Nisi,sve manje uvaženi,cenjeni i gubitku pamćenja skloni pišče citiranog teksta,to je novost.I mene neke stvari oduševe jer su toliko urnebesne ali neću o tome.


Loše je to što informacije sa Gugla (i sa IMDB-a) mogu da budu netačne.Uzmimo na primer nekog ko traži nešto o nekom filmu i naiđe na tekst nekog ko hvali i napada druge koji su gledali film i poveruje mu iako ne zna da je dotični od filma video možda samo trejler.Svaka čast Guglu ali sam zbog ovog i sličnih primera rezervisan prema njemu.


Film kojem je karantino "uradio omaž" (pokrao ga) sam gledao pre dosta godina i Vasabi nas je podsetio na njega na jednoj od ovih tema.Ali nije to bitno,bitno je da si film gledao.




Da si pratio sve što su napisali drugi ljudi o ovom čudu koje se ni tebi samom ne sviđa (što je vrlo pozitivno) video bi da nisam samo to ja video i pisdao o tome.Ponavljam da su ti filmovi takvi jer ljudi koji su ih snimali nisu imali sredstava i koji su uz ogromne žrtve snimali za razliku od ove dvojice vampira koji se lažno predstavljaju  koji im isisavaju ideje.Znam to jer sam gledao (neke gledam i dalje) takve filmove.



Ko kaže da ga nisam gledao,odakle mi onda sve ovo što pišem.Ako sam zaobišao tu temu (i još neke) ne znači da nisam u toku.Uostalom,ne spominjem baš svako smeće koje sam video u životu.Napisao sam (opet ne samo ja) u više navrata da nemam ništa protiv da se takvi filmovi snimaju i gledaju,ono čemu se protivim je već nabrojano.
Da rezimiram sve ono što je važno iz ove prepiske : karantino i rodrigez su lopovi,pozeri koji se lažno predstavljaju,nemaju ideja i snimaju samo visoko budžetno smeće koje ima samo za cilj samo prizemnu zabavu.Takvi filmovi imaju svoju publiku koja uživa u njima,nemam ništa protiv,neko voli  da se udara ciglom u glavu,mogućnost izbora uvek mora da postoji.Ono čemu se protivim (govorim u svoje ime) je podrška koju takvo ponašanje i filmovi dobijaju baš kao i samoreklamerstvo ovih nazovi umetnika koji uništavaju i blate filmsku umetnost.

nisu bas toliki indijanci taj tarantino i rodrigez
imaju i oni par okej filma, licno mislim da rodrigez ima mozda jedan
pa ne bi im ljudi dali tolke pare samo zato sto kradu
pored toga sto je covek nabedjeni kreten (tarantino)
on je  kao autor uradio Pulp Fiction, Reservoir dogs(koji licno ne gotiivim), Natural born killers i Inglorious bastreds
koji su vise nego okej.
Sada koristi tu reputaciju i sere po svima.
moze mu se.
Cak sam cini mi se na teveu cuo da je reko kako snima filmove koje bi on voleo da gleda -
Ispade da vecina ljudi imaju isti ukus ko i on.
To je samo prolazna moda,
i ja sam siguran da strastvenih ljubitelja ovog novonastalog zanra(tarantino/rodrigez)
nema previse nego se vecini servira i vecina guta sve .

JEbiga izgleda da vise vredi los film koga vidi pet miliona ljudi nego dobar koga vidi deset hiljada

  Slažem se sa tobom u vezi Petparačkih priča i El Marijača ali to je sve što po mom mišljenju valja i što su uradili.I to je za sada (a izgleda i u buduće) sve.Pisali smo o tom najviše na temi Inglourious Basterds.Uostalom,vidiš i sam šta na kraju kažu oni što hvale ovaj "rad".Drugačije bi ova dva tića pevala da iza njih ne stoji očigledna namera (možda projekat ?) Holivuda da zaglupi i zatrpa sve ovim i sličnim skupim smećem koje služi samo za zabavu.Ovako im se može pa prodaju maglu dok mogu u mondenskim kvazi intelektualnim filmskim krugovima,Zato valjda postoje ovakvi forumi gde se mogu razmeniti informacije i preporučiti dobri filmovi koji će se gledati uprkos reklamama kojim nas bombarduju.

http://www.imdb.com/title/tt0119396/   
Meni samo ovo valja 

Nisam video da je neko od vas medju Rodrigezovhm radovima spomenuo Sin City. Nije valjda da mislite da taj film nije vredan pomena. Na ovaj komentar o zaveri mogu samo da se nasmejem. Meni se sve cini da vama smeta sto su ovi likovi od nikoga postali to sto danas jesu. Oni su krenuli od nule, a sada su dosli u poziciju da ulazu milione u filmove koji se njima svidjaju i da se zabavljaju dok ih snimaju. Kapiram da to nekima smeta.

@zoran    kad kazes da je Tarantino sa Kill Bill pokrao Triler na sta tacno mislis? Ovde bih te molio za ozbiljan i precizan odgovor. Gledao sam oba filma samo po jedan put i mozda mi je nesto promaklo, ali stvarno nisam primetio neke bitne slicnosti osim tog poveza na oku.

Nemojte slati vise komentara za redom. Postoji dugme izmeni ako ste nesto zaboravili reci. Postovanjem vise odgovora zaredom tema se samo razvodnjava i smanjuje se preglednost. Za ostala pravila ponasanja pogledajte pravilnik Burek Foruma.

Spomenuo sam film koji se meni dopada a to je El Marijači (su El mariachi 1992).Sad što je on ispred onog što ti smatraš propustom,to je ipak ono što spada u sferu mog ukusa.To što je neko krenuo od nule i što se bogati na tuđoj muci i neznanju konzumenata ne znači da to treba da bude put koji treba da se slavi i diže u nebesa i  još da se nazivaju pri tom nazivaju pravim umetnicima.Oni su pravi umetnici taman koliko su pravi zubi deda i baba u čaši sa vodom.



Pošto vidim da za tebe ima nade (nisam zlonameran) pokušaću ukratko da objasnim kako vešto ovaj lopov krade i kako sve to ugrađuje u "svoje filmove".Iz Trilera je uzeo povez,od Brus Lija trenerku,iz uličnog gangstera (Street Mobster 1972) i cele triologije Skorpion koju je ojadio ponešto i sve to uvio u špageti vestern.Primetio sam tu još neke "pozajmice" (lik starog učitelja je samo jedan u nizu) ali ne mogu tačno da se setim odakle su uzete jer sam te filmove gledao pre dosta vremena.Ovo je ipak ono što svi znaju i što bode oči.Kad bi svako uzeo ono što mu pripada karantinu ne bi ostalo ili ništa ili taman toliko koliko pokriva sramotu smokvin.list.

Nije ti smešno kad kažeš da je ukrao povez na oku? Mogao je da joj odseče uho, nžni palac, vrh nosa,..., ali i to je sigurno neko ranije uradio i opet bi po tebi ispao plagijator.

Ovo je lista sa imdb-a filmova koji su referencirani u Kill Bill-u:
The House Without a Key (1926)
 -  "Son Number One" quotes
The Lodger: A Story of the London Fog (1927)
 -  The scene where The Bride picks up her sword from the floor is a reference to this film.
The Farmer's Wife (1928)
 -  List of 'to do' names.
Citizen Kane (1941)
 -  A shot of The Bride lying in a coma, silhouetted against her hospital window replicates a shot from early in Citizen Kane.
Scaramouche (1952)
 -  The Bride versus Johnny Mo on the railing fighting
Samurai II: Duel at Ichijoji Temple (1955)
 -  The fight between the bride and Gogo is a reference to 'Musashi'. Musashi, the hero, fights the villain Baiken, who uses a sickle, chain, and ball.
"Alfred Hitchcock Presents: Breakdown (#1.7)" (1955)
 -  The shot of The Bride's toes during the "Wiggle your big toe" scene replicates a shot of William Callew's feet in this episode.
The Wings of Eagles (1957)
 -  The Bride talking to her toes.
Tirez sur le pianiste (1960)
 -  Identical shot of a finger ringing a doorbell.
The Magnificent Seven (1960)
 -  The knife-gun exchange mirrors the introduction of Coburn's character
Yôjinbô (1961)
 -  Arterial spurts, plus the last of the Crazy 88 is spared and told to go home to mother just as in "Yojimbo."
The Manchurian Candidate (1962)
 -  The introduction to the fight between Thurman and fox parallels the fight between Sinatra and Silva
Marnie (1964)
 -  The shots of Daryl Hannah walking down the hospital corridor with a big purse are right out of the beginning of "Marnie" with Tippi Hedren.
Per un pugno di dollari (1964)
 -  Was one of three films shown to Uma Thurman to prepare her for her role as The Bride.
"Honey West" (1965)
 -  The look of Honey West influenced the look of the DIVAS.
Come Drink with Me (1966)
Tôkyô nagaremono (1966)
 -  Yakuzas; fight scene between The Bride and the Crazy 88s similar to Tetsu fighting yakuzas; mad go-go music; monochrome and fight on color background in both films
Modesty Blaise (1966)
 -  The look of Modesty Blaise influenced the look of the DIVAS.
"Star Trek" (1966)
 -  The Bride says that Sofie Fatale is dressed like a villain from 'Star Trek'.
"The Green Hornet" (1966)
 -  Al Hirt's theme music for 'The Green Hornet' is heard when The Bride rides her motorcycle through Tokyo. The Kato masks worn by The Crazy 88 are also taken from the one worn by Bruce Lee on this show.
Navajo Joe (1966)
 -  The axe to the head that one of the Crazy 88's gets during the fight between the Bride and the Crazy 88's is a reference to the end of Navajo Joe when Duncan gets an axe to the head.
Made in U.S.A (1966)
 -  The bleeping out of The Bride's true name.
The Good, the Bad and the Ugly (1966)
 -  The opening shot is a reference to a similar scene in 'The Good, the Bad, and the Ugly' in which Tuco points a gun at Blondie, who is near-death from dehydration and being out in the sun for hours.
Days of Vengeance (1967)
 -  The music heard in the anime sequence when O-Ren's father is stabbed and the camera pans up to show the sword and the killer is music from the spaghetti western.
Le scandale (1967)
 -  The overhead shots of The Bride in Vernita Green's house.
Da uomo a uomo (1967)
 -  The film's theme heard when The Bride calls out O-Ren in The House of Blue Leaves; The extreme closeup of the eyes followed by a bright orange/yellow flashback of the massacre.
"Ironside" (1967)
 -  A score excerpt from 'Ironside''s theme music is used when The Bride sees one of her attackers.
I giorni dell'ira (1967)
 -  Music from ''Day of Anger'' is heard during the fight between The Bride and the Crazy 88's when the screen changes from color to black and white.
Kyuketsuki Gokemidoro (1968)
 -  the orange sunset sky behind the airplane, Tarantino took the look from the opening scenes from this film.
La mariée était en noir (1968)
 -  Same plot.
Il mercenario (1968)
 -  The design for the list of targets seen in the movie is taken directly from the list shown in 'A Professional Gun'; I.E. there are five things on the list, the fifth item is fully capitalized and underlined twice, etc.
Twisted Nerve (1968)
 -  The theme of 'Twisted Nerve' is whistled during the hospital scene as a direct reference.
The Wild Bunch (1969)
Xiao quan wang (1971)
Hannie Caulder (1971)
 -  As explained by Tarantino in an interview
A Clockwork Orange (1971)
 -  The men and women walking down the hallway wearing masks and carrying their holstered swords like Alex and his droogs.
Jing wu men (1972)
 -  The Crazy 88 fight on the floor where she attacks all their feet is based on Bruce's first fight with the school, he hits all their feet with nunchaku and they fall writhing in pain, just like in Kill Bill vol.1
Tian xia di yi quan (1972)
 -  The sound effect when the hero applies the deadly iron fist move is the same sound we hear when Uma Thurman's The Bride sees Vivica Fox and Lucy Liu.
Lone Wolf and Cub: Baby Cart to Hades (1972)
 -  One vs. an army of swordfighters; The tongue being bitten out in the attempted rapeis exactly the same as in 'Lone Wolf and Cub: Babycart to Hades'.
Joshuu 701-gô: Sasori (1972)
 -  uses the same music in both films "urami-bushi" and in vol 2 the bride rips out her attempted rapist's tongue just like in Joshuu 701-gô: Sasor
The Last House on the Left (1972)
La novia ensangrentada (1972)
 -  Chapter 2's title is a direct reference to this 1972 Spanish horror/revenge film about a newly wedded couple that is haunted and tortured by the ghost of a dead woman.
Il grande duello (1972)
 -  The theme of this film is heard in 'Vol. 1', 'M10' when The Bride lay in the Pussy Wagon trying to wiggle her big toe, and 'Parte Prima' during the animated sequence.
Shurayukihime (1973)
 -  Many connections, including; both being female revenge films; the duel in the snow covered garden; the division into chapters; the camera angle looking up at the heroine's attackers looking down at her; the animated sequence; the song "Flower of Carnage", sung by Meiko Kaji who is the star of 'Lady Snowblood', is heard in 'Vol. 1'; In the animated sequence, when O-Ren is getting her revenge, the line "Look at me closely. Do I look like someone you may have killed?" is taken directly from 'Shurayukihime', except Snowblood says "raped" instead of "killed."
Black Mama, White Mama (1973)
 -  The Bride being choked by Gogo's chain is mirrored in 'Black Mama' by the scene where Lee and Karen strangle the warden with their shared chain; Score heard during the Crazy 88 bloodbath is taken from this film.
Sex and Fury (1973)
 -  The fight in the snow is a reference to the battles early in Sex and Fury.
Coffy (1973)
 -  The scene in which Vernita and The Bride stand deadlocked in a blade fight mirrors the scene between Harriet & Coffy. Vernita also uses Harriet's line from this scene; "Come on, bitch!"; 'Coffy' was also one of three films shown to Uma Thurman to prepare her for her role as The Bride.
White Lightning (1973)
 -  Kill Bill uses the theme from "White Lightning" when The Bride fights the Crazy 88 at the House of Blue Leaves
The Doll Squad (1973)
 -  The look of The Doll Squad influenced the look of the DIVAS.
Crash! Che botte strippo strappo stroppio (1973)
 -  Go Go's Ball and Chain hand weapon.
Shura-yuki-hime: Urami Renga (1974)
 -  Influenced by
Yamaguchi-gumi gaiden: Kyushu shinko-sakusen (1974)
 -  The tattoo designs that cover Boss Matsumoto's back and arms are taken directly from the tattoos Yozakura wears in 'The Tattooed Hitman'.
Tough Guys (1974)
 -  The theme from Three Tough Guys is heard in Kill Bill Vol. 1. during the anime sequence when O-Ren is on the top of the building.
Truck Turner (1974)
 -  The main theme of 'Truck Turner' is used in the scene where The Bride is trying to find the Pussy Wagon in her wheelchair.
Thriller - en grym film (1974)
 -  Elle Driver from Kill Bill and Madeleine share numerous physical traits (eye patch, long coat, pant suit). Also, several of the fight scenes in Kill Bill mimic this film, with slow motion and eerie sound effects.
Gone in 60 Seconds (1974)
 -  Row of sunglasses on dashboard of sherrif's car - same gag in opening scene.
Sister Street Fighter (1974)
The Yakuza (1974)
 -  When The Bride's sword gets stuck in one of the Crazy 88s, the scene closely mirrors a scene in The Yakuza where the same thing happens to Ken Takakura's charcter. The overhead shot in this scene is also the same.
Master of the Flying Guillotine (1975)
 -  Uses villain's theme from this film and character in "Kill Bill" uses a variation on the Flying Guillotine device. Uma Thurman's approach to Lucy Liu's character up the stairs includes her hiding on the ceiling in the same manner as the villain on the final approach of this film.
Champion of Death (1975)
 -  The theme music of 'Champion of Death' is used in the "House of Blue Leaves" finale.
Deep Red (1975)
The Jezebels (1975)
 -  Elle Driver's one eyed look and personality inspired by the character of Patch in Jack Hill's 'Switchblade Sisters'.
Black Sunday (1977)
 -  The character played by Martha Keller goes into a hospital and disguises herself as a nurse to kill Robert Shaw's character with a poisoned syringe.
Eaten Alive (1977)
 -  In "Kill Bill: Vol. 1," the hospital attendant 'Buck' delivers the line: "My name's Buck. I'm ready to fuck." This quote was originally spoken by Robert Englund in "Eaten Alive."
The Invincible Armour (1977)
 -  During the showdown in the House of Blue Leaves, score taken from the Priest sequence in 'The Invincible Armour' can be heard.
Sette note in nero (1977)
 -  The score heard as The Bride is about to attack and kill Buck is taken from 'Murder to the Tune of the Seven Black Notes'.
Two Champions of Death (1978)
 -  Sound effects from 'Two Champions of Death' heard in 'Kill Bill'.
Yagyû ichizoku no inbô (1978)
 -  The theme from "Yagyuu Conspiracy" is heard as background music for the "second reason" speech.
Se ying diu sau (1978)
 -  The scene where The Bride slices her enemy's weapon to pieces is taken directly from 'Snake in the Eagle's Shadow'.
The Game of Death (1978)
 -  Uma Thurman's yellow track-suit is a direct homage to the one worn by Bruce Lee in Game of Death (1978).
Grease (1978)
 -  The Pussy Wagon takes it's name from the 'Greased Lightning' lyric, "She's a real Pussy Wagon".
Five Venoms (1978)
 -  'The Five Deadly Venoms' inspired 'The Deadly Viper Assassination Squad'; sounds effects used in 'Vol. 1' (Sword Swings, Axe Throws) are taken from this film.
Death Force (1978)
 -  (dialogue)
Patrick (1978)
 -  The scene where the comatose bride spits.
Day of the Woman (1978)
"Yagyû ichizoku no inbô" (1979)
 -  The quotation "If you want revenge, you have to be willing to kill God and even the Buddha" is paraphrased from the speech recited by Sonny Chiba at the beginning of each episode of 'Yagyuu Family Conspiracy'.
Hao xia (1979)
"Hattori Hanzô: Kage no Gundan" (1980)
 -  Stars Sonny Chiba as Hattori Hanzo. In Kill Bill, Chiba's Hanzo is a distant relative of the original Hattori Hanzo. Much inspiration for Kill Bill came from Season 4, including Lucy Liu's character O-Ren Ishii being named after Sue Shihomi's character O-Ren in Season 4.
Friday the 13th (1980/I)
 -  Slow mo & music cue before Mrs. Voorhees' decapitation matches cues before Buck's achilles heel slicing
Apocalypse domani (1980)
 -  Tongue tearing from mouth to mouth scene
City of the Living Dead (1980)
 -  The scene where blood runs out of Gogo Yubari's eyes.
Resurrection (1980)
 -  The "wiggle your big toe" sequence in Kill Bill pt. 1 is basically the same. Ellen Burstyn's character is paralyzed from the waist down as a result of an injury, whilst sitting in her wheelchair, she tells herself constantly "wiggle your big toe"...
Shogun Assassin (1980)
 -  When The Bride cleans the blood off her sword by swinging it, and also when she uses her fist to hit and stop the vibrating of her sword in a victim are moves both from 'Shogun Assassin'.
Si wang ta (1981)
Escape from New York (1981)
 -  Daryl Hannah plays Califorinia Mountian Snake, she sports an eye patch and a smoking habit as well as attitude, a referance to Snake Plissken
Dead & Buried (1981)
 -  The shot of Elle Driver leaning in close to The Bride's comatose body in the hospital, disguised as a nurse replicates a shot from this film.
Makai tenshô: Samurai Reincarnation (1981)
 -  Line: "If you encounter God, God will be cut."
Venom (1981)
 -  Black Mamba Codename
Star Trek II: The Wrath of Khan (1982)
 -  the "old klingon proverb" at the start of the film was originally quoted by Khan in ST II
Tenebre (1982)
 -  The shot where The Bride chops off Sophie's arm is similar to the scene in Tenebrae where Jane (Veronica Lario) turns around with her arm chopped. Both these scenes are in slow motion and both women turning around to their right side with their right arm missing.
Xian si jue (1983)
Golgo 13 (1983)
 -  The sniper scene with O-Ren in the anime sequence is an homage to this anime
Scarface (1983)
 -  the way johnny mo falls into the swimming pool at the end and the way the bride screams to the survivors
Gai shi ji hua (1984)
Night of the Comet (1984)
 -  Michael Bowen dies of head trauma in a doorway in both movies.
Year of the Dragon (1985)
 -  Cimino's chaotic influence is all over the Showdown at the Blue Leaves. Totally reminiscent of the Chinese restaraunt shoot-out from Year of the Dragon, one of Tarantino's favorite films.
Highlander (1986)
 -  Silhouetted sword fight against blue windows
In the Line of Duty (1986)
Ying hung boon sik (1986)
 -  The Crazy 88s room in the House of Blue Leaves and The Bride coming there to get revenge.
The House of Blue Leaves (1987) (TV)
 -  The origin of the "The House of Blue Leaves" club's name.
Ying hung boon sik II (1987)
 -  The Crazy 88 wear the black-and-white suits taken from this film.
Hotaru no haka (1988)
 -  in the anime section the shot of the girl with her back to the camera and an explosion going off
Dip huet seung hung (1989)
 -  Was one of three films shown to Uma Thurman to prepare her for her role as The Bride.
The Punisher (1989)
 -  Lady Tanaka and the Yakuzas, and the Showdown with the changing Light Effect were almost exactly duplicated in Kill Bill.
Hard to Kill (1990)
 -  martial artist left for dead comes out of long coma to take revenge
In the Line of Duty 5: Middle Man (1990)
Miller's Crossing (1990)
 -  Scene where a character under a bed shoots a person in the foot, they fall, and they are shot in the head.
Boiling Point (1990)
 -  Gun hidden in cereals/Gun hidden in flowers
Unforgiven (1992)
 -  Uma Thurman impersonates Clint Eastwood in this movie, while explaining to a little girl why she killed her mother. i.e. "She had it coming"
Ninja Scroll (1993)
 -  Both Ninja Scroll and Kill Bill pay tribute to the "Akira Kurosawa Splatter Samurai" genre of Anime. Jubei, like The Bride, charges head on into a veritable army of sword weilding henchmen and carve them down with his sword in a cloud broken bodies and torrentuously spraying blood.
True Romance (1993)
 -  The Bride wear's Clarence's gold Elvis glasses.
Fong Sai Yuk juk jaap (1993)
 -  Fong Sai Yuk 2 has a sword fight with many people at the end. Kill Bill has a sword fight with many people. One person against many and with swords
Tai Chi Master (1993)
Pulp Fiction (1994)
"The Simpsons: Simpsoncalifragilisticexpiala-Annoyed-Grunt-cious (#8.13)" (1997)
 -  The scene in which Vernita Green pulls a weapon out of a cereal box references the joke made by an animated Tarantino in this episode.
Gokudô kuroshakai (1997)
 -  An assassin's last words to the son of Yuji are nearly identical to the Bride's parting monologue to the daughter of Vernita.
Full Tilt Boogie (1997)
 -  The origin of Elle Driver's name, because FTB (the making-of From Dusk Till Dawn) was an "L. Driver Production''.
Jackie Brown (1997)
 -  The same animated plane flight map seen in 'Jackie Brown' is used in 'Kill Bill'.
"Weißkreuz" (1998)
 -  The references to assassin teams and the numbers they come in.
Kite (1998) (V)
 -  animated O-Ren Ishii's murdered parents and school girl assassin shooting sequence also occur in Kite
SF: Episode One (1998)
 -  The sequence where the Bride fights behind the blue-screen and we can see her silhouette, is a reference to the opening of 'Samurai Fiction'.
From Dusk Till Dawn 2: Texas Blood Money (1999) (V)
 -  James Parks plays the same character in each movie
Shikoku (1999)
 -  According to Shingon belief in Japan, the number 88 represents all the evil in the world. You can do a tour of 88 Buddhist temples to free yourself from all these evils. The tour of these temples is the subject of 'Shikoku'.
Proboscis (2000)
 -  The mosquito whose blood-sucking wakes the comatic Bride is a reference to this film's monster.
Crouching Tiger, Hidden Dragon (2000)
Shanghai Noon (2000)
 -  Go Go's technique with the ball; in 'Noon', Jackie Chan ties a rope to a horseshoe, kicks it, and wraps it around his neck in the same way.
Blood: The Last Vampire (2000)
 -  The animated sequence in Kill Bill was designed specifically to reference and mirror scenes from 'Blood'.
Another Battle (2000)
 -  The theme of this film is heard in Kill Bill Vol. 1 when O-Ren, Go Go, Sophie, and the Crazy 88's walking down the corridor into the House of Blues Leaves
Battle Royale (2000)
 -  Gogo Yubari's mini-sword is a tribute to Takako Chigusa's jackknife; Chiaki Kuriyama wears the same schoolgirl outfit in both films; The scene where Go-Go stabs a man in the crotch and asks him if he still wants to "penetrate her" is a homage to Chiaki Kuriyama's infamous scene in 'Battle Royale';
Stereo Future (2001)
 -  The Japanese restaurant's shoji room scene, where The Bride fights off some of O-Ren Ishii's gangsters, was directly copied by Quentin Tarantino from Samurai Fiction's opening sequence.
All About Lily Chou-Chou (2001)
 -  "Kaifuku Suru Kizu (The Wound That Heals)" from this film can be heard when The Bride marvels at the swords in Hattori Hanzo's attic.
Ichi the Killer (2001)
 -  The scene where a crazy 88 is vertically sliced in half.
Godzilla, Mothra and King Ghidorah: Giant Monsters All-Out Attack (2001)
 -  Tokyo cityscape miniatures from this film amongst others found their way into 'Kill Bill' and were an inspiration for it.
Signs (2002)
 -  Identical shot of Graham/Bride looking at reflection in knife
Lost in Translation (2003)
 -  the japanese wo says that he looks like charlie brown


I ti smatraš da je on POKRAO sve te filmove da bi napravio jedan svoj film?

Među njima je i film La mariée était en noir čiji je zaplet Tarantino prekopirao u Kill Bil-u. OK, shvatam da to neko može da vidi kao krađu, ali sa druge strane zar u recimo akcionom žanru pola filmova nema isti zaplet. Takođe postoje celi pod žanrovi koji se zasnivaju na istom zapletu, npr rape-revenge filmovi. Ako ćeš tako gledati bilo bi dozvoljeno snimiti samo jedan film o devojci koju je neko maltretirao i silovao i koja je rešila da se osveti, a svi drugi koji bi snimili film na tu temu bi bili plagijatori. To je totalno glup stav.

Takođe na listi je i Tirez sur le pianiste (1960)
 -  indentičan snimak prsta koji pritiska zvono na vratima.

Jel i to ukrao? Zašto bi se trudio da snimi prst koji pritiska zvonce na isti način na koji je to neko ranije uradio? Da bi ga kako ti kažeš ismevao? Da bi ga pokrao?

Tarantino je veliki ljubitelj filma i kako je sam rekao ponosan je na uticaje koji su filmovi koje voli da gleda ostavili na njega kao filmadžiju. Naravno da tu i tamo pozajmi neku ideju, ali sumnjam da postoji režiser ili scenarista koji to ne radi. To jednostavno nije realno, jer bi značilo da taj koji piše scenario ili režira film ranije nije gledao filmove.

Pored toga što je pravljenje filmova umetnost, to je zanat kao i svaki drugi i normalno je da ga učiš od svojih predhodnika. Uzimaš ono što je dobro, ubacuješ neke svoje ideje,...

Orson Welles je u Citizen Kane-u koristio tehniku da snima bitnije likove od dole, a manje bitne od gore. To je skinuo od John Ford-a, koji je istu tehniku koristio u filmu Stagecoach koji je snimljen 2 godine ranije. Sam Welles je rekao da je Ford-ov film pogledao 40 puta dok je snimao svoj prvi film.

Da li je Orson Welles zbog toga bio lopov, zarađivao na tuđoj muci i slične nebuloze koje ti spominješ?

Vidiš,ja nisam gledao reference sa IMDB-a jer ne verujem baš svemu što tamo piše,cenjeni i poštovani autoru prethodnog teksta,kao što ne verujem baš svemu što se naokolo piše,verujem svojim očima.



Kad je Istvud snimio Neoprošteno (Unforgiven 1992) on je na špici i na premijeri filma napisao kome se zahvaljuje i kome je,kako sam kaže,ne samo uradio omaž već i od koga je učio zanat.Tako se ponašao još dugo posle ovog filma.Isto je to uradio i O.Vels.Tako to rade pošteni i časni ljudi koji drže do sebe.A kako to radi karantino to si zaključio i sam pre ove male Gugl avanture,cenjeni i poštovani autoru teksta.Još nešto bih dodao a tiče se zanata.Veliki je broj dobrih reditelja kod nas i u svetu,pravih umetika kojima režija nije bila profesija.


Ponadao sam se da za tebe ima nade,kulturni i sve manje poštovanja vredan autoru teksta.Na pitanje koje si mi uputio sam nađi odgovor (pod uslovom da ti ego to dozvoli) u ovom mom pisaniju,sve manje cenjeni branioče "pravih umetnika" i skretničaru sa teme.