of approach. The Earl and his party pursued their march with silent steps; they perceived a faint light, which they guessed to proceed from the watch-tower of the castle, and they were now almost under its walls. They paused awhile in silence to give breath to expectation, and to listen if any thing was stirring. All was involved in the gloom of night, and the silence of death prevailed. They had now time to examine, as well as the darkness would permit, the situation of the castle, and the height of the walls; and to prepare for the assault. The edifice was built with Gothic magnificence upon a high and dangerous rock. Its lofty towers still frowned in proud sublimity, and the immensity of the pile stood a record of the ancient consequence of its possessors. The rock was surrounded by a ditch, broad, but not deep, over which were two draw-bridges, one on the north side, the other on the east; they were both up, but as they separated in the center, one half of the bridge remained on the side of the plains. The bridge on the north led to the grand gateway of the castle; that on the east to a small watch-tower: these were all the entrances. The rock was almost perpendicular with the walls, which were strong and lofty. After surveying the situation, they pitched upon a spot where the rock appeared most accessible, and which was contiguous to the principal gate, and gave signal to the clan. They approached in silence, and gently throwing down the bundles of faggot, which they had brought for the purpose, into the ditch, made themselves a bridge over which they passed in safety, and prepared to ascend the heights. It had been resolved that a party, of which Alleyn was one, should scale the walls, surprize the centinels, and open the gates to the rest of the clan, which, with the Earl, were to remain without. Alleyn was the first who fixed his ladder and mounted; he was instantly followed by the rest of his party, and with much difficulty, and some hazard, they gained the ramparts in safety. They traversed a part of the platform without hearing the sound of a voice or a step; profound sleep seemed to bury all. A number of the party approached some centinels who were asleep on their post; them they seized; while Alleyn, with a few others, flew to open the nearest gate, and to let down the draw-bridge. This they accomplished; but in the mean time the signal of surprize was given, and instantly the alarm bell rang out, and the castle resounded with the clang of arms. All was tumult and confusion. The Earl, with part of his people, entered the gate; the rest were following, when suddenly the portcullis was dropped, the bridge drawn up, and the Earl and his people found themselves surrounded by an armed multitude, which poured in torrents from every recess of the castle. Surprized, but not daunted, the Earl rushed forward sword in hand, and fought with a desperate valour. The soul of Alleyn seemed to acquire new vigour from the conflict; he fought like a man panting for honour, and certain of victory; wherever he rushed, conquest flew before him. He, with the Earl, forced his way into the inner courts, in search of the Baron, and hoped to have satisfied a just revenge, and to have concluded the conflict with the death of the murderer; but the moment in which they entered the courts, the gates were closed upon them; they were environed by a band of guards; and, after a short resistance, in which Alleyn received a slight wound, they were seized as prisoners of war. The slaughter without was great and dreadful: the people of the Baron inspired with fury, were insatiate for death: many of the Earl's followers were killed in the courts and on the platform; many, in attempting to escape, were thrown from the ramparts, and many were destroyed by the sudden raising of the bridge. A small part, only of the brave and adventurous band who had engaged in the cause of justice, and who were driven back from the walls, survived to carry the dreadful tidings to the Countess. The fate of the Earl remained unknown. The consternation among the friends of the slain is not to be described, and it was heightened by the unaccountable manner in which the victory had been obtained; for it was well known that Malcolm had never, but when war made it necessary, more soldiers in his garrison than feudal pomp demanded; yet on this occasion, a number of armed men rushed from the recesses of his castle, sufficient to overpower the force of a whole clan. But they knew not the secret means of intelligence which the Baron possessed; the jealousy of conscience had armed him with apprehension for his safety; and for some years he had planted spies near the castle of Athlin, to observe all that passed within it, and to give him immediate intelligence of every war-like preparation. A transaction so striking, and so public as that which had occurred on the day of the festival, when the whole people swore to avenge the murder of their Chief, it was not probable would escape the valiant eye of his mercenaries: the circumstance had been communicated to him with all the exaggerations of fear and wonder, and had given him the signal for defence. The accounts sent him of the military preparations which were forming, convinced him that this defence would soon be called for; and, laughing at the idle tales which were told him of distant wars, he hastened to store his garrison with arms and with men, and held himself in readiness to receive the assailants. The Baron had conducted his plans with all that power of contrivance which the secrecy of the business demanded; and it was his design to suffer the enemy to mount his walls, and to put them to the sword, when the purpose of this deep-laid stratagem had been nearly defeated by the drowsiness of the centinels who were posted to give signal of their approach.

     The fortitude of Matilda fainted under the pressure of so heavy a calamity; she was attacked with a violent illness, which had nearly terminated her sorrows and her life; and had rendered unavailing all the tender cares of her daughter. These tender cares, however, were not ineffectual; she revived, and they assisted to support her in the severe hours of affliction, which the unknown fate of the Earl occasioned. Mary, who felt all the horrors of the late event, was ill qualified for the office of a comforter; but her generous heart, susceptible of the deep sufferings of Matilda, almost forgot its own distress in the remembrance of her mother's. Yet the idea of her brother, surrounded with the horrors of imprisonment and death, would often obtrude itself on her imagination, with an emphasis which almost overcame her reason. She had also a strong degree of pity for the fate of the brave young Highlander who had assisted, with a disinterestedness so noble, in the cause of her house; she wished to learn his further destiny, and her heart often melted in compassion at the picture which her fancy drew of his sufferings.

CHAPTER III

     THE Earl, after being loaded with fetters, was conducted to the chief prison of the castle, and left alone to the bitter reflections of defeat and uncertain destiny; but misfortune, though it might shake, could not overcome his firmness; and hope had not yet entirely forsaken him. It is the peculiar attribute of great minds, to bear up with increasing force against the shock of misfortune; with them the nerves of resistance strengthen with attack; and they may be said to subdue adversity with her own weapons.

     Reflection, at length, afforded him time to examine his prison: it was a square room, which formed the summit of a tower built on the east side of the castle, round which the bleak winds howled mournfully; the inside of the apartment was old and falling to decay: a small mattrass, which lay in one corner of the room, a broken matted chair, and a tottering table, composed its furniture; two small and strongly grated windows, which admitted a sufficient degree of light and air, afforded him on one side a view into an inner court, and on the other a dreary prospect of the wild and barren Highlands.

     Alleyn was conveyed through dark and winding passages to a distant part of the castle, where at length a small door, barred with iron, opened, and disclosed to him an abode, whence light and hope were equally excluded. He shuddered as he entered, and the door was closed upon him.

     The mind of the Baron, in the mean time, was agitated with all the direful passions of hate, revenge, and exulting pride. He racked imagination for the invention of tortures equal to the force of his feelings; and he at length discovered that the sufferings of suspense are superior to those of the most terrible evils, when once ascertained, of which the contemplation gradually affords to strong minds the means of endurance. He determined, therefore, that the Earl should remain confined in the tower, ignorant of his future destiny; and in the mean while should be allowed food only sufficient to keep him sensible of his wretchedness.

     Osbert was immersed in thought, when he heard the door of his prison unbarred, and the Baron Malcolm stood before him. The heart of Osbert swelled high with indignation, and defiance flashed in his eyes. "I am come," said the insulting victor, "to welcome the Earl of Athlin to my castle; and to shew that I can receive my friends with the hospitality they deserve; but I am yet undetermined what kind of festival I shall bestow on his arrival."

     "Weak tyrant," returned Osbert, his countenance impressed with the firm dignity of virtue, "to insult the vanquished, is congenial with the cruel meanness of the murderer; nor do I expect, that the man who slew the father, will spare the son; but know, that son is nerved against your wrath, and welcomes all that your fears or your cruelty can impose."

     "Rash youth," replied the Baron; "your words are air; they fade from sense, and soon your boasted strength shall sink beneath my power. I go to meditate your destiny." With these words he quitted the prison, enraged at the unbending virtue of the Earl.

     The sight of the Baron, roused in the soul of Osbert all those opposite emotions of furious indignation and tender pity which the glowing image of his father could excite, and produced a moment of perfect misery. The dreadful energy of these sensations exasperated his brain almost to madness; the cool fortitude in which he had so lately gloried, disappeared; and he was on the point of resigning his virtue and his life, by means of a short dagger, which he wore concealed under his vest, when the soft notes of a lute surprized his attention. It was accompanied by a voice so enchantingly tender and melodious, that its sounds fell on the heart of Osbert in balmy comfort: it seemed sent by Heaven to arrest his fate:–the storm of passion was hushed within him, and he dissolved in kind tears of pity and contrition. The mournful tenderness of the air declared the person from whom it came to be a sufferer; and Osbert suspected it to proceed from a prisoner like himself. The music ceased. Absorbed in wonder, he went to the grates, in quest of the sweet musician, but no one was to be seen; and he was uncertain whether the sounds arose from within or from without the castle. Of the guard, who brought him his small allowance of food, he inquired concerning what he had heard; but from him he could not obtain the information he sought, and he was constrained to remain in a state of suspense.

     In the mean time the castle of Athlin, and its neighbourhood, was overwhelmed with distress. The news of the earl's imprisonment at length reached the ears of the countess, and hope once more illumined her mind. She immediately sent offers of immense ransom to the baron, for the restoration of her son, and the other prisoners; but the ferocity of his nature disdained an incomplete triumph. Revenge subdued his avarice; and the offers were rejected with the spurn of contempt. An additional motive, however, operated in his mind, and confirmed his purpose. The beauty of Mary had been often reported to him in terms which excited his curiosity; and an incidental view he once obtained of her, raised a passion in his soul, which the turbulence of his character would not suffer to be extinguished. Various were the schemes he had projected to obtain her, none of which had ever been executed: the possession of the earl was a circumstance the most favourable to his wishes; and he resolved to obtain Mary, as the future ransom of her brother. He concealed, for the present, his purpose, that the tortures of anxiety and despair might operate on the mind of the countess, to grant him an easy consent to the exchange, and to resign the victim the wife of her enemy.

     The small remains of the clan, unsubdued by misfortune, were eager to assemble; and, hazardous as was the enterprize, to attempt the rescue of their Chief. The hope which this undertaking afforded, once more revived the Countess; but alas! a new source of sorrow was now opened for her: the health of Mary visibly declined; she was silent and pensive; her tender frame was too susceptible of the sufferings of her mind; and these sufferings were heightened by concealment. She was prescribed amusement and gentle exercise, as the best restoratives of peace and health. One day, as she was seeking on horseback these lost treasures, she was tempted by the fineness of the evening to prolong her ride beyond its usual limits: the sun was declining when she entered a wood, whose awful glooms so well accorded with the pensive tone of her mind. The soft serenity of evening, and the still solemnity of the scene, conspired to lull her mind into a pleasing forgetfulness of its troubles; from which she was, ere long, awakened by the approaching sound of horses' feet. The thickness of the foliage limited her view; but looking onward, she thought she perceived through the trees, a glittering of arms; she turned her palfry, and sought the entrance of the wood. The clattering of hoofs advanced in the breeze! her heart, misgave her, and she quickened her pace. Her fears were soon justified; she looked back, and beheld three horsemen armed and disguised advancing with the speed of pursuit. Almost fainting, she flew on the wings of terror; all her efforts were vain; the villains came up; one seized her horse, the others fell upon her two attendants: a stout scuffle ensued, but the strength of her servants soon yielded to the weapons of their adversaries; they were brought to the ground, dragged into the wood, and there left bound to the trees. In the mean time, Mary, who had fainted in the arms of the villain who seized her, was borne away through the intricate mazes of the woods; and her terrors may be easily imagined, when she revived, and found herself in the hands of unknown men. Her dreadful screams, her tears, her supplications, were ineffectual; the wretches were deaf alike to pity and to enquiry; they preserved an inflexible silence, and she saw herself conveying towards the mouth of a horrible cavern, when despair seized her mind, and she lost all signs of existence: in this state she remained some time; but it is impossible to describe her situation, when she unclosed her eyes, and beheld Alleyn, who was watching with the most trembling anxiety her return to life, and whose eyes, on seeing her revive, swam in joy and tenderness. Wonder; fearful joy, and the various shades of mingled emotions, passed in quick succession over her countenance; her surprize was increased, when she observed her own servants standing by, and could discover no one but friends. She scarcely dared to trust her senses, but the voice of Alleyn, tremulous with tenderness, dissolved in a moment the illusions of fear, and confirmed her in the surprising reality. When she was sufficiently recovered, they quitted this scene of gloom: they travelled on in a slow pace, and the shades of night were fallen long before they reached the castle; there distress and confusion appeared. The Countess, alarmed with the most dreadful apprehensions, had dispatched her servants various ways in search of her child, and her transports on again beholding her in safety, prevented her observing immediately that it was Alleyn who accompanied her. Joy, however, soon yielded to its equal wonder, when she perceived him, and in the tumult of contending emotions, she scarce knew which first to interrogate. When she had been told the escape of her daughter, and by whom effected, she prepared to hear, with impatient solicitude, news of her beloved son, and the means by which the brave young Highlander had eluded the vigilance of the Baron. Of the Earl, Alleyn could only inform the Countess, that he was taken prisoner with himself, within the walls of the fortress, as they fought side by side; that he was conducted unwounded, to a tower, situated on the east angle of the castle, where he was still confined. Himself had been imprisoned in a distant part of the pile, and had been able to collect no other particulars of the Earl's situation, than those he had related. Of himself he gave a brief relation of the following circumstances:

     After having lain some weeks in the horrible dungeon allotted him, his mind involved in the gloom of despair, and filled with the momentary expectation of death, desperation furnished him with invention, and he concerted the following plan of escape:–He had observed, that the guard who brought him his allowance of food, on quitting the dungeon, constantly sounded his spear against the pavement near the entrance. This circumstance excited his surprize and curiosity. A ray of hope beamed through the gloom of his dungeon. He examined the spot, as well as the obscurity of the place would permit; it was paved with flag stones like the other parts of the cell, and the paving was everywhere equally firm. He, however, became certain, that some means of escape was concealed beneath that part, for the guard was constant in examining it by striking that spot, and treading more firmly on it; and this he endeavoured to do without being observed. One day, immediately after the departure of the guard, Alleyn set himself to unfasten the pavement; this, with much patience and industry, he effected, by means of a small knife which had escaped the search of the soldiers. He found the earth beneath hard, and without any symptoms of being lately disturbed; but after digging a few feet, he arrived at a trap; he trembled with eagerness. It was now almost night, and he overcome with weariness; he doubted whether he should be able to penetrate through the door, and what other obstructions were behind it, before the next day. He therefore, threw the earth again into the hole, and endeavoured to close the pavement; with much difficulty, he trod the earth into the opening, but the pavement he was unable exactly to replace. It was too dark examine the stones; and he found, that even if he should be able to make them fit, the pavement could not be made firm. His mind and body were now overcome, and he threw himself on the ground in an agony of despair. It was midnight, when the return of his strength and spirits produced another effort. He tore the earth up with hasty violence, cut round the lock of the trap door, and raising it, unwilling to hesitate or consider, sprung through the aperture. The vault was of considerable depth, and he was thrown down by the violence of the fall; an hollow echo, which seemed to murmur at a distance, convinced him that the place was of considerable extent. He had no light to direct him, and was therefore obliged to walk with his arms extended, in silent and fearful examination. After having wandered through the void a considerable time, he came to a wall, along which he groped with anxious care; it conducted him onward for a length of way: it turned; he followed, and his hand touched the cold iron work of a barred window. He felt the gentle undulation of the air upon his face; and to him, who had been so long confined among the damp vapours of a dungeon, this was a moment of luxury. The air gave him strength; and the means of escape, which now seemed presented to him, renewed his courage. He set his foot against the wall, and grasping a bar with his hand, found it gradually yield to his strength, and by successive efforts, he entirely displaced it. He attempted another but, it was more firmly fixed, and every effort to loosen it was ineffectual; he found that it was fastened in a large stone of the wall, and to remove this stone, was his only means of displacing the bar; he set himself, therefore, again to work with his knife, and with much patience, loosened the mortar sufficiently to effect his purpose. After some hours, for the darkness made his labour tedious, and sometimes ineffectual, he had removed several of the bars, and had made an opening almost sufficient to permit his escape, when the dawn of light appeared; he now discovered, with inexpressible anguish, that the grate opened into an inner court of the castle, and even while he hesitated, he could perceive soldiers descending slowly into the court, from the narrow staircases which led to their apartments. His heart sickened at the sight. He rested against the wall in a pause of despair, and was on the point of springing into the court, to make a desperate effort at escape, or die in the attempt, when he perceived, by the increasing light which fell across the vault, a massy door in the wall; he ran towards it, and endeavoured to open it; it was fastened by a lock and several bolts. He struck against it with his foot, and the hollow sound which was returned, convinced him that there were vaults beyond; and by the direction of these vaults, he was certain that they must extend to the outer walls of the castle; if he could gain these vaults, and penetrate beyond them in the darkness of the ensuing night, it would be easy to leap the wall, and cross the ditch; but it was impossible to cut away the lock, before the return of his guard, who regularly visited the cell soon after the dawn of day. After some consideration, therefore, he determined to secrete himself in a dark part of the vault, and there await the entrance of the guard, who on observing the deranged bars of the grate, would conclude, that he had escaped through the aperture. He had scarcely placed himself according to his plan, when he heard the door of the dungeon unbolted; this was instantly followed by a loud, voice, which founded down the opening, and "Alleyn" was shouted in a tone of fright and consternation. After repeating the call, a man jumped into the vault. Alleyn, though himself concealed in darkness, could perceive, by the faint light which fell upon the spot, a soldier with a drawn sword in his hand. He approached the grate with execrations, examined it, and proceeded to the door; it was fast, he returned to the grate, and then proceeded along the walls, tracing them with the point of his sword. He at length approached the spot where Alleyn was concealed, who felt the sword strike upon his arm, and instantly grasping the hand which held it, the weapon fell to the ground. A short scuffle ensued. Alleyn threw down his adversary, and standing over him, seized the sword, and presented it to his breast; the soldier called for mercy. Alleyn, always unwilling to take the life of another, and considering that if the soldier was slain, his comrades would certainly follow to the vault, returned him his sword. "Take your life," said he, "your death can avail me nothing;–take it, and if you can, go tell Malcolm, that an innocent man has endeavoured to escape destruction." The guard, struck with his conduct, arose from the ground in silence, he received his sword, and followed Alleyn to the trap door. They returned into the dungeon, where Alleyn was once more left alone. The soldier, undetermined how to act, went to find his comrades; on the way he met Malcolm, who, ever restless and vigilant frequently walked the ramparts at an early hour. He enquired if all was well. The soldier, fearful of discovery, and unaccustomed to dissemble, hesitated at the question; and the stern air assumed by Malcolm, compelled him to relate what had happened. The Baron, with much harshness, reprobated his neglect, and immediately followed him to the dungeon, where he loaded Alleyn with insult. He examined the cell, descended into the vault, and returning to the dungeon stood by, while a chain, which had been fetched from a distant part of the castle, was fixed into the wall;–to this Alleyn was fastened. "We will not long confine you thus," said Malcolm as he quitted the cell, "a few days shall restore you to the liberty you are so fond of; but as a conqueror ought to have spectators of his triumph, you must wait till a number is collected sufficient to witness the death of so great an hero." "I disdain your insults," returned Alleyn, "and am equally able to support misfortune, and to despise a tyrant." Malcolm retired enraged at the boldness of his prisoner, and uttering menaces on the carelessness of the guard, who vainly endeavoured to justify himself. "His safety be upon your head," said the Baron. The soldier was shocked, and turned away in sullen silence. Dread of his prisoner's effecting an escape, now seized his mind; the words of Malcolm filled him with resentment, while gratitude towards Alleyn, for the life he had spared, operated with these sentiments, and he hesitated whether he should obey the Baron, or deliver Alleyn, and fly his oppressor. At noon, he carried him his customary food; Alleyn was not so lost in misery, but that he observed the gloom which hung upon his features; his heart foreboded impending evil: the soldier bore on his tongue the sentence of death. He told Alleyn, that the Baron had appointed the following day for his execution; and his people were ordered to attend. Death, however long contemplated, must be dreadful when it arrives; this was no more than what Alleyn had expected, and on what he had brought his mind to gaze without terror; but his fortitude now sunk before its immediate presence, and every nerve of his frame thrilled with agony. "Be comforted," said the soldier, in a tone of pity, "I, too, am no stranger to misery; and if you are willing to risque the danger of double torture, I will attempt to release both you and myself from the hands of a tyrant." At these words, Alleyn started from the ground in a transport of delightful wonder: "Tell me not of torture," cried he, "all tortures are equal if death is the end, and from death I may now escape; lead me but beyond these walls, and the small possessions I have, shall be yours for ever." "I want them not," replied the generous soldier, "it is enough for me, that I save a fellow creature from destruction." These words overpowered the heart of Alleyn, and tears of gratitude swelled in his eyes. Edric told him, that the door he had seen in the vault below, opened into a chain of vaults, which stretched beyond the wall of the castle, and communicated with a subterraneous way, anciently formed as a retreat from the fortress, and which terminated in the cavern of a forest at some distance. If this door could be opened, their escape was almost certain. They consulted on the measures necessary to be taken. The soldier gave Alleyn a knife larger than the one he had, and directed him to cut round the lock, which was all that with-held their passage. Edric's office of centinel was propitious to their scheme, and it was agreed that at midnight they should descend the vaults. Edric, after having unfastened the chain, left the cell, and Alleyn set himself again to remove the pavement, which had been already re-placed by order of the Baron. The near prospect of deliverance now gladdened his spirits; his knife was better formed for his purpose; and he worked with alacrity and ease. He arrived at the trap door, and once more leaped into the vault. He applied himself to the lock of the door, which was extremely thick, and it was with difficulty he separated them; with trembling hands he undrew the bolts, the door unclosed, and discovered to him the vaults. It was evening when he finished his work. He was but just returned to the dungeon, and had thrown himself on the ground to rest, when the sound of a distant step caught his ear; he listened to its advance with trembling eagerness. At length the door was unbolted; Alleyn, breathless with expectation, started up, and beheld not his soldier, but another; the opening was again discovered, and all was now over. The soldier brought a pitcher of water, and casting round the place a look of sullen scrutiny, departed in silence. The stretch of human endurance was now exceeded, and Alleyn sunk down in a state of torpidity. On recovering, he found himself again enveloped in the horrors of darkness, silence, and despair. Yet amid all his sufferings, he disdained to doubt the integrity of his soldier: we naturally recoil from painful sensations, and it is one of the most exquisite tortures of a noble mind, to doubt the sincerity of those in whom it has confided. Alleyn concluded, that the conversation of the morning had been overheard, and that this guard had been sent to examine the cell, and to watch his movements. He believed that Edric was now, by his own generosity, involved in destruction; and in the energy of this thought, he forgot for a moment his own situation.

    Midnight came, but Edric did not appear; his doubts were now confirmed into certainty, and he resigned himself to the horrid tranquillity of mute despair. He heard, from a distance, the clock of the castle strike one; it seemed to sound the knell of death; it roused his benumbed senses, and he rose from the ground in an agony of acutest recollection. Suddenly he heard the steps of two persons advancing down the avenue; he started, and listened. Malcolm and murder arose to his mind; he doubted not that the soldier had reported what he had seen in the evening, and that the persons whom he now heard, were coming to execute the final orders of the Baron. They now drew near the dungeon, when suddenly he remembered the door in the vault. His senses had been so stunned by the appearance of the stranger, and his mind so occupied with a feeling of despair, as to exclude every idea of escape; and in the energy of his sufferings he had forgot this last resource. It now flashed like lightning upon his mind; he sprung to the trap door, and his feet had scarcely touched the bottom of the vault, when he heard the bolts of the dungeon undraw; he had just reached the entrance of the inner vault, when a voice sounded from above. He paused, and knew it to be Edric's. Apprehension so entirely possessed his mind, that he hesitated whether he should discover himself; but a moment of recollection dissipated every ignoble suspicion of Edric's fidelity, and he answered the call. Immediately Edric descended, followed by the soldier whose former appearance had filled Alleyn with despair, and whom Edric now introduced as his faithful friend and comrade, who, like himself, was weary of the oppression of Malcolm, and who had resolved to fly with them, and escape his rigour. This was a moment of happiness too great for thought! Alleyn, in the confusion of his joy, and in his impatience to seize the moment of deliverance, scarcely heard the words of Edric. Edric having returned to fasten the door of the dungeon, to delay pursuit, and given Alleyn a sword which he had brought for him, led the way through the vaults. The profound silence of the place was interrupted only by the echoes of their footsteps, which running through the dreary chasms in confused whisperings, filled their imaginations with terror. In traversing these gloomy and desolate recesses they often paused to listen, and often did their fears give them the distant sounds of pursuit. On quitting the vaults, they entered an avenue, winding, and of considerable length, from whence branched several passages into the rock. It was closed by a low and narrow door, which opened upon a flight of steps, that led to the subterraneous way under the ditch of the castle. Edric knew the intricacies of the place: they entered, and closing the door began to descend, when the lamp which Edric carried in his hand was blown out by the current of the wind, and they were left in total darkness. Their feelings may be more easily imagined than described; they had, however, no way but to proceed, and grope with cautious steps the dark abyss. Having continued to descend for some time, their feet reached the bottom, and they found themselves once more on even ground; but Edric knew they had yet another flight to encounter, before they could gain the subterraneous passage under the fosse, and for which it required their utmost caution to search. They were proceeding with slow and wary steps, when the foot of Alleyn stumbled upon something which clattered like broken armour, and endeavouring to throw it from him, he felt the weight resist his effort: he stooped to discover what it was, and found in his grasp the cold hand of a dead person. Every nerve thrilled with horror at the touch, and he started back in an agony of terror. They remained for some time in silent dismay, unable to return, yet fearful to proceed, when a faint light which seemed to issue from the bottom of the last descent, gleamed upon the walls, and discovered to them the second staircase, and at their feet the pale and disfigured corpse of a man in armour, while at a distance they could distinguish the figures of men. At this sight their hearts died within them, and they gave themselves up for lost. They doubted not but the men whom they saw were the murderers; that they belonged to the Baron; and were in search of some fugitives from the castle. Their only chance of concealment was to remain where they were; but the light appeared to advance, and the faces of the men to turn towards them. Winged with terror, they sought the first ascent, and flying up the steps, reached the door, which they endeavoured to open, that they might hide themselves from pursuit among the intricacies of the rock; their efforts, however, were vain, for the door was fastened by a spring lock, and the key was on the other side. Compelled to give breath to their fears, they ventured to look back, and found themselves again in total darkness; they paused upon the steps, and listening, all was silent. They rested here a considerable time; no footsteps startled them; no ray of light darted through the gloom; every thing seemed hushed in the silence of death: they resolved once more to venture forward; they gained again the bottom of the first descent, and shuddering as they approached the spot where they knew the corpse was laid, they groped to avoid its horrid touch, when suddenly the light again appeared, and in the same place where they had first seen it. They stood petrified with despair. The light, however, moved slowly onward, and disappeared in the windings of the avenue. After remaining a long time in silent suspense, and finding no further obstacle, they ventured to proceed. The light had discovered to them their situation, and the staircase, and they now moved with greater certainty. They reached the bottom in safety, and without any fearful interruption; they listened, and again the silence of the place was undisturbed. Edric knew they were now under the fosse, their way was plain before them, and their hopes were renewed in the belief, that the light and the people they had seen, had taken a different direction, Edric knowing there were various passages branching from the main avenue which led to different openings in the rock. They now stepped on with alacrity, the prospect of deliverance was near, for Edric judged they were now not far from the cavern. An abrupt turning in the passage confirmed at once this supposition, and extinguished the hope which had attended it; for the light of a lamp burst suddenly upon them, and exhibited to their sickening eyes, the figures of four men in an attitude of menace, with their swords pointed ready to receive them. Alleyn drew his sword, and advanced: "We will die hardly," cried he. At the sound of his voice, the weapons instantly dropped from the hands of his adversaries, and they advanced to meet him in a transport of joy. Alleyn recognized with astonishment, in the faces of the three strangers, his faithful friends and followers; and Edric in that of the fourth, a fellow soldier. The same purpose had assembled them all in the same spot. They quitted the cave together; and Alleyn, in the joyful experience of unexpected deliverance, resolved never more to admit despair. They concluded, that the body which they had passed in the avenue, was that of some person who had perished either by hunger or by the sword in those subterranean labyrinths.

     They marched in company till they came within a few miles in of the castle of Athlin, when Alleyn made known his design of collecting his friends, and joining the clan in an attempt to release the Earl; Edric, and the other soldier, having solemnly enlisted in the cause, they parted; Alleyn and Edric pursuing the road to the castle, and the others striking off to a different part of the country. Alleyn and Edric had not proceeded far, when the groans of the wounded servants of Matilda drew them into the wood, in which the preceding dreadful scene had been acted. The surprize of Alleyn was extreme, when he discovered the servants of the Earl in this situation; but surprize soon yielded to a more poignant sensation, when he heard that Mary had been carried off by armed men. He scarcely waited to release the servants, but seized one of their horses which was grazing near, instantly mounted, ordering the rest to follow, and took the way which had been pointed as the course of the ravishers. Fortunately it was the right direction; and Alleyn and the soldier came up with them as they were hastening to the mouth of that cavern, whose frightful aspect had chilled the heart of Mary with a temporary death. Their endeavours to fly were vain; they were overtaken at the entrance; a sharp conflict ensued in which one of the ruffians was wounded and fled: his comrades seeing the servants of the Earl approaching relinquished their prize, and escaped through the recesses of the cave. The eyes of Alleyn were now fixed in horror on the lifeless form of Mary, who had remained insensible during the whole of the affray; he was exerting every effort for her recovery, when she unclosed her eyes, and joy once more illumined his soul.

     During the recital of these particulars, which Alleyn delivered with a modest brevity, the mind of Mary had suffered a variety of emotions sympathetic to all the vicissitudes of his situation. She endeavoured to conceal from herself the particular interest she felt in his adventures; but so unequal were her efforts to the strength of her emotions, that when Alleyn related the scene of Dunbayne cavern, her cheek grew pale and she relapsed into a fainting fit. This circumstance alarmed the penetration of the Countess; but the known weakness of her daughter's frame appeared a probable cause of the disorder, and repressed her first apprehension. It gave to Alleyn a mixed delight of hope and fear, such as he had never known before; for the first time he dared to acknowledge to his own heart that he loved, and that heart for the first time thrilled with the hope of being loved again.

     He received from the Countess the warm overflowings of a heart grateful for the preservation of her child, and from Mary a blush which spoke more than her tongue could utter. But the minds of all were involved in the utmost perplexity concerning the rank and the identity of the author of the plan, nor could they discover any clue which would lead them through this intricate maze of wonder, to the villain who had fabricated so diabolical a scheme. Their suspicions, at length, rested upon the Baron Malcolm, and this supposition was confirmed by the appearance of the horsemen, who evidently acted only as the agents of superior power. Their conjectures were indeed just. Malcolm was the author of the scheme. It had been planned, and he had given orders to his people to execute it long before the Earl fell into his hands. They had, however, found no opportunity of accomplishing the design when the castle was surprized, and in the consequent tumult of his mind, the Baron had forgot to withdraw his orders.

     Alleyn expressed his design of collecting the small remnant of his friends, and uniting with the clan in attempting the rescue of the Earl. "Noble youth," exclaimed the Countess, unable longer to repress her admiration, "how can I ever repay your generous services! Am I then to receive both my children at your hands? Go–my clan are now collecting for a second attempt upon the walls of Dunbayne,–go! lead them to conquest, and restore to me my son." The languid eyes of Mary rekindled at these words, she glowed with the hope of clasping once more to her bosom her long lost brother; but the suffusions of hope were soon chased by the chilly touch of fear, for it was Alleyn who was to lead the enterprize, and it was Alleyn who might fall in the attempt. These contrary emotions unveiled to her at once the state of her affections, and she saw in the eye of fancy, the long train of inquietudes and sorrows which were likely to ensue. She sought to obliterate from her mind every remembrance of the past, and of the fatal knowledge which was now disclosed; but she sought in vain, for the monitor in her breast constantly presented to her mind the image of Alleyn, adorned with those brave and manly virtues which had so eminently distinguished his conduct; the insignificance of the peasant was lost in the nobility of the character, and every effort at forgetfulness was baffled.

     Alleyn passed that night at the castle, and the next morning, after taking leave of the Countess and her daughter, to whom his eyes bade a respectful and mournful adieu, he departed with Edric for his father's cottage, impatient to acquaint the good old man with his safety, and to rouse to arms his slumbering friends. The breath of love had now raised into flame those sparks of ambition which had so long been kindling in his breast; he was not only eager to avenge the cause of injured virtue, and to rescue from misery and death, the son of the Chief whom he had been ever taught to reverence, but he panted to avenge the insult offered to his mistress, and to achieve some deed of valour worthy her admiration and her thanks.

     Alleyn found his father at breakfast, with his niece at his side; his face was darkened with sorrow, and he did not perceive Alleyn, when he entered. The joy of the old man almost overcame him when he beheld his son in safety, for he was the solace of his declining years; and Edric was welcomed with the heartiness of an old friend.

CHAPTER IV

     MEANWHILE the Earl remained a solitary prisoner in the tower; uncertain fate was yet suspended over him; he had, however, a magnanimity in his nature which baffled much of the cruel effort of the Baron. He had prepared his mind by habitual contemplation for the worst, and although that worst was death, he could now look to it even with serenity. Those violent transports which had assailed him on sight of the Baron, were, since he was no longer subject to his presence, reduced within their proper limits; yet he anxiously avoided dwelling on the memory of his father, lest those dreadful sensations should threaten him with returning torture. Whenever he permitted himself to think of the sufferings of the Countess and his sister, his heart melted with a sorrow that almost unnerved him; much he wished to know how they supported this trial, and much he wished that he could convey to them intelligence of his state. He endeavoured to abstract his mind from his situation, and sought to make himself artificial comforts even from the barren objects around him; his chief amusement was in observing the manners and customs of the birds of prey which lodged themselves in the battlements of his tower, and the rapacity of their nature furnished him with too just a parallel to the habits of men.

     As he was one day standing at the grate which looked upon the castle, observing the progress of these birds, his ear caught the sound of that sweet lute whose notes had once saved him from destruction; it was accompanied by the same melodious voice he had formerly heard, and which now sung with impassioned tenderness the following air:

When first the vernal morn of life
    Beam'd on my infant eye,
Fond I survey'd the smiling scene,
    Nor saw the tempest nigh.

Hope's bright illusions touch'd my soul,
    My young ideas led;
And Fancy's vivid tints combin'd,
    And fairy prospect spread.

My guileless heart expanded wide,
    With filial fondness fraught;
Paternal love that heart supplied
    With all its fondness sought.

But O! the cruel quick reverse!
    Fate all I loved involv'd;
Pale Grief Hope's trembling rays dispers'd,
    And Fancy's dreams dissolv'd.

     Lost in surprize, Osbert stood for some time looking down upon an inner court, whence the sounds seemed to arise; after a few minutes he observed a young lady enter from that side on which the tower arose; on her arm rested an elder one, in whose face might be traced the lines of decaying beauty; but it was visible, from the melancholy which clouded her features, that the finger of affliction had there anticipated the ravages of time. She was dressed in the habit of a widow, and the black veil which shaded her forehead, and gave a fine expression to her countenance, devolved upon the ground in a length of train, and heightened the natural majesty of her figure; she moved with slow steps, and was supported by the young lady whose veil half disclosed a countenance where beauty was touched with sorrow and inimitable expression; the elegance of her form and the dignity of her air, proclaimed her to be of distinguished rank. On her arm was hung that lute, whose melody had just charmed the attention of the Earl, who was now fixed in wonder at what he beheld, that was equalled only by his admiration. They retired through a gate on the opposite side of the court, and were seen no more. Osbert followed them with his eyes, which for some time remained fixed upon the door through which they had disappeared, almost insensible of their departure. When he returned to himself, he discovered, as if for the first time, that he was in solitude. He conjectured that these strangers were confined by the oppressive power of the Baron, and his eyes were suffused with tears of pity. When he considered that so much beauty and dignity were the unresisting victims of a tyrant, his heart swelled high with indignation, his prison became intolerable to him, and he longed to become at once the champion of virtue, and the deliverer of oppressed innocence. The character of Malcolm arose to his mind black with accumulated guilt, and aggravated the detestation with which he had ever contemplated it: the hateful idea nerved his soul with a confidence of revenge. Of the guard, who entered, he enquired concerning the strangers, but could obtain no positive information; he came to impart other news; to prepare the Earl for death; the morrow was appointed for his execution. He received the intelligence with the firm hardihood of indignant virtue, disdaining to solicit, and disdaining to repine; and his mind yet grasped the idea of revenge. He drove from his thoughts, with precipitation, the tender ideas of his mother and sister; remembrances which would subdue his fortitude without effecting any beneficial purpose. He was told of the escape of Alleyn; this intelligence gave him inexpressible pleasure, and he knew this faithful youth would undertake to avenge his death.

     When the news of Alleyn's flight had reached the Baron, his soul was stung with rage, and he called for the guards of the dungeon; they were no where to be found; and after a long search it was known that they were fled with their prisoner; the flight of the other captives was also discovered. This circumstance exasperated the passion of Malcolm to the utmost, and he gave orders that the life of the remaining centinel should be forfeited for the treachery of his comrades, and his own negligence; when recollecting the Earl, whom in the heat of his resentment he had forgot, his heart exulted in the opportunity he afforded of complete revenge; and in the fullness of joy with which he pronounced his sentence, he retracted the condemnation of the trembling guard. The moment after he had dispatched the messenger with his resolve to the Earl, his heart faultered from its purpose. Such is the alternate violence of evil passions, that they never suffer their subjects to act with consistency, but, torn by conflicting energies, the gratification of one propensity is destruction to the enjoyment of another; and the moment in which they imagine happiness in their grasp, is to them the moment of disappointment. Thus it was with the Baron; his soul seemed to attain its full enjoyment in the contemplation of revenge, till the idea of Mary inflamed his heart with an opposite passion; his wishes had caught new ardor from disappointment, for he had heard that Mary had been once in the power of his emissaries; and perhaps the pain which recoils upon the mind from every fruitless effort of wickedness, served to increase the energies of his desires. He spurned the thought of relinquishing the pursuit, yet there appeared to be no method of obtaining its object, but by sacrificing his favourite passion; for he had little doubt of obtaining Mary, when it should be known that he resolved not to grant the life of the Earl upon any other ransom. The balance of these passions hung in his mind in such nice equilibrium, that it was for some time uncertain which would preponderate; revenge, at length, yielded to love; but he resolved to preserve the torture of expected death, by keeping the Earl ignorant of his reprieve till the last moment.

     The Earl awaited death with the same stern fortitude with which he received its sentence, and was led from the tower to the platform of the castle, silent and unmoved. He beheld the preparations for his execution, the instruments of death, the guards arranged in files, with an undaunted mind. The glare of externals had no longer power over his imagination. He beheld every object with indifference, but that on which his eye now rested; it was on the murderer, who exhibited himself in all the pride of exulting conquest: he started at the sight, and his soul shrunk back upon itself. Disdaining, however, to appear disconcerted, he endeavoured to resume his dignity, when the remembrance of his mother, overwhelmed with sorrow, rushed upon his mind, and quite unmanned him; the tears started in his eyes, and he sunk senseless on the ground.

     On recovering, he found himself in his prison, and he was informed that the Baron had granted him a respite. Malcolm mistaking the cause of disorder in the Earl, thought he had  stretched his sufferings to their utmost limits; he therefore had ordered him to be re-conveyed to the tower.

     A scene so striking and so public as that which had just been performed at the castle of Dunbayne, was a subject of discourse to the whole country; it was soon reported to the Countess with a variety of additional circumstances, among which it was affirmed, that the Earl had been really executed. Overwhelmed with this intelligence, Matilda relapsed into her former disorder. Sickness had rendered Mary less able to support the shock, and to apply that comfort to the ambitions of her mother, which had once been so successfully administered. The physician pronounced the malady of the Countess to be seated in the mind, and beyond the reach of human skill, when one day a letter was brought to her, the superscription of which was written in the hand of Osbert; she knew the characters, and bursting the seal, read that her son was yet alive, and did not despair of throwing himself once more at her feet. He requested that the remains of his clan might immediately attempt his release. He described in what part of the castle his prison was situated, and thought, that by the assistance of long scaling-ladders and ropes, contrived in the manner he directed, he might be able to effect his escape through the grate. This letter was a reviving cordial to the Countess and to Mary.

     Alleyn was indefatigable in collecting followers for the enterprize he had engaged in. On receiving intelligence of the safety of the Earl, he visited the clan, and was strenuous in exhorting them to immediate action. They required little incitement to a cause in which every heart was so much interested, and for which every hand was already busied in preparation. These preparations were at length completed; Alleyn, at the head of his party, joined the assembled clan. The Countess for a second time beheld from the ramparts the departure of her people upon the same hazardous enterprize; the present scene revived in her mind a sad membrance of the past: the same tender fears, and the same prayers for success she now gave to their departure; and when they faded in distance from her sight, she returned into the castle dissolved in tears. The heart of Mary was torn by a complex sorrow, and incapable of longer concealing from herself the interest she took in the departure of Alleyn, her agitation became more apparent. The Countess in  vain endeavoured to compose her mind. Mary, affected by her tender concern, and prompted by the natural ingenuousness of her disposition, longed to make her the confidant of her weakness, if weakness that can be termed which arises from gratitude, and from admiration of great and generous qualities; but delicacy and timidity arrested the half-formed sentence, and closed her lips in silence. Her health gradually declined under the secret agitation of her mind; her physician knew her disorder to originate in suppressed sorrow; and advised, as the best cordial, a. confidential friend. Matilda now perceived the cause of her grief; her former passing observations recurred to her memory, and justified her discernment. She strove by every soothing effort to win her to her confidence. Mary, oppressed by the idea of ungenerous concealment, resolved at length to unveil her heart to a mother so tender of her happiness. She told her all her sentiments. The Countess suffered a distress almost equal to that of her daughter; her affectionate heart swelled with equal wishes for her happiness; she admired with warmest gratitude the noble and aspiring virtues of the young Highlander; but the proud nobility of her soul repelled with quick vivacity every idea of union with a youth of such ignoble birth: she regarded the present attachment as the passing impression of youthful fancy, and believed that gentle reasoning, aided by time and endeavour, would conquer the enthusiasm of love. Mary listened with attention to the reasonings of the Countess; her judgment acknowledged their justness, while her heart regretted their force. She resolved, however, to overcome an attachment which would produce so much distress to her family and to herself. Notwithstanding her endeavours to exclude Alleyn from her thoughts, the generous and heroic qualities of his mind burst upon her memory in all their splendor, she could not but be conscious that he loved her; she saw the struggles of his soul, and the delicacy of his passion, which made him ever retire in the most profound and respectful silence from its object. She solicited her mother to assist in expelling the destructive image from her mind. The Countess exerted every effort to amuse her to forgetfulness; every hour, except those which were given to exercises necessary for her health, was devoted to the cultivation of her mind, and the improvement of her various accomplishments. These endeavours were not unsuccessful; the Countess with joy observed the returning health and tranquillity of her daughter; and Mary almost believed she had taught herself to forget. These engagements served also to beguile the tedious moments which must intervene, ere news could arrive from Alleyn concerning the probable success of the enterprize.

     Misery yet dwelt in the castle of Dunbayne; for there the virtues were captive, while the vices reigned despotic. The mind of the Baron, ardent and restless, knew no peace: torn by conflicting passions, he was himself the victim of their power.

     The Earl knew that his life hung upon the caprice of a tyrant; his mind was nerved for the worst; yet the letter which the compassion of one of his guards, at the risque of his life, had undertaken to convey to the Countess, afforded him a faint hope that his people might yet effect his escape. In this expectation, he spent hour after hour at his grate, wishing, with trembling anxiety, to behold his clan advancing over the distant hills. These hills became at length, in a situation so barren of real comforts, a source of ideal pleasure to him. He was always at the grate, and often, in the fine evenings of summer saw the ladies, whose appearance had so strongly excited his admiration and pity, walk on a terrace below the tower. One very fine evening, under the pleasing impressions of hope for himself, and compassion for them, his sufferings for a time lost their acuteness. He longed to awaken their sympathy, and make known to them that they had a fellow-prisoner. The parting sun trembled on the tops of the mountains, and a softer shade fell upon the distant landscape. The sweet tranquillity of evening threw an air of tender melancholy over his mind: his sorrows for a while were hushed; and under the enthusiasm of the hour, he composed the following stanzas, which, having committed them to paper, he the next evening dropp'd upon the terrace.

SONNET

Hail! to the hallow'd hill, the circling lawn,
    The breezy upland, and the mountain stream!
The last tall pine that earliest meets the dawn,
    And glistens latest to the western gleam!

Hail! every distant hill, and downland plain!
    Your dew-hid beauties Fancy oft unveils;
What time to shepherd's reed, or poet's strain,
    Sorrowing my heart its destin'd woe bewails.

Blest are the fairy hour, the twilight shade
    Of Ev'ning, wand'ring thro' her woodlands dear,
Sweet the still sound that steals along the glade;
    'Tis fancy wafts it, and her vot'ries hear.

'Tis fancy wafts it!–and how sweet the sound!
    I hear it now the distant hills uplong;
While fairy echos from their dells around,
    And woods, and wilds, the feeble notes prolong!

     He had the pleasure to observe that the paper was taken up by the ladies, who immediately retired into the castle.