Ajoj.. ekser u glavu.. svasta bi pisao, je l da? 


Zato znaci posle ******* nema kajanja?
E vidis, meni je ovako jasno da danasnje ribice imaju dvostruku sujetu, nema vise lepse / pametnije sestre, idealizovanja 'dobre' posle 'tamne' strane - sve je dozvoljeno - koja je to vrsta samopouzdanja ?!

I pepeljuga se udala zbog kinte.

Kako posijes tako i pozanjes, poslije ****** nema kajanja, sve je to isto.
Sta znaci 'sve je dozvoljeno', o cemu pricas tacno?

O boze .. kad pocnete ovako banalizovati stvari i pepeljuga je bila sponzorusa 
inace, evo vam dio teksta o pepeljugi, pisali ljudi koji se, uz duzno postovanje, malo bolje razumiju u tematiku od vas:

Disney turns Cinderella from a story about a teenager freeing herself from a limiting life into a meditation on motherhood. Both Cinderella and the Prince have lost mothers, yet substitute mothers abound--most memorably in the form of the wicked stepmother who enslaves her late husband's child. Cinderella is rescued by a fairy godmother, a surrogate good mother who enables Cinderella's venture into the world. But the movie reduces the role of this figure from the folk tale, rendering the fairy godmother comically absent-minded. The real good mother of the Disney version is Cinderella herself, who tends to a debilitating array of chores with unbroken good cheer, and mothers a host of mice and family pets invented by Disney. She works tirelessly and cheerfully for her charges in contrast to the selfish stepmother. Ironically, Cinderella's obedient performance of myriad chores gives her the inner beauty requisite to attract the Prince, whose marriage proposal makes it no longer necessary for Cinderella to slave away.
The family tensions that grip young viewers--wicked stepmother, jealous step siblings--exist within the class structure of the film as well. Cinderella is treated as a servant, and the movie offers the democratic message that she deserves to share her sisters' privileges. Yet Cinderella has her own servants of a sort. The comical mice usurp the role of the original fairy godmother: not only are they transformed into carriage horses, but they sew her a ball gown and rescue her from her locked room. Watching the splendid animation, one cannot help but think of all the "mice" working as animators in the Disney factory, a cadre of mostly female workers engaging in the repetitive labor necessary for such filmic accomplishments. The division of labor implicitly lauded in Cinderella was replicated at the Disney studios, where the most mechanical, repetitive labor in animation was performed by female workers.
The happy ending is achieved through the amorous intervention of the virtually mute Prince. It is in such conclusions that Disney cartoons most famously reinforce traditional views of women's roles. In Sleeping Beauty the Prince must again rescue the damsel in distress. The main character's animated beauty, a trait so important it becomes her name, interestingly resembles the feminine ideal embodied in Barbie, the popular doll introduced the year before. But this beauty is somnolent, and it requires the Prince's kiss to undo the wicked spell of Maleficent, the harpy of this fairy tale.

izvor (mada mu ne mozete pristupiti ali whatthehack: "The World According to Hollywood." Encyclopedia of American Cultural and Intellectual History. 3 vols. Charles Scribner's Sons, 2001. Reproduced in History Resource Center. Farmington Hills, MI: Gale. http://galenet.galegroup.com/servlet/HistRC/

Ja sam samo salio....jel treba sad da izvrsim hari - kiri 

Samo ako mislis da je neophodno

Potrosacko drustvo.
A kako je svaki odnos sazdan od medjusobnih interesa (bilo nekad, a tako je i dan danas i bice za navek), u takvom drustvu ti interesi se menjaju...
U principu nije ni to lose niti strasno, samo covek mora da bude svestan realnosti i da joj se prilagodi...

Kao sto od konja ne mozes napraviti leptira, tako ni od jednog tipa muskaraca ili zena ne mozes napraviti drugi.

Tacno tvom alter egu.  

vidi !
Moderna pepeljuga je istripovala kevu i caleta da se sheta sa Jovanovom peticom iz matematike, a sa Milicom, Nevenom, Mirom, Sanjom, Ognjenkom i Lidijom bleji na Lazarevoj gajbi jer njegov burazer Novak potpisuje novi ugovor sa Hemofarmom.

Sanja i Nevena su izlozile Lazara da je mala Pepeljugica jos nevina, a ona mu sedi u krilu nezno ga ubedjivavsi da je vodi u Vrsac kada bude potpisivao ugovor sa Hemofarmom

Olgica je ubacila Sanjinu karticu u telefon i gleda Pepeljugicu koja laze Lazara ispred njegove i Novakove gajbe kako joj je posle promocije hladno i nema pare za taksi, Lazar u Vrscu place.

Pepeljugica izlazi na naslovnoj strani Sveta u Novakovom zagrljaju. Novak je posle dva dana sutne, Lazar je izbrise iz telefona.
Pepeljugica place na Lastinom peronu u Pancevu.

p.s. Mogu i Novak i Lazar pod uslovom da se ne raskokodaces tabloidima.

Tvoja moderna pepeljuga je, sto bi se narodski reklo, nidje veze s klasicnom pepeljugom.
Sto znaci da to nije moderna pepeljuga nego neko sasvim drugi, mozemo joj dati i ime, raspisacemo konkurs.

Inace, ko u pepeljugi vidi sponzorusu, ima zescih kompleksa, previse gledanja crtanih kao sto su bratz, malo para i puno frustracija, bez imalo pretjerivanja.

Problem je u tome sto princ u danasnjem drustvu nije sinonim za kavaljerstvo, manire, intelekt, ... bla bla bla... vec samo za bogatstvo. I to strogo materijalno!

Oprosti mi na izrazu, ali nemoj da kakish.

Princ je oduvek bio sinonim za ljubav. Za muskarca cija ljubav zenu oslobadja svega loseg u njenom zivotu, za ''volecu te do groba'' ljubav. I koliko god nas stvarnost ponekad demantovala, iskreno zalim one koji u tu ljubav ne veruju.