e ,crko dabogda...       Lepi Gaga-Ko to tamo peva

RANE

Pinki: "E jedino za tu crnkinju sto je nisam kar'o, to mi malo zao, a za onu Ajfelovu kulu sto Kure prica, za nju me rodjaci zabole patka, keve mi Nevenke"

Diabola: "Nisam Hrvat"
Svaba: "Pa nisi ni Srbin, Srbi ne placu ko picke"

cika Kure: "Dodji 'vamo, stavi glavu tu,ne disi! Cujes li?"
Pinki: "cujem cika Kure..."
cika Kure: "Sta cujes! (tac)cujes moj k***c! Slušaj! Ne cuje se, a radi"
Pinki: "Kure je kupio BMW-a! BMW-a Rodjaci!"

    

MUNJE

"Odakle tebi ovoliki opijati,jeli bre?"
"Nije nase nasli smo!"

"Ili odes i zaboravis Srbiju ili ostanes. Ako ostanes imas samo jedan nacin za prezivljavanje, a to je otimanje!!!"

"Trebalo je pre da ga gazite. Sad je kasno....Mada, nikad nije kasno!"

"Ukusan vam ovaj Pantelija!:

Personality Goes a Long Way

Vincent: You want some bacon?

Jules: No, man, I don't eat pork.

Vincent: Are you Jewish?

Jules: No, I ain't Jewish, I just don't dig on swine, that's all.

Vincent: Why not?

Jules: Pigs are filthy animals. I don't eat filthy animals.

Vincent: But bacon tastes good, pork chops taste good...

Jules: Hey, sewer rat may taste like pumpkin pie, but I'd never know 'cause I wouldn't eat the filthy motherfuckers. Pigs sleep and root in shit, that's a filthy animal. I don't eat nothin' that ain't got sense enough to disregard its own feces.

Vincent: How about a dog? A dog eats its own feces.

Jules: I don't eat dog either.

Vincent: Yeah, but do you consider a dog to be a filthy animal?

Jules: I wouldn't go so far as to call a dog filthy, but it's definitely dirty. But, dogs got personality, personality goes a long way.

Vincent: So by that rationale, if a pig had a better personality, he would cease to be a filty animal. Is that true?

Jules: We' have to be talkin' 'bout one charmin' motherfuckin' pig. I mean he'd have to be ten times more charmin' than that Arnold on Green Acres, you know what I'm sayin'?

Dialogue spoken by John Travolta and Samuel L. Jackson.

Dialogue written by Quentin Tarantino.

Meni je bolja:

The path of the righteous man is beset on all sides by the iniquities of the selfish and the tyranny of evil men.
Blessed is he, who in the name of charity and good will, shepherds the weak through the valley of darkness,
for he is truly his brother's keeper and the finder of lost children.
And I will strike down upon thee with great vengeance and furious anger those who would attempt to poison and destroy my brothers.
And you will know my name is the Lord when I lay my vengeance upon thee.

ili

Bring out the Gimp.
But the Gimp's sleeping.
Well, I guess you're gonna have to go wake him up now, won't you?


Whose motorcycle is this?
It's a chopper, baby.
Whose chopper is this?
It's Zed's.
Who's Zed?
Zed's dead, baby. Zed's dead.

Sreta: Jesi li ili nisi?
Bane: Šta?
Sreta: Znači nisi.
Bane: Ko kaze da nisam?
Sreta: Pa jel' jesi?
Bane: Nisam
Sreta: Šta nisi?

Grlom u jagode

You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya punk?"

Munižaba: Slušaj Pero, ti i ja smo došli istog dana u ovu kuću da u njoj živimo neko vreme. Za tebe se zna, tebi ne gine četiri godine, a za mene

se ne zna, a i nije važno.
Ja nisam došao ovde da vaspitavam, razumeš, a ni ti da budeš vaspitavan.
Mi smo ovde pred jednim problemom, koji treba da rešavamo zajedno.
Pošli smo ni od čega a treba da stignemo ka nečemu.
To nešto nema ime.
Postoji samo zamisao da smo ti i ja sa jedne i s’ druge strane barijere,
nekakve provalije,
a da sutra treba da živimo zajedno.
Ja mogu da ti pomognem, ako hoćeš, a ako nećeš, onda ostaješ
sa one druge strane provalije i nema ti pomoći.
Ako hoćeš da ti pomognem, moraš i ti meni da pomogneš, jel’ me razumeš?

Pera: Nastavniče, jeste vi ono malopre pili šampon?

Bekim Fehmiu, Specijalno vaspitanje

Bump .. greota da padne na drugu stranu ...

Slobodan Aligrudic: "Dino, jel' bilo sta izmedju tebe i one tvoje?
Slavko Shtimac: "Pa jeste tata, onako, malo u usta."
Slobodan Aligrudic: "Sta u usta ??!"
Slavko Shtimac: "Pa, ljubili se."
Slobodan Aligrudic: "Aa, to."

Sjecas li se, Dolly Bell (1981)