Roma music is highly varied among the diverse communities of the Roma (aka Gypsies). By far the most popular form of Roma music among outsiders is flamenco, which developed in the Spanish Roma community. In all the places Roma live, in Europe, North Africa, the Middle East and northwest India, they have become known as musicians. Typically nomadic, Roma have long acted as wandering entertainers and tradesmen. The wide distances travelled have introduced a multitude of influences, using Indian roots and adding Arab, Persian, Turkish, Slavic, Romanian, German, French, Spanish and Celtic flourishes.

Roma music characteristically has high pitch notes and melodies that outsing the harmonies. Vocals tend to be soulful and declamatory, and the music often produces an exaggerated slide between notes. Instrumentation varies widely, but shawm and drum duos are common across the Roma's range.

Though no conclusive proof has been found, most historians believe that Roma are descended from an Indian people and migrated westward in several waves, probably all before 1000 AD. Roma still live in India, however, in Rajasthan and other areas, and work in multiple castes. These include the puppeteer Bhat, snake charmer Sapera and juggler Kamad castes, as well as Bhopa, Langa and Manganiyar musicians. Rajasthani Roma instruments include the kamayacha, a sort of fiddle, and khartal, a kind of castanets.

Roma moved west from India, spreading throughout what is now Iran, Iraq, Armenia and other Middle Eastern countries. By 1050, Roma are believed to have been playing music in Constantinople. By the end of the 15th century, Roma lived in Bulgaria, Egypt, Romania, Hungary, Sudan, Greece and Serbia. From there, they have spread to the remainder of Europe, and now exist in small numbers abroad.

Roma communities are common in Arab and Middle Eastern countries, but are often found in southern parts of India as well. There is a strong tradition of Roma music in Central and Eastern Europe, notably in countries such as Hungary, Romania and the former Yugoslavia. The quintessentially Spanish flamenco is the music (and dance, or indeed the culture) of the Roma of Andalusia.

    * 1 Macedonia and Albania
    * 2 Russia
    * 3 Hungary
    * 4 Serbia
    * 5 Greece
    * 6 France
    * 7 Romania
    * 8 Turkey
    * 9 Spain
    * 10 References


Macedonia and Albania

Macedonian and Albanian Roma play Greek koumpaneia most frequently, with the Macedonian style distinctively known as calgia. Macedonian Roma music has been popularized by Goran Bregovic's "Ederlezi" from the soundtrack to Emir Kusturica's The Time of the Gypsies, which was shot in a Macedonian Roma community. Albanian Roma music is called Tallava. It has a distinct sound and is greatly influenced by Middle Eastern sounds. Drums and the daf are essential instruments. Other than its name, some people refer to it by the names given to the Albanian Roma people such as Hashkali, Magjup, Cigan, Jevg, Harrixhi ect. Tallava is now gaining much popularity in Albania and many non-Roma singers are also singing and using it.

Russia

Roma have played a major part of Russian musical development since the reign of Catherine the Great. Their music became a romantic, urban form in the 19th century and thrived until the 1917 revolution. The Bolsheviks persecuted Roma as former entertainers of the bourgeoisie, and many chose to leave to country. Several legendary performers emerged from this period, especially Jean Goulesco and Pyotr Leschenko.

Hungary

Hungary has a long and famous history of Roma musicians, with Janos Bihari being the most well-known of the traditional orchestra leaders. The Lakatos family now dominates the music.

Rural Hungarian Roma play a sparsely accompanied form of song called loki djili and dance songs called khelimaski djili.

Serbia

The Roma of Serbia, especially in the city of Guca and the Dragacevo district, are known for maintaining a distinctive style of brass band music, rooted in the military band music of the Ottoman Empire. [Boban Marković] and the Serbian Orkestar are among the best known players in this style internationally. [1][2] "Kecarac kolo" "Sunen romalen, sunen cavalen"

Greece

Roma in Greece are known for the zurna and davul duos (analogous to the shawm and drum partnership common in Roma music) and Turkish-influenced koumpaneia music. Koumpaneia has long been popular among Greek Roma and Jews (the latter being some of the most popular performers before World War 2), especially in the city of Ioannina, and has recently been popularized by artists like Kostas Pavlidis and Yianni Saleas.

France

French Roma are known for rumba gitana, a form of Catalonian-derived genre which was popularized by The Gipsy Kings. Django Reinhardt, a French Rom, was one of the most influential of jazz players.

Romania

Romanian Roma musicians are called lautari, and typically form string bands called taraf. Tarafs include fiddles, cimbaloms, accordions and a double bass, and are common throughout the country. The most popular are Taraf de Haidouks and Fanfare Ciocarlia, who have gained an international following.

Turkey

Roma perform in nightclubs and restaurants across Turkey, and are known for fasil and belly dance music. Fasil is a sort of light classical music, dominated by the clarinet, violin, qanún (a zither), darbuka (drums) and, more rarely, ud (a lute) and cümbüş (a banjo). Turkish Roma performers include the Erköse brothers and Mustafa Kandirali,Kibariye

Spain

Spanish Roma music is widely known across the world, having been popularized as flamenco. Flamenco was born in Andalucia and was only linked with Roma some time after the genre evolved.


Music of Southeastern Europe

Albania - Bosnia and Herzegovina - Bulgaria - Croatia - Cyprus - Greece
Macedonia - Romania - Serbia and Montenegro - Republic of Macedonia - Roma - Thrace

References

    * Broughton, Simon. "Kings and Queens of the Road". 2000. In Broughton, Simon and Ellingham, Mark with McConnachie, James and Duane, Orla (Ed.), World Music, Vol. 1: Africa, Europe and the Middle East, pp 146-158. Rough Guides Ltd, Penguin Books. ISBN 1-85828-636-0