Grace



Two Gentlemen who were in the lavatory at the time tried to lift him up: but he was quite helpless. He lay curled up at the foot of the stairs down which he had fallen. They succeeded in turning him over. His hat had rolled a few yards away and his clothes were smeared with the filth and ooze of the floor on which he had lain, face downwards. His eyes were closed and he breathed with a grunting noise. A thin stream of blood trickled from the corner of his mouth.

These two gentlemen and one of the curates carried him up the stairs and laid him down again on the floor of the bar. In two minutes he was surrounded by a ring of men. The manager of the bar asked everyone who he was and who was with him. No one knew who he was but one of the curates said he had served the gentleman with a small rum.

"Was he by himself?" asked the manager.

"No, sir. There was two gentlemen with him."

"And where are they?"

No one knew; a voice said:

"Give him air. He's fainted."

The ring of onlookers distended and closed again elastically. A dark medal of blood had formed itself near the man's head on the tessellated floor. The manager, alarmed by the grey pallor of the man's face, sent for a policeman.

His collar was unfastened and his necktie undone. He opened eyes for an instant, sighed and closed them again. One of gentlemen who had carried him upstairs held a dinged silk hat in his hand. The manager asked repeatedly did no one know who the injured man was or where had his friends gone. The door of the bar opened and an immense constable entered. A crowd which had followed him down the laneway collected outside the door, struggling to look in through the glass panels.

The manager at once began to narrate what he knew. The costable, a young man with thick immobile features, listened. He moved his head slowly to right and left and from the manager to the person on the floor, as if he feared to be the victim some delusion. Then he drew off his glove, produced a small book from his waist, licked the lead of his pencil and made ready to indite. He asked in a suspicious provincial accent:

"Who is the man? What's his name and address?"

A young man in a cycling-suit cleared his way through the ring of bystanders. He knelt down promptly beside the injured man and called for water. The constable knelt down also to help. The young man washed the blood from the injured man's mouth and then called for some brandy. The constable repeated the order in an authoritative voice until a curate came running with the glass. The brandy was forced down the man's throat. In a few seconds he opened his eyes and looked about him. He looked at the circle of faces and then, understanding, strove to rise to his feet.

"You're all right now?" asked the young man in the cycling- suit.

"Sha,'s nothing," said the injured man, trying to stand up.

He was helped to his feet. The manager said something about a hospital and some of the bystanders gave advice. The battered silk hat was placed on the man's head. The constable asked:

"Where do you live?"

The man, without answering, began to twirl the ends of his moustache. He made light of his accident. It was nothing, he said: only a little accident. He spoke very thickly.

"Where do you live" repeated the constable.

The man said they were to get a cab for him. While the point was being debated a tall agile gentleman of fair complexion, wearing a long yellow ulster, came from the far end of the bar. Seeing the spectacle, he called out:

"Hallo, Tom, old man! What's the trouble?"

"Sha,'s nothing," said the man.

The new-comer surveyed the deplorable figure before him and then turned to the constable, saying:

"It's all right, constable. I'll see him home."

The constable touched his helmet and answered:

"All right, Mr. Power!"

"Come now, Tom," said Mr. Power, taking his friend by the arm. "No bones broken. What? Can you walk?"

The young man in the cycling-suit took the man by the other arm and the crowd divided.

"How did you get yourself into this mess?" asked Mr. Power.

"The gentleman fell down the stairs," said the young man.

"I' 'ery 'uch o'liged to you, sir," said the injured man.

"Not at all."

"'ant we have a little...?"

"Not now. Not now."

The three men left the bar and the crowd sifted through the doors in to the laneway. The manager brought the constable to the stairs to inspect the scene of the accident. They agreed that the gentleman must have missed his footing. The customers returned to the counter and a curate set about removing the traces of blood from the floor.

When they came out into Grafton Street, Mr. Power whistled for an outsider. The injured man said again as well as he could.

"I' 'ery 'uch o'liged to you, sir. I hope we'll 'eet again. 'y na'e is Kernan."

The shock and the incipient pain had partly sobered him.

"Don't mention it," said the young man.

They shook hands. Mr. Kernan was hoisted on to the car and, while Mr. Power was giving directions to the carman, he expressed his gratitude to the young man and regretted that they could not have a little drink together.

"Another time," said the young man.

The car drove off towards Westmoreland Street. As it passed Ballast Office the clock showed half-past nine. A keen east wind hit them, blowing from the mouth of the river. Mr. Kernan was huddled together with cold. His friend asked him to tell how the accident had happened.

"I'an't 'an," he answered, "'y 'ongue is hurt."

"Show."

The other leaned over the well of the car and peered into Mr. Kernan's mouth but he could not see. He struck a match and, sheltering it in the shell of his hands, peered again into the mouth which Mr. Kernan opened obediently. The swaying movement of the car brought the match to and from the opened mouth. The lower teeth and gums were covered with clotted blood and a minute piece of the tongue seemed to have been bitten off. The match was blown out.

"That's ugly," said Mr. Power.

"Sha, 's nothing," said Mr. Kernan, closing his mouth and pulling the collar of his filthy coat across his neck.

Mr. Kernan was a commercial traveller of the old school which believed in the dignity of its calling. He had never been seen in the city without a silk hat of some decency and a pair of gaiters. By grace of these two articles of clothing, he said, a man could always pass muster. He carried on the tradition of his Napoleon, the great Blackwhite, whose memory he evoked at times by legend and mimicry. Modern business methods had spared him only so far as to allow him a little office in Crowe Street, on the window blind of which was written the name of his firm with the address--London, E. C. On the mantelpiece of this little office a little leaden battalion of canisters was drawn up and on the table before the window stood four or five china bowls which were usually half full of a black liquid. From these bowls Mr. Kernan tasted tea. He took a mouthful, drew it up, saturated his palate with it and then spat it forth into the grate. Then he paused to judge.

Mr. Power, a much younger man, was employed in the Royal Irish Constabulary Office in Dublin Castle. The arc of his social rise intersected the arc of his friend's decline, but Mr. Kernan's decline was mitigated by the fact that certain of those friends who had known him at his highest point of success still esteemed him as a character. Mr. Power was one of these friends. His inexplicable debts were a byword in his circle; he was a debonair young man.


The car halted before a small house on the Glasnevin road and Mr. Kernan was helped into the house. His wife put him to bed while Mr. Power sat downstairs in the kitchen asking the children where they went to school and what book they were in. The children-- two girls and a boy, conscious of their father helplessness and of their mother's absence, began some horseplay with him. He was surprised at their manners and at their accents, and his brow grew thoughtful. After a while Mrs. Kernan entered the kitchen, exclaiming:

"Such a sight! O, he'll do for himself one day and that's the holy alls of it. He's been drinking since Friday."

Mr. Power was careful to explain to her that he was not responsible, that he had come on the scene by the merest accident. Mrs. Kernan, remembering Mr. Power's good offices during domestic quarrels, as well as many small, but opportune loans, said:

"O, you needn't tell me that, Mr. Power. I know you're a friend of his, not like some of the others he does be with. They're all right so long as he has money in his pocket to keep him out from his wife and family. Nice friends! Who was he with tonight, I'd like to know?"

Mr. Power shook his head but said nothing.

"I'm so sorry," she continued, "that I've nothing in the house to offer you. But if you wait a minute I'll send round to Fogarty's, at the corner."

Mr. Power stood up.

"We were waiting for him to come home with the money. He never seems to think he has a home at all."

"O, now, Mrs. Kernan," said Mr. Power, "we'll make him turn over a new leaf. I'll talk to Martin. He's the man. We'll come here one of these nights and talk it over."

She saw him to the door. The carman was stamping up and down the footpath, and swinging his arms to warm himself.

"It's very kind of you to bring him home," she said.

"Not at all," said Mr. Power.

He got up on the car. As it drove off he raised his hat to her gaily.

"We'll make a new man of him," he said. "Good-night, Mrs. Kernan."

 



Mrs. Kernan's puzzled eyes watched the car till it was out of sight. Then she withdrew them, went into the house and emptied her husband's pockets.

She was an active, practical woman of middle age. Not long before she had celebrated her silver wedding and renewed her intimacy with her husband by waltzing with him to Mr. Power's accompaniment. In her days of courtship, Mr. Kernan had seemed to her a not ungallant figure: and she still hurried to the chapel door whenever a wedding was reported and, seeing the bridal pair, recalled with vivid pleasure how she had passed out of the Star of the Sea Church in Sandymount, leaning on the arm of a jovial well-fed man, who was dressed smartly in a frock-coat and lavender trousers and carried a silk hat gracefully balanced upon his other arm. After three weeks she had found a wife's life irksome and, later on, when she was beginning to find it unbearable, she had become a mother. The part of mother presented to her no insuperable difficulties and for twenty-five years she had kept house shrewdly for her husband. Her two eldest sons were launched. One was in a draper's shop in Glasgow and the other was clerk to a tea- merchant in Belfast. They were good sons, wrote regularly and sometimes sent home money. The other children were still at school.

Mr. Kernan sent a letter to his office next day and remained in bed. She made beef-tea for him and scolded him roundly. She accepted his frequent intemperance as part of the climate, healed him dutifully whenever he was sick and always tried to make him eat a breakfast. There were worse husbands. He had never been violent since the boys had grown up, and she knew that he would walk to the end of Thomas Street and back again to book even a small order.

Two nights after, his friends came to see him. She brought them up to his bedroom, the air of which was impregnated with a personal odour, and gave them chairs at the fire. Mr. Kernan's tongue, the occasional stinging pain of which had made him somewhat irritable during the day, became more polite. He sat propped up in the bed by pillows and the little colour in his puffy cheeks made them resemble warm cinders. He apologised to his guests for the disorder of the room, but at the same time looked at them a little proudly, with a veteran's pride.

He was quite unconscious that he was the victim of a plot which his friends, Mr. Cunningham, Mr. M'Coy and Mr. Power had disclosed to Mrs. Kernan in the parlour. The idea been Mr. Power's, but its development was entrusted to Mr. Cunningham. Mr. Kernan came of Protestant stock and, though he had been converted to the Catholic faith at the time of his marriage, he had not been in the pale of the Church for twenty years. He was fond, moreover, of giving side-thrusts at Catholicism.

Mr. Cunningham was the very man for such a case. He was an elder colleague of Mr. Power. His own domestic life was very happy. People had great sympathy with him, for it was known that he had married an unpresentable woman who was an incurable drunkard. He had set up house for her six times; and each time she had pawned the furniture on him.

Everyone had respect for poor Martin Cunningham. He was a thoroughly sensible man, influential and intelligent. His blade of human knowledge, natural astuteness particularised by long association with cases in the police courts, had been tempered by brief immersions in the waters of general philosophy. He was well informed. His friends bowed to his opinions and considered that his face was like Shakespeare's.

When the plot had been disclosed to her, Mrs. Kernan had said:

"I leave it all in your hands, Mr. Cunningham."

After a quarter of a century of married life, she had very few illusions left. Religion for her was a habit, and she suspected that a man of her husband's age would not change greatly before death. She was tempted to see a curious appropriateness in his accident and, but that she did not wish to seem bloody-minded, would have told the gentlemen that Mr. Kernan's tongue would not suffer by being shortened. However, Mr. Cunningham was a capable man; and religion was religion. The scheme might do good and, at least, it could do no harm. Her beliefs were not extravagant. She believed steadily in the Sacred Heart as the most generally useful of all Catholic devotions and approved of the sacraments. Her faith was bounded by her kitchen, but, if she was put to it, she could believe also in the banshee and in the Holy Ghost.

The gentlemen began to talk of the accident. Mr. Cunningham said that he had once known a similar case. A man of seventy had bitten off a piece of his tongue during an epileptic fit and the tongue had filled in again, so that no one could see a trace of the bite.

"Well, I'm not seventy," said the invalid.

"God forbid," said Mr. Cunningham.

"It doesn't pain you now?" asked Mr. M'Coy.

Mr. M'Coy had been at one time a tenor of some reputation. His wife, who had been a soprano, still taught young children to play the piano at low terms. His line of life had not been the shortest distance between two points and for short periods he had been driven to live by his wits. He had been a clerk in the Midland Railway, a canvasser for advertisements for The Irish Times and for The Freeman's Journal, a town traveller for a coal firm on commission, a private inquiry agent, a clerk in the office of the Sub-Sheriff, and he had recently become secretary to the City Coroner. His new office made him professionally interested in Mr. Kernan's case.

"Pain? Not much," answered Mr. Kernan. "But it's so sickening. I feel as if I wanted to retch off."

"That's the boose," said Mr. Cunningham firmly.

"No," said Mr. Kernan. "I think I caught cold on the car. There's something keeps coming into my throat, phlegm or----"

"Mucus." said Mr. M'Coy.

"It keeps coming like from down in my throat; sickening."

"Yes, yes," said Mr. M'Coy, "that's the thorax."

He looked at Mr. Cunningham and Mr. Power at the same time with an air of challenge. Mr. Cunningham nodded his head rapidly and Mr. Power said:

"Ah, well, all's well that ends well."

"I'm very much obliged to you, old man," said the invalid.

Mr. Power waved his hand.

"Those other two fellows I was with----"

"Who were you with?" asked Mr. Cunningham.

"A chap. I don't know his name. Damn it now, what's his name? Little chap with sandy hair...."

"And who else?"

"Harford."

"Hm," said Mr. Cunningham.

When Mr. Cunningham made that remark, people were silent. It was known that the speaker had secret sources of information. In this case the monosyllable had a moral intention. Mr. Harford sometimes formed one of a little detachment which left the city shortly after noon on Sunday with the purpose of arriving as soon as possible at some public-house on the outskirts of the city where its members duly qualified themselves as bona fide travellers. But his fellow-travellers had never consented to overlook his origin. He had begun life as an obscure financier by lending small sums of money to workmen at usurious interest. Later on he had become the partner of a very fat, short gentleman, Mr. Goldberg, in the Liffey Loan Bank. Though he had never embraced more than the Jewish ethical code, his fellow-Catholics, whenever they had smarted in person or by proxy under his exactions, spoke of him bitterly as an Irish Jew and an illiterate, and saw divine disapproval of usury made manifest through the person of his idiot son. At other times they remembered his good points.

"I wonder where did he go to," said Mr. Kernan.

He wished the details of the incident to remain vague. He wished his friends to think there had been some mistake, that Mr. Harford and he had missed each other. His friends, who knew quite well Mr. Harford's manners in drinking were silent. Mr. Power said again:

"All's well that ends well."

Mr. Kernan changed the subject at once.

"That was a decent young chap, that medical fellow," he said. "Only for him----"

"O, only for him," said Mr. Power, "it might have been a case of seven days, without the option of a fine."

"Yes, yes," said Mr. Kernan, trying to remember. "I remember now there was a policeman. Decent young fellow, he seemed. How did it happen at all?"

"It happened that you were peloothered, Tom," said Mr. Cunningham gravely.

"True bill," said Mr. Kernan, equally gravely.

"I suppose you squared the constable, Jack," said Mr. M'Coy.

Mr. Power did not relish the use of his Christian name. He was not straight-laced, but he could not forget that Mr. M'Coy had recently made a crusade in search of valises and portmanteaus to enable Mrs. M'Coy to fulfil imaginary engagements in the country. More than he resented the fact that he had been victimised he resented such low playing of the game. He answered the question, therefore, as if Mr. Kernan had asked it.

The narrative made Mr. Kernan indignant. He was keenly conscious of his citizenship, wished to live with his city on terms mutually honourable and resented any affront put upon him by those whom he called country bumpkins.

"Is this what we pay rates for?" he asked. "To feed and clothe these ignorant bostooms... and they're nothing else."

Mr. Cunningham laughed. He was a Castle official only during office hours.

"How could they be anything else, Tom?" he said.

He assumed a thick, provincial accent and said in a tone of command:

"65, catch your cabbage!"

Everyone laughed. Mr. M'Coy, who wanted to enter the conversation by any door, pretended that he had never heard the story. Mr. Cunningham said:

"It is supposed--they say, you know--to take place in the depot where they get these thundering big country fellows, omadhauns, you know, to drill. The sergeant makes them stand in a row against the wall and hold up their plates."

He illustrated the story by grotesque gestures.

"At dinner, you know. Then he has a bloody big bowl of cabbage before him on the table and a bloody big spoon like a shovel. He takes up a wad of cabbage on the spoon and pegs it across the room and the poor devils have to try and catch it on their plates: 65, catch your cabbage."

Everyone laughed again: but Mr. Kernan was somewhat indignant still. He talked of writing a letter to the papers.

"These yahoos coming up here," he said, "think they can boss the people. I needn't tell you, Martin, what kind of men they are."

Mr. Cunningham gave a qualified assent.

"It's like everything else in this world," he said. "You get some bad ones and you get some good ones."

"O yes, you get some good ones, I admit," said Mr. Kernan, satisfied.

"It's better to have nothing to say to them," said Mr. M'Coy. "That's my opinion!"

Mrs. Kernan entered the room and, placing a tray on the table, said:

"Help yourselves, gentlemen."

Mr. Power stood up to officiate, offering her his chair. She declined it, saying she was ironing downstairs, and, after having exchanged a nod with Mr. Cunningham behind Mr. Power's back, prepared to leave the room. Her husband called out to her:

"And have you nothing for me, duckie?"

"O, you! The back of my hand to you!" said Mrs. Kernan tartly.

Her husband called after her:

"Nothing for poor little hubby!"

He assumed such a comical face and voice that the distribution of the bottles of stout took place amid general merriment.

The gentlemen drank from their glasses, set the glasses again on the table and paused. Then Mr. Cunningham turned towards Mr. Power and said casually:

"On Thursday night, you said, Jack "

"Thursday, yes," said Mr. Power.

"Righto!" said Mr. Cunningham promptly.

"We can meet in M'Auley's," said Mr. M'Coy. "That'll be the most convenient place."

"But we mustn't be late," said Mr. Power earnestly, "because it is sure to be crammed to the doors."

"We can meet at half-seven," said Mr. M'Coy.

"Righto!" said Mr. Cunningham.

"Half-seven at M'Auley's be it!"

There was a short silence. Mr. Kernan waited to see whether he would be taken into his friends' confidence. Then he asked:

"What's in the wind?"

"O, it's nothing," said Mr. Cunningham. "It's only a little matter that we're arranging about for Thursday."

"The opera, is it?" said Mr. Kernan.

"No, no," said Mr. Cunningham in an evasive tone, "it's just a little... spiritual matter."

"0," said Mr. Kernan.

There was silence again. Then Mr. Power said, point blank:

"To tell you the truth, Tom, we're going to make a retreat."

"Yes, that's it," said Mr. Cunningham, "Jack and I and M'Coy here --we're all going to wash the pot."

He uttered the metaphor with a certain homely energy and, encouraged by his own voice, proceeded:

"You see, we may as well all admit we're a nice collection of scoundrels, one and all. I say, one and all," he added with gruff charity and turning to Mr. Power. "Own up now!"

"I own up," said Mr. Power.

"And I own up," said Mr. M'Coy.

"So we're going to wash the pot together," said Mr. Cunningham.

A thought seemed to strike him. He turned suddenly to the invalid and said:

"D'ye know what, Tom, has just occurred to me? You night join in and we'd have a four-handed reel."

"Good idea," said Mr. Power. "The four of us together."

Mr. Kernan was silent. The proposal conveyed very little meaning to his mind, but, understanding that some spiritual agencies were about to concern themselves on his behalf, he thought he owed it to his dignity to show a stiff neck. He took no part in the conversation for a long while, but listened, with an air of calm enmity, while his friends discussed the Jesuits.

"I haven't such a bad opinion of the Jesuits," he said, intervening at length. "They're an educated order. I believe they mean well, too."

"They're the grandest order in the Church, Tom," said Mr. Cunningham, with enthusiasm. "The General of the Jesuits stands next to the Pope."

"There's no mistake about it," said Mr. M'Coy, "if you want a thing well done and no flies about, you go to a Jesuit. They're the boyos have influence. I'll tell you a case in point...."

"The Jesuits are a fine body of men," said Mr. Power.

"It's a curious thing," said Mr. Cunningham, "about the Jesuit Order. Every other order of the Church had to be reformed at some time or other but the Jesuit Order was never once reformed. It never fell away."

"Is that so?" asked Mr. M'Coy.

"That's a fact," said Mr. Cunningham. "That's history."

"Look at their church, too," said Mr. Power. "Look at the congregation they have."

"The Jesuits cater for the upper classes," said Mr. M'Coy.

"Of course," said Mr. Power.

"Yes," said Mr. Kernan. "That's why I have a feeling for them. It's some of those secular priests, ignorant, bumptious----"

"They're all good men," said Mr. Cunningham, "each in his own way. The Irish priesthood is honoured all the world over."

"O yes," said Mr. Power.

"Not like some of the other priesthoods on the continent," said Mr. M'Coy, "unworthy of the name."

"Perhaps you're right," said Mr. Kernan, relenting.

"Of course I'm right," said Mr. Cunningham. "I haven't been in the world all this time and seen most sides of it without being a judge of character."

The gentlemen drank again, one following another's example. Mr. Kernan seemed to be weighing something in his mind. He was impressed. He had a high opinion of Mr. Cunningham as a judge of character and as a reader of faces. He asked for particulars.

"O, it's just a retreat, you know," said Mr. Cunningham. "Father Purdon is giving it. It's for business men, you know."

"He won't be too hard on us, Tom," said Mr. Power persuasively.

"Father Purdon? Father Purdon?" said the invalid.

"O, you must know him, Tom," said Mr. Cunningham stoutly. "Fine, jolly fellow! He's a man of the world like ourselves."

"Ah,... yes. I think I know him. Rather red face; tall."

"That's the man."

"And tell me, Martin.... Is he a good preacher?"

"Munno.... It's not exactly a sermon, you know. It's just kind of a friendly talk, you know, in a common-sense way."

Mr. Kernan deliberated. Mr. M'Coy said:

"Father Tom Burke, that was the boy!"

"O, Father Tom Burke," said Mr. Cunningham, "that was a born orator. Did you ever hear him, Tom?"

"Did I ever hear him!" said the invalid, nettled. "Rather! I heard him...."

"And yet they say he wasn't much of a theologian," said Mr Cunningham.

"Is that so?" said Mr. M'Coy.

"O, of course, nothing wrong, you know. Only sometimes, they say, he didn't preach what was quite orthodox."

"Ah!... he was a splendid man," said Mr. M'Coy.

"I heard him once," Mr. Kernan continued. "I forget the subject of his discourse now. Crofton and I were in the back of the... pit, you know... the----"

"The body," said Mr. Cunningham.

"Yes, in the back near the door. I forget now what.... O yes, it was on the Pope, the late Pope. I remember it well. Upon my word it was magnificent, the style of the oratory. And his voice! God! hadn't he a voice! The Prisoner of the Vatican, he called him. I remember Crofton saying to me when we came out----"

"But he's an Orangeman, Crofton, isn't he?" said Mr. Power.

"'Course he is," said Mr. Kernan, "and a damned decent Orangeman too. We went into Butler's in Moore Street--faith, was genuinely moved, tell you the God's truth--and I remember well his very words. Kernan, he said, we worship at different altars, he said, but our belief is the same. Struck me as very well put."

"There's a good deal in that," said Mr. Power. "There used always be crowds of Protestants in the chapel where Father Tom was preaching."

"There's not much difference between us," said Mr. M'Coy.

"We both believe in----"

He hesitated for a moment.

"... in the Redeemer. Only they don't believe in the Pope and in the mother of God."

"But, of course," said Mr. Cunningham quietly and effectively, "our religion is the religion, the old, original faith."

"Not a doubt of it," said Mr. Kernan warmly.

Mrs. Kernan came to the door of the bedroom and announced:

"Here's a visitor for you!"

"Who is it?"

"Mr. Fogarty."

"O, come in! come in!"

A pale, oval face came forward into the light. The arch of its fair trailing moustache was repeated in the fair eyebrows looped above pleasantly astonished eyes. Mr. Fogarty was a modest grocer. He had failed in business in a licensed house in the city because his financial condition had constrained him to tie himself to second-class distillers and brewers. He had opened a small shop on Glasnevin Road where, he flattered himself, his manners would ingratiate him with the housewives of the district. He bore himself with a certain grace, complimented little children and spoke with a neat enunciation. He was not without culture.

Mr. Fogarty brought a gift with him, a half-pint of special whisky. He inquired politely for Mr. Kernan, placed his gift on the table and sat down with the company on equal terms. Mr. Kernan appreciated the gift all the more since he was aware that there was a small account for groceries unsettled between him and Mr. Fogarty. He said:

"I wouldn't doubt you, old man. Open that, Jack, will you?"

Mr. Power again officiated. Glasses were rinsed and five small measures of whisky were poured out. This new influence enlivened the conversation. Mr. Fogarty, sitting on a small area of the chair, was specially interested.

"Pope Leo XIII," said Mr. Cunningham, "was one of the lights of the age. His great idea, you know, was the union of the Latin and Greek Churches. That was the aim of his life."

"I often heard he was one of the most intellectual men in Europe," said Mr. Power. "I mean, apart from his being Pope."

"So he was," said Mr. Cunningham, "if not the most so. His motto, you know, as Pope, was Lux upon Lux--Light upon Light."

"No, no," said Mr. Fogarty eagerly. "I think you're wrong there. It was Lux in Tenebris, I think--Light in Darkness."

"O yes," said Mr. M'Coy, "Tenebrae."

"Allow me," said Mr. Cunningham positively, "it was Lux upon Lux. And Pius IX his predecessor's motto was Crux upon Crux-- that is, Cross upon Cross--to show the difference between their two pontificates."

The inference was allowed. Mr. Cunningham continued.

"Pope Leo, you know, was a great scholar and a poet."

"He had a strong face," said Mr. Kernan.

"Yes," said Mr. Cunningham. "He wrote Latin poetry."

"Is that so?" said Mr. Fogarty.

Mr. M'Coy tasted his whisky contentedly and shook his head with a double intention, saying:

"That's no joke, I can tell you."

"We didn't learn that, Tom," said Mr. Power, following Mr. M'Coy's example, "when we went to the penny-a-week school."

"There was many a good man went to the penny-a-week school with a sod of turf under his oxter," said Mr. Kernan sententiously. "The old system was the best: plain honest education. None of your modern trumpery...."

"Quite right," said Mr. Power.

"No superfluities," said Mr. Fogarty.

He enunciated the word and then drank gravely.

"I remember reading," said Mr. Cunningham, "that one of Pope Leo's poems was on the invention of the photograph--in Latin, of course."

"On the photograph!" exclaimed Mr. Kernan.

"Yes," said Mr. Cunningham.

He also drank from his glass.

"Well, you know," said Mr. M'Coy, "isn't the photograph wonderful when you come to think of it?"

"O, of course," said Mr. Power, "great minds can see things."

"As the poet says: Great minds are very near to madness," said Mr. Fogarty.

Mr. Kernan seemed to be troubled in mind. He made an effort to recall the Protestant theology on some thorny points and in the end addressed Mr. Cunningham.

"Tell me, Martin," he said. "Weren't some of the popes--of course, not our present man, or his predecessor, but some of the old popes--not exactly ... you know... up to the knocker?"

There was a silence. Mr. Cunningham said

"O, of course, there were some bad lots... But the astonishing thing is this. Not one of them, not the biggest drunkard, not the most... out-and-out ruffian, not one of them ever preached ex cathedra a word of false doctrine. Now isn't that an astonishing thing?"

"That is," said Mr. Kernan.

"Yes, because when the Pope speaks ex cathedra," Mr. Fogarty explained, "he is infallible."

"Yes," said Mr. Cunningham.

"O, I know about the infallibility of the Pope. I remember I was younger then.... Or was it that----?"

Mr. Fogarty interrupted. He took up the bottle and helped the others to a little more. Mr. M'Coy, seeing that there was not enough to go round, pleaded that he had not finished his first measure. The others accepted under protest. The light music of whisky falling into glasses made an agreeable interlude.

"What's that you were saying, Tom?" asked Mr. M'Coy.

"Papal infallibility," said Mr. Cunningham, "that was the greatest scene in the whole history of the Church."

"How was that, Martin?" asked Mr. Power.

Mr. Cunningham held up two thick fingers.

"In the sacred college, you know, of cardinals and archbishops and bishops there were two men who held out against it while the others were all for it. The whole conclave except these two was unanimous. No! They wouldn't have it!"

"Ha!" said Mr. M'Coy.

"And they were a German cardinal by the name of Dolling... or Dowling... or----"

"Dowling was no German, and that's a sure five," said Mr. Power, laughing.

"Well, this great German cardinal, whatever his name was, was one; and the other was John MacHale."

"What?" cried Mr. Kernan. "Is it John of Tuam?"

"Are you sure of that now?" asked Mr. Fogarty dubiously. "I thought it was some Italian or American."

"John of Tuam," repeated Mr. Cunningham, "was the man."

He drank and the other gentlemen followed his lead. Then he resumed:

"There they were at it, all the cardinals and bishops and archbishops from all the ends of the earth and these two fighting dog and devil until at last the Pope himself stood up and declared infallibility a dogma of the Church ex cathedra. On the very moment John MacHale, who had been arguing and arguing against it, stood up and shouted out with the voice of a lion: 'Credo!'"

"I believe!" said Mr. Fogarty.

"Credo!" said Mr. Cunningham "That showed the faith he had. He submitted the moment the Pope spoke."

"And what about Dowling?" asked Mr. M'Coy.

"The German cardinal wouldn't submit. He left the church."

Mr. Cunningham's words had built up the vast image of the church in the minds of his hearers. His deep, raucous voice had thrilled them as it uttered the word of belief and submission. When Mrs. Kernan came into the room, drying her hands she came into a solemn company. She did not disturb the silence, but leaned over the rail at the foot of the bed.

"I once saw John MacHale," said Mr. Kernan, "and I'll never forget it as long as I live."

He turned towards his wife to be confirmed.

"I often told you that?"

Mrs. Kernan nodded.

"It was at the unveiling of Sir John Gray's statue. Edmund Dwyer Gray was speaking, blathering away, and here was this old fellow, crabbed-looking old chap, looking at him from under his bushy eyebrows."

Mr. Kernan knitted his brows and, lowering his head like an angry bull, glared at his wife.

"God!" he exclaimed, resuming his natural face, "I never saw such an eye in a man's head. It was as much as to say: I have you properly taped, my lad. He had an eye like a hawk."

"None of the Grays was any good," said Mr. Power.

There was a pause again. Mr. Power turned to Mrs. Kernan and said with abrupt joviality:

"Well, Mrs. Kernan, we're going to make your man here a good holy pious and God-fearing Roman Catholic."

He swept his arm round the company inclusively.

"We're all going to make a retreat together and confess our sins-- and God knows we want it badly."

"I don't mind," said Mr. Kernan, smiling a little nervously.

Mrs. Kernan thought it would be wiser to conceal her satisfaction. So she said:

"I pity the poor priest that has to listen to your tale."

Mr. Kernan's expression changed.

"If he doesn't like it," he said bluntly, "he can... do the other thing. I'll just tell him my little tale of woe. I'm not such a bad fellow----"

Mr. Cunningham intervened promptly.

"We'll all renounce the devil," he said, "together, not forgetting his works and pomps."

"Get behind me, Satan!" said Mr. Fogarty, laughing and looking at the others.

Mr. Power said nothing. He felt completely out-generalled. But a pleased expression flickered across his face.

"All we have to do," said Mr. Cunningham, "is to stand up with lighted candles in our hands and renew our baptismal vows."

"O, don't forget the candle, Tom," said Mr. M'Coy, "whatever you do."

"What?" said Mr. Kernan. "Must I have a candle?"

"O yes," said Mr. Cunningham.

"No, damn it all," said Mr. Kernan sensibly, "I draw the line there. I'll do the job right enough. I'll do the retreat business and confession, and... all that business. But... no candles! No, damn it all, I bar the candles!"

He shook his head with farcical gravity.

"Listen to that!" said his wife.

"I bar the candles," said Mr. Kernan, conscious of having created an effect on his audience and continuing to shake his head to and fro. "I bar the magic-lantern business."

Everyone laughed heartily.

"There's a nice Catholic for you!" said his wife.

"No candles!" repeated Mr. Kernan obdurately. "That's off!"

 



The transept of the Jesuit Church in Gardiner Street was almost full; and still at every moment gentlemen entered from the side door and, directed by the lay-brother, walked on tiptoe along the aisles until they found seating accommodation. The gentlemen were all well dressed and orderly. The light of the lamps of the church fell upon an assembly of black clothes and white collars, relieved here and there by tweeds, on dark mottled pillars of green marble and on lugubrious canvases. The gentlemen sat in the benches, having hitched their trousers slightly above their knees and laid their hats in security. They sat well back and gazed formally at the distant speck of red light which was suspended before the high altar.

In one of the benches near the pulpit sat Mr. Cunningham and Mr. Kernan. In the bench behind sat Mr. M'Coy alone: and in the bench behind him sat Mr. Power and Mr. Fogarty. Mr. M'Coy had tried unsuccessfully to find a place in the bench with the others, and, when the party had settled down in the form of a quincunx, he had tried unsuccessfully to make comic remarks. As these had not been well received, he had desisted. Even he was sensible of the decorous atmosphere and even he began to respond to the religious stimulus. In a whisper, Mr. Cunningham drew Mr. Kernan's attention to Mr. Harford, the moneylender, who sat some distance off, and to Mr. Fanning, the registration agent and mayor maker of the city, who was sitting immediately under the pulpit beside one of the newly elected councillors of the ward. To the right sat old Michael Grimes, the owner of three pawnbroker's shops, and Dan Hogan's nephew, who was up for the job in the Town Clerk's office. Farther in front sat Mr. Hendrick, the chief reporter of The Freeman's Journal, and poor O'Carroll, an old friend of Mr. Kernan's, who had been at one time a considerable commercial figure. Gradually, as he recognised familiar faces, Mr. Kernan began to feel more at home. His hat, which had been rehabilitated by his wife, rested upon his knees. Once or twice he pulled down his cuffs with one hand while he held the brim of his hat lightly, but firmly, with the other hand.

A powerful-looking figure, the upper part of which was draped with a white surplice, was observed to be struggling into the pulpit. Simultaneously the congregation unsettled, produced handkerchiefs and knelt upon them with care. Mr. Kernan followed the general example. The priest's figure now stood upright in the pulpit, two-thirds of its bulk, crowned by a massive red face, appearing above the balustrade.

Father Purdon knelt down, turned towards the red speck of light and, covering his face with his hands, prayed. After an interval, he uncovered his face and rose. The congregation rose also and settled again on its benches. Mr. Kernan restored his hat to its original position on his knee and presented an attentive face to the preacher. The preacher turned back each wide sleeve of his surplice with an elaborate large gesture and slowly surveyed the array of faces. Then he said:

"For the children of this world are wiser in their generation than the children of light. Wherefore make unto yourselves friends out of the mammon of iniquity so that when you die they may receive you into everlasting dwellings."

Father Purdon developed the text with resonant assurance. It was one of the most difficult texts in all the Scriptures, he said, to interpret properly. It was a text which might seem to the casual observer at variance with the lofty morality elsewhere preached by Jesus Christ. But, he told his hearers, the text had seemed to him specially adapted for the guidance of those whose lot it was to lead the life of the world and who yet wished to lead that life not in the manner of worldlings. It was a text for business men and professional men. Jesus Christ with His divine understanding of every cranny of our human nature, understood that all men were not called to the religious life, that by far the vast majority were forced to live in the world, and, to a certain extent, for the world: and in this sentence He designed to give them a word of counsel, setting before them as exemplars in the religious life those very worshippers of Mammon who were of all men the least solicitous in matters religious.

He told his hearers that he was there that evening for no terrifying, no extravagant purpose; but as a man of the world speaking to his fellow-men. He came to speak to business men and he would speak to them in a businesslike way. If he might use the metaphor, he said, he was their spiritual accountant; and he wished each and every one of his hearers to open his books, the books of his spiritual life, and see if they tallied accurately with conscience.

Jesus Christ was not a hard taskmaster. He understood our little failings, understood the weakness of our poor fallen nature, understood the temptations of this life. We might have had, we all had from time to time, our temptations: we might have, we all had, our failings. But one thing only, he said, he would ask of his hearers. And that was: to be straight and manly with God. If their accounts tallied in every point to say:

"Well, I have verified my accounts. I find all well."

But if, as might happen, there were some discrepancies, to admit the truth, to be frank and say like a man:

"Well, I have looked into my accounts. I find this wrong and this wrong. But, with God's grace, I will rectify this and this. I will set right my accounts."

 

The Dead



Lily, the caretaker's daughter, was literally run off her feet. Hardly had she brought one gentleman into the little pantry behind the office on the ground floor and helped him off with his overcoat than the wheezy hall-door bell clanged again and she had to scamper along the bare hallway to let in another guest. It was well for her she had not to attend to the ladies also. But Miss Kate and Miss Julia had thought of that and had converted the bathroom upstairs into a ladies' dressing-room. Miss Kate and Miss Julia were there, gossiping and laughing and fussing, walking after each other to the head of the stairs, peering down over the banisters and calling down to Lily to ask her who had come.

It was always a great affair, the Misses Morkan's annual dance. Everybody who knew them came to it, members of the family, old friends of the family, the members of Julia's choir, any of Kate's pupils that were grown up enough, and even some of Mary Jane's pupils too. Never once had it fallen flat. For years and years it had gone off in splendid style, as long as anyone could remember; ever since Kate and Julia, after the death of their brother Pat, had left the house in Stoney Batter and taken Mary Jane, their only niece, to live with them in the dark, gaunt house on Usher's Island, the upper part of which they had rented from Mr. Fulham, the corn-factor on the ground floor. That was a good thirty years ago if it was a day. Mary Jane, who was then a little girl in short clothes, was now the main prop of the household, for she had the organ in Haddington Road. She had been through the Academy and gave a pupils' concert every year in the upper room of the Antient Concert Rooms. Many of her pupils belonged to the better-class families on the Kingstown and Dalkey line. Old as they were, her aunts also did their share. Julia, though she was quite grey, was still the leading soprano in Adam and Eve's, and Kate, being too feeble to go about much, gave music lessons to beginners on the old square piano in the back room. Lily, the caretaker's daughter, did housemaid's work for them. Though their life was modest, they believed in eating well; the best of everything: diamond-bone sirloins, three-shilling tea and the best bottled stout. But Lily seldom made a mistake in the orders, so that she got on well with her three mistresses. They were fussy, that was all. But the only thing they would not stand was back answers.

Of course, they had good reason to be fussy on such a night. And then it was long after ten o'clock and yet there was no sign of Gabriel and his wife. Besides they were dreadfully afraid that Freddy Malins might turn up screwed. They would not wish for worlds that any of Mary Jane's pupils should see him under the influence; and when he was like that it was sometimes very hard to manage him. Freddy Malins always came late, but they wondered what could be keeping Gabriel: and that was what brought them every two minutes to the banisters to ask Lily had Gabriel or Freddy come.

"O, Mr. Conroy," said Lily to Gabriel when she opened the door for him, "Miss Kate and Miss Julia thought you were never coming. Good-night, Mrs. Conroy."

"I'll engage they did," said Gabriel, "but they forget that my wife here takes three mortal hours to dress herself."

He stood on the mat, scraping the snow from his goloshes, while Lily led his wife to the foot of the stairs and called out:

"Miss Kate, here's Mrs. Conroy."

Kate and Julia came toddling down the dark stairs at once. Both of them kissed Gabriel's wife, said she must be perished alive, and asked was Gabriel with her.

"Here I am as right as the mail, Aunt Kate! Go on up. I'll follow," called out Gabriel from the dark.

He continued scraping his feet vigorously while the three women went upstairs, laughing, to the ladies' dressing-room. A light fringe of snow lay like a cape on the shoulders of his overcoat and like toecaps on the toes of his goloshes; and, as the buttons of his overcoat slipped with a squeaking noise through the snow-stiffened frieze, a cold, fragrant air from out-of-doors escaped from crevices and folds.

"Is it snowing again, Mr. Conroy?" asked Lily.

She had preceded him into the pantry to help him off with his overcoat. Gabriel smiled at the three syllables she had given his surname and glanced at her. She was a slim; growing girl, pale in complexion and with hay-coloured hair. The gas in the pantry made her look still paler. Gabriel had known her when she was a child and used to sit on the lowest step nursing a rag doll.

"Yes, Lily," he answered, "and I think we're in for a night of it."

He looked up at the pantry ceiling, which was shaking with the stamping and shuffling of feet on the floor above, listened for a moment to the piano and then glanced at the girl, who was folding his overcoat carefully at the end of a shelf.

"Tell me. Lily," he said in a friendly tone, "do you still go to school?"

"O no, sir," she answered. "I'm done schooling this year and more."

"O, then," said Gabriel gaily, "I suppose we'll be going to your wedding one of these fine days with your young man, eh? "

The girl glanced back at him over her shoulder and said with great bitterness:

"The men that is now is only all palaver and what they can get out of you."

Gabriel coloured, as if he felt he had made a mistake and, without looking at her, kicked off his goloshes and flicked actively with his muffler at his patent-leather shoes.

He was a stout, tallish young man. The high colour of his cheeks pushed upwards even to his forehead, where it scattered itself in a few formless patches of pale red; and on his hairless face there scintillated restlessly the polished lenses and the bright gilt rims of the glasses which screened his delicate and restless eyes. His glossy black hair was parted in the middle and brushed in a long curve behind his ears where it curled slightly beneath the groove left by his hat.

When he had flicked lustre into his shoes he stood up and pulled his waistcoat down more tightly on his plump body. Then he took a coin rapidly from his pocket.

"O Lily," he said, thrusting it into her hands, "it's Christmastime, isn't it? Just... here's a little...."

He walked rapidly towards the door.

"O no, sir!" cried the girl, following him. "Really, sir, I wouldn't take it."

"Christmas-time! Christmas-time!" said Gabriel, almost trotting to the stairs and waving his hand to her in deprecation.

The girl, seeing that he had gained the stairs, called out after him:

"Well, thank you, sir."

He waited outside the drawing-room door until the waltz should finish, listening to the skirts that swept against it and to the shuffling of feet. He was still discomposed by the girl's bitter and sudden retort. It had cast a gloom over him which he tried to dispel by arranging his cuffs and the bows of his tie. He then took from his waistcoat pocket a little paper and glanced at the headings he had made for his speech. He was undecided about the lines from Robert Browning, for he feared they would be above the heads of his hearers. Some quotation that they would recognise from Shakespeare or from the Melodies would be better. The indelicate clacking of the men's heels and the shuffling of their soles reminded him that their grade of culture differed from his. He would only make himself ridiculous by quoting poetry to them which they could not understand. They would think that he was airing his superior education. He would fail with them just as he had failed with the girl in the pantry. He had taken up a wrong tone. His whole speech was a mistake from first to last, an utter failure.

Just then his aunts and his wife came out of the ladies' dressing-room. His aunts were two small, plainly dressed old women. Aunt Julia was an inch or so the taller. Her hair, drawn low over the tops of her ears, was grey; and grey also, with darker shadows, was her large flaccid face. Though she was stout in build and stood erect, her slow eyes and parted lips gave her the appearance of a woman who did not know where she was or where she was going. Aunt Kate was more vivacious. Her face, healthier than her sister's, was all puckers and creases, like a shrivelled red apple, and her hair, braided in the same old-fashioned way, had not lost its ripe nut colour.

They both kissed Gabriel frankly. He was their favourite nephew the son of their dead elder sister, Ellen, who had married T. J. Conroy of the Port and Docks.

"Gretta tells me you're not going to take a cab back to Monkstown tonight, Gabriel," said Aunt Kate.

"No," said Gabriel, turning to his wife, "we had quite enough of that last year, hadn't we? Don't you remember, Aunt Kate, what a cold Gretta got out of it? Cab windows rattling all the way, and the east wind blowing in after we passed Merrion. Very jolly it was. Gretta caught a dreadful cold."

Aunt Kate frowned severely and nodded her head at every word.

"Quite right, Gabriel, quite right," she said. "You can't be too careful."

"But as for Gretta there," said Gabriel, "she'd walk home in the snow if she were let."

Mrs. Conroy laughed.

"Don't mind him, Aunt Kate," she said. "He's really an awful bother, what with green shades for Tom's eyes at night and making him do the dumb-bells, and forcing Eva to eat the stirabout. The poor child! And she simply hates the sight of it!... O, but you'll never guess what he makes me wear now!"

She broke out into a peal of laughter and glanced at her husband, whose admiring and happy eyes had been wandering from her dress to her face and hair. The two aunts laughed heartily, too, for Gabriel's solicitude was a standing joke with them.

"Goloshes!" said Mrs. Conroy. "That's the latest. Whenever it's wet underfoot I must put on my galoshes. Tonight even, he wanted me to put them on, but I wouldn't. The next thing he'll buy me will be a diving suit."

Gabriel laughed nervously and patted his tie reassuringly, while Aunt Kate nearly doubled herself, so heartily did she enjoy the joke. The smile soon faded from Aunt Julia's face and her mirthless eyes were directed towards her nephew's face. After a pause she asked:

"And what are goloshes, Gabriel?"

"Goloshes, Julia!" exclaimed her sister "Goodness me, don't you know what goloshes are? You wear them over your... over your boots, Gretta, isn't it?"

"Yes," said Mrs. Conroy. "Guttapercha things. We both have a pair now. Gabriel says everyone wears them on the Continent."

"O, on the Continent," murmured Aunt Julia, nodding her head slowly.

Gabriel knitted his brows and said, as if he were slightly angered:

"It's nothing very wonderful, but Gretta thinks it very funny because she says the word reminds her of Christy Minstrels."

"But tell me, Gabriel," said Aunt Kate, with brisk tact. "Of course, you've seen about the room. Gretta was saying..."

"0, the room is all right," replied Gabriel. "I've taken one in the Gresham."

"To be sure," said Aunt Kate, "by far the best thing to do. And the children, Gretta, you're not anxious about them?"

"0, for one night," said Mrs. Conroy. "Besides, Bessie will look after them."

"To be sure," said Aunt Kate again. "What a comfort it is to have a girl like that, one you can depend on! There's that Lily, I'm sure I don't know what has come over her lately. She's not the girl she was at all."

Gabriel was about to ask his aunt some questions on this point, but she broke off suddenly to gaze after her sister, who had wandered down the stairs and was craning her neck over the banisters.

"Now, I ask you," she said almost testily, "where is Julia going? Julia! Julia! Where are you going?"

Julia, who had gone half way down one flight, came back and announced blandly:

"Here's Freddy."

At the same moment a clapping of hands and a final flourish of the pianist told that the waltz had ended. The drawing-room door was opened from within and some couples came out. Aunt Kate drew Gabriel aside hurriedly and whispered into his ear:

"Slip down, Gabriel, like a good fellow and see if he's all right, and don't let him up if he's screwed. I'm sure he's screwed. I'm sure he is."

Gabriel went to the stairs and listened over the banisters. He could hear two persons talking in the pantry. Then he recognised Freddy Malins' laugh. He went down the stairs noisily.

"It's such a relief," said Aunt Kate to Mrs. Conroy, "that Gabriel is here. I always feel easier in my mind when he's here.... Julia, there's Miss Daly and Miss Power will take some refreshment. Thanks for your beautiful waltz, Miss Daly. It made lovely time."

A tall wizen-faced man, with a stiff grizzled moustache and swarthy skin, who was passing out with his partner, said:

"And may we have some refreshment, too, Miss Morkan?"

"Julia," said Aunt Kate summarily, "and here's Mr. Browne and Miss Furlong. Take them in, Julia, with Miss Daly and Miss Power."

"I'm the man for the ladies," said Mr. Browne, pursing his lips until his moustache bristled and smiling in all his wrinkles. "You know, Miss Morkan, the reason they are so fond of me is----"

He did not finish his sentence, but, seeing that Aunt Kate was out of earshot, at once led the three young ladies into the back room. The middle of the room was occupied by two square tables placed end to end, and on these Aunt Julia and the caretaker were straightening and smoothing a large cloth. On the sideboard were arrayed dishes and plates, and glasses and bundles of knives and forks and spoons. The top of the closed square piano served also as a sideboard for viands and sweets. At a smaller sideboard in one corner two young men were standing, drinking hop-bitters.

Mr. Browne led his charges thither and invited them all, in jest, to some ladies' punch, hot, strong and sweet. As they said they never took anything strong, he opened three bottles of lemonade for them. Then he asked one of the young men to move aside, and, taking hold of the decanter, filled out for himself a goodly measure of whisky. The young men eyed him respectfully while he took a trial sip.

"God help me," he said, smiling, "it's the doctor's orders."

His wizened face broke into a broader smile, and the three young ladies laughed in musical echo to his pleasantry, swaying their bodies to and fro, with nervous jerks of their shoulders. The boldest said:

"O, now, Mr. Browne, I'm sure the doctor never ordered anything of the kind."

Mr. Browne took another sip of his whisky and said, with sidling mimicry:

"Well, you see, I'm like the famous Mrs. Cassidy, who is reported to have said: 'Now, Mary Grimes, if I don't take it, make me take it, for I feel I want it.'"

His hot face had leaned forward a little too confidentially and he had assumed a very low Dublin accent so that the young ladies, with one instinct, received his speech in silence. Miss Furlong, who was one of Mary Jane's pupils, asked Miss Daly what was the name of the pretty waltz she had played; and Mr. Browne, seeing that he was ignored, turned promptly to the two young men who were more appreciative.

A red-faced young woman, dressed in pansy, came into the room, excitedly clapping her hands and crying:

"Quadrilles! Quadrilles!"

Close on her heels came Aunt Kate, crying:

"Two gentlemen and three ladies, Mary Jane!"

"O, here's Mr. Bergin and Mr. Kerrigan," said Mary Jane. "Mr. Kerrigan, will you take Miss Power? Miss Furlong, may I get you a partner, Mr. Bergin. O, that'll just do now."

"Three ladies, Mary Jane," said Aunt Kate.

The two young gentlemen asked the ladies if they might have the pleasure, and Mary Jane turned to Miss Daly.

"O, Miss Daly, you're really awfully good, after playing for the last two dances, but really we're so short of ladies tonight."

"I don't mind in the least, Miss Morkan."

"But I've a nice partner for you, Mr. Bartell D'Arcy, the tenor. I'll get him to sing later on. All Dublin is raving about him."

"Lovely voice, lovely voice!" said Aunt Kate.

As the piano had twice begun the prelude to the first figure Mary Jane led her recruits quickly from the room. They had hardly gone when Aunt Julia wandered slowly into the room, looking behind her at something.

"What is the matter, Julia?" asked Aunt Kate anxiously. "Who is it?"

Julia, who was carrying in a column of table-napkins, turned to her sister and said, simply, as if the question had surprised her:

"It's only Freddy, Kate, and Gabriel with him."

In fact right behind her Gabriel could be seen piloting Freddy Malins across the landing. The latter, a young man of about forty, was of Gabriel's size and build, with very round shoulders. His face was fleshy and pallid, touched with colour only at the thick hanging lobes of his ears and at the wide wings of his nose. He had coarse features, a blunt nose, a convex and receding brow, tumid and protruded lips. His heavy-lidded eyes and the disorder of his scanty hair made him look sleepy. He was laughing heartily in a high key at a story which he had been telling Gabriel on the stairs and at the same time rubbing the knuckles of his left fist backwards and forwards into his left eye.

Good-evening, Freddy," said Aunt Julia.

Freddy Malins bade the Misses Morkan good-evening in what seemed an offhand fashion by reason of the habitual catch in his voice and then, seeing that Mr. Browne was grinning at him from the sideboard, crossed the room on rather shaky legs and began to repeat in an undertone the story he had just told to Gabriel.

"He's not so bad, is he?" said Aunt Kate to Gabriel.

Gabriel's brows were dark but he raised them quickly and answered:

"O, no, hardly noticeable."

"Now, isn't he a terrible fellow!" she said. "And his poor mother made him take the pledge on New Year's Eve. But come on, Gabriel, into the drawing-room."

Before leaving the room with Gabriel she signalled to Mr. Browne by frowning and shaking her forefinger in warning to and fro. Mr. Browne nodded in answer and, when she had gone, said to Freddy Malins:

"Now, then, Teddy, I'm going to fill you out a good glass of lemonade just to buck you up."

Freddy Malins, who was nearing the climax of his story, waved the offer aside impatiently but Mr. Browne, having first called Freddy Malins' attention to a disarray in his dress, filled out and handed him a full glass of lemonade. Freddy Malins' left hand accepted the glass mechanically, his right hand being engaged in the mechanical readjustment of his dress. Mr. Browne, whose face was once more wrinkling with mirth, poured out for himself a glass of whisky while Freddy Malins exploded, before he had well reached the climax of his story, in a kink of high-pitched bronchitic laughter and, setting down his untasted and overflowing glass, began to rub the knuckles of his left fist backwards and forwards into his left eye, repeating words of his last phrase as well as his fit of laughter would allow him.

Gabriel could not listen while Mary Jane was playing her Academy piece, full of runs and difficult passages, to the hushed drawing-room. He liked music but the piece she was playing had no melody for him and he doubted whether it had any melody for the other listeners, though they had begged Mary Jane to play something. Four young men, who had come from the refreshment-room to stand in the doorway at the sound of the piano, had gone away quietly in couples after a few minutes. The only persons who seemed to follow the music were Mary Jane herself, her hands racing along the key-board or lifted from it at the pauses like those of a priestess in momentary imprecation, and Aunt Kate standing at her elbow to turn the page.

Gabriel's eyes, irritated by the floor, which glittered with beeswax under the heavy chandelier, wandered to the wall above the piano. A picture of the balcony scene in Romeo and Juliet hung there and beside it was a picture of the two murdered princes in the Tower which Aunt Julia had worked in red, blue and brown wools when she was a girl. Probably in the school they had gone to as girls that kind of work had been taught for one year. His mother had worked for him as a birthday present a waistcoat of purple tabinet, with little foxes' heads upon it, lined with brown satin and having round mulberry buttons. It was strange that his mother had had no musical talent though Aunt Kate used to call her the brains carrier of the Morkan family. Both she and Julia had always seemed a little proud of their serious and matronly sister. Her photograph stood before the pierglass. She held an open book on her knees and was pointing out something in it to Constantine who, dressed in a man-o-war suit, lay at her feet. It was she who had chosen the name of her sons for she was very sensible of the dignity of family life. Thanks to her, Constantine was now senior curate in Balbrigan and, thanks to her, Gabriel himself had taken his degree in the Royal University. A shadow passed over his face as he remembered her sullen opposition to his marriage. Some slighting phrases she had used still rankled in his memory; she had once spoken of Gretta as being country cute and that was not true of Gretta at all. It was Gretta who had nursed her during all her last long illness in their house at Monkstown.

He knew that Mary Jane must be near the end of her piece for she was playing again the opening melody with runs of scales after every bar and while he waited for the end the resentment died down in his heart. The piece ended with a trill of octaves in the treble and a final deep octave in the bass. Great applause greeted Mary Jane as, blushing and rolling up her music nervously, she escaped from the room. The most vigorous clapping came from the four young men in the doorway who had gone away to the refreshment-room at the beginning of the piece but had come back when the piano had stopped.

Lancers were arranged. Gabriel found himself partnered with Miss Ivors. She was a frank-mannered talkative young lady, with a freckled face and prominent brown eyes. She did not wear a low-cut bodice and the large brooch which was fixed in the front of her collar bore on it an Irish device and motto.

When they had taken their places she said abruptly:

"I have a crow to pluck with you."

"With me?" said Gabriel.

She nodded her head gravely.

"What is it?" asked Gabriel, smiling at her solemn manner.

"Who is G. C.?" answered Miss Ivors, turning her eyes upon him.

Gabriel coloured and was about to knit his brows, as if he did not understand, when she said bluntly:

"O, innocent Amy! I have found out that you write for The Daily Express. Now, aren't you ashamed of yourself?"

"Why should I be ashamed of myself?" asked Gabriel, blinking his eyes and trying to smile.

"Well, I'm ashamed of you," said Miss Ivors frankly. "To say you'd write for a paper like that. I didn't think you were a West Briton."

A look of perplexity appeared on Gabriel's face. It was true that he wrote a literary column every Wednesday in The Daily Express, for which he was paid fifteen shillings. But that did not make him a West Briton surely. The books he received for review were almost more welcome than the paltry cheque. He loved to feel the covers and turn over the pages of newly printed books. Nearly every day when his teaching in the college was ended he used to wander down the quays to the second-hand booksellers, to Hickey's on Bachelor's Walk, to Web's or Massey's on Aston's Quay, or to O'Clohissey's in the bystreet. He did not know how to meet her charge. He wanted to say that literature was above politics. But they were friends of many years' standing and their careers had been parallel, first at the University and then as teachers: he could not risk a grandiose phrase with her. He continued blinking his eyes and trying to smile and murmured lamely that he saw nothing political in writing reviews of books.

When their turn to cross had come he was still perplexed and inattentive. Miss Ivors promptly took his hand in a warm grasp and said in a soft friendly tone:

"Of course, I was only joking. Come, we cross now."

When they were together again she spoke of the University question and Gabriel felt more at ease. A friend of hers had shown her his review of Browning's poems. That was how she had found out the secret: but she liked the review immensely. Then she said suddenly:

"O, Mr. Conroy, will you come for an excursion to the Aran Isles this summer? We're going to stay there a whole month. It will be splendid out in the Atlantic. You ought to come. Mr. Clancy is coming, and Mr. Kilkelly and Kathleen Kearney. It would be splendid for Gretta too if she'd come. She's from Connacht, isn't she?"

"Her people are," said Gabriel shortly.

"But you will come, won't you?" said Miss Ivors, laying her arm hand eagerly on his arm.

"The fact is," said Gabriel, "I have just arranged to go----"

"Go where?" asked Miss Ivors.

"Well, you know, every year I go for a cycling tour with some fellows and so----"

"But where?" asked Miss Ivors.

"Well, we usually go to France or Belgium or perhaps Germany," said Gabriel awkwardly.

"And why do you go to France and Belgium," said Miss Ivors, "instead of visiting your own land?"

"Well," said Gabriel, "it's partly to keep in touch with the languages and partly for a change."

"And haven't you your own language to keep in touch with-- Irish?" asked Miss Ivors.

"Well," said Gabriel, "if it comes to that, you know, Irish is not my language."

Their neighbours had turned to listen to the cross- examination. Gabriel glanced right and left nervously and tried to keep his good humour under the ordeal which was making a blush invade his forehead.

"And haven't you your own land to visit," continued Miss Ivors, "that you know nothing of, your own people, and your own country?"

"0, to tell you the truth," retorted Gabriel suddenly, "I'm sick of my own country, sick of it!"

"Why?" asked Miss Ivors.

Gabriel did not answer for his retort had heated him.

"Why?" repeated Miss Ivors.

They had to go visiting together and, as he had not answered her, Miss Ivors said warmly:

"Of course, you've no answer."

Gabriel tried to cover his agitation by taking part in the dance with great energy. He avoided her eyes for he had seen a sour expression on her face. But when they met in the long chain he was surprised to feel his hand firmly pressed. She looked at him from under her brows for a moment quizzically until he smiled. Then, just as the chain was about to start again, she stood on tiptoe and whispered into his ear:

"West Briton!"

When the lancers were over Gabriel went away to a remote corner of the room where Freddy Malins' mother was sitting. She was a stout feeble old woman with white hair. Her voice had a catch in it like her son's and she stuttered slightly. She had been told that Freddy had come and that he was nearly all right. Gabriel asked her whether she had had a good crossing. She lived with her married daughter in Glasgow and came to Dublin on a visit once a year. She answered placidly that she had had a beautiful crossing and that the captain had been most attentive to her. She spoke also of the beautiful house her daughter kept in Glasgow, and of all the friends they had there. While her tongue rambled on Gabriel tried to banish from his mind all memory of the unpleasant incident with Miss Ivors. Of course the girl or woman, or whatever she was, was an enthusiast but there was a time for all things. Perhaps he ought not to have answered her like that. But she had no right to call him a West Briton before people, even in joke. She had tried to make him ridiculous before people, heckling him and staring at him with her rabbit's eyes.

He saw his wife making her way towards him through the waltzing couples. When she reached him she said into his ear:

"Gabriel. Aunt Kate wants to know won't you carve the goose as usual. Miss Daly will carve the ham and I'll do the pudding."

"All right," said Gabriel.

"She's sending in the younger ones first as soon as this waltz is over so that we'll have the table to ourselves."

"Were you dancing?" asked Gabriel.

"Of course I was. Didn't you see me? What row had you with Molly Ivors?"

"No row. Why? Did she say so?"

"Something like that. I'm trying to get that Mr. D'Arcy to sing. He's full of conceit, I think."

"There was no row," said Gabriel moodily, "only she wanted me to go for a trip to the west of Ireland and I said I wouldn't."

His wife clasped her hands excitedly and gave a little jump.

"O, do go, Gabriel," she cried. "I'd love to see Galway again."

"You can go if you like," said Gabriel coldly.

She looked at him for a moment, then turned to Mrs. Malins and said:

"There's a nice husband for you, Mrs. Malins."

While she was threading her way back across the room Mrs. Malins, without adverting to the interruption, went on to tell Gabriel what beautiful places there were in Scotland and beautiful scenery. Her son-in-law brought them every year to the lakes and they used to go fishing. Her son-in-law was a splendid fisher. One day he caught a beautiful big fish and the man in the hotel cooked it for their dinner.

Gabriel hardly heard what she said. Now that supper was coming near he began to think again about his speech and about the quotation. When he saw Freddy Malins coming across the room to visit his mother Gabriel left the chair free for him and retired into the embrasure of the window. The room had already cleared and from the back room came the clatter of plates and knives. Those who still remained in the drawing room seemed tired of dancing and were conversing quietly in little groups. Gabriel's warm trembling fingers tapped the cold pane of the window. How cool it must be outside! How pleasant it would be to walk out alone, first along by the river and then through the park! The snow would be lying on the branches of the trees and forming a bright cap on the top of the Wellington Monument. How much more pleasant it would be there than at the supper-table!

He ran over the headings of his speech: Irish hospitality, sad memories, the Three Graces, Paris, the quotation from Browning. He repeated to himself a phrase he had written in his review: "One feels that one is listening to a thought- tormented music." Miss Ivors had praised the review. Was she sincere? Had she really any life of her own behind all her propagandism? There had never been any ill-feeling between them until that night. It unnerved him to think that she would be at the supper-table, looking up at him while he spoke with her critical quizzing eyes. Perhaps she would not be sorry to see him fail in his speech. An idea came into his mind and gave him courage. He would say, alluding to Aunt Kate and Aunt Julia: "Ladies and Gentlemen, the generation which is now on the wane among us may have had its faults but for my part I think it had certain qualities of hospitality, of humour, of humanity, which the new and very serious and hypereducated generation that is growing up around us seems to me to lack." Very good: that was one for Miss Ivors. What did he care that his aunts were only two ignorant old women?

A murmur in the room attracted his attention. Mr. Browne was advancing from the door, gallantly escorting Aunt Julia, who leaned upon his arm, smiling and hanging her head. An irregular musketry of applause escorted her also as far as the piano and then, as Mary Jane seated herself on the stool, and Aunt Julia, no longer smiling, half turned so as to pitch her voice fairly into the room, gradually ceased. Gabriel recognised the prelude. It was that of an old song of Aunt Julia's--Arrayed for the Bridal. Her voice, strong and clear in tone, attacked with great spirit the runs which embellish the air and though she sang very rapidly she did not miss even the smallest of the grace notes. To follow the voice, without looking at the singer's face, was to feel and share the excitement of swift and secure flight. Gabriel applauded loudly with all the others at the close of the song and loud applause was borne in from the invisible supper-table. It sounded so genuine that a little colour struggled into Aunt Julia's face as she bent to replace in the music-stand the old leather-bound songbook that had her initials on the cover. Freddy Malins, who had listened with his head perched sideways to hear her better, was still applauding when everyone else had ceased and talking animatedly to his mother who nodded her head gravely and slowly in acquiescence. At last, when he could clap no more, he stood up suddenly and hurried across the room to Aunt Julia whose hand he seized and held in both his hands, shaking it when words failed him or the catch in his voice proved too much for him.

"I was just telling my mother," he said, "I never heard you sing so well, never. No, I never heard your voice so good as it is tonight. Now! Would you believe that now? That's the truth. Upon my word and honour that's the truth. I never heard your voice sound so fresh and so... so clear and fresh, never."

Aunt Julia smiled broadly and murmured something about compliments as she released her hand from his grasp. Mr. Browne extended his open hand towards her and said to those who were near him in the manner of a showman introducing a prodigy to an audience:

"Miss Julia Morkan, my latest discovery!"

He was laughing very heartily at this himself when Freddy Malins turned to him and said:

"Well, Browne, if you're serious you might make a worse discovery. All I can say is I never heard her sing half so well as long as I am coming here. And that's the honest truth."

"Neither did I," said Mr. Browne. "I think her voice has greatly improved."

Aunt Julia shrugged her shoulders and said with meek pride:

"Thirty years ago I hadn't a bad voice as voices go."

"I often told Julia," said Aunt Kate emphatically, "that she was simply thrown away in that choir. But she never would be said by me."

She turned as if to appeal to the good sense of the others against a refractory child while Aunt Julia gazed in front of her, a vague smile of reminiscence playing on her face.

"No," continued Aunt Kate, "she wouldn't be said or led by anyone, slaving there in that choir night and day, night and day. Six o'clock on Christmas morning! And all for what?"

"Well, isn't it for the honour of God, Aunt Kate?" asked Mary Jane, twisting round on the piano-stool and smiling.

Aunt Kate turned fiercely on her niece and said:

"I know all about the honour of God, Mary Jane, but I think it's not at all honourable for the pope to turn out the women out of the choirs that have slaved there all their lives and put little whipper-snappers of boys over their heads. I suppose it is for the good of the Church if the pope does it. But it's not just, Mary Jane, and it's not right."

She had worked herself into a passion and would have continued in defence of her sister for it was a sore subject with her but Mary Jane, seeing that all the dancers had come back, intervened pacifically:

"Now, Aunt Kate, you're giving scandal to Mr. Browne who is of the other persuasion."

Aunt Kate turned to Mr. Browne, who was grinning at this allusion to his religion, and said hastily:

"O, I don't question the pope's being right. I'm only a stupid old woman and I wouldn't presume to do such a thing. But there's such a thing as common everyday politeness and gratitude. And if I were in Julia's place I'd tell that Father Healey straight up to his face..."

"And besides, Aunt Kate," said Mary Jane, "we really are all hungry and when we are hungry we are all very quarrelsome."

"And when we are thirsty we are also quarrelsome," added Mr. Browne.

"So that we had better go to supper," said Mary Jane, "and finish the discussion afterwards."

On the landing outside the drawing-room Gabriel found his wife and Mary Jane trying to persuade Miss Ivors to stay for supper. But Miss Ivors, who had put on her hat and was buttoning her cloak, would not stay. She did not feel in the least hungry and she had already overstayed her time.

"But only for ten minutes, Molly," said Mrs. Conroy. "That won't delay you."

"To take a pick itself," said Mary Jane, "after all your dancing."

"I really couldn't," said Miss Ivors.

"I am afraid you didn't enjoy yourself at all," said Mary Jane hopelessly.

"Ever so much, I assure you," said Miss Ivors, "but you really must let me run off now."

"But how can you get home?" asked Mrs. Conroy.

"O, it's only two steps up the quay."

Gabriel hesitated a moment and said:

"If you will allow me, Miss Ivors, I'll see you home if you are really obliged to go."

But Miss Ivors broke away from them.

"I won't hear of it," she cried. "For goodness' sake go in to your suppers and don't mind me. I'm quite well able to take care of myself."

"Well, you're the comical girl, Molly," said Mrs. Conroy frankly.

"Beannacht libh," cried Miss Ivors, with a laugh, as she ran down the staircase.

Mary Jane gazed after her, a moody puzzled expression on her face, while Mrs. Conroy leaned over the banisters to listen for the hall-door. Gabriel asked himself was he the cause of her abrupt departure. But she did not seem to be in ill humour: she had gone away laughing. He stared blankly down the staircase.

At the moment Aunt Kate came toddling out of the supper-room, almost wringing her hands in despair.

"Where is Gabriel?" she cried. "Where on earth is Gabriel? There's everyone waiting in there, stage to let, and nobody to carve the goose!"

"Here I am, Aunt Kate!" cried Gabriel, with sudden animation, "ready to carve a flock of geese, if necessary."

A fat brown goose lay at one end of the table and at the other end, on a bed of creased paper strewn with sprigs of parsley, lay a great ham, stripped of its outer skin and peppered over with crust crumbs, a neat paper frill round its shin and beside this was a round of spiced beef. Between these rival ends ran parallel lines of side-dishes: two little minsters of jelly, red and yellow; a shallow dish full of blocks of blancmange and red jam, a large green leaf-shaped dish with a stalk-shaped handle, on which lay bunches of purple raisins and peeled almonds, a companion dish on which lay a solid rectangle of Smyrna figs, a dish of custard topped with grated nutmeg, a small bowl full of chocolates and sweets wrapped in gold and silver papers and a glass vase in which stood some tall celery stalks. In the centre of the table there stood, as sentries to a fruit-stand which upheld a pyramid of oranges and American apples, two squat old-fashioned decanters of cut glass, one containing port and the other dark sherry. On the closed square piano a pudding in a huge yellow dish lay in waiting and behind it were three squads of bottles of stout and ale and minerals, drawn up according to the colours of their uniforms, the first two black, with brown and red labels, the third and smallest squad white, with transverse green sashes.

Gabriel took his seat boldly at the head of the table and, having looked to the edge of the carver, plunged his fork firmly into the goose. He felt quite at ease now for he was an expert carver and liked nothing better than to find himself at the head of a well-laden table.

"Miss Furlong, what shall I send you?" he asked. "A wing or a slice of the breast?"

"Just a small slice of the breast."

"Miss Higgins, what for you?"

"O, anything at all, Mr. Conroy."

While Gabriel and Miss Daly exchanged plates of goose and plates of ham and spiced beef Lily went from guest to guest with a dish of hot floury potatoes wrapped in a white napkin. This was Mary Jane's idea and she had also suggested apple sauce for the goose but Aunt Kate had said that plain roast goose without any apple sauce had always been good enough for her and she hoped she might never eat worse. Mary Jane waited on her pupils and saw that they got the best slices and Aunt Kate and Aunt Julia opened and carried across from the piano bottles of stout and ale for the gentlemen and bottles of minerals for the ladies. There was a great deal of confusion and laughter and noise, the noise of orders and counter-orders, of knives and forks, of corks and glass-stoppers. Gabriel began to carve second helpings as soon as he had finished the first round without serving himself. Everyone protested loudly so that he compromised by taking a long draught of stout for he had found the carving hot work. Mary Jane settled down quietly to her supper but Aunt Kate and Aunt Julia were still toddling round the table, walking on each other's heels, getting in each other's way and giving each other unheeded orders. Mr. Browne begged of them to sit down and eat their suppers and so did Gabriel but they said there was time enough, so that, at last, Freddy Malins stood up and, capturing Aunt Kate, plumped her down on her chair amid general laughter.

When everyone had been well served Gabriel said, smiling:

"Now, if anyone wants a little more of what vulgar people call stuffing let him or her speak."

A chorus of voices invited him to begin his own supper and Lily came forward with three potatoes which she had reserved for him.

"Very well," said Gabriel amiably, as he took another preparatory draught, "kindly forget my existence, ladies and gentlemen, for a few minutes."

He set to his supper and took no part in the conversation with which the table covered Lily's removal of the plates. The subject of talk was the opera company which was then at the Theatre Royal. Mr. Bartell D'Arcy, the tenor, a dark- complexioned young man with a smart moustache, praised very highly the leading contralto of the company but Miss Furlong thought she had a rather vulgar style of production. Freddy Malins said there was a Negro chieftain singing in the second part of the Gaiety pantomime who had one of the finest tenor voices he had ever heard.

"Have you heard him?" he asked Mr. Bartell D'Arcy across the table.

"No," answered Mr. Bartell D'Arcy carelessly.

"Because," Freddy Malins explained, "now I'd be curious to hear your opinion of him. I think he has a grand voice."

"It takes Teddy to find out the really good things," said Mr. Browne familiarly to the table.

"And why couldn't he have a voice too?" asked Freddy Malins sharply. "Is it because he's only a black?"

Nobody answered this question and Mary Jane led the table back to the legitimate opera. One of her pupils had given her a pass for Mignon. Of course it was very fine, she said, but it made her think of poor Georgina Burns. Mr. Browne could go back farther still, to the old Italian companies that used to come to Dublin--Tietjens, Ilma de Murzka, Campanini, the great Trebelli, Giuglini, Ravelli, Aramburo. Those were the days, he said, when there was something like singing to be heard in Dublin. He told too of how the top gallery of the old Royal used to be packed night after night, of how one night an Italian tenor had sung five encores to Let me like a Soldier fall, introducing a high C every time, and of how the gallery boys would sometimes in their enthusiasm unyoke the horses from the carriage of some great prima donna and pull her themselves through the streets to her hotel. Why did they never play the grand old operas now, he asked, Dinorah, Lucrezia Borgia? Because they could not get the voices to sing them: that was why.

"Oh, well," said Mr. Bartell D'Arcy, "I presume there are as good singers today as there were then."

"Where are they?" asked Mr. Browne defiantly.

"In London, Paris, Milan," said Mr. Bartell D'Arcy warmly. "I suppose Caruso, for example, is quite as good, if not better than any of the men you have mentioned."

"Maybe so," said Mr. Browne. "But I may tell you I doubt it strongly."

"O, I'd give anything to hear Caruso sing," said Mary Jane.

"For me," said Aunt Kate, who had been picking a bone, "there was only one tenor. To please me, I mean. But I suppose none of you ever heard of him."

"Who was he, Miss Morkan?" asked Mr. Bartell D'Arcy politely.

"His name," said Aunt Kate, "was Parkinson. I heard him when he was in his prime and I think he had then the purest tenor voice that was ever put into a man's throat."

"Strange," said Mr. Bartell D'Arcy. "I never even heard of him."

"Yes, yes, Miss Morkan is right," said Mr. Browne. "I remember hearing of old Parkinson but he's too far back for me."

"A beautiful, pure, sweet, mellow English tenor," said Aunt Kate with enthusiasm.

Gabriel having finished, the huge pudding was transferred to the table. The clatter of forks and spoons began again. Gabriel's wife served out spoonfuls of the pudding and passed the plates down the table. Midway down they were held up by Mary Jane, who replenished them with raspberry or orange jelly or with blancmange and jam. The pudding was of Aunt Julia's making and she received praises for it from all quarters She herself said that it was not quite brown enough.

"Well, I hope, Miss Morkan," said Mr. Browne, "that I'm brown enough for you because, you know, I'm all brown."

All the gentlemen, except Gabriel, ate some of the pudding out of compliment to Aunt Julia. As Gabriel never ate sweets the celery had been left for him. Freddy Malins also took a stalk of celery and ate it with his pudding. He had been told that celery was a capital thing for the blood and he was just then under doctor's care. Mrs. Malins, who had been silent all through the supper, said that her son was going down to Mount Melleray in a week or so. The table then spoke of Mount Melleray, how bracing the air was down there, how hospitable the monks were and how they never asked for a penny-piece from their guests.

"And do you mean to say," asked Mr. Browne incredulously, "that a chap can go down there and put up there as if it were a hotel and live on the fat of the land and then come away without paying anything?"

"O, most people give some donation to the monastery when they leave." said Mary Jane.

"I wish we had an institution like that in our Church," said Mr. Browne candidly.

He was astonished to hear that the monks never spoke, got up at two in the morning and slept in their coffins. He asked what they did it for.

"That's the rule of the order," said Aunt Kate firmly.

"Yes, but why?" asked Mr. Browne.

Aunt Kate repeated that it was the rule, that was all. Mr. Browne still seemed not to understand. Freddy Malins explained to him, as best he could, that the monks were trying to make up for the sins committed by all the sinners in the outside world. The explanation was not very clear for Mr. Browne grinned and said:

"I like that idea very much but wouldn't a comfortable spring bed do them as well as a coffin?"

"The coffin," said Mary Jane, "is to remind them of their last end."

As the subject had grown lugubrious it was buried in a silence of the table during which Mrs. Malins could be heard saying to her neighbour in an indistinct undertone:

"They are very good men, the monks, very pious men."

The raisins and almonds and figs and apples and oranges and chocolates and sweets were now passed about the table and Aunt Julia invited all the guests to have either port or sherry. At first Mr. Bartell D'Arcy refused to take either but one of his neighbours nudged him and whispered something to him upon which he allowed his glass to be filled. Gradually as the last glasses were being filled the conversation ceased. A pause followed, broken only by the noise of the wine and by unsettlings of chairs. The Misses Morkan, all three, looked down at the tablecloth. Someone coughed once or twice and then a few gentlemen patted the table gently as a signal for silence. The silence came and Gabriel pushed back his chair.

The patting at once grew louder in encouragement and then ceased altogether. Gabriel leaned his ten trembling fingers on the tablecloth and smiled nervously at the company. Meeting a row of upturned faces he raised his eyes to the chandelier. The piano was playing a waltz tune and he could hear the skirts sweeping against the drawing-room door. People, perhaps, were standing in the snow on the quay outside, gazing up at the lighted windows and listening to the waltz music. The air was pure there. In the distance lay the park where the trees were weighted with snow. The Wellington Monument wore a gleaming cap of snow that flashed westward over the white field of Fifteen Acres.

He began:

"Ladies and Gentlemen,

"It has fallen to my lot this evening, as in years past, to perform a very pleasing task but a task for which I am afraid my poor powers as a speaker are all too inadequate."

"No, no!" said Mr. Browne.

"But, however that may be, I can only ask you tonight to take the will for the deed and to lend me your attention for a few moments while I endeavour to express to you in words what my feelings are on this occasion.

"Ladies and Gentlemen, it is not the first time that we have gathered together under this hospitable roof, around this hospitable board. It is not the first time that we have been the recipients--or perhaps, I had better say, the victims--of the hospitality of certain good ladies."

He made a circle in the air with his arm and paused. Everyone laughed or smiled at Aunt Kate and Aunt Julia and Mary Jane who all turned crimson with pleasure. Gabriel went on more boldly:

"I feel more strongly with every recurring year that our country has no tradition which does it so much honour and which it should guard so jealously as that of its hospitality. It is a tradition that is unique as far as my experience goes (and I have visited not a few places abroad) among the modern nations. Some would say, perhaps, that with us it is rather a failing than anything to be boasted of. But granted even that, it is, to my mind, a princely failing, and one that I trust will long be cultivated among us. Of one thing, at least, I am sure. As long as this one roof shelters the good ladies aforesaid--and I wish from my heart it may do so for many and many a long year to come--the tradition of genuine warm-hearted courteous Irish hospitality, which our forefathers have handed down to us and which we in turn must hand down to our descendants, is still alive among us."

A hearty murmur of assent ran round the table. It shot through Gabriel's mind that Miss Ivors was not there and that she had gone away discourteously: and he said with confidence in himself:

"Ladies and Gentlemen,

"A new generation is growing up in our midst, a generation actuated by new ideas and new principles. It is serious and enthusiastic for these new ideas and its enthusiasm, even when it is misdirected, is, I believe, in the main sincere. But we are living in a sceptical and, if I may use the phrase, a thought-tormented age: and sometimes I fear that this new generation, educated or hypereducated as it is, will lack those qualities of humanity, of hospitality, of kindly humour which belonged to an older day. Listening tonight to the names of all those great singers of the past it seemed to me, I must confess, that we were living in a less spacious age. Those days might, without exaggeration, be called spacious days: and if they are gone beyond recall let us hope, at least, that in gatherings such as this we shall still speak of them with pride and affection, still cherish in our hearts the memory of those dead and gone great ones whose fame the world will not willingly let die."

"Hear, hear!" said Mr. Browne loudly.

"But yet," continued Gabriel, his voice falling into a softer inflection, "there are always in gatherings such as this sadder thoughts that will recur to our minds: thoughts of the past, of youth, of changes, of absent faces that we miss here tonight. Our path through life is strewn with many such sad memories: and were we to brood upon them always we could not find the heart to go on bravely with our work among the living. We have all of us living duties and living affections which claim, and rightly claim, our strenuous endeavours.

"Therefore, I will not linger on the past. I will not let any gloomy moralising intrude upon us here tonight. Here we are gathered together for a brief moment from the bustle and rush of our everyday routine. We are met here as friends, in the spirit of good-fellowship, as colleagues, also to a certain extent, in the true spirit of camaraderie, and as the guests of--what shall I call them? --the Three Graces of the Dublin musical world."

The table burst into applause and laughter at this allusion. Aunt Julia vainly asked each of her neighbours in turn to tell her what Gabriel had said.

"He says we are the Three Graces, Aunt Julia," said Mary Jane.

Aunt Julia did not understand but she looked up, smiling, at Gabriel, who continued in the same vein:

"Ladies and Gentlemen,

"I will not attempt to play tonight the part that Paris played on another occasion. I will not attempt to choose between them. The task would be an invidious one and one beyond my poor powers. For when I view them in turn, whether it be our chief hostess herself, whose good heart, whose too good heart, has become a byword with all who know her, or her sister, who seems to be gifted with perennial youth and whose singing must have been a surprise and a revelation to us all tonight, or, last but not least, when I consider our youngest hostess, talented, cheerful, hard-working and the best of nieces, I confess, Ladies and Gentlemen, that I do not know to which of them I should award the prize."

Gabriel glanced down at his aunts and, seeing the large smile on Aunt Julia's face and the tears which had risen to Aunt Kate's eyes, hastened to his close. He raised his glass of port gallantly, while every member of the company fingered a glass expectantly, and said loudly:

"Let us toast them all three together. Let us drink to their health, wealth, long life, happiness and prosperity and may they long continue to hold the proud and self-won position which they hold in their profession and the position of honour and affection which they hold in our hearts."

All the guests stood up, glass in hand, and turning towards the three seated ladies, sang in unison, with Mr. Browne as leader:

For they are jolly gay fellows,
For they are jolly gay fellows,
For they are jolly gay fellows,
Which nobody can deny.

Aunt Kate was making frank use of her handkerchief and even Aunt Julia seemed moved. Freddy Malins beat time with his pudding-fork and the singers turned towards one another, as if in melodious conference, while they sang with emphasis:

Unless he tells a lie,
Unless he tells a lie,

Then, turning once more towards their hostesses, they sang:

For they are jolly gay fellows,
For they are jolly gay fellows,
For they are jolly gay fellows,
Which nobody can deny.

The acclamation which followed was taken up beyond the door of the supper-room by many of the other guests and renewed time after time, Freddy Malins acting as officer with his fork on high.





The piercing morning air came into the hall where they were standing so that Aunt Kate said:

"Close the door, somebody. Mrs. Malins will get her death of cold."

"Browne is out there, Aunt Kate," said Mary Jane.

"Browne is everywhere," said Aunt Kate, lowering her voice.

Mary Jane laughed at her tone.

"Really," she said archly, "he is very attentive."

"He has been laid on here like the gas," said Aunt Kate in the same tone, "all during the Christmas."

She laughed herself this time good-humouredly and then added quickly:

"But tell him to come in, Mary Jane, and close the door. I hope to goodness he didn't hear me."

At that moment the hall-door was opened and Mr. Browne came in from the doorstep, laughing as if his heart would break. He was dressed in a long green overcoat with mock astrakhan cuffs and collar and wore on his head an oval fur cap. He pointed down the snow-covered quay from where the sound of shrill prolonged whistling was borne in.

"Teddy will have all the cabs in Dublin out," he said.

Gabriel advanced from the little pantry behind the office, struggling into his overcoat and, looking round the hall, said:

"Gretta not down yet?"

"She's getting on her things, Gabriel," said Aunt Kate.

"Who's playing up there?" asked Gabriel.

"Nobody. They're all gone."

"O no, Aunt Kate," said Mary Jane. "Bartell D'Arcy and Miss O'Callaghan aren't gone yet."

"Someone is fooling at the piano anyhow," said Gabriel.

Mary Jane glanced at Gabriel and Mr. Browne and said with a shiver:

"It makes me feel cold to look at you two gentlemen muffled up like that. I wouldn't like to face your journey home at this hour."

"I'd like nothing better this minute," said Mr. Browne stoutly, "than a rattling fine walk in the country or a fast drive with a good spanking goer between the shafts."

"We used to have a very good horse and trap at home," said Aunt Julia sadly.

"The never-to-be-forgotten Johnny," said Mary Jane, laughing.

Aunt Kate and Gabriel laughed too.

"Why, what was wonderful about Johnny?" asked Mr. Browne.

"The late lamented Patrick Morkan, our grandfather, that is," explained Gabriel, "commonly known in his later years as the old gentleman, was a glue-boiler."

"O, now, Gabriel," said Aunt Kate, laughing, "he had a starch mill."

"Well, glue or starch," said Gabriel, "the old gentleman had a horse by the name of Johnny. And Johnny used to work in the old gentleman's mill, walking round and round in order to drive the mill. That was all very well; but now comes the tragic part about Johnny. One fine day the old gentleman thought he'd like to drive out with the quality to a military review in the park."

"The Lord have mercy on his soul," said Aunt Kate compassionately.

"Amen," said Gabriel. "So the old gentleman, as I said, harnessed Johnny and put on his very best tall hat and his very best stock collar and drove out in grand style from his ancestral mansion somewhere near Back Lane, I think."

Everyone laughed, even Mrs. Malins, at Gabriel's manner and Aunt Kate said:

"O, now, Gabriel, he didn't live in Back Lane, really. Only the mill was there."

"Out from the mansion of his forefathers," continued Gabriel, "he drove with Johnny. And everything went on beautifully until Johnny came in sight of King Billy's statue: and whether he fell in love with the horse King Billy sits on or whether he thought he was back again in the mill, anyhow he began to walk round the statue."

Gabriel paced in a circle round the hall in his goloshes amid the laughter of the others.

"Round and round he went," said Gabriel, "and the old gentleman, who was a very pompous old gentleman, was highly indignant. 'Go on, sir! What do you mean, sir? Johnny! Johnny! Most extraordinary conduct! Can't understand the horse!"

The peal of laughter which followed Gabriel's imitation of the incident was interrupted by a resounding knock at the hall door. Mary Jane ran to open it and let in Freddy Malins. Freddy Malins, with his hat well back on his head and his shoulders humped with cold, was puffing and steaming after his exertions.

"I could only get one cab," he said.

"O, we'll find another along the quay," said Gabriel.

"Yes," said Aunt Kate. "Better not keep Mrs. Malins standing in the draught."

Mrs. Malins was helped down the front steps by her son and Mr. Browne and, after many manoeuvres, hoisted into the cab. Freddy Malins clambered in after her and spent a long time settling her on the seat, Mr. Browne helping him with advice. At last she was settled comfortably and Freddy Malins invited Mr. Browne into the cab. There was a good deal of confused talk, and then Mr. Browne got into the cab. The cabman settled his rug over his knees, and bent down for the address. The confusion grew greater and the cabman was directed differently by Freddy Malins and Mr. Browne, each of whom had his head out through a window of the cab. The difficulty was to know where to drop Mr. Browne along the route, and Aunt Kate, Aunt Julia and Mary Jane helped the discussion from the doorstep with cross-directions and contradictions and abundance of laughter. As for Freddy Malins he was speechless with laughter. He popped his head in and out of the window every moment to the great danger of his hat, and told his mother how the discussion was progressing, till at last Mr. Browne shouted to the bewildered cabman above the din of everybody's laughter:

"Do you know Trinity College?"

"Yes, sir," said the cabman.

"Well, drive bang up against Trinity College gates," said Mr. Browne, "and then we'll tell you where to go. You understand now?"

"Yes, sir," said the cabman.

"Make like a bird for Trinity College."

"Right, sir," said the cabman.

The horse was whipped up and the cab rattled off along the quay amid a chorus of laughter and adieus.

Gabriel had not gone to the door with the others. He was in a dark part of the hall gazing up the staircase. A woman was standing near the top of the first flight, in the shadow also. He could not see her face but he could see the terra-cotta and salmon-pink panels of her skirt which the shadow made appear black and white. It was his wife. She was leaning on the banisters, listening to something. Gabriel was surprised at her stillness and strained his ear to listen also. But he could hear little save the noise of laughter and dispute on the front steps, a few chords struck on the piano and a few notes of a man's voice singing.

He stood still in the gloom of the hall, trying to catch the air that the voice was singing and gazing up at his wife. There was grace and mystery in her attitude as if she were a symbol of something. He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.

The hall-door was closed; and Aunt Kate, Aunt Julia and Mary Jane came down the hall, still laughing.

"Well, isn't Freddy terrible?" said Mary Jane. "He's really terrible."

Gabriel said nothing but pointed up the stairs towards where his wife was standing. Now that the hall-door was closed the voice and the piano could be heard more clearly. Gabriel held up his hand for them to be silent. The song seemed to be in the old Irish tonality and the singer seemed uncertain both of his words and of his voice. The voice, made plaintive by distance and by the singer's hoarseness, faintly illuminated the cadence of the air with words expressing grief:

O, the rain falls on my heavy locks And the dew wets my skin, My babe lies cold...

"O," exclaimed Mary Jane. "It's Bartell D'Arcy singing and he wouldn't sing all the night. O, I'll get him to sing a song before he goes."

"O, do, Mary Jane," said Aunt Kate.

Mary Jane brushed past the others and ran to the staircase, but before she reached it the singing stopped and the piano was closed abruptly.

"O, what a pity!" she cried. "Is he coming down, Gretta?"

Gabriel heard his wife answer yes and saw her come down towards them. A few steps behind her were Mr. Bartell D'Arcy and Miss O'Callaghan.

"O, Mr. D'Arcy," cried Mary Jane, "it's downright mean of you to break off like that when we were all in raptures listening to you."

"I have been at him all the evening," said Miss O'Callaghan, "and Mrs. Conroy, too, and he told us he had a dreadful cold and couldn't sing."

"O, Mr. D'Arcy," said Aunt Kate, "now that was a great fib to tell."

"Can't you see that I'm as hoarse as a crow?" said Mr. D'Arcy roughly.

He went into the pantry hastily and put on his overcoat. The others, taken aback by his rude speech, could find nothing to say. Aunt Kate wrinkled her brows and made signs to the others to drop the subject. Mr. D'Arcy stood swathing his neck carefully and frowning.

"It's the weather," said Aunt Julia, after a pause.

"Yes, everybody has colds," said Aunt Kate readily, "everybody."

"They say," said Mary Jane, "we haven't had snow like it for thirty years; and I read this morning in the newspapers that the snow is general all over Ireland."

"I love the look of snow," said Aunt Julia sadly.

"So do I," said Miss O'Callaghan. "I think Christmas is never really Christmas unless we have the snow on the ground."

"But poor Mr. D'Arcy doesn't like the snow," said Aunt Kate, smiling.

Mr. D'Arcy came from the pantry, fully swathed and buttoned, and in a repentant tone told them the history of his cold. Everyone gave him advice and said it was a great pity and urged him to be very careful of his throat in the night air. Gabriel watched his wife, who did not join in the conversation. She was standing right under the dusty fanlight and the flame of the gas lit up the rich bronze of her hair, which he had seen her drying at the fire a few days before. She was in the same attitude and seemed unaware of the talk about her. At last she turned towards them and Gabriel saw that there was colour on her cheeks and that her eyes were shining. A sudden tide of joy went leaping out of his heart.

"Mr. D'Arcy," she said, "what is the name of that song you were singing?"

"It's called The Lass of Aughrim," said Mr. D'Arcy, "but I couldn't remember it properly. Why? Do you know it?"

"The Lass of Aughrim," she repeated. "I couldn't think of the name."

"It's a very nice air," said Mary Jane. "I'm sorry you were not in voice tonight."

"Now, Mary Jane," said Aunt Kate, "don't annoy Mr. D'Arcy. I won't have him annoyed."

Seeing that all were ready to start she shepherded them to the door, where good-night was said:

"Well, good-night, Aunt Kate, and thanks for the pleasant evening."

"Good-night, Gabriel. Good-night, Gretta!"

"Good-night, Aunt Kate, and thanks ever so much. Goodnight, Aunt Julia."

"O, good-night, Gretta, I didn't see you."

"Good-night, Mr. D'Arcy. Good-night, Miss O'Callaghan."

"Good-night, Miss Morkan."

"Good-night, again."

"Good-night, all. Safe home."

"Good-night. Good night."

The morning was still dark. A dull, yellow light brooded over the houses and the river; and the sky seemed to be descending. It was slushy underfoot; and only streaks and patches of snow lay on the roofs, on the parapets of the quay and on the area railings. The lamps were still burning redly in the murky air and, across the river, the palace of the Four Courts stood out menacingly against the heavy sky.

She was walking on before him with Mr. Bartell D'Arcy, her shoes in a brown parcel tucked under one arm and her hands holding her skirt up from the slush. She had no longer any grace of attitude, but Gabriel's eyes were still bright with happiness. The blood went bounding along his veins; and the thoughts went rioting through his brain, proud, joyful, tender, valorous.

She was walking on before him so lightly and so erect that he longed to run after her noiselessly, catch her by the shoulders and say something foolish and affectionate into her ear. She seemed to him so frail that he longed to defend her against something and then to be alone with her. Moments of their secret life together burst like stars upon his memory. A heliotrope envelope was lying beside his breakfast-cup and he was caressing it with his hand. Birds were twittering in the ivy and the sunny web of the curtain was shimmering along the floor: he could not eat for happiness. They were standing on the crowded platform and he was placing a ticket inside the warm palm of her glove. He was standing with her in the cold, looking in through a grated window at a man making bottles in a roaring furnace. It was very cold. Her face, fragrant in the cold air, was quite close to his; and suddenly he called out to the man at the furnace:

"Is the fire hot, sir?"

But the man could not hear with the noise of the furnace. It was just as well. He might have answered rudely.

A wave of yet more tender joy escaped from his heart and went coursing in warm flood along his arteries. Like the tender fire of stars moments of their life together, that no one knew of or would ever know of, broke upon and illumined his memory. He longed to recall to her those moments, to make her forget the years of their dull existence together and remember only their moments of ecstasy. For the years, he felt, had not quenched his soul or hers. Their children, his writing, her household cares had not quenched all their souls' tender fire. In one letter that he had written to her then he had said: "Why is it that words like these seem to me so dull and cold? Is it because there is no word tender enough to be your name?"

Like distant music these words that he had written years before were borne towards him from the past. He longed to be alone with her. When the others had gone away, when he and she were in the room in the hotel, then they would be alone together. He would call her softly:

"Gretta!"

Perhaps she would not hear at once: she would be undressing. Then something in his voice would strike her. She would turn and look at him....

At the corner of Winetavern Street they met a cab. He was glad of its rattling noise as it saved him from conversation. She was looking out of the window and seemed tired. The others spoke only a few words, pointing out some building or street. The horse galloped along wearily under the murky morning sky, dragging his old rattling box after his heels, and Gabriel was again in a cab with her, galloping to catch the boat, galloping to their honeymoon.

As the cab drove across O'Connell Bridge Miss O'Callaghan said:

"They say you never cross O'Connell Bridge without seeing a white horse."

"I see a white man this time," said Gabriel.

"Where?" asked Mr. Bartell D'Arcy.

Gabriel pointed to the statue, on which lay patches of snow. Then he nodded familiarly to it and waved his hand.

"Good-night, Dan," he said gaily.

When the cab drew up before the hotel, Gabriel jumped out and, in spite of Mr. Bartell D'Arcy's protest, paid the driver. He gave the man a shilling over his fare. The man saluted and said:

"A prosperous New Year to you, sir."

"The same to you," said Gabriel cordially.

She leaned for a moment on his arm in getting out of the cab and while standing at the curbstone, bidding the others good- night. She leaned lightly on his arm, as lightly as when she had danced with him a few hours before. He had felt proud and happy then, happy that she was his, proud of her grace and wifely carriage. But now, after the kindling again of so many memories, the first touch of her body, musical and strange and perfumed, sent through him a keen pang of lust. Under cover of her silence he pressed her arm closely to his side; and, as they stood at the hotel door, he felt that they had escaped from their lives and duties, escaped from home and friends and run away together with wild and radiant hearts to a new adventure.

An old man was dozing in a great hooded chair in the hall. He lit a candle in the office and went before them to the stairs. They followed him in silence, their feet falling in soft thuds on the thickly carpeted stairs. She mounted the stairs behind the porter, her head bowed in the ascent, her frail shoulders curved as with a burden, her skirt girt tightly about her. He could have flung his arms about her hips and held her still, for his arms were trembling with desire to seize her and only the stress of his nails against the palms of his hands held the wild impulse of his body in check. The porter halted on the stairs to settle his guttering candle. They halted, too, on the steps below him. In the silence Gabriel could hear the falling of the molten wax into the tray and the thumping of his own heart against his ribs.

The porter led them along a corridor and opened a door. Then he set his unstable candle down on a toilet-table and asked at what hour they were to be called in the morning.

"Eight," said Gabriel.

The porter pointed to the tap of the electric-light and began a muttered apology, but Gabriel cut him short.

"We don't want any light. We have light enough from the street. And I say," he added, pointing to the candle, "you might remove that handsome article, like a good man."

The porter took up his candle again, but slowly, for he was surprised by such a novel idea. Then he mumbled good-night and went out. Gabriel shot the lock to.

A ghastly light from the street lamp lay in a long shaft from one window to the door. Gabriel threw his overcoat and hat on a couch and crossed the room towards the window. He looked down into the street in order that his emotion might calm a little. Then he turned and leaned against a chest of drawers with his back to the light. She had taken off her hat and cloak and was standing before a large swinging mirror, unhooking her waist. Gabriel paused for a few moments, watching her, and then said:

"Gretta!"

She turned away from the mirror slowly and walked along the shaft of light towards him. Her face looked so serious and weary that the words would not pass Gabriel's lips. No, it was not the moment yet.

"You looked tired," he said.

"I am a little," she answered.

"You don't feel ill or weak?"

"No, tired: that's all."

She went on to the window and stood there, looking out. Gabriel waited again and then, fearing that diffidence was about to conquer him, he said abruptly:

"By the way, Gretta!"

"What is it?"

"You know that poor fellow Malins?" he said quickly.

"Yes. What about him?"

"Well, poor fellow, he's a decent sort of chap, after all," continued Gabriel in a false voice. "He gave me back that sovereign I lent him, and I didn't expect it, really. It's a pity he wouldn't keep away from that Browne, because he's not a bad fellow, really."

He was trembling now with annoyance. Why did she seem so abstracted? He did not know how he could begin. Was she annoyed, too, about something? If she would only turn to him or come to him of her own accord! To take her as she was would be brutal. No, he must see some ardour in her eyes first. He longed to be master of her strange mood.

"When did you lend him the pound?" she asked, after a pause.

Gabriel strove to restrain himself from breaking out into brutal language about the sottish Malins and his pound. He longed to cry to her from his soul, to crush her body against his, to overmaster her. But he said:

"O, at Christmas, when he opened that little Christmas-card shop in Henry Street."

He was in such a fever of rage and desire that he did not hear her come from the window. She stood before him for an instant, looking at him strangely. Then, suddenly raising herself on tiptoe and resting her hands lightly on his shoulders, she kissed him.

"You are a very generous person, Gabriel," she said.

Gabriel, trembling with delight at her sudden kiss and at the quaintness of her phrase, put his hands on her hair and began smoothing it back, scarcely touching it with his fingers. The washing had made it fine and brilliant. His heart was brimming over with happiness. Just when he was wishing for it she had come to him of her own accord. Perhaps her thoughts had been running with his. Perhaps she had felt the impetuous desire that was in him, and then the yielding mood had come upon her. Now that she had fallen to him so easily, he wondered why he had been so diffident.

He stood, holding her head between his hands. Then, slipping one arm swiftly about her body and drawing her towards him, he said softly:

"Gretta, dear, what are you thinking about?"

She did not answer nor yield wholly to his arm. He said again, softly:

"Tell me what it is, Gretta. I think I know what is the matter. Do I know?"

She did not answer at once. Then she said in an outburst of tears:

"O, I am thinking about that song, The Lass of Aughrim."

She broke loose from him and ran to the bed and, throwing her arms across the bed-rail, hid her face. Gabriel stood stockstill for a moment in astonishment and then followed her. As he passed in the way of the cheval-glass he caught sight of himself in full length, his broad, well-filled shirt-front, the face whose expression always puzzled him when he saw it in a mirror, and his glimmering gilt-rimmed eyeglasses. He halted a few paces from her and said:

"What about the song? Why does that make you cry?"

She raised her head from her arms and dried her eyes with the back of her hand like a child. A kinder note than he had intended went into his voice.

"Why, Gretta?" he asked.

"I am thinking about a person long ago who used to sing that song."

"And who was the person long ago?" asked Gabriel, smiling.

"It was a person I used to know in Galway when I was living with my grandmother," she said.

The smile passed away from Gabriel's face. A dull anger began to gather again at the back of his mind and the dull fires of his lust began to glow angrily in his veins.

"Someone you were in love with?" he asked ironically.

"It was a young boy I used to know," she answered, "named Michael Furey. He used to sing that song, The Lass of Aughrim. He was very delicate."

Gabriel was silent. He did not wish her to think that he was interested in this delicate boy.

"I can see him so plainly," she said, after a moment. "Such eyes as he had: big, dark eyes! And such an expression in them--an expression!"

"O, then, you are in love with him?" said Gabriel.

"I used to go out walking with him," she said, "when I was in Galway."

A thought flew across Gabriel's mind.

"Perhaps that was why you wanted to go to Galway with that Ivors girl?" he said coldly.

She looked at him and asked in surprise:

"What for?"

Her eyes made Gabriel feel awkward. He shrugged his shoulders and said:

"How do I know? To see him, perhaps."

She looked away from him along the shaft of light towards the window in silence.

"He is dead," she said at length. "He died when he was only seventeen. Isn't it a terrible thing to die so young as that?"

"What was he?" asked Gabriel, still ironically.

"He was in the gasworks," she said.

Gabriel felt humiliated by the failure of his irony and by the evocation of this figure from the dead, a boy in the gasworks. While he had been full of memories of their secret life together, full of tenderness and joy and desire, she had been comparing him in her mind with another. A shameful consciousness of his own person assailed him. He saw himself as a ludicrous figure, acting as a pennyboy for his aunts, a nervous, well-meaning sentimentalist, orating to vulgarians and idealising his own clownish lusts, the pitiable fatuous fellow he had caught a glimpse of in the mirror. Instinctively he turned his back more to the light lest she might see the shame that burned upon his forehead.

He tried to keep up his tone of cold interrogation, but his voice when he spoke was humble and indifferent.

"I suppose you were in love with this Michael Furey, Gretta," he said.

"I was great with him at that time," she said.

Her voice was veiled and sad. Gabriel, feeling now how vain it would be to try to lead her whither he had purposed, caressed one of her hands and said, also sadly:

"And what did he die of so young, Gretta? Consumption, was it?"

"I think he died for me," she answered.

A vague terror seized Gabriel at this answer, as if, at that hour when he had hoped to triumph, some impalpable and vindictive being was coming against him, gathering forces against him in its vague world. But he shook himself free of it with an effort of reason and continued to caress her hand. He did not question her again, for he felt that she would tell him of herself. Her hand was warm and moist: it did not respond to his touch, but he continued to caress it just as he had caressed her first letter to him that spring morning.

"It was in the winter," she said, "about the beginning of the winter when I was going to leave my grandmother's and come up here to the convent. And he was ill at the time in his lodgings in Galway and wouldn't be let out, and his people in Oughterard were written to. He was in decline, they said, or something like that. I never knew rightly."

She paused for a moment and sighed.

"Poor fellow," she said. "He was very fond of me and he was such a gentle boy. We used to go out together, walking, you know, Gabriel, like the way they do in the country. He was going to study singing only for his health. He had a very good voice, poor Michael Furey."

"Well; and then?" asked Gabriel.

"And then when it came to the time for me to leave Galway and come up to the convent he was much worse and I wouldn't be let see him so I wrote him a letter saying I was going up to Dublin and would be back in the summer, and hoping he would be better then."

She paused for a moment to get her voice under control, and then went on:

"Then the night before I left, I was in my grandmother's house in Nuns' Island, packing up, and I heard gravel thrown up against the window. The window was so wet I couldn't see, so I ran downstairs as I was and slipped out the back into the garden and there was the poor fellow at the end of the garden, shivering."

"And did you not tell him to go back?" asked Gabriel.

"I implored of him to go home at once and told him he would get his death in the rain. But he said he did not want to live. I can see his eyes as well as well! He was standing at the end of the wall where there was a tree."

"And did he go home?" asked Gabriel.

"Yes, he went home. And when I was only a week in the convent he died and he was buried in Oughterard, where his people came from. O, the day I heard that, that he was dead!"

She stopped, choking with sobs, and, overcome by emotion, flung herself face downward on the bed, sobbing in the quilt. Gabriel held her hand for a moment longer, irresolutely, and then, shy of intruding on her grief, let it fall gently and walked quietly to the window.





She was fast asleep.

Gabriel, leaning on his elbow, looked for a few moments unresentfully on her tangled hair and half-open mouth, listening to her deep-drawn breath. So she had had that romance in her life: a man had died for her sake. It hardly pained him now to think how poor a part he, her husband, had played in her life. He watched her while she slept, as though he and she had never lived together as man and wife. His curious eyes rested long upon her face and on her hair: and, as he thought of what she must have been then, in that time of her first girlish beauty, a strange, friendly pity for her entered his soul. He did not like to say even to himself that her face was no longer beautiful, but he knew that it was no longer the face for which Michael Furey had braved death.

Perhaps she had not told him all the story. His eyes moved to the chair over which she had thrown some of her clothes. A petticoat string dangled to the floor. One boot stood upright, its limp upper fallen down: the fellow of it lay upon its side. He wondered at his riot of emotions of an hour before. From what had it proceeded? From his aunt's supper, from his own foolish speech, from the wine and dancing, the merry-making when saying good-night in the hall, the pleasure of the walk along the river in the snow. Poor Aunt Julia! She, too, would soon be a shade with the shade of Patrick Morkan and his horse. He had caught that haggard look upon her face for a moment when she was singing Arrayed for the Bridal. Soon, perhaps, he would be sitting in that same drawing-room, dressed in black, his silk hat on his knees. The blinds would be drawn down and Aunt Kate would be sitting beside him, crying and blowing her nose and telling him how Julia had died. He would cast about in his mind for some words that might console her, and would find only lame and useless ones. Yes, yes: that would happen very soon.

The air of the room chilled his shoulders. He stretched himself cautiously along under the sheets and lay down beside his wife. One by one, they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. He thought of how she who lay beside him had locked in her heart for so many years that image of her lover's eyes when he had told her that he did not wish to live.

Generous tears filled Gabriel's eyes. He had never felt like that himself towards any woman, but he knew that such a feeling must be love. The tears gathered more thickly in his eyes and in the partial darkness he imagined he saw the form of a young man standing under a dripping tree. Other forms were near. His soul had approached that region where dwell the vast hosts of the dead. He was conscious of, but could not apprehend, their wayward and flickering existence. His own identity was fading out into a grey impalpable world: the solid world itself, which these dead had one time reared and lived in, was dissolving and dwindling.

A few light taps upon the pane made him turn to the window. It had begun to snow again. He watched sleepily the flakes, silver and dark, falling obliquely against the lamplight. The time had come for him to set out on his journey westward. Yes, the newspapers were right: snow was general all over Ireland. It was falling on every part of the dark central plain, on the treeless hills, falling softly upon the Bog of Allen and, farther westward, softly falling into the dark mutinous Shannon waves. It was falling, too, upon every part of the lonely churchyard on the hill where Michael Furey lay buried. It lay thickly drifted on the crooked crosses and headstones, on the spears of the little gate, on the barren thorns. His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling, like the descent of their last end, upon all the living and the dead.

A Portrait of the Artist as a Young Man


Chapter 1



Once upon a time and a very good time it was there was a moocow coming
down along the road and this moocow that was coming down along the road
met a nicens little boy named baby tuckoo...

His father told him that story: his father looked at him through a
glass: he had a hairy face.

He was baby tuckoo. The moocow came down the road where Betty Byrne
lived: she sold lemon platt.

    O, the wild rose blossoms
    On the little green place.

He sang that song. That was his song.

    O, the green wothe botheth.

When you wet the bed first it is warm then it gets cold. His mother put
on the oilsheet. That had the queer smell.

His mother had a nicer smell than his father. She played on the piano
the sailor's hornpipe for him to dance. He danced:

    Tralala lala,
    Tralala tralaladdy,
    Tralala lala,
    Tralala lala.

Uncle Charles and Dante clapped. They were older than his father and
mother but uncle Charles was older than Dante.

Dante had two brushes in her press. The brush with the maroon velvet
back was for Michael Davitt and the brush with the green velvet back
was for Parnell. Dante gave him a cachou every time he brought her a
piece of tissue paper.

The Vances lived in number seven. They had a different father and
mother. They were Eileen's father and mother. When they were grown up
he was going to marry Eileen. He hid under the table. His mother said:

--O, Stephen will apologize.

Dante said:

--O, if not, the eagles will come and pull out his eyes.--


    Pull out his eyes,
    Apologize,
    Apologize,
    Pull out his eyes.
    Apologize,
    Pull out his eyes,
    Pull out his eyes,
    Apologize.

* * * * *

The wide playgrounds were swarming with boys. All were shouting and the
prefects urged them on with strong cries. The evening air was pale and
chilly and after every charge and thud of the footballers the greasy
leather orb flew like a heavy bird through the grey light. He kept on
the fringe of his line, out of sight of his prefect, out of the reach
of the rude feet, feigning to run now and then. He felt his body small
and weak amid the throng of the players and his eyes were weak and
watery. Rody Kickham was not like that: he would be captain of the
third line all the fellows said.

Rody Kickham was a decent fellow but Nasty Roche was a stink. Rody
Kickham had greaves in his number and a hamper in the refectory. Nasty
Roche had big hands. He called the Friday pudding dog-in-the-blanket.
And one day he had asked:

--What is your name?

Stephen had answered: Stephen Dedalus.

Then Nasty Roche had said:

--What kind of a name is that?

And when Stephen had not been able to answer Nasty Roche had asked:

--What is your father?

Stephen had answered:

--A gentleman.

Then Nasty Roche had asked:

--Is he a magistrate?

He crept about from point to point on the fringe of his line, making
little runs now and then. But his hands were bluish with cold. He kept
his hands in the side pockets of his belted grey suit. That was a belt
round his pocket. And belt was also to give a fellow a belt. One day a
fellow said to Cantwell:

--I'd give you such a belt in a second.

Cantwell had answered:

--Go and fight your match. Give Cecil Thunder a belt. I'd like to see
you. He'd give you a toe in the rump for yourself.

That was not a nice expression. His mother had told him not to speak
with the rough boys in the college. Nice mother! The first day in the
hall of the castle when she had said goodbye she had put up her veil
double to her nose to kiss him: and her nose and eyes were red. But he
had pretended not to see that she was going to cry. She was a nice
mother but she was not so nice when she cried. And his father had given
him two five-shilling pieces for pocket money. And his father had told
him if he wanted anything to write home to him and, whatever he did,
never to peach on a fellow. Then at the door of the castle the rector
had shaken hands with his father and mother, his soutane fluttering in
the breeze, and the car had driven off with his father and mother on
it. They had cried to him from the car, waving their hands:

--Goodbye, Stephen, goodbye!

--Goodbye, Stephen, goodbye!

He was caught in the whirl of a scrimmage and, fearful of the flashing
eyes and muddy boots, bent down to look through the legs. The fellows
were struggling and groaning and their legs were rubbing and kicking
and stamping. Then Jack Lawton's yellow boots dodged out the ball and
all the other boots and legs ran after. He ran after them a little way
and then stopped. It was useless to run on. Soon they would be going
home for the holidays. After supper in the study hall he would change
the number pasted up inside his desk from seventy-seven to seventy-six.

It would be better to be in the study hall than out there in the cold.
The sky was pale and cold but there were lights in the castle. He
wondered from which window Hamilton Rowan had thrown his hat on the
ha-ha and had there been flowerbeds at that time under the windows. One
day when he had been called to the castle the butler had shown him the
marks of the soldiers' slugs in the wood of the door and had given him
a piece of shortbread that the community ate. It was nice and warm to
see the lights in the castle. It was like something in a book. Perhaps
Leicester Abbey was like that. And there were nice sentences in Doctor
Cornwell's Spelling Book. They were like poetry but they were only
sentences to learn the spelling from.


    Wolsey died in Leicester Abbey
    Where the abbots buried him.
    Canker is a disease of plants,
    Cancer one of animals.


It would be nice to lie on the hearthrug before the fire, leaning his
head upon his hands, and think on those sentences. He shivered as if he
had cold slimy water next his skin. That was mean of Wells to shoulder
him into the square ditch because he would not swop his little snuff
box for Wells's seasoned hacking chestnut, the conqueror of forty. How
cold and slimy the water had been! A fellow had once seen a big rat
jump into the scum. Mother was sitting at the fire with Dante waiting
for Brigid to bring in the tea. She had her feet on the fender and her
jewelly slippers were so hot and they had such a lovely warm smell!
Dante knew a lot of things. She had taught him where the Mozambique
Channel was and what was the longest river in America and what was the
name of the highest mountain in the moon. Father Arnall knew more than
Dante because he was a priest but both his father and uncle Charles
said that Dante was a clever woman and a well-read woman. And when
Dante made that noise after dinner and then put up her hand to her
mouth: that was heartburn.

A voice cried far out on the playground:

--All in!

Then other voices cried from the lower and third lines:

--All in! All in!

The players closed around, flushed and muddy, and he went among them,
glad to go in. Rody Kickham held the ball by its greasy lace. A fellow
asked him to give it one last: but he walked on without even answering
the fellow. Simon Moonan told him not to because the prefect was
looking. The fellow turned to Simon Moonan and said:

--We all know why you speak. You are McGlade's suck.

Suck was a queer word. The fellow called Simon Moonan that name because
Simon Moonan used to tie the prefect's false sleeves behind his back
and the prefect used to let on to be angry. But the sound was ugly.
Once he had washed his hands in the lavatory of the Wicklow Hotel and
his father pulled the stopper up by the chain after and the dirty water
went down through the hole in the basin. And when it had all gone down
slowly the hole in the basin had made a sound like that: suck. Only
louder.

To remember that and the white look of the lavatory made him feel cold
and then hot. There were two cocks that you turned and water came out:
cold and hot. He felt cold and then a little hot: and he could see the
names printed on the cocks. That was a very queer thing.

And the air in the corridor chilled him too. It was queer and wettish.
But soon the gas would be lit and in burning it made a light noise like
a little song. Always the same: and when the fellows stopped talking in
the playroom you could hear it.

It was the hour for sums. Father Arnall wrote a hard sum on the board
and then said:

--Now then, who will win? Go ahead, York! Go ahead, Lancaster!

Stephen tried his best, but the sum was too hard and he felt confused.
The little silk badge with the white rose on it that was pinned on the
breast of his jacket began to flutter. He was no good at sums, but he
tried his best so that York might not lose. Father Arnall's face looked
very black, but he was not in a wax: he was laughing. Then Jack Lawton
cracked his fingers and Father Arnall looked at his copybook and said:

--Right. Bravo Lancaster! The red rose wins. Come on now, York! Forge
ahead!

Jack Lawton looked over from his side. The little silk badge with the
red rose on it looked very rich because he had a blue sailor top on.
Stephen felt his own face red too, thinking of all the bets about who
would get first place in elements, Jack Lawton or he. Some weeks Jack
Lawton got the card for first and some weeks he got the card for first.
His white silk badge fluttered and fluttered as he worked at the next
sum and heard Father Arnall's voice. Then all his eagerness passed away
and he felt his face quite cool. He thought his face must be white
because it felt so cool. He could not get out the answer for the sum
but it did not matter. White roses and red roses: those were beautiful
colours to think of. And the cards for first place and second place and
third place were beautiful colours too: pink and cream and lavender.
Lavender and cream and pink roses were beautiful to think of. Perhaps a
wild rose might be like those colours and he remembered the song about
the wild rose blossoms on the little green place. But you could not
have a green rose. But perhaps somewhere in the world you could.

The bell rang and then the classes began to file out of the rooms and
along the corridors towards the refectory. He sat looking at the two
prints of butter on his plate but could not eat the damp bread. The
tablecloth was damp and limp. But he drank off the hot weak tea which
the clumsy scullion, girt with a white apron, poured into his cup. He
wondered whether the scullion's apron was damp too or whether all white
things were cold and damp. Nasty Roche and Saurin drank cocoa that
their people sent them in tins. They said they could not drink the tea;
that it was hogwash. Their fathers were magistrates, the fellows said.

All the boys seemed to him very strange. They had all fathers and
mothers and different clothes and voices. He longed to be at home and
lay his head on his mother's lap. But he could not: and so he longed
for the play and study and prayers to be over and to be in bed.

He drank another cup of hot tea and Fleming said:

--What's up? Have you a pain or what's up with you?

--I don't know, Stephen said.

--Sick in your breadbasket, Fleming said, because your face looks
white. It will go away.

--O yes, Stephen said.

But he was not sick there. He thought that he was sick in his heart if
you could be sick in that place. Fleming was very decent to ask him. He
wanted to cry. He leaned his elbows on the table and shut and opened
the flaps of his ears. Then he heard the noise of the refectory every
time he opened the flaps of his ears. It made a roar like a train at
night. And when he closed the flaps the roar was shut off like a train
going into a tunnel. That night at Dalkey the train had roared like
that and then, when it went into the tunnel, the roar stopped. He
closed his eyes and the train went on, roaring and then stopping;
roaring again, stopping. It was nice to hear it roar and stop and then
roar out of the tunnel again and then stop.

Then the higher line fellows began to come down along the matting in
the middle of the refectory, Paddy Rath and Jimmy Magee and the
Spaniard who was allowed to smoke cigars and the little Portuguese who
wore the woolly cap. And then the lower line tables and the tables of
the third line. And every single fellow had a different way of walking.

He sat in a corner of the playroom pretending to watch a game of
dominoes and once or twice he was able to hear for an instant the
little song of the gas. The prefect was at the door with some boys and
Simon Moonan was knotting his false sleeves. He was telling them
something about Tullabeg.

Then he went away from the door and Wells came over to Stephen and
said:

--Tell us, Dedalus, do you kiss your mother before you go to bed?

Stephen answered:

--I do.

Wells turned to the other fellows and said:

--O, I say, here's a fellow says he kisses his mother every night
before he goes to bed.

The other fellows stopped their game and turned round, laughing.
Stephen blushed under their eyes and said:

--I do not.

Wells said:

--O, I say, here's a fellow says he doesn't kiss his mother before he
goes to bed.

They all laughed again. Stephen tried to laugh with them. He felt his
whole body hot and confused in a moment. What was the right answer to
the question? He had given two and still Wells laughed. But Wells must
know the right answer for he was in third of grammar. He tried to think
of Wells's mother but he did not dare to raise his eyes to Wells's
face. He did not like Wells's face. It was Wells who had shouldered him
into the square ditch the day before because he would not swop his
little snuff box for Wells's seasoned hacking chestnut, the conqueror
of forty. It was a mean thing to do; all the fellows said it was. And
how cold and slimy the water had been! And a fellow had once seen a big
rat jump plop into the scum.

The cold slime of the ditch covered his whole body; and, when the bell
rang for study and the lines filed out of the playrooms, he felt the
cold air of the corridor and staircase inside his clothes. He still
tried to think what was the right answer. Was it right to kiss his
mother or wrong to kiss his mother? What did that mean, to kiss? You
put your face up like that to say good night and then his mother put
her face down. That was to kiss. His mother put her lips on his cheek;
her lips were soft and they wetted his cheek; and they made a tiny
little noise: kiss. Why did people do that with their two faces?

Sitting in the study hall he opened the lid of his desk and changed the
number pasted up inside from seventy-seven to seventy-six. But the
Christmas vacation was very far away: but one time it would come
because the earth moved round always.

There was a picture of the earth on the first page of his geography: a
big ball in the middle of clouds. Fleming had a box of crayons and one
night during free study he had coloured the earth green and the clouds
maroon. That was like the two brushes in Dante's press, the brush with
the green velvet back for Parnell and the brush with the maroon velvet
back for Michael Davitt. But he had not told Fleming to colour them
those colours. Fleming had done it himself.

He opened the geography to study the lesson; but he could not learn the
names of places in America. Still they were all different places that
had different names. They were all in different countries and the
countries were in continents and the continents were in the world and
the world was in the universe.

He turned to the flyleaf of the geography and read what he had written
there: himself, his name and where he was.


    Stephen Dedalus
    Class of Elements
    Clongowes Wood College
    Sallins
    County Kildare
    Ireland
    Europe
    The World
    The Universe


That was in his writing: and Fleming one night for a cod had written on
the opposite page:


    Stephen Dedalus is my name,
    Ireland is my nation.
    Clongowes is my dwellingplace
    And heaven my expectation.


He read the verses backwards but then they were not poetry. Then he
read the flyleaf from the bottom to the top till he came to his own
name. That was he: and he read down the page again. What was after the
universe?

Nothing. But was there anything round the universe to show where it
stopped before the nothing place began?

It could not be a wall; but there could be a thin thin line there all
round everything. It was very big to think about everything and
everywhere. Only God could do that. He tried to think what a big
thought that must be; but he could only think of God. God was God's
name just as his name was Stephen. DIEU was the French for God and that
was God's name too; and when anyone prayed to God and said DIEU then
God knew at once that it was a French person that was praying. But,
though there were different names for God in all the different
languages in the world and God understood what all the people who
prayed said in their different languages, still God remained always the
same God and God's real name was God.

It made him very tired to think that way. It made him feel his head
very big. He turned over the flyleaf and looked wearily at the green
round earth in the middle of the maroon clouds. He wondered which was
right, to be for the green or for the maroon, because Dante had ripped
the green velvet back off the brush that was for Parnell one day with
her scissors and had told him that Parnell was a bad man. He wondered
if they were arguing at home about that. That was called politics.
There were two sides in it: Dante was on one side and his father and Mr
Casey were on the other side but his mother and uncle Charles were on
no side. Every day there was something in the paper about it.

It pained him that he did not know well what politics meant and that he
did not know where the universe ended. He felt small and weak. When
would he be like the fellows in poetry and rhetoric? They had big
voices and big boots and they studied trigonometry. That was very far
away. First came the vacation and then the next term and then vacation
again and then again another term and then again the vacation. It was
like a train going in and out of tunnels and that was like the noise of
the boys eating in the refectory when you opened and closed the flaps
of the ears. Term, vacation; tunnel, out; noise, stop. How far away it
was! It was better to go to bed to sleep. Only prayers in the chapel
and then bed. He shivered and yawned. It would be lovely in bed after
the sheets got a bit hot. First they were so cold to get into. He
shivered to think how cold they were first. But then they got hot and
then he could sleep. It was lovely to be tired. He yawned again. Night
prayers and then bed: he shivered and wanted to yawn. It would be
lovely in a few minutes. He felt a warm glow creeping up from the cold
shivering sheets, warmer and warmer till he felt warm all over, ever so
warm and yet he shivered a little and still wanted to yawn.

The bell rang for night prayers and he filed out of the study hall
after the others and down the staircase and along the corridors to the
chapel. The corridors were darkly lit and the chapel was darkly lit.
Soon all would be dark and sleeping. There was cold night air in the
chapel and the marbles were the colour the sea was at night. The sea
was cold day and night: but it was colder at night. It was cold and
dark under the seawall beside his father's house. But the kettle would
be on the hob to make punch.

The prefect of the chapel prayed above his head and his memory knew the
responses:


    O Lord open our lips
    And our mouths shall announce Thy praise.
    Incline unto our aid, O God!
    O Lord make haste to help us!


There was a cold night smell in the chapel. But it was a holy smell. It
was not like the smell of the old peasants who knelt at the back of the
chapel at Sunday mass. That was a smell of air and rain and turf and
corduroy. But they were very holy peasants. They breathed behind him on
his neck and sighed as they prayed. They lived in Clane, a fellow said:
there were little cottages there and he had seen a
woman standing at the half-door of a cottage with a child in her arms
as the cars had come past from Sallins. It would be lovely to sleep for
one night in that cottage before the fire of smoking turf, in the dark
lit by the fire, in the warm dark, breathing the smell of the peasants,
air and rain and turf and corduroy. But O, the road there between the
trees was dark! You would be lost in the dark. It made him afraid to
think of how it was.

He heard the voice of the prefect of the chapel saying the last
prayers. He prayed it too against the dark outside under the trees.


VISIT, WE BESEECH THEE, O LORD, THIS HABITATION AND DRIVE
AWAY FROM IT ALL THE SNARES OF THE ENEMY. MAY THY HOLY
ANGELS DWELL HEREIN TO PRESERVE US IN PEACE AND MAY THY
BLESSINGS BE ALWAYS UPON US THROUGH CHRIST OUR LORD.
AMEN.


His fingers trembled as he undressed himself in the dormitory. He told
his fingers to hurry up. He had to undress and then kneel and say his
own prayers and be in bed before the gas was lowered so that he might
not go to hell when he died. He rolled his stockings off and put on his
nightshirt quickly and knelt trembling at his bedside and repeated his
prayers quickly, fearing that the gas would go down. He felt his
shoulders shaking as he murmured:


    God bless my father and my mother and spare them to me!
    God bless my little brothers and sisters and spare them to me!
    God bless Dante and Uncle Charles and spare them to me!


He blessed himself and climbed quickly into bed and, tucking the end of
the nightshirt under his feet, curled himself together under the cold
white sheets, shaking and trembling. But he would not go to hell when
he died; and the shaking would stop. A voice bade the boys in the
dormitory good night. He peered out for an instant over the coverlet
and saw the yellow curtains round and before his bed that shut him off
on all sides. The light was lowered quietly.

The prefect's shoes went away. Where? Down the staircase and along the
corridors or to his room at the end? He saw the dark. Was it true about
the black dog that walked there at night with eyes as big as
carriage-lamps? They said it was the ghost of a murderer. A long shiver
of fear flowed over his body. He saw the dark entrance hall of the
castle. Old servants in old dress were in the ironing-room above the
staircase. It was long ago. The old servants were quiet. There was a
fire there, but the hall was still dark. A figure came up the staircase
from the hall. He wore the white cloak of a marshal; his face was pale
and strange; he held his hand pressed to his side. He looked out of
strange eyes at the old servants. They looked at him and saw their
master's face and cloak and knew that he had received his death-wound.
But only the dark was where they looked: only dark silent air. Their
master had received his death-wound on the battlefield of Prague far
away over the sea. He was standing on the field; his hand was pressed
to his side; his face was pale and strange and he wore the white cloak
of a marshal.

O how cold and strange it was to think of that! All the dark was cold
and strange. There were pale strange faces there, great eyes like
carriage-lamps. They were the ghosts of murderers, the figures of
marshals who had received their death-wound on battlefields far away
over the sea. What did they wish to say that their faces were so
strange?


VISIT, WE BESEECH THEE, O LORD, THIS HABITATION AND DRIVE AWAY FROM IT
ALL...


Going home for the holidays! That would be lovely: the fellows had told
him. Getting up on the cars in the early wintry morning outside the
door of the castle. The cars were rolling on the gravel. Cheers for the
rector!

Hurray! Hurray! Hurray!

The cars drove past the chapel and all caps were raised. They drove
merrily along the country roads. The drivers pointed with their whips
to Bodenstown. The fellows cheered. They passed the farmhouse
of the Jolly Farmer. Cheer after cheer after cheer. Through Clane they
drove, cheering and cheered. The peasant women stood at the half-doors,
the men stood here and there. The lovely smell there was in the wintry
air: the smell of Clane: rain and wintry air and turf smouldering and
corduroy.

The train was full of fellows: a long long chocolate train with cream
facings. The guards went to and fro opening, closing, locking,
unlocking the doors. They were men in dark blue and silver; they had
silvery whistles and their keys made a quick music: click, click:
click, click.

And the train raced on over the flat lands and past the Hill of Allen.
The telegraph poles were passing, passing. The train went on and on. It
knew. There were lanterns in the hall of his father's house and ropes
of green branches. There were holly and ivy round the pierglass and
holly and ivy, green and red, twined round the chandeliers. There were
red holly and green ivy round the old portraits on the walls. Holly and
ivy for him and for Christmas.

Lovely...

All the people. Welcome home, Stephen! Noises of welcome. His mother
kissed him. Was that right? His father was a marshal now: higher than a
magistrate. Welcome home, Stephen!

Noises...

There was a noise of curtain-rings running back along the rods, of
water being splashed in the basins. There was a noise of rising and
dressing and washing in the dormitory: a noise of clapping of hands as
the prefect went up and down telling the fellows to look sharp. A pale
sunlight showed the yellow curtains drawn back, the tossed beds. His
bed was very hot and his face and body were very hot.

He got up and sat on the side of his bed. He was weak. He tried to pull
on his stocking. It had a horrid rough feel. The sunlight was queer and
cold.

Fleming said:

--Are you not well?

He did not know; and Fleming said:

--Get back into bed. I'll tell McGlade you're not well.

--He's sick.

--Who is?

--Tell McGlade.

--Get back into bed.

--Is he sick?

A fellow held his arms while he loosened the stocking clinging to his
foot and climbed back into the hot bed.

He crouched down between the sheets, glad of their tepid glow. He heard
the fellows talk among themselves about him as they dressed for mass.
It was a mean thing to do, to shoulder him into the square ditch, they
were saying.

Then their voices ceased; they had gone. A voice at his bed said:

--Dedalus, don't spy on us, sure you won't?

Wells's face was there. He looked at it and saw that Wells was afraid.

--I didn't mean to. Sure you won't?

His father had told him, whatever he did, never to peach on a fellow.
He shook his head and answered no and felt glad.

Wells said:

--I didn't mean to, honour bright. It was only for cod. I'm sorry.

The face and the voice went away. Sorry because he was afraid. Afraid
that it was some disease. Canker was a disease of plants and cancer one
of animals: or another different. That was a long time ago then out on
the playgrounds in the evening light, creeping from point to point on
the fringe of his line, a heavy bird flying low through the grey light.
Leicester Abbey lit up. Wolsey died there. The abbots buried him
themselves.

It was not Wells's face, it was the prefect's. He was not foxing. No,
no: he was sick really. He was not foxing. And he felt the prefect's
hand on his forehead; and he felt his forehead warm and damp against
the prefect's cold damp hand. That was the way a rat felt, slimy and
damp and cold. Every rat had two eyes to look out of. Sleek slimy
coats, little little feet tucked up to jump, black slimy eyes to look
out of. They could understand how to jump. But the minds of rats could
not understand trigonometry. When they were dead they lay on their
sides. Their coats dried then. They were only dead things.

The prefect was there again and it was his voice that was saying that
he was to get up, that Father Minister had said he was to get up and
dress and go to the infirmary. And while he was dressing himself as
quickly as he could the prefect said:

--We must pack off to Brother Michael because we have the
collywobbles!

He was very decent to say that. That was all to make him laugh. But he
could not laugh because his cheeks and lips were all shivery: and then
the prefect had to laugh by himself.

The prefect cried:

--Quick march! Hayfoot! Strawfoot!

They went together down the staircase and along the corridor and past
the bath. As he passed the door he remembered with a vague fear the
warm turf-coloured bogwater, the warm moist air, the noise of plunges,
the smell of the towels, like medicine.

Brother Michael was standing at the door of the infirmary and from the
door of the dark cabinet on his right came a smell like medicine. That
came from the bottles on the shelves. The prefect spoke to Brother
Michael and Brother Michael answered and called the prefect sir. He had
reddish hair mixed with grey and a queer look. It was queer that he
would always be a brother. It was queer too that you could not call him
sir because he was a brother and had a different kind of look. Was he
not holy enough or why could he not catch up on the others?

There were two beds in the room and in one bed there was a fellow: and
when they went in he called out:

--Hello! It's young Dedalus! What's up?

--The sky is up, Brother Michael said.

He was a fellow out of the third of grammar and, while Stephen was
undressing, he asked Brother Michael to bring him a round of buttered
toast.

--Ah, do! he said.

--Butter you up! said Brother Michael. You'll get your walking papers
in the morning when the doctor comes.

--Will I? the fellow said. I'm not well yet.

Brother Michael repeated:

--You'll get your walking papers. I tell you.

He bent down to rake the fire. He had a long back like the long back of
a tramhorse. He shook the poker gravely and nodded his head at the
fellow out of third of grammar.

Then Brother Michael went away and after a while the fellow out of
third of grammar turned in towards the wall and fell asleep.

That was the infirmary. He was sick then. Had they written home to tell
his mother and father? But it would be quicker for one of the priests
to go himself to tell them. Or he would write a letter for the priest
to bring.


    Dear Mother,

    I am sick. I want to go home. Please come and take me home.
    I am in the infirmary.

    Your fond son,
    Stephen


How far away they were! There was cold sunlight outside the window. He
wondered if he would die. You could die just the same on a sunny day.
He might die before his mother came. Then he would have a dead mass in
the chapel like the way the fellows had told him it was when Little had
died. All the fellows would be at the mass, dressed in black, all with
sad faces. Wells too would be there but no fellow would look at him.
The rector would be there in a cope of black and gold and there would
be tall yellow candles on the altar and round the catafalque. And they
would carry the coffin out of the chapel slowly and he would be buried
in the little graveyard of the community off the main avenue of limes.
And Wells would be sorry then for what he had done. And the bell would
toll slowly.

He could hear the tolling. He said over to himself the song that Brigid
had taught him.


    Dingdong! The castle bell!
    Farewell, my mother!
    Bury me in the old churchyard
    Beside my eldest brother.
    My coffin shall be black,
    Six angels at my back,
    Two to sing and two to pray
    And two to carry my soul away.


How beautiful and sad that was! How beautiful the words were where they
said BURY ME IN THE OLD CHURCHYARD! A tremor passed over his body. How
sad and how beautiful! He wanted to cry quietly but not for himself:
for the words, so beautiful and sad, like music. The bell! The bell!
Farewell! O farewell!

The cold sunlight was weaker and Brother Michael was standing at his
bedside with a bowl of beef-tea. He was glad for his mouth was hot and
dry. He could hear them playing in the playgrounds. And the day was
going on in the college just as if he were there.

Then Brother Michael was going away and the fellow out of the third of
grammar told him to be sure and come back and tell him all the news in
the paper. He told Stephen that his name was Athy and that his father
kept a lot of racehorses that were spiffing jumpers and that his father
would give a good tip to Brother Michael any time he wanted it because
Brother Michael was very decent and always told him the news out of the
paper they got every day up in the castle. There was every kind of news
in the paper: accidents, shipwrecks, sports, and politics.

--Now it is all about politics in the papers, he said. Do your people
talk about that too?

--Yes, Stephen said.

--Mine too, he said.

Then he thought for a moment and said:

--You have a queer name, Dedalus, and I have a queer name too, Athy.
My name is the name of a town. Your name is like Latin.

Then he asked:

--Are you good at riddles?

Stephen answered:

--Not very good.

Then he said:

--Can you answer me this one? Why is the county of Kildare like the
leg of a fellow's breeches?

Stephen thought what could be the answer and then said:

--I give it up.

--Because there is a thigh in it, he said. Do you see the joke? Athy
is the town in the county Kildare and a thigh is the other thigh.

--Oh, I see, Stephen said.

--That's an old riddle, he said.

After a moment he said:

--I say!

--What? asked Stephen.

--You know, he said, you can ask that riddle another way.

--Can you? said Stephen.

--The same riddle, he said. Do you know the other way to ask it?

--No, said Stephen.

--Can you not think of the other way? he said.

He looked at Stephen over the bedclothes as he spoke. Then he lay back
on the pillow and said:

--There is another way but I won't tell you what it is.

Why did he not tell it? His father, who kept the racehorses, must be a
magistrate too like Saurin's father and Nasty Roche's father. He
thought of his own father, of how he sang songs while his mother played
and of how he always gave him a shilling when he asked for sixpence and
he felt sorry for him that he was not a magistrate like the other boys'
fathers. Then why was he sent to that place with them? But
his father had told him that he would be no stranger there because his
granduncle had presented an address to the liberator there fifty years
before. You could know the people of that time by their old dress. It
seemed to him a solemn time: and he wondered if that was the time when
the fellows in Clongowes wore blue coats with brass buttons and yellow
waistcoats and caps of rabbitskin and drank beer like grown-up people
and kept greyhounds of their own to course the hares with.

He looked at the window and saw that the daylight had grown weaker.
There would be cloudy grey light over the playgrounds. There was no
noise on the playgrounds. The class must be doing the themes or perhaps
Father Arnall was reading out of the book.

It was queer that they had not given him any medicine. Perhaps Brother
Michael would bring it back when he came. They said you got stinking
stuff to drink when you were in the infirmary. But he felt better now
than before. It would be nice getting better slowly. You could get a
book then. There was a book in the library about Holland. There were
lovely foreign names in it and pictures of strange looking cities and
ships. It made you feel so happy.

How pale the light was at the window! But that was nice. The fire rose
and fell on the wall. It was like waves. Someone had put coal on and he
heard voices. They were talking. It was the noise of the waves. Or the
waves were talking among themselves as they rose and fell.

He saw the sea of waves, long dark waves rising and falling, dark under
the moonless night. A tiny light twinkled at the pierhead where the
ship was entering: and he saw a multitude of people gathered by the
waters' edge to see the ship that was entering their harbour. A tall
man stood on the deck, looking out towards the flat dark land: and by
the light at the pierhead he saw his face, the sorrowful face of
Brother Michael.

He saw him lift his hand towards the people and heard him say in a loud
voice of sorrow over the waters:

--He is dead. We saw him lying upon the catafalque. A wail of sorrow
went up from the people.

--Parnell! Parnell! He is dead!

They fell upon their knees, moaning in sorrow.

And he saw Dante in a maroon velvet dress and with a green velvet
mantle hanging from her shoulders walking proudly and silently past the
people who knelt by the water's edge.

* * * * *


A great fire, banked high and red, flamed in the grate and under the
ivy-twined branches of the chandelier the Christmas table was spread.
They had come home a little late and still dinner was not ready: but it
would be ready in a jiffy his mother had said. They were waiting for
the door to open and for the servants to come in, holding the big
dishes covered with their heavy metal covers.

All were waiting: uncle Charles, who sat far away in the shadow of the
window, Dante and Mr Casey, who sat in the easy-chairs at either side
of the hearth, Stephen, seated on a chair between them, his feet
resting on the toasted boss. Mr Dedalus looked at himself in the
pierglass above the mantelpiece, waxed out his moustache ends and then,
parting his coat-tails, stood with his back to the glowing fire: and
still from time to time he withdrew a hand from his coat-tail to wax
out one of his moustache ends. Mr Casey leaned his head to one side
and, smiling, tapped the gland of his neck with his fingers. And
Stephen smiled too for he knew now that it was not true that Mr Casey
had a purse of silver in his throat. He smiled to think how the silvery
noise which Mr Casey used to make had deceived him. And when he had
tried to open Mr Casey's hand to see if the purse of silver was hidden
there he had seen that the fingers could not be straightened out: and
Mr Casey had told him that he had got those three cramped fingers
making a birthday present for Queen Victoria. Mr Casey tapped the gland
of his neck and smiled at Stephen with sleepy eyes: and Mr Dedalus said
to him:

--Yes. Well now, that's all right. O, we had a good walk, hadn't we,
John? Yes... I wonder if there's any likelihood of dinner this evening.
Yes... O, well now, we got a good breath of ozone round the Head today. Ay,
bedad.

He turned to Dante and said:

--You didn't stir out at all, Mrs Riordan?

Dante frowned and said shortly:

--No.

Mr Dedalus dropped his coat-tails and went over to the sideboard. He
brought forth a great stone jar of whisky from the locker and filled
the decanter slowly, bending now and then to see how much he had poured
in. Then replacing the jar in the locker he poured a little of the
whisky into two glasses, added a little water and came back with them
to the fireplace.

--A thimbleful, John, he said, just to whet your appetite.

Mr Casey took the glass, drank, and placed it near him on the
mantelpiece. Then he said:

--Well, I can't help thinking of our friend Christopher manufacturing...

He broke into a fit of laughter and coughing and added:

--...manufacturing that champagne for those fellows.

Mr Dedalus laughed loudly.

--Is it Christy? he said. There's more cunning in one of those warts
on his bald head than in a pack of jack foxes.

He inclined his head, closed his eyes, and, licking his lips profusely,
began to speak with the voice of the hotel keeper.

--And he has such a soft mouth when he's speaking to you, don't you
know. He's very moist and watery about the dewlaps, God bless him.

Mr Casey was still struggling through his fit of coughing and laughter.
Stephen, seeing and hearing the hotel keeper through his father's face
and voice, laughed.

Mr Dedalus put up his eyeglass and, staring down at him, said quietly
and kindly:

--What are you laughing at, you little puppy, you?

The servants entered and placed the dishes on the table. Mrs Dedalus
followed and the places were arranged.

--Sit over, she said.

Mr Dedalus went to the end of the table and said:

--Now, Mrs Riordan, sit over. John, sit you down, my hearty.

He looked round to where uncle Charles sat and said:

--Now then, sir, there's a bird here waiting for you.

When all had taken their seats he laid his hand on the cover and then
said quickly, withdrawing it:

--Now, Stephen.

Stephen stood up in his place to say the grace before meals:


Bless us, O Lord, and these Thy gifts which through
Thy bounty we are about to receive through Christ our
Lord. Amen.


All blessed themselves and Mr Dedalus with a sigh of pleasure lifted
from the dish the heavy cover pearled around the edge with glistening
drops.

Stephen looked at the plump turkey which had lain, trussed and
skewered, on the kitchen table. He knew that his father had paid a
guinea for it in Dunn's of D'Olier Street and that the man had prodded
it often at the breastbone to show how good it was: and he remembered
the man's voice when he had said:

--Take that one, sir. That's the real Ally Daly.

Why did Mr Barrett in Clongowes call his pandybat a turkey? But
Clongowes was far away: and the warm heavy smell of turkey and ham and
celery rose from the plates and dishes and the great fire was banked
high and red in the grate and the green ivy and red holly made you feel
so happy and when dinner was ended the big plum pudding would be
carried in, studded with peeled almonds and sprigs of holly, with
bluish fire running around it and a little green flag flying from the
top.

It was his first Christmas dinner and he thought of his little brothers
and sisters who were waiting in the nursery, as he had often waited,
till the pudding came. The deep low collar and the Eton jacket made him
feel queer and oldish: and that morning when his mother had brought him
down to the parlour, dressed for mass, his father had cried. That was
because he was thinking of his own father. And uncle Charles had said
so too.

Mr Dedalus covered the dish and began to eat hungrily. Then he said:

--Poor old Christy, he's nearly lopsided now with roguery.

--Simon, said Mrs Dedalus, you haven't given Mrs Riordan any sauce.

Mr Dedalus seized the sauceboat.

--Haven't I? he cried. Mrs Riordan, pity the poor blind. Dante covered
her plate with her hands and said:

--No, thanks.

Mr Dedalus turned to uncle Charles.

--How are you off, sir?

--Right as the mail, Simon.

--You, John?

--I'm all right. Go on yourself.

--Mary? Here, Stephen, here's something to make your hair curl.

He poured sauce freely over Stephen's plate and set the boat again on
the table. Then he asked uncle Charles was it tender. Uncle Charles
could not speak because his mouth was full; but he nodded that it was.

--That was a good answer our friend made to the canon. What? said Mr
Dedalus.

--I didn't think he had that much in him, said Mr Casey.

--I'LL PAY YOUR DUES, FATHER, WHEN YOU CEASE TURNING THE HOUSE OF GOD
INTO A POLLING-BOOTH.

--A nice answer, said Dante, for any man calling himself a catholic to
give to his priest.

--They have only themselves to blame, said Mr Dedalus suavely. If they
took a fool's advice they would confine their attention to religion.

--It is religion, Dante said. They are doing their duty in warning the
people.

--We go to the house of God, Mr Casey said, in all humility to pray to
our Maker and not to hear election addresses.

--It is religion, Dante said again. They are right. They must direct
their flocks.

--And preach politics from the altar, is it? asked Mr Dedalus.

--Certainly, said Dante. It is a question of public morality. A priest
would not be a priest if he did not tell his flock what is right and
what is wrong.

Mrs Dedalus laid down her knife and fork, saying:

--For pity sake and for pity sake let us have no political discussion
on this day of all days in the year.

--Quite right, ma'am, said uncle Charles. Now, Simon, that's quite
enough now. Not another word now.

--Yes, yes, said Mr Dedalus quickly.

He uncovered the dish boldly and said:

--Now then, who's for more turkey?

Nobody answered. Dante said:

--Nice language for any catholic to use!

--Mrs Riordan, I appeal to you, said Mrs Dedalus, to let the matter
drop now.

Dante turned on her and said:

--And am I to sit here and listen to the pastors of my church being
flouted?

--Nobody is saying a word against them, said Mr Dedalus, so long as
they don't meddle in politics.

--The bishops and priests of Ireland have spoken, said Dante, and they
must be obeyed.

--Let them leave politics alone, said Mr Casey, or the people may
leave their church alone.

--You hear? said Dante, turning to Mrs Dedalus.

--Mr Casey! Simon! said Mrs Dedalus, let it end now.

--Too bad! Too bad! said uncle Charles.

--What? cried Mr Dedalus. Were we to desert him at the bidding of the
English people?

--He was no longer worthy to lead, said Dante. He was a public sinner.

--We are all sinners and black sinners, said Mr Casey coldly.

--WOE BE TO THE MAN BY WHOM THE SCANDAL COMETH! said Mrs Riordan. IT
WOULD BE BETTER FOR HIM THAT A MILLSTONE WERE TIED ABOUT HIS NECK AND
THAT HE WERE CAST INTO THE DEPTHS OF THE SEA RATHER THAN THAT HE SHOULD
SCANDALIZE ONE OF THESE, MY LEAST LITTLE ONES. That is the language of
the Holy Ghost.

--And very bad language if you ask me, said Mr Dedalus coolly.

--Simon! Simon! said uncle Charles. The boy.

--Yes, yes, said Mr Dedalus. I meant about the... I was thinking about the
bad language of the railway porter. Well now, that's all right. Here,
Stephen, show me your plate, old chap. Eat away now. Here.

He heaped up the food on Stephen's plate and served uncle Charles and
Mr Casey to large pieces of turkey and splashes of sauce. Mrs Dedalus
was eating little and Dante sat with her hands in her lap. She was red
in the face. Mr Dedalus rooted with the carvers at the end of the dish
and said:

--There's a tasty bit here we call the pope's nose. If any lady or
gentleman...

He held a piece of fowl up on the prong of the carving fork. Nobody
spoke. He put it on his own plate, saying:

--Well, you can't say but you were asked. I think I had better eat it
myself because I'm not well in my health lately.

He winked at Stephen and, replacing the dish-cover, began to eat again.

There was a silence while he ate. Then he said:

--Well now, the day kept up fine after all. There were plenty of
strangers down too.

Nobody spoke. He said again:

--I think there were more strangers down than last Christmas.

He looked round at the others whose faces were bent towards their
plates and, receiving no reply, waited for a moment and said bitterly:

--Well, my Christmas dinner has been spoiled anyhow.

--There could be neither luck nor grace, Dante said, in a house where
there is no respect for the pastors of the church.

Mr Dedalus threw his knife and fork noisily on his plate.

--Respect! he said. Is it for Billy with the lip or for the tub of
guts up in Armagh? Respect!

--Princes of the church, said Mr Casey with slow scorn.

--Lord Leitrim's coachman, yes, said Mr Dedalus.

--They are the Lord's anointed, Dante said. They are an honour to their
country.

--Tub of guts, said Mr Dedalus coarsely. He has a handsome face, mind
you, in repose. You should see that fellow lapping up his bacon and
cabbage of a cold winter's day. O Johnny!

He twisted his features into a grimace of heavy bestiality and made a
lapping noise with his lips.

--Really, Simon, you should not speak that way before Stephen. It's
not right.

--O, he'll remember all this when he grows up, said Dante hotly--the
language he heard against God and religion and priests in his own home.

--Let him remember too, cried Mr Casey to her from across the table,
the language with which the priests and the priests' pawns broke
Parnell's heart and hounded him into his grave. Let him remember that
too when he grows up.

--Sons of bitches! cried Mr Dedalus. When he was down they turned on
him to betray him and rend him like rats in a sewer. Low-lived dogs!
And they look it! By Christ, they look it!

--They behaved rightly, cried Dante. They obeyed their bishops and
their priests. Honour to them!

--Well, it is perfectly dreadful to say that not even for one day in
the year, said Mrs Dedalus, can we be free from these dreadful
disputes!

Uncle Charles raised his hands mildly and said:

--Come now, come now, come now! Can we not have our opinions whatever
they are without this bad temper and this bad language? It is too bad
surely.

Mrs Dedalus spoke to Dante in a low voice but Dante said loudly:

--I will not say nothing. I will defend my church and my religion when
it is insulted and spit on by renegade catholics.

Mr Casey pushed his plate rudely into the middle of the table and,
resting his elbows before him, said in a hoarse voice to his host:

--Tell me, did I tell you that story about a very famous spit?

--You did not, John, said Mr Dedalus.

--Why then, said Mr Casey, it is a most instructive story. It happened
not long ago in the county Wicklow where we are now.

He broke off and, turning towards Dante, said with quiet indignation:

--And I may tell you, ma'am, that I, if you mean me, am no renegade
catholic. I am a catholic as my father was and his father before him
and his father before him again, when we gave up our lives rather than
sell our faith.

--The more shame to you now, Dante said, to speak as you do.

--The story, John, said Mr Dedalus smiling. Let us have the story
anyhow.

--Catholic indeed! repeated Dante ironically. The blackest protestant
in the land would not speak the language I have heard this evening.

Mr Dedalus began to sway his head to and fro, crooning like a country
singer.

--I am no protestant, I tell you again, said Mr Casey, flushing.

Mr Dedalus, still crooning and swaying his head, began to sing in a
grunting nasal tone:


O, come all you Roman catholics
That never went to mass.


He took up his knife and fork again in good humour and set to eating,
saying to Mr Casey:

--Let us have the story, John. It will help us to digest.

Stephen looked with affection at Mr Casey's face which stared across
the table over his joined hands. He liked to sit near him at the fire,
looking up at his dark fierce face. But his dark eyes were never fierce
and his slow voice was good to listen to. But why was he then against
the priests? Because Dante must be right then. But he had heard his
father say that she was a spoiled nun and that she had come out of the
convent in the Alleghanies when her brother had got the money from the
savages for the trinkets and the chainies. Perhaps that made her severe
against Parnell. And she did not like him to play with Eileen because
Eileen was a protestant and when she was young she knew children that
used to play with protestants and the protestants used to make fun of
the litany of the Blessed Virgin. TOWER OF IVORY, they used to say,
HOUSE OF GOLD! How could a woman be a tower of ivory or a house of
gold? Who was right then? And he remembered the evening in the
infirmary in Clongowes, the dark waters, the light at the pierhead and
the moan of sorrow from the people when they had heard.

Eileen had long white hands. One evening when playing tig she had put
her hands over his eyes: long and white and thin and cold and soft.
That was ivory: a cold white thing. That was the meaning of TOWER OF
IVORY.

--The story is very short and sweet, Mr Casey said. It was one day
down in Arklow, a cold bitter day, not long before the chief died. May
God have mercy on him!

He closed his eyes wearily and paused. Mr Dedalus took a bone from his
plate and tore some meat from it with his teeth, saying:

--Before he was killed, you mean.

Mr Casey opened his eyes, sighed and went on:

--It was down in Arklow one day. We were down there at a meeting and
after the meeting was over we had to make our way to the railway
station through the crowd. Such booing and baaing, man, you never
heard. They called us all the names in the world. Well there was one
old lady, and a drunken old harridan she was surely, that paid all her
attention to me. She kept dancing along beside me in the mud bawling
and screaming into my face: PRIEST-HUNTER! THE PARIS FUNDS! MR FOX!
KITTY O'SHEA!

--And what did you do, John? asked Mr Dedalus.

--I let her bawl away, said Mr Casey. It was a cold day and to keep up
my heart I had (saving your presence, ma'am) a quid of Tullamore in my
mouth and sure I couldn't say a word in any case because my mouth was
full of tobacco juice.

--Well, John?

--Well. I let her bawl away, to her heart's content, KITTY O'SHEA and
the rest of it till at last she called that lady a name that I won't
sully this Christmas board nor your ears, ma'am, nor my own lips by
repeating.

He paused. Mr Dedalus, lifting his head from the bone, asked:

--And what did you do, John?

--Do! said Mr Casey. She stuck her ugly old face up at me when she
said it and I had my mouth full of tobacco juice. I bent down to her
and PHTH! says I to her like that.

He turned aside and made the act of spitting.

--PHTH! says I to her like that, right into her eye.

He clapped his hand to his eye and gave a hoarse scream of pain.

--O JESUS, MARY AND JOSEPH! says she. I'M BLINDED! I'M BLINDED AND
DROWNDED!

He stopped in a fit of coughing and laughter, repeating:

--I'M BLINDED ENTIRELY.

Mr Dedalus laughed loudly and lay back in his chair while uncle Charles
swayed his head to and fro.

Dante looked terribly angry and repeated while they laughed:

--Very nice! Ha! Very nice!

It was not nice about the spit in the woman's eye.

But what was the name the woman had called Kitty O'Shea that Mr Casey
would not repeat? He thought of Mr Casey walking through the crowds of
people and making speeches from a wagonette. That was what he had been
in prison for and he remembered that one night Sergeant O'Neill had
come to the house and had stood in the hall, talking in a low voice
with his father and chewing nervously at the chinstrap of his cap. And
that night Mr Casey had not gone to Dublin by train but a car had come
to the door and he had heard his father say something about the
Cabinteely road.

He was for Ireland and Parnell and so was his father: and so was Dante
too for one night at the band on the esplanade she had hit a gentleman
on the head with her umbrella because he had taken off his hat when the
band played GOD SAVE THE QUEEN at the end.

Mr Dedalus gave a snort of contempt.

--Ah, John, he said. It is true for them. We are an unfortunate
priest-ridden race and always were and always will be till the end of
the chapter.

Uncle Charles shook his head, saying:

--A bad business! A bad business!

Mr Dedalus repeated:

--A priest-ridden Godforsaken race!

He pointed to the portrait of his grandfather on the wall to his right.

--Do you see that old chap up there, John? he said. He was a good
Irishman when there was no money in the job. He was condemned to death
as a whiteboy. But he had a saying about our clerical friends, that he
would never let one of them put his two feet under his mahogany.

Dante broke in angrily:

--If we are a priest-ridden race we ought to be proud of it! They are the
apple of God's eye. TOUCH THEM NOT, says Christ, FOR THEY ARE THE APPLE
OF MY EYE.

--And can we not love our country then? asked Mr Casey. Are we not to
follow the man that was born to lead us?

--A traitor to his country! replied Dante. A traitor, an adulterer!
The priests were right to abandon him. The priests were always the true
friends of Ireland.

--Were they, faith? said Mr Casey.

He threw his fist on the table and, frowning angrily, protruded one
finger after another.

--Didn't the bishops of Ireland betray us in the time of the union
when Bishop Lanigan presented an address of loyalty to the Marquess
Cornwallis? Didn't the bishops and priests sell the aspirations of
their country in 1829 in return for catholic emancipation? Didn't they
denounce the fenian movement from the pulpit and in the confession box?
And didn't they dishonour the ashes of Terence Bellew MacManus?

His face was glowing with anger and Stephen felt the glow rise to his
own cheek as the spoken words thrilled him. Mr Dedalus uttered a guffaw
of coarse scorn.

--O, by God, he cried, I forgot little old Paul Cullen! Another apple
of God's eye!

Dante bent across the table and cried to Mr Casey:

--Right! Right! They were always right! God and morality and religion
come first.

Mrs Dedalus, seeing her excitement, said to her:

--Mrs Riordan, don't excite yourself answering them.

--God and religion before everything! Dante cried. God and religion
before the world.

Mr Casey raised his clenched fist and brought it down on the table with
a crash.

--Very well then, he shouted hoarsely, if it comes to that, no God for
Ireland!

--John! John! cried Mr Dedalus, seizing his guest by the coat sleeve.

Dante stared across the table, her cheeks shaking. Mr Casey struggled
up from his chair and bent across the table towards her, scraping the
air from before his eyes with one hand as though he were tearing aside
a cobweb.

--No God for Ireland! he cried. We have had too much God In Ireland.
Away with God!

--Blasphemer! Devil! screamed Dante, starting to her feet and almost
spitting in his face.

Uncle Charles and Mr Dedalus pulled Mr Casey back into his chair again,
talking to him from both sides reasonably. He stared before him out of
his dark flaming eyes, repeating:

--Away with God, I say!

Dante shoved her chair violently aside and left the table, upsetting
her napkin-ring which rolled slowly along the carpet and came to rest
against the foot of an easy-chair. Mrs Dedalus rose quickly and
followed her towards the door. At the door Dante turned round violently
and shouted down the room, her cheeks flushed and quivering with rage:

--Devil out of hell! We won! We crushed him to death! Fiend!

The door slammed behind her.

Mr Casey, freeing his arms from his holders, suddenly bowed his head on
his hands with a sob of pain.

--Poor Parnell! he cried loudly. My dead king!

He sobbed loudly and bitterly.

Stephen, raising his terror-stricken face, saw that his father's eyes
were full of tears.

* * * * *


The fellows talked together in little groups.

One fellow said:

--They were caught near the Hill of Lyons.

--Who caught them?

--Mr Gleeson and the minister. They were on a car. The same fellow
added:

--A fellow in the higher line told me.

Fleming asked:

--But why did they run away, tell us?

--I know why, Cecil Thunder said. Because they had fecked cash out of
the rector's room.

--Who fecked it?

--Kickham's brother. And they all went shares in it.

--But that was stealing. How could they have done that?

--A fat lot you know about it, Thunder! Wells said. I know why they
scut.

--Tell us why.

--I was told not to, Wells said.

--O, go on, Wells, all said. You might tell us. We won't let it out.

Stephen bent forward his head to hear. Wells looked round to see if
anyone was coming. Then he said secretly:

--You know the altar wine they keep in the press in the sacristy?

--Yes.

--Well, they drank that and it was found out who did it by the smell.
And that's why they ran away, if you want to know.

And the fellow who had spoken first said:

--Yes, that's what I heard too from the fellow in the higher line.

The fellows all were silent. Stephen stood among them, afraid to speak,
listening. A faint sickness of awe made him feel weak. How could they
have done that? He thought of the dark silent sacristy. There were dark
wooden presses there where the crimped surplices lay quietly folded. It
was not the chapel but still you had to speak under your breath. It was
a holy place. He remembered the summer evening he had been there to be
dressed as boatbearer, the evening of the Procession to the little
altar in the wood. A strange and holy place. The boy that held the
censer had swung it lifted by the middle chain to keep the coals
lighting. That was called charcoal: and it had burned quietly as the
fellow had swung it gently and had given off a weak sour smell. And
then when all were vested he had stood holding out the boat to the
rector and the rector had put a spoonful of incense in it and it had
hissed on the red coals.

The fellows were talking together in little groups here and there on
the playground. The fellows seemed to him to have grown smaller: that
was because a sprinter had knocked him down the day before, a fellow
out of second of grammar. He had been thrown by the fellow's machine
lightly on the cinder path and his spectacles had been broken in three
pieces and some of the grit of the cinders had gone into his mouth.

That was why the fellows seemed to him smaller and farther away and the
goalposts so thin and far and the soft grey sky so high up. But there
was no play on the football grounds for cricket was coming: and some
said that Barnes would be prof and some said it would be Flowers. And
all over the playgrounds they were playing rounders and bowling
twisters and lobs. And from here and from there came the sounds of the
cricket bats through the soft grey air. They said: pick, pack, pock,
puck: little drops of water in a fountain slowly falling in the
brimming bowl.

Athy, who had been silent, said quietly:

--You are all wrong.

All turned towards him eagerly.

--Why?

--Do you know?

--Who told you?

--Tell us, Athy.

Athy pointed across the playground to where Simon Moonan was walking by
himself kicking a stone before him.

--Ask him, he said.

The fellows looked there and then said:

--Why him?

--Is he in it?

Athy lowered his voice and said:

--Do you know why those fellows scut? I will tell you but you must not
let on you know.

--Tell us, Athy. Go on. You might if you know.

He paused for a moment and then said mysteriously:

--They were caught with Simon Moonan and Tusker Boyle in the square one
night.

The fellows looked at him and asked:

--Caught?

--What doing?

Athy said:

--Smugging.

All the fellows were silent: and Athy said:

--And that's why.

Stephen looked at the faces of the fellows but they were all looking
across the playground. He wanted to ask somebody about it. What did
that mean about the smugging in the square? Why did the five fellows
out of the higher line run away for that? It was a joke, he thought.
Simon Moonan had nice clothes and one night he had shown him a ball of
creamy sweets that the fellows of the football fifteen had rolled down
to him along the carpet in the middle of the refectory when he was at
the door. It was the night of the match against the Bective Rangers;
and the ball was made just like a red and green apple only it opened
and it was full of the creamy sweets. And one day Boyle had said that
an elephant had two tuskers instead of two tusks and that was why he
was called Tusker Boyle but some fellows called him Lady Boyle because
he was always at his nails, paring them.

Eileen had long thin cool white hands too because she was a girl. They
were like ivory; only soft. That was the meaning of TOWER OF IVORY but
protestants could not understand it and made fun of it. One day he had
stood beside her looking into the hotel grounds. A waiter was running
up a trail of bunting on the flagstaff and a fox terrier was scampering
to and fro on the sunny lawn. She had put her hand into his pocket
where his hand was and he had felt how cool and thin and soft her hand
was. She had said that pockets were funny things to have: and then all
of a sudden she had broken away and had run laughing down the sloping
curve of the path. Her fair hair had streamed out behind her like gold
in the sun. TOWER OF IVORY. HOUSE OF GOLD. By thinking of things you
could understand them.

But why in the square? You went there when you wanted to do something.
It was all thick slabs of slate and water trickled all day out of tiny
pinholes and there was a queer smell of stale water there. And behind
the door of one of the closets there was a drawing in red pencil of a
bearded man in a Roman dress with a brick in each hand and underneath
was the name of the drawing:


Balbus was building a wall.


Some fellow had drawn it there for a cod. It had a funny face but it
was very like a man with a beard. And on the wall of another closet
there was written in backhand in beautiful writing:


Julius Caesar wrote The Calico Belly.


Perhaps that was why they were there because it was a place where some
fellows wrote things for cod. But all the same it was queer what Athy
said and the way he said it. It was not a cod because they had run
away. He looked with the others across the playground and began to feel
afraid.

At last Fleming said:

--And we are all to be punished for what other fellows did?

--I won't come back, see if I do, Cecil Thunder said. Three days' silence
in the refectory and sending us up for six and eight every minute.

--Yes, said Wells. And old Barrett has a new way of twisting the note
so that you can't open it and fold it again to see how many ferulae you
are to get. I won't come back too.

--Yes, said Cecil Thunder, and the prefect of studies was in second of
grammar this morning.

--Let us get up a rebellion, Fleming said. Will we?

All the fellows were silent. The air was very silent and you could hear
the cricket bats but more slowly than before: pick, pock.

Wells asked:

--What is going to be done to them?

--Simon Moonan and Tusker are going to be flogged, Athy said, and the
fellows in the higher line got their choice of flogging or being
expelled.

--And which are they taking? asked the fellow who had spoken first.

--All are taking expulsion except Corrigan, Athy answered. He's going
to be flogged by Mr Gleeson.

--I know why, Cecil Thunder said. He is right and the other fellows
are wrong because a flogging wears off after a bit but a fellow that
has been expelled from college is known all his life on account of it.
Besides Gleeson won't flog him hard.

--It's best of his play not to, Fleming said.

--I wouldn't like to be Simon Moonan and Tusker Cecil Thunder said.
But I don't believe they will be flogged. Perhaps they will be sent up
for twice nine.

--No, no, said Athy. They'll both get it on the vital spot. Wells
rubbed himself and said in a crying voice:

--Please, sir, let me off!

Athy grinned and turned up the sleeves of his jacket, saying:

    It can't be helped;
    It must be done.
    So down with your breeches
    And out with your bum.

The fellows laughed; but he felt that they were a little afraid. In the
silence of the soft grey air he heard the cricket bats from here and
from there: pock. That was a sound to hear but if you were hit then you
would feel a pain. The pandybat made a sound too but not like that. The
fellows said it was made of whalebone and leather with lead inside: and
he wondered what was the pain like. There were different kinds of
sounds. A long thin cane would have a high whistling sound and he
wondered what was that pain like. It made him shivery to think of it
and cold: and what Athy said too. But what was there to laugh at in it?
It made him shivery: but that was because you always felt like a shiver
when you let down your trousers. It was the same in the bath when you
undressed yourself. He wondered who had to let them down, the master or
the boy himself. O how could they laugh about it that way?

He looked at Athy's rolled-up sleeves and knuckly inky hands. He had
rolled up his sleeves to show how Mr Gleeson would roll up his sleeves.
But Mr Gleeson had round shiny cuffs and clean white wrists and fattish
white hands and the nails of them were long and pointed. Perhaps he
pared them too like Lady Boyle. But they were terribly long and pointed
nails. So long and cruel they were, though the white fattish hands were
not cruel but gentle. And though he trembled with cold and fright to
think of the cruel long nails and of the high whistling sound of the cane
and of the chill you felt at the end of your shirt when you undressed
yourself yet he felt a feeling of queer quiet pleasure inside him to think
of the white fattish hands, clean and strong and gentle. And he thought of
what Cecil Thunder had said: that Mr Gleeson would not flog Corrigan hard.
And Fleming had said he would not because it was best of his play not
to. But that was not why

A voice from far out on the playground cried:

--All in!

And other voices cried:

--All in! All in!

During the writing lesson he sat with his arms folded, listening to the
slow scraping of the pens. Mr Harford went to and fro making little
signs in red pencil and sometimes sitting beside the boy to show him
how to hold his pen. He had tried to spell out the headline for himself
though he knew already what it was for it was the last of the book.
ZEAL WITHOUT PRUDENCE IS LIKE A SHIP ADRIFT. But the lines of the
letters were like fine invisible threads and it was only by closing his
right eye tight and staring out of the left eye that he could make out
the full curves of the capital.

But Mr Harford was very decent and never got into a wax. All the other
masters got into dreadful waxes. But why were they to suffer for what
fellows in the higher line did? Wells had said that they had drunk some
of the altar wine out of the press in the sacristy and that it had been
found out who had done it by the smell. Perhaps they had stolen a
monstrance to run away with and sell it somewhere. That must have been
a terrible sin, to go in there quietly at night, to open the dark press
and steal the flashing gold thing into which God was put on the altar
in the middle of flowers and candles at benediction while the incense
went up in clouds at both sides as the fellow swung the censer and
Dominic Kelly sang the first part by himself in the choir. But God was
not in it of course when they stole it. But still it was a strange and
a great sin even to touch it. He thought of it with deep awe; a
terrible and strange sin: it thrilled him to think of it in the silence
when the pens scraped lightly. But to drink the altar wine out of the
press and be found out by the smell was a sin too: but it was not
terrible and strange. It only made you feel a little sickish on account
of the smell of the wine. Because on the day when he had made his first
holy communion in the chapel he had shut his eyes and opened his mouth
and put out his tongue a little: and when the rector had stooped down
to give him the holy communion he had smelt a faint winy smell off the
rector's breath after the wine of the mass. The word was beautiful:
wine. It made you think of dark purple because the grapes were dark
purple that grew in Greece outside houses like white temples. But the
faint smell of the rector's breath had made him feel a sick feeling on
the morning of his first communion. The day of your first communion was
the happiest day of your life. And once a lot of generals had asked
Napoleon what was the happiest day of his life. They thought he would
say the day he won some great battle or the day he was made an emperor.
But he said:

--Gentlemen, the happiest day of my life was the day on which I made
my first holy communion.

Father Arnall came in and the Latin lesson began and he remained still,
leaning on the desk with his arms folded. Father Arnall gave out the
theme-books and he said that they were scandalous and that they were
all to be written out again with the corrections at once. But the worst
of all was Fleming's theme because the pages were stuck together by a
blot: and Father Arnall held it up by a corner and said it was an
insult to any master to send him up such a theme. Then he asked Jack
Lawton to decline the noun MARE and Jack Lawton stopped at the ablative
singular and could not go on with the plural.

--You should be ashamed of yourself, said Father Arnall sternly. You,
the leader of the class!

Then he asked the next boy and the next and the next. Nobody knew.
Father Arnall became very quiet, more and more quiet as each boy tried
to answer it and could not. But his face was black-looking and
his eyes were staring though his voice was so quiet. Then he asked
Fleming and Fleming said that the word had no plural. Father Arnall
suddenly shut the book and shouted at him:

--Kneel out there in the middle of the class. You are one of the
idlest boys I ever met. Copy out your themes again the rest of you.

Fleming moved heavily out of his place and knelt between the two last
benches. The other boys bent over their theme-books and began to write.
A silence filled the classroom and Stephen, glancing timidly at Father
Arnall's dark face, saw that it was a little red from the wax he was in.

Was that a sin for Father Arnall to be in a wax or was he allowed to
get into a wax when the boys were idle because that made them study
better or was he only letting on to be in a wax? It was because he was
allowed, because a priest would know what a sin was and would not do
it. But if he did it one time by mistake what would he do to go to
confession? Perhaps he would go to confession to the minister. And if
the minister did it he would go to the rector: and the rector to the
provincial: and the provincial to the general of the jesuits. That was
called the order: and he had heard his father say that they were all
clever men. They could all have become high-up people in the world if
they had not become jesuits. And he wondered what Father Arnall and
Paddy Barrett would have become and what Mr McGlade and Mr Gleeson
would have become if they had not become jesuits. It was hard to think
what because you would have to think of them in a different way with
different coloured coats and trousers and with beards and moustaches
and different kinds of hats.

The door opened quietly and closed. A quick whisper ran through the
class: the prefect of studies. There was an instant of dead silence and
then the loud crack of a pandybat on the last desk. Stephen's heart
leapt up in fear.

--Any boys want flogging here, Father Arnall? cried the prefect of
studies. Any lazy idle loafers that want flogging in this class?

He came to the middle of the class and saw Fleming on his knees.

--Hoho! he cried. Who is this boy? Why is he on his knees? What is
your name, boy?

--Fleming, sir.

--Hoho, Fleming! An idler of course. I can see it in your eye. Why is
he on his knees, Father Arnall?

--He wrote a bad Latin theme, Father Arnall said, and he missed all
the questions in grammar.

--Of course he did! cried the prefect of studies, of course he did! A
born idler! I can see it in the corner of his eye.

He banged his pandybat down on the desk and cried:

--Up, Fleming! Up, my boy!

Fleming stood up slowly.

--Hold out! cried the prefect of studies.

Fleming held out his hand. The pandybat came down on it with a loud
smacking sound: one, two, three, four, five, six.

--Other hand!

The pandybat came down again in six loud quick smacks.

--Kneel down! cried the prefect of studies.

Fleming knelt down, squeezing his hands under his armpits, his face
contorted with pain; but Stephen knew how hard his hands were because
Fleming was always rubbing rosin into them. But perhaps he was in great
pain for the noise of the pandybat was terrible. Stephen's heart was
beating and fluttering.

--At your work, all of you! shouted the prefect of studies. We want no
lazy idle loafers here, lazy idle little schemers. At your work, I tell
you. Father Dolan will be in to see you every day. Father Dolan will be
in tomorrow.

He poked one of the boys in the side with his pandybat, saying:

--You, boy! When will Father Dolan be in again?

--Tomorrow, sir, said Tom Furlong's voice.

--Tomorrow and tomorrow and tomorrow, said the prefect of studies.
Make up your minds for that. Every day Father Dolan. Write away. You,
boy, who are you?

Stephen's heart jumped suddenly.

--Dedalus, sir.

--Why are you not writing like the others?

--I...my...

He could not speak with fright.

--Why is he not writing, Father Arnall?

--He broke his glasses, said Father Arnall, and I exempted him from
work.

--Broke? What is this I hear? What is this your name is! said the
prefect of studies.

--Dedalus, sir.

--Out here, Dedalus. Lazy little schemer. I see schemer in your face.
Where did you break your glasses?

Stephen stumbled into the middle of the class, blinded by fear and haste.

--Where did you break your glasses? repeated the prefect of studies.

--The cinder-path, sir.

--Hoho! The cinder-path! cried the prefect of studies. I know that trick.

Stephen lifted his eyes in wonder and saw for a moment Father Dolan's
white-grey not young face, his baldy white-grey head with fluff at the
sides of it, the steel rims of his spectacles and his no-coloured eyes
looking through the glasses. Why did he say he knew that trick?

--Lazy idle little loafer! cried the prefect of studies. Broke my
glasses! An old schoolboy trick! Out with your hand this moment!

Stephen closed his eyes and held out in the air his trembling hand with
the palm upwards. He felt the prefect of studies touch it for a moment
at the fingers to straighten it and then the swish of the sleeve of the
soutane as the pandybat was lifted to strike. A hot burning stinging
tingling blow like the loud crack of a broken stick made his trembling
hand crumple together like a leaf in the fire: and at the sound and the
pain scalding tears were driven into his eyes. His whole body was shaking
with fright, his arm was shaking and his crumpled burning livid hand shook
like a loose leaf in the air. A cry sprang to his lips, a prayer to be let
off. But though the tears scalded his eyes and his limbs quivered with
pain and fright he held back the hot tears and the cry that scalded his
throat.

--Other hand! shouted the prefect of studies.

Stephen drew back his maimed and quivering right arm and held out his
left hand. The soutane sleeve swished again as the pandybat was lifted
and a loud crashing sound and a fierce maddening tingling burning pain
made his hand shrink together with the palms and fingers in a livid
quivering mass. The scalding water burst forth from his eyes and,
burning with shame and agony and fear, he drew back his shaking arm in
terror and burst out into a whine of pain. His body shook with a palsy
of fright and in shame and rage he felt the scalding cry come from his
throat and the scalding tears falling out of his eyes and down his
flaming cheeks.

--Kneel down, cried the prefect of studies.

Stephen knelt down quickly pressing his beaten hands to his sides. To
think of them beaten and swollen with pain all in a moment made him
feel so sorry for them as if they were not his own but someone else's
that he felt sorry for. And as he knelt, calming the last sobs in his
throat and feeling the burning tingling pain pressed into his sides, he
thought of the hands which he had held out in the air with the palms up
and of the firm touch of the prefect of studies when he had steadied
the shaking fingers and of the beaten swollen reddened mass of palm and
fingers that shook helplessly in the air.

--Get at your work, all of you, cried the prefect of studies from the
door. Father Dolan will be in every day to see if any boy, any lazy
idle little loafer wants flogging. Every day. Every day.

The door closed behind him.

The hushed class continued to copy out the themes. Father Arnall rose
from his seat and went among them, helping the boys with gentle words
and telling them the mistakes they had made. His voice was very gentle
and soft. Then he returned to his seat and said to Fleming and Stephen:

--You may return to your places, you two.

Fleming and Stephen rose and, walking to their seats, sat down.
Stephen, scarlet with shame, opened a book quickly with one weak hand
and bent down upon it, his face close to the page.

It was unfair and cruel because the doctor had told him not to read
without glasses and he had written home to his father that morning to
send him a new pair. And Father Arnall had said that he need not study
till the new glasses came. Then to be called a schemer before the class
and to be pandied when he always got the card for first or second and
was the leader of the Yorkists! How could the prefect of studies know
that it was a trick? He felt the touch of the prefect's fingers as they
had steadied his hand and at first he had thought he was going to shake
hands with him because the fingers were soft and firm: but then in an
instant he had heard the swish of the soutane sleeve and the crash. It
was cruel and unfair to make him kneel in the middle of the class then:
and Father Arnall had told them both that they might return to their
places without making any difference between them. He listened to
Father Arnall's low and gentle voice as he corrected the themes.
Perhaps he was sorry now and wanted to be decent. But it was unfair and
cruel. The prefect of studies was a priest but that was cruel and
unfair. And his white-grey face and the no-coloured eyes behind the
steel-rimmed spectacles were cruel looking because he had steadied the
hand first with his firm soft fingers and that was to hit it better and
louder.

--It's a stinking mean thing, that's what it is, said Fleming in the
corridor as the classes were passing out in file to the refectory, to
pandy a fellow for what is not his fault.

--You really broke your glasses by accident, didn't you? Nasty Roche
asked.

Stephen felt his heart filled by Fleming's words and did not answer.

--Of course he did! said Fleming. I wouldn't stand it. I'd go up and
tell the rector on him.

--Yes, said Cecil Thunder eagerly, and I saw him lift the pandy-bat
over his shoulder and he's not allowed to do that.

--Did they hurt you much? Nasty Roche asked.

--Very much, Stephen said.

--I wouldn't stand it, Fleming repeated, from Baldyhead or any other
Baldyhead. It's a stinking mean low trick, that's what it is. I'd go
straight up to the rector and tell him about it after dinner.

--Yes, do. Yes, do, said Cecil Thunder.

--Yes, do. Yes, go up and tell the rector on him, Dedalus, said Nasty
Roche, because he said that he'd come in tomorrow again and pandy you.

--Yes, yes. Tell the rector, all said.

And there were some fellows out of second of grammar listening and one
of them said:

--The senate and the Roman people declared that Dedalus had been
wrongly punished.

It was wrong; it was unfair and cruel; and, as he sat in the refectory,
he suffered time after time in memory the same humiliation until he
began to wonder whether it might not really be that there was something
in his face which made him look like a schemer and he wished he had a
little mirror to see. But there could not be; and it was unjust and
cruel and unfair.

He could not eat the blackish fish fritters they got on Wednesdays in
lent and one of his potatoes had the mark of the spade in it. Yes, he
would do what the fellows had told him. He would go up and tell the
rector that he had been wrongly punished. A thing like that had been
done before by somebody in history, by some great person whose head was
in the books of history. And the rector would declare that he had been
wrongly punished because the senate and the Roman people always
declared that the men who did that had been wrongly punished. Those
were the great men whose names were in Richmal Magnall's Questions.
History was all about those men and what they did and that was what
Peter Parley's Tales about Greece and Rome were all about. Peter Parley
himself was on the first page in a picture. There was a road over a
heath with grass at the side and little bushes: and Peter Parley had a
broad hat like a protestant minister and a big stick and he was walking
fast along the road to Greece and Rome.

It was easy what he had to do. All he had to do was when the dinner was
over and he came out in his turn to go on walking but not out to the
corridor but up the staircase on the right that led to the castle. He
had nothing to do but that: to turn to the right and walk fast up the
staircase and in half a minute he would be in the low dark narrow
corridor that led through the castle to the rector's room. And every
fellow had said that it was unfair, even the fellow out of second of
grammar who had said that about the senate and the Roman people.

What would happen?

He heard the fellows of the higher line stand up at the top of the
refectory and heard their steps as they came down the matting: Paddy
Rath and Jimmy Magee and the Spaniard and the Portuguese and the fifth
was big Corrigan who was going to be flogged by Mr Gleeson. That was
why the prefect of studies had called him a schemer and pandied him for
nothing: and, straining his weak eyes, tired with the tears, he watched
big Corrigan's broad shoulders and big hanging black head passing in the
file. But he had done something and besides Mr Gleeson would not flog him
hard: and he remembered how big Corrigan looked in the bath. He had skin
the same colour as the turf-coloured bogwater in the shallow end of the
bath and when he walked along the side his feet slapped loudly on the wet
tiles and at every step his thighs shook a little because he was fat.

The refectory was half empty and the fellows were still passing out in
file. He could go up the staircase because there was never a priest or
a prefect outside the refectory door. But he could not go. The rector
would side with the prefect of studies and think it was a schoolboy
trick and then the prefect of studies would come in every day the same,
only it would be worse because he would be dreadfully waxy at any
fellow going up to the rector about him. The fellows had told him to go
but they would not go themselves. They had forgotten all about it. No,
it was best to forget all about it and perhaps the prefect of studies
had only said he would come in. No, it was best to hide out of the way
because when you were small and young you could often escape that way.

The fellows at his table stood up. He stood up and passed out among
them in the file. He had to decide. He was coming near the door. If he
went on with the fellows he could never go up to the rector because he
could not leave the playground for that. And if he went and was pandied
all the same all the fellows would make fun and talk about young
Dedalus going up to the rector to tell on the prefect of studies.

He was walking down along the matting and he saw the door before him.
It was impossible: he could not. He thought of the baldy head of the
prefect of studies with the cruel no-coloured eyes looking at him and
he heard the voice of the prefect of studies asking him twice what his
name was. Why could he not remember the name when he was told the first
time? Was he not listening the first time or was it to make fun out of
the name? The great men in the history had names like that and nobody
made fun of them. It was his own name that he should have made fun of
if he wanted to make fun. Dolan: it was like the name of a woman who
washed clothes.

He had reached the door and, turning quickly up to the right, walked up
the stairs and, before he could make up his mind to come back, he had
entered the low dark narrow corridor that led to the castle. And as he
crossed the threshold of the door of the corridor he saw, without
turning his head to look, that all the fellows were looking after him
as they went filing by.

He passed along the narrow dark corridor, passing little doors that
were the doors of the rooms of the community. He peered in front of him
and right and left through the gloom and thought that those must be
portraits. It was dark and silent and his eyes were weak and tired with
tears so that he could not see. But he thought they were the portraits
of the saints and great men of the order who were looking down on him
silently as he passed: saint Ignatius Loyola holding an open book and
pointing to the words AD MAJOREM DEI GLORIAM in it; saint Francis
Xavier pointing to his chest; Lorenzo Ricci with his berretta on his
head like one of the prefects of the lines, the three patrons of holy
youth--saint Stanislaus Kostka, saint Aloysius Gonzago, and Blessed
John Berchmans, all with young faces because they died when they were
young, and Father Peter Kenny sitting in a chair wrapped in a big
cloak.

He came out on the landing above the entrance hall and looked about
him. That was where Hamilton Rowan had passed and the marks of the
soldiers' slugs were there. And it was there that the old servants had
seen the ghost in the white cloak of a marshal.

An old servant was sweeping at the end of the landing. He asked him
where was the rector's room and the old servant pointed to the door at
the far end and looked after him as he went on to it and knocked.

There was no answer. He knocked again more loudly and his heart jumped
when he heard a muffled voice say:

--Come in!

He turned the handle and opened the door and fumbled for the handle of
the green baize door inside. He found it and pushed it open and went in.

He saw the rector sitting at a desk writing. There was a skull on the
desk and a strange solemn smell in the room like the old leather of
chairs.

His heart was beating fast on account of the solemn place he was in and
the silence of the room: and he looked at the skull and at the rector's
kind-looking face.

--Well, my little man, said the rector, what is it?

Stephen swallowed down the thing in his throat and said:

--I broke my glasses, sir.

The rector opened his mouth and said:

--O!

Then he smiled and said:

--Well, if we broke our glasses we must write home for a new pair.

--I wrote home, sir, said Stephen, and Father Arnall said I am not to
study till they come.

--Quite right! said the rector.

Stephen swallowed down the thing again and tried to keep his legs and
his voice from shaking.

--But, sir--

--Yes?

--Father Dolan came in today and pandied me because I was not writing
my theme.

The rector looked at him in silence and he could feel the blood rising
to his face and the tears about to rise to his eyes.

The rector said:

--Your name is Dedalus, isn't it?

--Yes, sir...

--And where did you break your glasses?

--On the cinder-path, sir. A fellow was coming out of the bicycle
house and I fell and they got broken. I don't know the fellow's name.

The rector looked at him again in silence. Then he smiled and said:

--O, well, it was a mistake; I am sure Father Dolan did not know.

--But I told him I broke them, sir, and he pandied me.

--Did you tell him that you had written home for a new pair? the
rector asked.

--No, sir.

--O well then, said the rector, Father Dolan did not understand. You can
say that I excuse you from your lessons for a few days.

Stephen said quickly for fear his trembling would prevent him:

--Yes, sir, but Father Dolan said he will come in tomorrow to pandy me
again for it.

--Very well, the rector said, it is a mistake and I shall speak to
Father Dolan myself. Will that do now?

Stephen felt the tears wetting his eyes and murmured:

--O yes sir, thanks.

The rector held his hand across the side of the desk where the skull
was and Stephen, placing his hand in it for a moment, felt a cool moist
palm.

--Good day now, said the rector, withdrawing his hand and bowing.

--Good day, sir, said Stephen.

He bowed and walked quietly out of the room, closing the doors
carefully and slowly.

But when he had passed the old servant on the landing and was again in
the low narrow dark corridor he began to walk faster and faster. Faster
and faster he hurried on through the gloom excitedly. He bumped his
elbow against the door at the end and, hurrying down the staircase,
walked quickly through the two corridors and out into the air.

He could hear the cries of the fellows on the playgrounds. He broke
into a run and, running quicker and quicker, ran across the cinderpath
and reached the third line playground, panting.

The fellows had seen him running. They closed round him in a ring,
pushing one against another to hear.

--Tell us! Tell us!

--What did he say?

--Did you go in?

--What did he say?

--Tell us! Tell us!

He told them what he had said and what the rector had said and, when he
had told them, all the fellows flung their caps spinning up into the
air and cried:

--Hurroo!

They caught their caps and sent them up again spinning sky-high and
cried again:

--Hurroo! Hurroo!

They made a cradle of their locked hands and hoisted him up among them
and carried him along till he struggled to get free. And when he had
escaped from them they broke away in all directions, flinging their
caps again into the air and whistling as they went spinning up and
crying:

--Hurroo!

And they gave three groans for Baldyhead Dolan and three cheers for
Conmee and they said he was the decentest rector that was ever in
Clongowes.

The cheers died away in the soft grey air. He was alone. He was happy
and free; but he would not be anyway proud with Father Dolan. He would
be very quiet and obedient: and he wished that he could do something
kind for him to show him that he was not proud.

The air was soft and grey and mild and evening was coming. There was
the smell of evening in the air, the smell of the fields in the country
where they digged up turnips to peel them and eat them when they went
out for a walk to Major Barton's, the smell there was in the little
wood beyond the pavilion where the gallnuts were.

The fellows were practising long shies and bowling lobs and slow
twisters. In the soft grey silence he could hear the bump of the balls:
and from here and from there through the quiet air the sound of the
cricket bats: pick, pack, pock, puck: like drops of water in a fountain
falling softly in the brimming bowl.

Chapter 2



Uncle Charles smoked such black twist that at last his nephew suggested
to him to enjoy his morning smoke in a little outhouse at the end of
the garden.

--Very good, Simon. All serene, Simon, said the old man tranquilly.
Anywhere you like. The outhouse will do me nicely: it will be more
salubrious.

--Damn me, said Mr Dedalus frankly, if I know how you can smoke such
villainous awful tobacco. It's like gunpowder, by God.

--It's very nice, Simon, replied the old man. Very cool and
mollifying.

Every morning, therefore, uncle Charles repaired to his outhouse but
not before he had greased and brushed scrupulously his back hair and
brushed and put on his tall hat. While he smoked the brim of his tall
hat and the bowl of his pipe were just visible beyond the jambs of the
outhouse door. His arbour, as he called the reeking outhouse which he
shared with the cat and the garden tools, served him also as a
sounding-box: and every morning he hummed contentedly one of his
favourite songs: O, TWINE ME A BOWER or BLUE EYES AND GOLDEN HAIR or
THE GROVES OF BLARNEY while the grey and blue coils of smoke rose
slowly from his pipe and vanished in the pure air.

During the first part of the summer in Blackrock uncle Charles was
Stephen's constant companion. Uncle Charles was a hale old man with a
well tanned skin, rugged features and white side whiskers. On week days
he did messages between the house in Carysfort Avenue and those shops
in the main street of the town with which the family dealt. Stephen was
glad to go with him on these errands for uncle Charles helped him very
liberally to handfuls of whatever was exposed in open boxes and barrels
outside the counter. He would seize a handful of grapes and sawdust or
three or four American apples and thrust them generously into his
grandnephew's hand while the shopman smiled uneasily; and, on Stephen's
feigning reluctance to take them, he would frown and say:

--Take them, sir. Do you hear me, sir? They're good for your bowels.

When the order list had been booked the two would go on to the park
where an old friend of Stephen's father, Mike Flynn, would be found
seated on a bench, waiting for them. Then would begin Stephen's run
round the park. Mike Flynn would stand at the gate near the railway
station, watch in hand, while Stephen ran round the track in the style
Mike Flynn favoured, his head high lifted, his knees well lifted and
his hands held straight down by his sides. When the morning practice
was over the trainer would make his comments and sometimes illustrate
them by shuffling along for a yard or so comically in an old pair of
blue canvas shoes. A small ring of wonderstruck children and nursemaids
would gather to watch him and linger even when he and uncle Charles had
sat down again and were talking athletics and politics. Though he had
heard his father say that Mike Flynn had put some of the best runners
of modern times through his hands Stephen often glanced at his
trainer's flabby stubble-covered face, as it bent over the long stained
fingers through which he rolled his cigarette, and with pity at the
mild lustreless blue eyes which would look up suddenly from the task
and gaze vaguely into the blue distance while the long swollen fingers
ceased their rolling and grains and fibres of tobacco fell back into
the pouch.

On the way home uncle Charles would often pay a visit to the chapel
and, as the font was above Stephen's reach, the old man would dip his
hand and then sprinkle the water briskly about Stephen's clothes and on
the floor of the porch. While he prayed he knelt on his red
handkerchief and read above his breath from a thumb blackened prayer
book wherein catchwords were printed at the foot of every page. Stephen
knelt at his side respecting, though he did not share, his piety. He
often wondered what his grand-uncle prayed for so seriously. Perhaps he
prayed for the souls in purgatory or for the grace of a happy death or
perhaps he prayed that God might send him back a part of the big
fortune he had squandered in Cork.

On Sundays Stephen with his father and his grand-uncle took their
constitutional. The old man was a nimble walker in spite of his corns
and often ten or twelve miles of the road were covered. The little
village of Stillorgan was the parting of the ways. Either they went to
the left towards the Dublin mountains or along the Goatstown road and
thence into Dundrum, coming home by Sandyford. Trudging along the road
or standing in some grimy wayside public house his elders spoke
constantly of the subjects nearer their hearts, of Irish politics, of
Munster and of the legends of their own family, to all of which Stephen
lent an avid ear. Words which he did not understand he said over and
over to himself till he had learnt them by heart: and through them he
had glimpses of the real world about them. The hour when he too would
take part in the life of that world seemed drawing near and in secret
he began to make ready for the great part which he felt awaited him the
nature of which he only dimly apprehended.

His evenings were his own; and he pored over a ragged translation of
THE COUNT OF MONTE CRISTO. The figure of that dark avenger stood forth
in his mind for whatever he had heard or divined in childhood of the
strange and terrible. At night he built up on the parlour table an
image of the wonderful island cave out of transfers and paper flowers
and coloured tissue paper and strips of the silver and golden paper in
which chocolate is wrapped. When he had broken up this scenery, weary
of its tinsel, there would come to his mind the bright picture of
Marseille, of sunny trellises, and of Mercedes.

Outside Blackrock, on the road that led to the mountains, stood a small
whitewashed house in the garden of which grew many rosebushes: and in
this house, he told himself, another Mercedes lived. Both on the
outward and on the homeward journey he measured distance by this
landmark: and in his imagination he lived through a long train of
adventures, marvellous as those in the book itself, towards the close
of which there appeared an image of himself, grown older and sadder,
standing in a moonlit garden with Mercedes who had so many years before
slighted his love, and with a sadly proud gesture of refusal, saying:

--Madam, I never eat muscatel grapes.

He became the ally of a boy named Aubrey Mills and founded with him a
gang of adventurers in the avenue. Aubrey carried a whistle dangling
from his buttonhole and a bicycle lamp attached to his belt while the
others had short sticks thrust daggerwise through theirs. Stephen, who
had read of Napoleon's plain style of dress, chose to remain unadorned
and thereby heightened for himself the pleasure of taking counsel with
his lieutenant before giving orders. The gang made forays into the
gardens of old maids or went down to the castle and fought a battle on
the shaggy weed-grown rocks, coming home after it weary stragglers with
the stale odours of the foreshore in their nostrils and the rank oils
of the seawrack upon their hands and in their hair.

Aubrey and Stephen had a common milkman and often they drove out in the
milk-car to Carrickmines where the cows were at grass. While the men
were milking the boys would take turns in riding the tractable mare
round the field. But when autumn came the cows were driven home from
the grass: and the first sight of the filthy cowyard at Stradbrook with
its foul green puddles and clots of liquid dung and steaming bran
troughs, sickened Stephen's heart. The cattle which had seemed so
beautiful in the country on sunny days revolted him and he could not
even look at the milk they yielded.

The coming of September did not trouble him this year for he was not to
be sent back to Clongowes. The practice in the park came to an end when
Mike Flynn went into hospital. Aubrey was at school and had only an
hour or two free in the evening. The gang fell asunder and there were
no more nightly forays or battles on the rocks. Stephen sometimes went
round with the car which delivered the evening milk and these chilly
drives blew away his memory of the filth of the cowyard and he felt no
repugnance at seeing the cow hairs and hayseeds on the milkman's coat.
Whenever the car drew up before a house he waited to catch a glimpse of
a well scrubbed kitchen or of a softly lighted hall and to see how the
servant would hold the jug and how she would close the door. He thought
it should be a pleasant life enough, driving along the roads every
evening to deliver milk, if he had warm gloves and a fat bag of
gingernuts in his pocket to eat from. But the same foreknowledge which
had sickened his heart and made his legs sag suddenly as he raced round
the park, the same intuition which had made him glance with mistrust at
his trainer's flabby stubble-covered face as it bent heavily over his long
stained fingers, dissipated any vision of the future. In a vague way he
understood that his father was in trouble and that this was the reason
why he himself had not been sent back to Clongowes. For some time he
had felt the slight change in his house; and those changes in what he
had deemed unchangeable were so many slight shocks to his boyish
conception of the world. The ambition which he felt astir at times in
the darkness of his soul sought no outlet. A dusk like that of the
outer world obscured his mind as he heard the mare's hoofs clattering
along the tramtrack on the Rock Road and the great can swaying and
rattling behind him.

He returned to Mercedes and, as he brooded upon her image, a strange
unrest crept into his blood. Sometimes a fever gathered within him and
led him to rove alone in the evening along the quiet avenue. The peace
of the gardens and the kindly lights in the windows poured a tender
influence into his restless heart. The noise of children at play
annoyed him and their silly voices made him feel, even more keenly than
he had felt at Clongowes, that he was different from others. He did not
want to play. He wanted to meet in the real world the unsubstantial
image which his soul so constantly beheld. He did not know where to
seek it or how, but a premonition which led him on told him that this
image would, without any overt act of his, encounter him. They would
meet quietly as if they had known each other and had made their tryst,
perhaps at one of the gates or in some more secret place. They would be
alone, surrounded by darkness and silence: and in that moment of
supreme tenderness he would be transfigured.

He would fade into something impalpable under her eyes and then in a
moment he would be transfigured. Weakness and timidity and inexperience
would fall from him in that magic moment.


* * * * *


Two great yellow caravans had halted one morning before the door and
men had come tramping into the house to dismantle it. The furniture had
been hustled out through the front garden which was strewn with wisps
of straw and rope ends and into the huge vans at the gate. When all had
been safely stowed the vans had set off noisily down the avenue: and
from the window of the railway carriage, in which he had sat with his
red-eyed mother, Stephen had seen them lumbering along the Merrion
Road.

The parlour fire would not draw that evening and Mr Dedalus rested the
poker against the bars of the grate to attract the flame. Uncle Charles
dozed in a corner of the half furnished uncarpeted room and near him
the family portraits leaned against the wall. The lamp on the table
shed a weak light over the boarded floor, muddied by the feet of the
van-men. Stephen sat on a footstool beside his father listening to a
long and incoherent monologue. He understood little or nothing of it at
first but he became slowly aware that his father had enemies and that
some fight was going to take place. He felt, too, that he was being
enlisted for the fight, that some duty was being laid upon his
shoulders. The sudden flight from the comfort and revery of Blackrock,
the passage through the gloomy foggy city, the thought of the bare
cheerless house in which they were now to live made his heart heavy,
and again an intuition, a foreknowledge of the future came to him. He
understood also why the servants had often whispered together in the
hall and why his father had often stood on the hearthrug with his back
to the fire, talking loudly to uncle Charles who urged him to sit down
and eat his dinner.

--There's a crack of the whip left in me yet, Stephen, old chap, said
Mr Dedalus, poking at the dull fire with fierce energy. We're not dead
yet, sonny. No, by the Lord Jesus (God forgive me) not half dead.

Dublin was a new and complex sensation. Uncle Charles had grown so
witless that he could no longer be sent out on errands and the disorder
in settling in the new house left Stephen freer than he had been in
Blackrock. In the beginning he contented himself with circling timidly
round the neighbouring square or, at most, going half way down one of
the side streets but when he had made a skeleton map of the city in his
mind he followed boldly one of its central lines until he reached the
customhouse. He passed unchallenged among the docks and along the quays
wondering at the multitude of corks that lay bobbing on the surface of
the water in a thick yellow scum, at the crowds of quay porters and the
rumbling carts and the ill-dressed bearded policeman. The vastness and
strangeness of the life suggested to him by the bales of merchandise
stocked along the walls or swung aloft out of the holds of steamers
wakened again in him the unrest which had sent him wandering in the
evening from garden to garden in search of Mercedes. And amid this new
bustling life he might have fancied himself in another Marseille but that
he missed the bright sky and the sum-warmed trellises of the wineshops.
A vague dissatisfaction grew up within him as he looked on the quays and
on the river and on the lowering skies and yet he continued to wander up
and down day after day as if he really sought someone that eluded him.

He went once or twice with his mother to visit their relatives: and
though they passed a jovial array of shops lit up and adorned for
Christmas his mood of embittered silence did not leave him. The causes
of his embitterment were many, remote and near. He was angry with
himself for being young and the prey of restless foolish impulses,
angry also with the change of fortune which was reshaping the world
about him into a vision of squalor and insincerity. Yet his anger lent
nothing to the vision. He chronicled with patience what he saw,
detaching himself from it and tasting its mortifying flavour in secret.

He was sitting on the backless chair in his aunt's kitchen. A lamp with
a reflector hung on the japanned wall of the fireplace and by its light
his aunt was reading the evening paper that lay on her knees. She
looked a long time at a smiling picture that was set in it and said
musingly:

--The beautiful Mabel Hunter!

A ringletted girl stood on tiptoe to peer at the picture and said softly:

--What is she in, mud?

--In a pantomime, love.

The child leaned her ringletted head against her mother's sleeve,
gazing on the picture, and murmured as if fascinated:

--The beautiful Mabel Hunter!

As if fascinated, her eyes rested long upon those demurely taunting
eyes and she murmured devotedly:

--Isn't she an exquisite creature?

And the boy who came in from the street, stamping crookedly under his
stone of coal, heard her words. He dropped his load promptly on the
floor and hurried to her side to see. He mauled the edges of the paper
with his reddened and blackened hands, shouldering her aside and
complaining that he could not see.

He was sitting in the narrow breakfast room high up in the old
dark-windowed house. The firelight flickered on the wall and beyond the
window a spectral dusk was gathering upon the river. Before the fire an
old woman was busy making tea and, as she bustled at the task, she told
in a low voice of what the priest and the doctor had said. She told too
of certain changes they had seen in her of late and of her odd ways and
sayings. He sat listening to the words and following the ways of
adventure that lay open in the coals, arches and vaults and winding
galleries and jagged caverns.

Suddenly he became aware of something in the doorway. A skull appeared
suspended in the gloom of the doorway. A feeble creature like a monkey
was there, drawn thither by the sound of voices at the fire. A whining
voice came from the door asking:

--Is that Josephine?

The old bustling woman answered cheerily from the fireplace:

--No, Ellen, it's Stephen.

--O... O, good evening, Stephen.

He answered the greeting and saw a silly smile break over the face in
the doorway.

--Do you want anything, Ellen? asked the old woman at the fire.

But she did not answer the question and said:

--I thought it was Josephine. I thought you were Josephine, Stephen.

And, repeating this several times, she fell to laughing feebly.

He was sitting in the midst of a children's party at Harold's Cross.
His silent watchful manner had grown upon him and he took little part
in the games. The children, wearing the spoils of their crackers,
danced and romped noisily and, though he tried to share their
merriment, he felt himself a gloomy figure amid the gay cocked hats and
sunbonnets.

But when he had sung his song and withdrawn into a snug corner of the
room he began to taste the joy of his loneliness. The mirth, which in
the beginning of the evening had seemed to him false and trivial, was
like a soothing air to him, passing gaily by his senses, hiding from
other eyes the feverish agitation of his blood while through the
circling of the dancers and amid the music and laughter her glance
travelled to his corner, flattering, taunting, searching, exciting his
heart.

In the hall the children who had stayed latest were putting on their
things: the party was over. She had thrown a shawl about her and, as
they went together towards the tram, sprays of her fresh warm breath
flew gaily above her cowled head and her shoes tapped blithely on the
glassy road.

It was the last tram. The lank brown horses knew it and shook their
bells to the clear night in admonition. The conductor talked with the
driver, both nodding often in the green light of the lamp. On the empty
seats of the tram were scattered a few coloured tickets. No sound of
footsteps came up or down the road. No sound broke the peace of the
night save when the lank brown horses rubbed their noses together and
shook their bells.

They seemed to listen, he on the upper step and she on the lower. She
came up to his step many times and went down to hers again between
their phrases and once or twice stood close beside him for some moments
on the upper step, forgetting to go down, and then went down. His heart
danced upon her movements like a cork upon a tide. He heard what her
eyes said to him from beneath their cowl and knew that in some dim
past, whether in life or revery, he had heard their tale before. He saw
her urge her vanities, her fine dress and sash and long black
stockings, and knew that he had yielded to them a thousand times. Yet a
voice within him spoke above the noise of his dancing heart, asking him
would he take her gift to which he had only to stretch out his hand.
And he remembered the day when he and Eileen had stood looking into the
hotel grounds, watching the waiters running up a trail of bunting on
the flagstaff and the fox terrier scampering to and fro on the sunny
lawn and how, all of a sudden, she had broken out into a peal of
laughter and had run down the sloping curve of the path. Now, as then,
he stood listlessly in his place, seemingly a tranquil watcher of the
scene before him.

--She too wants me to catch hold of her, he thought. That's why she
came with me to the tram. I could easily catch hold of her when she
comes up to my step: nobody is looking. I could hold her and kiss her.

But he did neither: and, when he was sitting alone in the deserted
tram, he tore his ticket into shreds and stared gloomily at the
corrugated footboard.


* * * * *


The next day he sat at his table in the bare upper room for many hours.
Before him lay a new pen, a new bottle of ink and a new emerald
exercise. From force of habit he had written at the top of the
first page the initial letters of the jesuit motto: A.M.D.G. On the
first line of the page appeared the title of the verses he was trying
to write: To E-- C--. He knew it was right to begin so for he had seen
similar titles in the collected poems of Lord Byron. When he had
written this title and drawn an ornamental line underneath he fell into
a daydream and began to draw diagrams on the cover of the book. He saw
himself sitting at his table in Bray the morning after the discussion
at the Christmas dinner table, trying to write a poem about Parnell on
the back of one of his father's second moiety notices. But his brain
had then refused to grapple with the theme and, desisting, he had
covered the page with the names and addresses of certain of his
classmates:

    Roderick Kickham
    John Lawton
    Anthony MacSwiney
    Simon Moonan

Now it seemed as if he would fail again but, by dint of brooding on the
incident, he thought himself into confidence. During this process all
those elements which he deemed common and insignificant fell out of the
scene. There remained no trace of the tram itself nor of the tram-men
nor of the horses: nor did he and she appear vividly. The verses told
only of the night and the balmy breeze and the maiden lustre of the
moon. Some undefined sorrow was hidden in the hearts of the
protagonists as they stood in silence beneath the leafless trees and
when the moment of farewell had come the kiss, which had been withheld
by one, was given by both. After this the letters L. D. S. were written
at the foot of the page, and, having hidden the book, he went into his
mother's bedroom and gazed at his face for a long time in the mirror of
her dressing-table.

But his long spell of leisure and liberty was drawing to its end. One
evening his father came home full of news which kept his tongue busy
all through dinner. Stephen had been awaiting his father's return for
there had been mutton hash that day and he knew that his father would
make him dip his bread in the gravy. But he did not relish the hash for
the mention of Clongowes had coated his palate with a scum of disgust.

--I walked bang into him, said Mr Dedalus for the fourth time, just at
the corner of the square.

--Then I suppose, said Mrs Dedalus, he will be able to arrange it. I
mean about Belvedere.

--Of course he will, said Mr Dedalus. Don't I tell you he's provincial
of the order now?

--I never liked the idea of sending him to the christian brothers
myself, said Mrs Dedalus.

--Christian brothers be damned! said Mr Dedalus. Is it with Paddy
Stink and Micky Mud? No, let him stick to the jesuits in God's name
since he began with them. They'll be of service to him in after years.
Those are the fellows that can get you a position.

--And they're a very rich order, aren't they, Simon?

--Rather. They live well, I tell you. You saw their table at
Clongowes. Fed up, by God, like gamecocks.

Mr Dedalus pushed his plate over to Stephen and bade him finish what
was on it.

--Now then, Stephen, he said, you must put your shoulder to the wheel,
old chap. You've had a fine long holiday.

--O, I'm sure he'll work very hard now, said Mrs Dedalus, especially
when he has Maurice with him.

--O, Holy Paul, I forgot about Maurice, said Mr Dedalus. Here,
Maurice! Come here, you thick-headed ruffian! Do you know I'm going to
send you to a college where they'll teach you to spell c.a.t. cat. And
I'll buy you a nice little penny handkerchief to keep your nose dry.
Won't that be grand fun?

Maurice grinned at his father and then at his brother.

Mr Dedalus screwed his glass into his eye and stared hard at both his
sons. Stephen mumbled his bread without answering his father's gaze.

--By the bye, said Mr Dedalus at length, the rector, or provincial
rather, was telling me that story about you and Father Dolan. You're an
impudent thief, he said.

--O, he didn't, Simon!

--Not he! said Mr Dedalus. But he gave me a great account of the whole
affair. We were chatting, you know, and one word borrowed another. And,
by the way, who do you think he told me will get that job in the
corporation? But I'll tell you that after. Well, as I was saying, we
were chatting away quite friendly and he asked me did our friend here
wear glasses still, and then he told me the whole story.

--And was he annoyed, Simon?

--Annoyed? Not he! MANLY LITTLE CHAP! he said.

Mr Dedalus imitated the mincing nasal tone of the provincial.

Father Dolan and I, when I told them all at dinner about it, Father
Dolan and I had a great laugh over it. YOU BETTER MIND YOURSELF FATHER
DOLAN, said I, OR YOUNG DEDALUS WILL SEND YOU UP FOR TWICE NINE. We had
a famous laugh together over it. Ha! Ha! Ha!

Mr Dedalus turned to his wife and interjected in his natural voice:

--Shows you the spirit in which they take the boys there. O, a jesuit
for your life, for diplomacy!

He reassumed the provincial's voice and repeated:

--I TOLD THEM ALL AT DINNER ABOUT IT AND FATHER DOLAN AND I AND ALL OF
US WE HAD A HEARTY LAUGH TOGETHER OVER IT. HA! HA! HA!


* * * * *


The night of the Whitsuntide play had come and Stephen from the window
of the dressing-room looked out on the small grass-plot across which
lines of Chinese lanterns were stretched. He watched the visitors come
down the steps from the house and pass into the theatre. Stewards in
evening dress, old Belvedereans, loitered in groups about the entrance
to the theatre and ushered in the visitors with ceremony. Under the
sudden glow of a lantern he could recognize the smiling face of a
priest.

The Blessed Sacrament had been removed from the tabernacle and the
first benches had been driven back so as to leave the dais of the altar
and the space before it free. Against the walls stood companies of
barbells and Indian clubs; the dumbbells were piled in one corner: and
in the midst of countless hillocks of gymnasium shoes and sweaters and
singlets in untidy brown parcels there stood the stout leather-
jacketed vaulting horse waiting its turn to be carried up on the stage
and set in the middle of the winning team at the end of the gymnastic
display.

Stephen, though in deference to his reputation for essay writing he had
been elected secretary to the gymnasium, had had no part in the first
section of the programme but in the play which formed the second
section he had the chief part, that of a farcical pedagogue. He had
been cast for it on account of his stature and grave manners for he was
now at the end of his second year at Belvedere and in number two.

A score of the younger boys in white knickers and singlets came
pattering down from the stage, through the vestry and to the chapel.
The vestry and chapel were peopled with eager masters and boys. The
plump bald sergeant major was testing with his foot the springboard of
the vaulting horse. The lean young man in a long overcoat, who was to
give a special display of intricate club swinging, stood near watching
with interest, his silver-coated clubs peeping out of his deep
side-pockets. The hollow rattle of the wooden dumbbells was heard as
another team made ready to go up on the stage: and in another moment the
excited prefect was hustling the boys through the vestry like a flock of
geese, flapping the wings of his soutane nervously and crying to the
laggards to make haste. A little troop of Neapolitan peasants were
practising their steps at the end of the chapel, some circling their arms
above their heads, some swaying their baskets of paper violets and
curtsying. In a dark corner of the chapel at the gospel side of the altar
a stout old lady knelt amid her copious black skirts. When she stood up a
pink-dressed figure, wearing a curly golden wig and an old-fashioned straw
sunbonnet, with black pencilled eyebrows and cheeks delicately rouged and
powdered, was discovered. A low murmur of curiosity ran round the chapel
at the discovery of this girlish figure. One of the prefects, smiling and
nodding his head, approached the dark corner and, having bowed to the
stout old lady, said pleasantly:

--Is this a beautiful young lady or a doll that you have here, Mrs
Tallon?

Then, bending down to peer at the smiling painted face under the leaf
of the bonnet, he exclaimed:

--No! Upon my word I believe it's little Bertie Tallon after all!

Stephen at his post by the window heard the old lady and the priest
laugh together and heard the boys' murmurs of admiration behind him as
they passed forward to see the little boy who had to dance the
sunbonnet dance by himself. A movement of impatience escaped him. He
let the edge of the blind fall and, stepping down from the bench on
which he had been standing, walked out of the chapel.

He passed out of the schoolhouse and halted under the shed that flanked
the garden. From the theatre opposite came the muffled noise of the
audience and sudden brazen clashes of the soldiers' band. The light
spread upwards from the glass roof making the theatre seem a festive
ark, anchored among the hulks of houses, her frail cables of lanterns
looping her to her moorings. A side door of the theatre opened suddenly
and a shaft of light flew across the grass plots. A sudden burst of
music issued from the ark, the prelude of a waltz: and when the side
door closed again the listener could hear the faint rhythm of the
music. The sentiment of the opening bars, their languor and supple
movement, evoked the incommunicable emotion which had been the cause of
all his day's unrest and of his impatient movement of a moment before.
His unrest issued from him like a wave of sound: and on the tide of
flowing music the ark was journeying, trailing her cables of lanterns
in her wake. Then a noise like dwarf artillery broke the movement. It
was the clapping that greeted the entry of the dumbbell team on the
stage.

At the far end of the shed near the street a speck of pink light showed
in the darkness and as he walked towards it he became aware of a faint
aromatic odour. Two boys were standing in the shelter of a doorway,
smoking, and before he reached them he had recognised Heron by his
voice.

--Here comes the noble Dedalus! cried a high throaty voice. Welcome to
our trusty friend!

This welcome ended in a soft peal of mirthless laughter as Heron
salaamed and then began to poke the ground with his cane.

--Here I am, said Stephen, halting and glancing from Heron to his
friend.

The latter was a stranger to him but in the darkness, by the aid of the
glowing cigarette tips, he could make out a pale dandyish face over
which a smile was travelling slowly, a tall overcoated figure and a
hard hat. Heron did not trouble himself about an introduction but said
instead:

--I was just telling my friend Wallis what a lark it would be tonight
if you took off the rector in the part of the schoolmaster. It would be
a ripping good joke.

Heron made a poor attempt to imitate for his friend Wallis the rector's
pedantic bass and then, laughing at his failure, asked Stephen to do
it.

--Go on, Dedalus, he urged, you can take him off rippingly. HE THAT WILL
NOT HEAR THE CHURCHA LET HIM BE TO THEEA AS THE HEATHENA AND THE
PUBLICANA.

The imitation was prevented by a mild expression of anger from Wallis
in whose mouthpiece the cigarette had become too tightly wedged.

--Damn this blankety blank holder, he said, taking it from his mouth
and smiling and frowning upon it tolerantly. It's always getting stuck
like that. Do you use a holder?

--I don't smoke, answered Stephen.

--No, said Heron, Dedalus is a model youth. He doesn't smoke and he
doesn't go to bazaars and he doesn't flirt and he doesn't damn anything
or damn all.

Stephen shook his head and smiled in his rival's flushed and mobile
face, beaked like a bird's. He had often thought it strange that
Vincent Heron had a bird's face as well as a bird's name. A shock of
pale hair lay on the forehead like a ruffled crest: the forehead was
narrow and bony and a thin hooked nose stood out between the close-set
prominent eyes which were light and inexpressive. The rivals were
school friends. They sat together in class, knelt together in the
chapel, talked together after beads over their lunches. As the fellows
in number one were undistinguished dullards, Stephen and Heron had been
during the year the virtual heads of the school. It was they who went
up to the rector together to ask for a free day or to get a fellow off.

--O by the way, said Heron suddenly, I saw your governor going in.

The smile waned on Stephen's face. Any allusion made to his father by a
fellow or by a master put his calm to rout in a moment. He waited in
timorous silence to hear what Heron might say next. Heron, however,
nudged him expressively with his elbow and said:

--You're a sly dog.

--Why so? said Stephen.

--You'd think butter wouldn't melt in your mouth said Heron. But I'm
afraid you're a sly dog.

--Might I ask you what you are talking about? said Stephen urbanely.

--Indeed you might, answered Heron. We saw her, Wallis, didn't we? And
deucedly pretty she is too. And inquisitive! AND WHAT PART DOES STEPHEN
TAKE, MR DEDALUS? AND WILL STEPHEN NOT SING, MR DEDALUS? Your governor
was staring at her through that eyeglass of his for all he was worth so
that I think the old man has found you out too. I wouldn't care a bit,
by Jove. She's ripping, isn't she, Wallis?

--Not half bad, answered Wallis quietly as he placed his holder once
more in a corner of his mouth.

A shaft of momentary anger flew through Stephen's mind at these
indelicate allusions in the hearing of a stranger. For him there was
nothing amusing in a girl's interest and regard. All day he had thought
of nothing but their leave-taking on the steps of the tram at Harold's
Cross, the stream of moody emotions it had made to course through him
and the poem he had written about it. All day he had imagined a new
meeting with her for he knew that she was to come to the play. The old
restless moodiness had again filled his breast as it had done on the
night of the party, but had not found an outlet in verse. The growth
and knowledge of two years of boyhood stood between then and now,
forbidding such an outlet: and all day the stream of gloomy tenderness
within him had started forth and returned upon itself in dark courses
and eddies, wearying him in the end until the pleasantry of the prefect
and the painted little boy had drawn from him a movement of impatience.

--So you may as well admit, Heron went on, that we've fairly found you
out this time. You can't play the saint on me any more, that's one sure
five.

A soft peal of mirthless laughter escaped from his lips and, bending
down as before, he struck Stephen lightly across the calf of the leg
with his cane, as if in jesting reproof.

Stephen's moment of anger had already passed. He was neither flattered
nor confused, but simply wished the banter to end. He scarcely resented
what had seemed to him a silly indelicateness for he knew that the
adventure in his mind stood in no danger from these words: and his face
mirrored his rival's false smile.

--Admit! repeated Heron, striking him again with his cane across the
calf of the leg.

The stroke was playful but not so lightly given as the first one had
been. Stephen felt the skin tingle and glow slightly and almost
painlessly; and, bowing submissively, as if to meet his companion's
jesting mood, began to recite the CONFITEOR. The episode ended well,
for both Heron and Wallis laughed indulgently at the irreverence.

The confession came only from Stephen's lips and, while they spoke the
words, a sudden memory had carried him to another scene called up, as
if by magic, at the moment when he had noted the faint cruel dimples at
the corners of Heron's smiling lips and had felt the familiar stroke of
the cane against his calf and had heard the familiar word of
admonition:

--Admit.

It was towards the close of his first term in the college when he was
in number six. His sensitive nature was still smarting under the lashes
of an undivined and squalid way of life. His soul was still disquieted
and cast down by the dull phenomenon of Dublin. He had emerged from a
two years' spell of revery to find himself in the midst of a new scene,
every event and figure of which affected him intimately, disheartened
him or allured and, whether alluring or disheartening, filled him
always with unrest and bitter thoughts. All the leisure which his
school life left him was passed in the company of subversive writers
whose jibes and violence of speech set up a ferment in his brain before
they passed out of it into his crude writings.

The essay was for him the chief labour of his week and every Tuesday,
as he marched from home to the school, he read his fate in the
incidents of the way, pitting himself against some figure ahead of him
and quickening his pace to outstrip it before a certain goal was
reached or planting his steps scrupulously in the spaces of the
patchwork of the pathway and telling himself that he would be first and
not first in the weekly essay.

On a certain Tuesday the course of his triumphs was rudely broken. Mr
Tate, the English master, pointed his finger at him and said bluntly:

--This fellow has heresy in his essay.

A hush fell on the class. Mr Tate did not break it but dug with his
hand between his thighs while his heavily starched linen creaked about
his neck and wrists. Stephen did not look up. It was a raw spring
morning and his eyes were still smarting and weak. He was conscious of
failure and of detection, of the squalor of his own mind and home, and
felt against his neck the raw edge of his turned and jagged collar.

A short loud laugh from Mr Tate set the class more at ease.

--Perhaps you didn't know that, he said.

--Where? asked Stephen.

Mr Tate withdrew his delving hand and spread out the essay.

--Here. It's about the Creator and the soul. Rrm...rrm...rrm...Ah! WITHOUT A
POSSIBILITY OF EVER APPROACHING NEARER. That's heresy.

Stephen murmured:

--I meant WITHOUT A POSSIBILITY OF EVER REACHING.

It was a submission and Mr Tate, appeased, folded up the essay and
passed it across to him, saying:

--O...Ah! EVER REACHING. That's another story.

But the class was not so soon appeased. Though nobody spoke to him of
the affair after class he could feel about him a vague general
malignant joy.

A few nights after this public chiding he was walking with a letter
along the Drumcondra Road when he heard a voice cry:

--Halt!

He turned and saw three boys of his own class coming towards him in the
dusk. It was Heron who had called out and, as he marched forward
between his two attendants, he cleft the air before him with a thin
cane in time to their steps. Boland, his friend, marched beside him, a
large grin on his face, while Nash came on a few steps behind, blowing
from the pace and wagging his great red head.

As soon as the boys had turned into Clonliffe Road together they began
to speak about books and writers, saying what books they were reading
and how many books there were in their fathers' bookcases at home.
Stephen listened to them in some wonderment for Boland was the dunce
and Nash the idler of the class. In fact, after some talk about their
favourite writers, Nash declared for Captain Marryat who, he said, was
the greatest writer.

--Fudge! said Heron. Ask Dedalus. Who is the greatest writer, Dedalus?

Stephen noted the mockery in the question and said:

--Of prose do you mean?

--Yes.

--Newman, I think.

--Is it Cardinal Newman? asked Boland.

--Yes, answered Stephen.

The grin broadened on Nash's freckled face as he turned to Stephen and
said:

--And do you like Cardinal Newman, Dedalus?

--O, many say that Newman has the best prose style, Heron said to the
other two in explanation, of course he's not a poet.

--And who is the best poet, Heron? asked Boland.

--Lord Tennyson, of course, answered Heron.

--O, yes, Lord Tennyson, said Nash. We have all his poetry at home in a
book.

At this Stephen forgot the silent vows he had been making and burst out:

--Tennyson a poet! Why, he's only a rhymester!

--O, get out! said Heron. Everyone knows that Tennyson is the greatest
poet.

--And who do you think is the greatest poet? asked Boland, nudging his
neighbour.

--Byron, of course, answered Stephen.

Heron gave the lead and all three joined in a scornful laugh.

--What are you laughing at? asked Stephen.

--You, said Heron. Byron the greatest poet! He's only a poet for
uneducated people.

--He must be a fine poet! said Boland.

--You may keep your mouth shut, said Stephen, turning on him boldly.
All you know about poetry is what you wrote up on the slates in the
yard and were going to be sent to the loft for.

Boland, in fact, was said to have written on the slates in the yard a
couplet about a classmate of his who often rode home from the college
on a pony:


As Tyson was riding into Jerusalem
He fell and hurt his Alec Kafoozelum.


This thrust put the two lieutenants to silence but Heron went on:

--In any case Byron was a heretic and immoral too.

--I don't care what he was, cried Stephen hotly.

--You don't care whether he was a heretic or not? said Nash.

--What do you know about it? shouted Stephen. You never read a line of
anything in your life except a trans, or Boland either.

--I know that Byron was a bad man, said Boland.

--Here, catch hold of this heretic, Heron called out. In a moment
Stephen was a prisoner.

--Tate made you buck up the other day, Heron went on, about the heresy
in your essay.

--I'll tell him tomorrow, said Boland.

--Will you? said Stephen. You'd be afraid to open your lips.

--Afraid?

--Ay. Afraid of your life.

--Behave yourself! cried Heron, cutting at Stephen's legs with his
cane.

It was the signal for their onset. Nash pinioned his arms behind while
Boland seized a long cabbage stump which was lying in the gutter.
Struggling and kicking under the cuts of the cane and the blows of the
knotty stump Stephen was borne back against a barbed wire fence.

--Admit that Byron was no good.

--No.

--Admit.

--No.

--Admit.

--No. No.

At last after a fury of plunges he wrenched himself free. His
tormentors set off towards Jones's Road, laughing and jeering at him,
while he, half blinded with tears, stumbled on, clenching his fists
madly and sobbing.

While he was still repeating the CONFITEOR amid the indulgent laughter
of his hearers and while the scenes of that malignant episode were
still passing sharply and swiftly before his mind he wondered why he
bore no malice now to those who had tormented him. He had not forgotten
a whit of their cowardice and cruelty but the memory of it called forth
no anger from him. All the descriptions of fierce love and hatred which
he had met in books had seemed to him therefore unreal. Even that night
as he stumbled homewards along Jones's Road he had felt that some power
was divesting him of that sudden-woven anger as easily as a fruit is
divested of its soft ripe peel.

He remained standing with his two companions at the end of the shed
listening idly to their talk or to the bursts of applause in the
theatre. She was sitting there among the others perhaps waiting for him
to appear. He tried to recall her appearance but could not. He could
remember only that she had worn a shawl about her head like a cowl and
that her dark eyes had invited and unnerved him. He wondered had he
been in her thoughts as she had been in his. Then in the dark and
unseen by the other two he rested the tips of the fingers of one hand
upon the palm of the other hand, scarcely touching it lightly. But the
pressure of her fingers had been lighter and steadier: and suddenly the
memory of their touch traversed his brain and body like an invisible
wave.

A boy came towards them, running along under the shed. He was excited
and breathless.

--O, Dedalus, he cried, Doyle is in a great bake about you. You're to
go in at once and get dressed for the play. Hurry up, you better.

--He's coming now, said Heron to the messenger with a haughty drawl,
when he wants to.

The boy turned to Heron and repeated:

--But Doyle is in an awful bake.

--Will you tell Doyle with my best compliments that I damned his eyes?
answered Heron.

--Well, I must go now, said Stephen, who cared little for such points
of honour.

--I wouldn't, said Heron, damn me if I would. That's no way to send
for one of the senior boys. In a bake, indeed! I think it's quite
enough that you're taking a part in his bally old play.

This spirit of quarrelsome comradeship which he had observed lately in
his rival had not seduced Stephen from his habits of quiet obedience.
He mistrusted the turbulence and doubted the sincerity of such
comradeship which seemed to him a sorry anticipation of manhood. The
question of honour here raised was, like all such questions, trivial to
him. While his mind had been pursuing its intangible phantoms and
turning in irresolution from such pursuit he had heard about him the
constant voices of his father and of his masters, urging him to be a
gentleman above all things and urging him to be a good catholic above all
things. These voices had now come to be hollow-sounding in his ears. When
the gymnasium had been opened he had heard another voice urging him to be
strong and manly and healthy and when the movement towards national
revival had begun to be felt in the college yet another voice had bidden
him be true to his country and help to raise up her language and
tradition. In the profane world, as he foresaw, a worldly voice would bid
him raise up his father's fallen state by his labours and, meanwhile, the
voice of his school comrades urged him to be a decent fellow, to shield
others from blame or to beg them off and to do his best to get free days
for the school. And it was the din of all these hollow-sounding voices
that made him halt irresolutely in the pursuit of phantoms. He gave them
ear only for a time but he was happy only when he was far from them,
beyond their call, alone or in the company of phantasmal comrades.

In the vestry a plump fresh-faced jesuit and an elderly man, in shabby
blue clothes, were dabbling in a case of paints and chalks. The boys
who had been painted walked about or stood still awkwardly, touching
their faces in a gingerly fashion with their furtive fingertips. In the
middle of the vestry a young jesuit, who was then on a visit to the
college, stood rocking himself rhythmically from the tips of his toes
to his heels and back again, his hands thrust well forward into his
side-pockets. His small head set off with glossy red curls and his
newly shaven face agreed well with the spotless decency of his soutane
and with his spotless shoes.

As he watched this swaying form and tried to read for himself the
legend of the priest's mocking smile there came into Stephen's memory a
saying which he had heard from his father before he had been sent to
Clongowes, that you could always tell a jesuit by the style of his
clothes. At the same moment he thought he saw a likeness between his
father's mind and that of this smiling well-dressed priest: and he was
aware of some desecration of the priest's office or of the vestry
itself whose silence was now routed by loud talk and joking and its air
pungent with the smells of the gas-jets and the grease.

While his forehead was being wrinkled and his jaws painted black and
blue by the elderly man, he listened distractedly to the voice of the
plump young jesuit which bade him speak up and make his points clearly.
He could hear the band playing THE LILY OF KILLARNEY and knew that in a
few moments the curtain would go up. He felt no stage fright but the
thought of the part he had to play humiliated him. A remembrance of
some of his lines made a sudden flush rise to his painted cheeks. He
saw her serious alluring eyes watching him from among the audience and
their image at once swept away his scruples, leaving his will compact.
Another nature seemed to have been lent him: the infection of the
excitement and youth about him entered into and transformed his moody
mistrustfulness. For one rare moment he seemed to be clothed in the
real apparel of boyhood: and, as he stood in the wings among the other
players, he shared the common mirth amid which the drop scene was
hauled upwards by two able-bodied priests with violent jerks and all awry.

A few moments after he found himself on the stage amid the garish gas
and the dim scenery, acting before the innumerable faces of the void.
It surprised him to see that the play which he had known at rehearsals
for a disjointed lifeless thing had suddenly assumed a life of its own.
It seemed now to play itself, he and his fellow actors aiding it with
their parts. When the curtain fell on the last scene he heard the void
filled with applause and, through a rift in a side scene, saw the
simple body before which he had acted magically deformed, the void of
faces breaking at all points and falling asunder into busy groups.

He left the stage quickly and rid himself of his mummery and passed out
through the chapel into the college garden. Now that the play was over
his nerves cried for some further adventure. He hurried onwards as if
to overtake it. The doors of the theatre were all open and the audience
had emptied out. On the lines which he had fancied the moorings of an
ark a few lanterns swung in the night breeze, flickering cheerlessly.
He mounted the steps from the garden in haste, eager that some prey
should not elude him, and forced his way through the crowd in the hall
and past the two jesuits who stood watching the exodus and bowing and
shaking hands with the visitors. He pushed onward nervously, feigning a
still greater haste and faintly conscious of the smiles and stares and
nudges which his powdered head left in its wake.

When he came out on the steps he saw his family waiting for him at the
first lamp. In a glance he noted that every figure of the group was
familiar and ran down the steps angrily.

--I have to leave a message down in George's Street, he said to his
father quickly. I'll be home after you.

Without waiting for his father's questions he ran across the road and
began to walk at breakneck speed down the hill. He hardly knew where he
was walking. Pride and hope and desire like crushed herbs in his heart
sent up vapours of maddening incense before the eyes of his mind. He
strode down the hill amid the tumult of sudden-risen vapours of wounded
pride and fallen hope and baffled desire. They streamed upwards before
his anguished eyes in dense and maddening fumes and passed away above
him till at last the air was clear and cold again.

A film still veiled his eyes but they burned no longer. A power, akin
to that which had often made anger or resentment fall from him, brought
his steps to rest. He stood still and gazed up at the sombre porch of
the morgue and from that to the dark cobbled laneway at its side. He
saw the word LOTTS on the wall of the lane and breathed slowly the rank
heavy air.

That is horse piss and rotted straw, he thought. It is a good odour to
breathe. It will calm my heart. My heart is quite calm now. I will go
back.

* * * * *

Stephen was once again seated beside his father in the corner of a
railway carriage at Kingsbridge. He was travelling with his father by
the night mail to Cork. As the train steamed out of the station he
recalled his childish wonder of years before and every event of his
first day at Clongowes. But he felt no wonder now. He saw the darkening
lands slipping away past him, the silent telegraph-poles passing his
window swiftly every four seconds, the little glimmering stations,
manned by a few silent sentries, flung by the mail behind her and
twinkling for a moment in the darkness like fiery grains flung
backwards by a runner.

He listened without sympathy to his father's evocation of Cork and of
scenes of his youth, a tale broken by sighs or draughts from his pocket
flask whenever the image of some dead friend appeared in it or whenever
the evoker remembered suddenly the purpose of his actual visit. Stephen
heard but could feel no pity. The images of the dead were all strangers
to him save that of uncle Charles, an image which had lately been
fading out of memory. He knew, however, that his father's property was
going to be sold by auction, and in the manner of his own dispossession
he felt the world give the lie rudely to his phantasy.

At Maryborough he fell asleep. When he awoke the train had passed out
of Mallow and his father was stretched asleep on the other seat. The
cold light of the dawn lay over the country, over the unpeopled fields
and the closed cottages. The terror of sleep fascinated his mind as he
watched the silent country or heard from time to time his father's deep
breath or sudden sleepy movement. The neighbourhood of unseen sleepers
filled him with strange dread, as though they could harm him, and he
prayed that the day might come quickly. His prayer, addressed neither
to God nor saint, began with a shiver, as the chilly morning breeze
crept through the chink of the carriage door to his feet, and ended in
a trail of foolish words which he made to fit the insistent rhythm of
the train; and silently, at intervals of four seconds, the
telegraph-poles held the galloping notes of the music between punctual
bars. This furious music allayed his dread and, leaning against the
windowledge, he let his eyelids close again.

They drove in a jingle across Cork while it was still early morning and
Stephen finished his sleep in a bedroom of the Victoria Hotel. The
bright warm sunlight was streaming through the window and he could hear
the din of traffic. His father was standing before the dressing-table,
examining his hair and face and moustache with great care, craning his
neck across the water-jug and drawing it back sideways to see the better.
While he did so he sang softly to himself with quaint accent and phrasing:


    'Tis youth and folly
    Makes young men marry,
    So here, my love, I'll
    No longer stay.
    What can't be cured, sure,
    Must be injured, sure,
    So I'll go to
    Amerikay.

    My love she's handsome,
    My love she's bony:
    She's like good whisky
    When it is new;
    But when 'tis old
    And growing cold
    It fades and dies like
    The mountain dew.


The consciousness of the warm sunny city outside his window and the
tender tremors with which his father's voice festooned the strange sad
happy air, drove off all the mists of the night's ill humour from
Stephen's brain. He got up quickly to dress and, when the song had
ended, said:

--That's much prettier than any of your other COME-ALL-YOUS.

--Do you think so? asked Mr Dedalus.

--I like it, said Stephen.

--It's a pretty old air, said Mr Dedalus, twirling the points of his
moustache. Ah, but you should have heard Mick Lacy sing it! Poor Mick
Lacy! He had little turns for it, grace notes that he used to put in
that I haven't got. That was the boy who could sing a COME-ALL-YOU, if
you like.

Mr Dedalus had ordered drisheens for breakfast and during the meal he
cross-examined the waiter for local news. For the most part they spoke
at cross purposes when a name was mentioned, the waiter having in mind
the present holder and Mr Dedalus his father or perhaps his
grandfather.

--Well, I hope they haven't moved the Queen's College anyhow, said Mr
Dedalus, for I want to show it to this youngster of mine.

Along the Mardyke the trees were in bloom. They entered the grounds of
the college and were led by the garrulous porter across the quadrangle.
But their progress across the gravel was brought to a halt after every
dozen or so paces by some reply of the porter's.

--Ah, do you tell me so? And is poor Pottlebelly dead?

--Yes, sir. Dead, sir.

During these halts Stephen stood awkwardly behind the two men, weary of
the subject and waiting restlessly for the slow march to begin again.
By the time they had crossed the quadrangle his restlessness had risen
to fever. He wondered how his father, whom he knew for a shrewd
suspicious man, could be duped by the servile manners of the porter;
and the lively southern speech which had entertained him all the
morning now irritated his ears.

They passed into the anatomy theatre where Mr Dedalus, the porter
aiding him, searched the desks for his initials. Stephen remained in
the background, depressed more than ever by the darkness and silence of
the theatre and by the air it wore of jaded and formal study. On the
desk he read the word FOETUS cut several times in the dark stained
wood. The sudden legend startled his blood: he seemed to feel the
absent students of the college about him and to shrink from their
company. A vision of their life, which his father's words had been
powerless to evoke, sprang up before him out of the word cut in the
desk. A broad-shouldered student with a moustache was cutting in the
letters with a jack-knife, seriously. Other students stood or sat near
him laughing at his handiwork. One jogged his elbow. The big student
turned on him, frowning. He was dressed in loose grey clothes and had
tan boots.

Stephen's name was called. He hurried down the steps of the theatre so
as to be as far away from the vision as he could be and, peering
closely at his father's initials, hid his flushed face.

But the word and the vision capered before his eyes as he walked back
across the quadrangle and towards the college gate. It shocked him to
find in the outer world a trace of what he had deemed till then a
brutish and individual malady of his own mind. His monstrous reveries
came thronging into his memory. They too had sprung up before him,
suddenly and furiously, out of mere words. He had soon given in to them
and allowed them to sweep across and abase his intellect, wondering
always where they came from, from what den of monstrous images, and
always weak and humble towards others, restless and sickened of himself
when they had swept over him.

--Ay, bedad! And there's the Groceries sure enough! cried Mr Dedalus.
You often heard me speak of the Groceries, didn't you, Stephen. Many's
the time we went down there when our names had been marked, a crowd of
us, Harry Peard and little Jack Mountain and Bob Dyas and Maurice
Moriarty, the Frenchman, and Tom O'Grady and Mick Lacy that I told you
of this morning and Joey Corbet and poor little good-hearted Johnny
Keevers of the Tantiles.

The leaves of the trees along the Mardyke were astir and whispering in
the sunlight. A team of cricketers passed, agile young men in flannels
and blazers, one of them carrying the long green wicket-bag. In a quiet
bystreet a German band of five players in faded uniforms and with
battered brass instruments was playing to an audience of street arabs
and leisurely messenger boys. A maid in a white cap and apron was
watering a box of plants on a sill which shone like a slab of limestone
in the warm glare. From another window open to the air came the sound
of a piano, scale after scale rising into the treble.

Stephen walked on at his father's side, listening to stories he had
heard before, hearing again the names of the scattered and dead
revellers who had been the companions of his father's youth. And a
faint sickness sighed in his heart.

He recalled his own equivocal position in Belvedere, a free boy, a
leader afraid of his own authority, proud and sensitive and suspicious,
battling against the squalor of his life and against the riot of his
mind. The letters cut in the stained wood of the desk stared upon him,
mocking his bodily weakness and futile enthusiasms and making him
loathe himself for his own mad and filthy orgies. The spittle in his
throat grew bitter and foul to swallow and the faint sickness climbed
to his brain so that for a moment he closed his eyes and walked on in
darkness.

He could still hear his father's voice--

--When you kick out for yourself, Stephen--as I daresay you will one
of these days--remember, whatever you do, to mix with gentlemen. When
I was a young fellow I tell you I enjoyed myself. I mixed with fine
decent fellows. Everyone of us could do something. One fellow had a
good voice, another fellow was a good actor, another could sing a good
comic song, another was a good oarsman or a good racket player, another
could tell a good story and so on. We kept the ball rolling anyhow and
enjoyed ourselves and saw a bit of life and we were none the worse of
it either. But we were all gentlemen, Stephen--at least I hope we were--and
bloody good honest Irishmen too. That's the kind of fellows I want
you to associate with, fellows of the right kidney. I'm talking to
you as a friend, Stephen. I don't believe a son should be afraid of his
father. No, I treat you as your grandfather treated me when I was a
young chap. We were more like brothers than father and son. I'll never
forget the first day he caught me smoking. I was standing at the end of
the South Terrace one day with some maneens like myself and sure we
thought we were grand fellows because we had pipes stuck in the corners
of our mouths. Suddenly the governor passed. He didn't say a word, or
stop even. But the next day, Sunday, we were out for a walk together
and when we were coming home he took out his cigar case and said:--By
the by, Simon, I didn't know you smoked, or something like that.--Of
course I tried to carry it off as best I could.--If you want a good
smoke, he said, try one of these cigars. An American captain made me a
present of them last night in Queenstown.

Stephen heard his father's voice break into a laugh which was almost a
sob.

--He was the handsomest man in Cork at that time, by God he was! The
women used to stand to look after him in the street.

He heard the sob passing loudly down his father's throat and opened his
eyes with a nervous impulse. The sunlight breaking suddenly on his
sight turned the sky and clouds into a fantastic world of sombre masses
with lakelike spaces of dark rosy light. His very brain was sick and
powerless. He could scarcely interpret the letters of the signboards of
the shops. By his monstrous way of life he seemed to have put himself
beyond the limits of reality. Nothing moved him or spoke to him from
the real world unless he heard in it an echo of the infuriated cries
within him. He could respond to no earthly or human appeal, dumb and
insensible to the call of summer and gladness and companionship,
wearied and dejected by his father's voice. He could scarcely recognize
as his own thoughts, and repeated slowly to himself:

--I am Stephen Dedalus. I am walking beside my father whose name is
Simon Dedalus. We are in Cork, in Ireland. Cork is a city. Our room is
in the Victoria Hotel. Victoria and Stephen and Simon. Simon and
Stephen and Victoria. Names.

The memory of his childhood suddenly grew dim. He tried to call forth
some of its vivid moments but could not. He recalled only names. Dante,
Parnell, Clane, Clongowes. A little boy had been taught geography by an
old woman who kept two brushes in her wardrobe. Then he had been sent
away from home to a college, he had made his first communion and eaten
slim jim out of his cricket cap and watched the firelight leaping and
dancing on the wall of a little bedroom in the infirmary and dreamed of
being dead, of mass being said for him by the rector in a black and
gold cope, of being buried then in the little graveyard of the
community off the main avenue of limes. But he had not died then.
Parnell had died. There had been no mass for the dead in the chapel and
no procession. He had not died but he had faded out like a film in the
sun. He had been lost or had wandered out of existence for he no longer
existed. How strange to think of him passing out of existence in such a
way, not by death but by fading out in the sun or by being lost and
forgotten somewhere in the universe! It was strange to see his small
body appear again for a moment: a little boy in a grey belted suit. His
hands were in his side-pockets and his trousers were tucked in at the
knees by elastic bands.

On the evening of the day on which the property was sold Stephen
followed his father meekly about the city from bar to bar. To the
sellers in the market, to the barmen and barmaids, to the beggars who
importuned him for a lob Mr Dedalus told the same tale--that he was an
old Corkonian, that he had been trying for thirty years to get rid of
his Cork accent up in Dublin and that Peter Pickackafax beside him was
his eldest son but that he was only a Dublin jackeen.

They had set out early in the morning from Newcombe's coffee-house,
where Mr Dedalus's cup had rattled noisily against its saucer, and
Stephen had tried to cover that shameful sign of his father's drinking
bout of the night before by moving his chair and coughing. One
humiliation had succeeded another--the false smiles of the market
sellers, the curvetings and oglings of the barmaids with whom his
father flirted, the compliments and encouraging words of his father's
friends. They had told him that he had a great look of his grandfather
and Mr Dedalus had agreed that he was an ugly likeness. They had
unearthed traces of a Cork accent in his speech and made him admit that
the Lee was a much finer river than the Liffey. One of them, in order
to put his Latin to the proof, had made him translate short passages
from Dilectus and asked him whether it was correct to say: TEMPORA
MUTANTUR NOS ET MUTAMUR IN ILLIS or TEMPORA MUTANTUR ET NOS MUTAMUR IN
ILLIS. Another, a brisk old man, whom Mr Dedalus called Johnny Cashman,
had covered him with confusion by asking him to say which were
prettier, the Dublin girls or the Cork girls.

--He's not that way built, said Mr Dedalus. Leave him alone. He's a
level-headed thinking boy who doesn't bother his head about that kind
of nonsense.

--Then he's not his father's son, said the little old man.

--I don't know, I'm sure, said Mr Dedalus, smiling complacently.

--Your father, said the little old man to Stephen, was the boldest flirt
in the City of Cork in his day. Do you know that?

Stephen looked down and studied the tiled floor of the bar into which
they had drifted.

--Now don't be putting ideas into his head, said Mr Dedalus. Leave him
to his Maker.

--Yerra, sure I wouldn't put any ideas into his head. I'm old enough
to be his grandfather. And I am a grandfather, said the little old man
to Stephen. Do you know that?

--Are you? asked Stephen.

--Bedad I am, said the little old man. I have two bouncing
grandchildren out at Sunday's Well. Now, then! What age do you think I
am? And I remember seeing your grandfather in his red coat riding out
to hounds. That was before you were born.

--Ay, or thought of, said Mr Dedalus.

--Bedad I did, repeated the little old man. And, more than that, I can
remember even your great-grandfather, old John Stephen Dedalus, and a
fierce old fire-eater he was. Now, then! There's a memory for you!

--That's three generations--four generations, said another of the
company. Why, Johnny Cashman, you must be nearing the century.

--Well, I'll tell you the truth, said the little old man. I'm just
twenty-seven years of age.

--We're as old as we feel, Johnny, said Mr Dedalus. And just finish
what you have there and we'll have another. Here, Tim or Tom or
whatever your name is, give us the same again here. By God, I don't
feel more than eighteen myself. There's that son of mine there not half
my age and I'm a better man than he is any day of the week.

--Draw it mild now, Dedalus. I think it's time for you to take a back
seat, said the gentleman who had spoken before.

--No, by God! asserted Mr Dedalus. I'll sing a tenor song against him
or I'll vault a five-barred gate against him or I'll run with him after
the hounds across the country as I did thirty years ago along with the
Kerry Boy and the best man for it.

--But he'll beat you here, said the little old man, tapping his
forehead and raising his glass to drain it.

--Well, I hope he'll be as good a man as his father. That's all I can
say, said Mr Dedalus.

--If he is, he'll do, said the little old man.

--And thanks be to God, Johnny, said Mr Dedalus, that we lived so long
and did so little harm.

--But did so much good, Simon, said the little old man gravely. Thanks
be to God we lived so long and did so much good.

Stephen watched the three glasses being raised from the counter as his
father and his two cronies drank to the memory of their past. An abyss
of fortune or of temperament sundered him from them. His mind seemed
older than theirs: it shone coldly on their strifes and happiness and
regrets like a moon upon a younger earth. No life or youth stirred in
him as it had stirred in them. He had known neither the pleasure of
companionship with others nor the vigour of rude male health nor filial
piety. Nothing stirred within his soul but a cold and cruel and
loveless lust. His childhood was dead or lost and with it his soul
capable of simple joys and he was drifting amid life like the barren
shell of the moon.


Art thou pale for weariness
Of climbing heaven and gazing on the earth,
Wandering companionless... ?


He repeated to himself the lines of Shelley's fragment. Its alternation
of sad human ineffectiveness with vast inhuman cycles of activity
chilled him and he forgot his own human and ineffectual grieving.


* * * * *


Stephen's mother and his brother and one of his cousins waited at the
corner of quiet Foster Place while he and his father went up the steps
and along the colonnade where the Highland sentry was parading. When
they had passed into the great hall and stood at the counter Stephen
drew forth his orders on the governor of the bank of Ireland for thirty
and three pounds; and these sums, the moneys of his exhibition and
essay prize, were paid over to him rapidly by the teller in notes and
in coin respectively. He bestowed them in his pockets with feigned
composure and suffered the friendly teller, to whom his father chatted,
to take his hand across the broad counter and wish him a brilliant
career in after life. He was impatient of their voices and could not
keep his feet at rest. But the teller still deferred the serving of
others to say he was living in changed times and that there was nothing
like giving a boy the best education that money could buy. Mr Dedalus
lingered in the hall gazing about him and up at the roof and telling
Stephen, who urged him to come out, that they were standing in the
house of commons of the old Irish parliament.

--God help us! he said piously, to think of the men of those times,
Stephen, Hely Hutchinson and Flood and Henry Grattan and Charles Kendal
Bushe, and the noblemen we have now, leaders of the Irish people at
home and abroad. Why, by God, they wouldn't be seen dead in a ten-acre
field with them. No, Stephen, old chap, I'm sorry to say that they are
only as I roved out one fine May morning in the merry month of sweet
July.

A keen October wind was blowing round the bank. The three figures
standing at the edge of the muddy path had pinched cheeks and watery
eyes. Stephen looked at his thinly clad mother and remembered that a
few days before he had seen a mantle priced at twenty guineas in the
windows of Barnardo's.

--Well that's done, said Mr Dedalus.

--We had better go to dinner, said Stephen. Where?

--Dinner? said Mr Dedalus. Well, I suppose we had better, what?

--Some place that's not too dear, said Mrs Dedalus.

--Underdone's?

--Yes. Some quiet place.

--Come along, said Stephen quickly. It doesn't matter about the
dearness.

He walked on before them with short nervous steps, smiling. They tried
to keep up with him, smiling also at his eagerness.

--Take it easy like a good young fellow, said his father. We're not
out for the half mile, are we?

For a swift season of merrymaking the money of his prizes ran through
Stephen's fingers. Great parcels of groceries and delicacies and dried
fruits arrived from the city. Every day he drew up a bill of fare for
the family and every night led a party of three or four to the theatre
to see INGOMAR or THE LADY OF LYONS. In his coat pockets he carried
squares of Vienna chocolate for his guests while his trousers' pocket
bulged with masses of silver and copper coins. He bought presents for
everyone, overhauled his room, wrote out resolutions, marshalled his
books up and down their shelves, pored upon all kinds of price lists,
drew up a form of commonwealth for the household by which every member
of it held some office, opened a loan bank for his family and pressed
loans on willing borrowers so that he might have the pleasure of making
out receipts and reckoning the interests on the sums lent. When he
could do no more he drove up and down the city in trams. Then the
season of pleasure came to an end. The pot of pink enamel paint gave out
and the wainscot of his bedroom remained with its unfinished and
ill-plastered coat.

His household returned to its usual way of life. His mother had no
further occasion to upbraid him for squandering his money. He too
returned to his old life at school and all his novel enterprises fell
to pieces. The commonwealth fell, the loan bank closed its coffers and
its books on a sensible loss, the rules of life which he had drawn
about himself fell into desuetude.

How foolish his aim had been! He had tried to build a break-water of
order and elegance against the sordid tide of life without him and to
dam up, by rules of conduct and active interest and new filial
relations, the powerful recurrence of the tides within him. Useless.
From without as from within the waters had flowed over his barriers:
their tides began once more to jostle fiercely above the crumbled mole.

He saw clearly too his own futile isolation. He had not gone one step
nearer the lives he had sought to approach nor bridged the restless
shame and rancour that had divided him from mother and brother and
sister. He felt that he was hardly of the one blood with them but stood
to them rather in the mystical kinship of fosterage, fosterchild and
fosterbrother.

He turned to appease the fierce longings of his heart before which
everything else was idle and alien. He cared little that he was in
mortal sin, that his life had grown to be a tissue of subterfuge and
falsehood. Beside the savage desire within him to realize the
enormities which he brooded on nothing was sacred. He bore cynically
with the shameful details of his secret riots in which he exulted to
defile with patience whatever image had attracted his eyes. By day and
by night he moved among distorted images of the outer world. A figure
that had seemed to him by day demure and innocent came towards him by
night through the winding darkness of sleep, her face transfigured by a
lecherous cunning, her eyes bright with brutish joy. Only the morning
pained him with its dim memory of dark orgiastic riot, its keen and
humiliating sense of transgression.

He returned to his wanderings. The veiled autumnal evenings led him
from street to street as they had led him years before along the quiet
avenues of Blackrock. But no vision of trim front gardens or of kindly
lights in the windows poured a tender influence upon him now. Only at
times, in the pauses of his desire, when the luxury that was wasting
him gave room to a softer languor, the image of Mercedes traversed the
background of his memory. He saw again the small white house and the
garden of rose-bushes on the road that led to the mountains and he
remembered the sadly proud gesture of refusal which he was to make
there, standing with her in the moonlit garden after years of
estrangement and adventure. At those moments the soft speeches of
Claude Melnotte rose to his lips and eased his unrest. A tender
premonition touched him of the tryst he had then looked forward to and,
in spite of the horrible reality which lay between his hope of then and
now, of the holy encounter he had then imagined at which weakness and
timidity and inexperience were to fall from him.

Such moments passed and the wasting fires of lust sprang up again. The
verses passed from his lips and the inarticulate cries and the unspoken
brutal words rushed forth from his brain to force a passage. His blood
was in revolt. He wandered up and down the dark slimy streets peering
into the gloom of lanes and doorways, listening eagerly for any sound.
He moaned to himself like some baffled prowling beast. He wanted to sin
with another of his kind, to force another being to sin with him and to
exult with her in sin. He felt some dark presence moving irresistibly
upon him from the darkness, a presence subtle and murmurous as a flood
filling him wholly with itself. Its murmur besieged his ears like the
murmur of some multitude in sleep; its subtle streams penetrated his
being. His hands clenched convulsively and his teeth set together as he
suffered the agony of its penetration. He stretched out his arms in the
street to hold fast the frail swooning form that eluded him and incited
him: and the cry that he had strangled for so long in his throat issued
from his lips. It broke from him like a wail of despair from a hell of
sufferers and died in a wail of furious entreaty, a cry for an
iniquitous abandonment, a cry which was but the echo of an obscene
scrawl which he had read on the oozing wall of a urinal.

He had wandered into a maze of narrow and dirty streets. From the foul
laneways he heard bursts of hoarse riot and wrangling and the drawling
of drunken singers. He walked onward, dismayed, wondering whether he
had strayed into the quarter of the Jews. Women and girls dressed in
long vivid gowns traversed the street from house to house. They were
leisurely and perfumed. A trembling seized him and his eyes grew dim.
The yellow gas-flames arose before his troubled vision against the
vapoury sky, burning as if before an altar. Before the doors and in the
lighted halls groups were gathered arrayed as for some rite. He was in
another world: he had awakened from a slumber of centuries.

He stood still in the middle of the roadway, his heart clamouring
against his bosom in a tumult. A young woman dressed in a long pink
gown laid her hand on his arm to detain him and gazed into his face.
She said gaily:

--Good night, Willie dear!

Her room was warm and lightsome. A huge doll sat with her legs apart in
the copious easy-chair beside the bed. He tried to bid his tongue speak
that he might seem at ease, watching her as she undid her gown, noting
the proud conscious movements of her perfumed head.

As he stood silent in the middle of the room she came over to him and
embraced him gaily and gravely. Her round arms held him firmly to her
and he, seeing her face lifted to him in serious calm and feeling the
warm calm rise and fall of her breast, all but burst into hysterical
weeping. Tears of joy and relief shone in his delighted eyes and his
lips parted though they would not speak.

She passed her tinkling hand through his hair, calling him a little
rascal.

--Give me a kiss, she said.

His lips would not bend to kiss her. He wanted to be held firmly in her
arms, to be caressed slowly, slowly, slowly. In her arms he felt that
he had suddenly become strong and fearless and sure of himself. But his
lips would not bend to kiss her.

With a sudden movement she bowed his head and joined her lips to his
and he read the meaning of her movements in her frank uplifted eyes. It
was too much for him. He closed his eyes, surrendering himself to her,
body and mind, conscious of nothing in the world but the dark pressure
of her softly parting lips. They pressed upon his brain as upon his
lips as though they were the vehicle of a vague speech; and between
them he felt an unknown and timid pressure, darker than the swoon of
sin, softer than sound or odour.

Chapter 3


The swift December dusk had come tumbling clownishly after its dull day
and, as he stared through the dull square of the window of the
schoolroom, he felt his belly crave for its food. He hoped there would
be stew for dinner, turnips and carrots and bruised potatoes and fat
mutton pieces to be ladled out in thick peppered flour-fattened sauce.
Stuff it into you, his belly counselled him.

It would be a gloomy secret night. After early nightfall the yellow
lamps would light up, here and there, the squalid quarter of the
brothels. He would follow a devious course up and down the streets,
circling always nearer and nearer in a tremor of fear and joy, until
his feet led him suddenly round a dark corner. The whores would be just
coming out of their houses making ready for the night, yawning lazily
after their sleep and settling the hairpins in their clusters of hair.
He would pass by them calmly waiting for a sudden movement of his own
will or a sudden call to his sin-loving soul from their soft perfumed
flesh. Yet as he prowled in quest of that call, his senses, stultified
only by his desire, would note keenly all that wounded or shamed them;
his eyes, a ring of porter froth on a clothless table or a photograph
of two soldiers standing to attention or a gaudy playbill; his ears,
the drawling jargon of greeting:

--Hello, Bertie, any good in your mind?

--Is that you, pigeon?

--Number ten. Fresh Nelly is waiting on you.

--Good night, husband! Coming in to have a short time?

The equation on the page of his scribbler began to spread out a
widening tail, eyed and starred like a peacock's; and, when the eyes
and stars of its indices had been eliminated, began slowly to fold
itself together again. The indices appearing and disappearing were eyes
opening and closing; the eyes opening and closing were stars being born
and being quenched. The vast cycle of starry life bore his weary mind
outward to its verge and inward to its centre, a distant music
accompanying him outward and inward. What music? The music came nearer
and he recalled the words, the words of Shelley's fragment upon the
moon wandering companionless, pale for weariness. The stars began to
crumble and a cloud of fine stardust fell through space.

The dull light fell more faintly upon the page whereon another equation
began to unfold itself slowly and to spread abroad its widening tail.
It was his own soul going forth to experience, unfolding itself sin by
sin, spreading abroad the bale-fire of its burning stars and folding
back upon itself, fading slowly, quenching its own lights and fires.
They were quenched: and the cold darkness filled chaos.

A cold lucid indifference reigned in his soul. At his first violent sin
he had felt a wave of vitality pass out of him and had feared to find
his body or his soul maimed by the excess. Instead the vital wave had
carried him on its bosom out of himself and back again when it receded:
and no part of body or soul had been maimed but a dark peace had been
established between them. The chaos in which his ardour extinguished
itself was a cold indifferent knowledge of himself. He had sinned
mortally not once but many times and he knew that, while he stood in
danger of eternal damnation for the first sin alone, by every
succeeding sin he multiplied his guilt and his punishment. His days and
works and thoughts could make no atonement for him, the fountains of
sanctifying grace having ceased to refresh his soul. At most, by an
alms given to a beggar whose blessing he fled from, he might hope
wearily to win for himself some measure of actual grace. Devotion had
gone by the board. What did it avail to pray when he knew that his soul
lusted after its own destruction? A certain pride, a certain awe,
withheld him from offering to God even one prayer at night, though he
knew it was in God's power to take away his life while he slept and
hurl his soul hellward ere he could beg for mercy. His pride in his own
sin, his loveless awe of God, told him that his offence was too
grievous to be atoned for in whole or in part by a false homage to the
All-seeing and All-knowing.

--Well now, Ennis, I declare you have a head and so has my stick! Do
you mean to say that you are not able to tell me what a surd is?

The blundering answer stirred the embers of his contempt of his
fellows. Towards others he felt neither shame nor fear. On Sunday
mornings as he passed the church door he glanced coldly at the
worshippers who stood bareheaded, four deep, outside the church,
morally present at the mass which they could neither see nor hear.
Their dull piety and the sickly smell of the cheap hair-oil with which
they had anointed their heads repelled him from the altar they prayed
at. He stooped to the evil of hypocrisy with others, sceptical of their
innocence which he could cajole so easily.

On the wall of his bedroom hung an illuminated scroll, the certificate
of his prefecture in the college of the sodality of the Blessed Virgin
Mary. On Saturday mornings when the sodality met in the chapel to
recite the little office his place was a cushioned kneeling-desk at the
right of the altar from which he led his wing of boys through the
responses. The falsehood of his position did not pain him. If at
moments he felt an impulse to rise from his post of honour and,
confessing before them all his unworthiness, to leave the chapel, a
glance at their faces restrained him. The imagery of the psalms of
prophecy soothed his barren pride. The glories of Mary held his soul
captive: spikenard and myrrh and frankincense, symbolizing her royal
lineage, her emblems, the late-flowering plant and late-blossoming
tree, symbolizing the age-long gradual growth of her cultus among men.
When it fell to him to read the lesson towards the close of the office
he read it in a veiled voice, lulling his conscience to its music.


QUASI CEDRUS EXALTATA SUM IN LIBANON ET QUASI CUPRESSUS IN MONTE SION.
QUASI PALMA EXALTATA SUM IN GADES ET QUASI PLANTATIO ROSAE IN JERICHO.
QUASI ULIVA SPECIOSA IN CAMPIS ET QUASI PLATANUS EXALTATA SUM JUXTA
AQUAM IN PLATEIS. SICUT CINNAMOMUM ET BALSAMUM AROMATIZANS ODOREM DEDI
ET QUASI MYRRHA ELECTA DEDI SUAVITATEM ODORIS.


His sin, which had covered him from the sight of God, had led him
nearer to the refuge of sinners. Her eyes seemed to regard him with
mild pity; her holiness, a strange light glowing faintly upon her frail
flesh, did not humiliate the sinner who approached her. If ever he was
impelled to cast sin from him and to repent the impulse that moved him
was the wish to be her knight. If ever his soul, re-entering her
dwelling shyly after the frenzy of his body's lust had spent itself,
was turned towards her whose emblem is the morning star, BRIGHT AND
MUSICAL, TELLING OF HEAVEN AND INFUSING PEACE, it was when her names
were murmured softly by lips whereon there still lingered foul and
shameful words, the savour itself of a lewd kiss.

That was strange. He tried to think how it could be. But the dusk,
deepening in the schoolroom, covered over his thoughts. The bell rang.
The master marked the sums and cuts to be done for the next lesson and
went out. Heron, beside Stephen, began to hum tunelessly.


MY EXCELLENT FRIEND BOMBADOS.


Ennis, who had gone to the yard, came back, saying:

--The boy from the house is coming up for the rector.

A tall boy behind Stephen rubbed his hands and said:

--That's game ball. We can scut the whole hour. He won't be in till
after half two. Then you can ask him questions on the catechism,
Dedalus.

Stephen, leaning back and drawing idly on his scribbler, listened to
the talk about him which Heron checked from time to time by saying:

--Shut up, will you. Don't make such a bally racket!

It was strange too that he found an arid pleasure in following up to
the end the rigid lines of the doctrines of the church and penetrating
into obscure silences only to hear and feel the more deeply his own
condemnation. The sentence of saint James which says that he who
offends against one commandment becomes guilty of all, had seemed to him
first a swollen phrase until he had begun to grope in the darkness
of his own state. From the evil seed of lust all other deadly
sins had sprung forth: pride in himself and contempt of others,
covetousness in using money for the purchase of unlawful pleasures,
envy of those whose vices he could not reach to and calumnious
murmuring against the pious, gluttonous enjoyment of food,
the dull glowering anger amid which he brooded upon his longing, the
swamp of spiritual and bodily sloth in which his whole being had sunk.

As he sat in his bench gazing calmly at the rector's shrewd harsh face,
his mind wound itself in and out of the curious questions proposed to
it. If a man had stolen a pound in his youth and had used that pound to
amass a huge fortune how much was he obliged to give back, the pound he
had stolen only or the pound together with the compound interest
accruing upon it or all his huge fortune? If a layman in giving baptism
pour the water before saying the words is the child baptized? Is
baptism with a mineral water valid? How comes it that while the first
beatitude promises the kingdom of heaven to the poor of heart the
second beatitude promises also to the meek that they shall possess the
land? Why was the sacrament of the eucharist instituted under the two
species of bread and wine if Jesus Christ be present body and blood,
soul and divinity, in the bread alone and in the wine alone? Does a
tiny particle of the consecrated bread contain all the body and blood
of Jesus Christ or a part only of the body and blood? If the wine
change into vinegar and the host crumble into corruption after they
have been consecrated, is Jesus Christ still present under their
species as God and as man?

--Here he is! Here he is!

A boy from his post at the window had seen the rector come from the
house. All the catechisms were opened and all heads bent upon them
silently. The rector entered and took his seat on the dais. A gentle
kick from the tall boy in the bench behind urged Stephen to ask a
difficult question.

The rector did not ask for a catechism to hear the lesson from. He
clasped his hands on the desk and said:

--The retreat will begin on Wednesday afternoon in honour of saint
Francis Xavier whose feast day is Saturday. The retreat will go on from
Wednesday to Friday. On Friday confession will be heard all the
afternoon after beads. If any boys have special confessors perhaps it
will be better for them not to change. Mass will be on Saturday morning
at nine o'clock and general communion for the whole college. Saturday
will be a free day. But Saturday and Sunday being free days some boys
might be inclined to think that Monday is a free day also. Beware of
making that mistake. I think you, Lawless, are likely to make that
mistake.

--I sir? Why, sir?

A little wave of quiet mirth broke forth over the class of boys from
the rector's grim smile. Stephen's heart began slowly to fold and fade
with fear like a withering flower.

The rector went on gravely:

--You are all familiar with the story of the life of saint Francis
Xavier, I suppose, the patron of your college. He came of an old and
illustrious Spanish family and you remember that he was one of the
first followers of saint Ignatius. They met in Paris where Francis
Xavier was professor of philosophy at the university. This young and
brilliant nobleman and man of letters entered heart and soul into the
ideas of our glorious founder and you know that he, at his own desire,
was sent by saint Ignatius to preach to the Indians. He is called, as
you know, the apostle of the Indies. He went from country to country in
the east, from Africa to India, from India to Japan, baptizing the
people. He is said to have baptized as many as ten thousand idolaters
in one month. It is said that his right arm had grown powerless from
having been raised so often over the heads of those whom he baptized.
He wished then to go to China to win still more souls for God but he
died of fever on the island of Sancian. A great saint, saint Francis
Xavier! A great soldier of God!

The rector paused and then, shaking his clasped hands before him, went
on:

--He had the faith in him that moves mountains. Ten thousand souls won
for God in a single month! That is a true conqueror, true to the motto
of our order: AD MAJOREM DEI GLORIAM! A saint who has great power in
heaven, remember: power to intercede for us in our grief; power to
obtain whatever we pray for if it be for the good of our souls; power
above all to obtain for us the grace to repent if we be in sin. A great
saint, saint Francis Xavier! A great fisher of souls!

He ceased to shake his clasped hands and, resting them against his
forehead, looked right and left of them keenly at his listeners out of
his dark stern eyes.

In the silence their dark fire kindled the dusk into a tawny glow.
Stephen's heart had withered up like a flower of the desert that feels
the simoom coming from afar.


* * * * *


--REMEMBER ONLY THY LAST THINGS AND THOU SHALT NOT SIN FOR EVER--
words taken, my dear little brothers in Christ, from the book of
Ecclesiastes, seventh chapter, fortieth verse. In the name of the
Father and of the Son and of the Holy Ghost. Amen.

Stephen sat in the front bench of the chapel. Father Arnall sat at a
table to the left of the altar. He wore about his shoulders a heavy
cloak; his pale face was drawn and his voice broken with rheum. The
figure of his old master, so strangely re-arisen, brought back to
Stephen's mind his life at Clongowes: the wide playgrounds, swarming
with boys; the square ditch; the little cemetery off the main avenue of
limes where he had dreamed of being buried; the firelight on the wall
of the infirmary where he lay sick; the sorrowful face of Brother
Michael. His soul, as these memories came back to him, became again a
child's soul.

--We are assembled here today, my dear little brothers in Christ, for
one brief moment far away from the busy bustle of the outer world to
celebrate and to honour one of the greatest of saints, the apostle of
the Indies, the patron saint also of your college, saint Francis
Xavier. Year after year, for much longer than any of you, my dear
little boys, can remember or than I can remember, the boys of this
college have met in this very chapel to make their annual retreat
before the feast day of their patron saint. Time has gone on and
brought with it its changes. Even in the last few years what changes
can most of you not remember? Many of the boys who sat in those front
benches a few years ago are perhaps now in distant lands, in the
burning tropics, or immersed in professional duties or in seminaries,
or voyaging over the vast expanse of the deep or, it may be, already
called by the great God to another life and to the rendering up of
their stewardship. And still as the years roll by, bringing with them
changes for good and bad, the memory of the great saint is honoured by
the boys of this college who make every year their annual retreat on
the days preceding the feast day set apart by our Holy Mother the
Church to transmit to all the ages the name and fame of one of the
greatest sons of catholic Spain.

--Now what is the meaning of this word RETREAT and why is it allowed
on all hands to be a most salutary practice for all who desire to lead
before God and in the eyes of men a truly christian life? A retreat, my
dear boys, signifies a withdrawal for awhile from the cares of our
life, the cares of this workaday world, in order to examine the state
of our conscience, to reflect on the mysteries of holy religion and to
understand better why we are here in this world. During these few days
I intend to put before you some thoughts concerning the four last
things. They are, as you know from your catechism, death, judgement,
hell, and heaven. We shall try to understand them fully during these
few days so that we may derive from the understanding of them a lasting
benefit to our souls. And remember, my dear boys, that we have been
sent into this world for one thing and for one thing alone: to do God's
holy will and to save our immortal souls. All else is worthless. One
thing alone is needful, the salvation of one's soul. What doth it
profit a man to gain the whole world if he suffer the loss of his
immortal soul? Ah, my dear boys, believe me there is nothing in this
wretched world that can make up for such a loss.

--I will ask you, therefore, my dear boys, to put away from your minds
during these few days all worldly thoughts, whether of study or
pleasure or ambition, and to give all your attention to the state of
your souls. I need hardly remind you that during the days of the
retreat all boys are expected to preserve a quiet and pious demeanour
and to shun all loud unseemly pleasure. The elder boys, of course, will
see that this custom is not infringed and I look especially to the
prefects and officers of the sodality of Our Blessed Lady and of the
sodality of the holy angels to set a good example to their
fellow-students.

--Let us try, therefore, to make this retreat in honour of saint
Francis with our whole heart and our whole mind. God's blessing will
then be upon all your year's studies. But, above and beyond all, let
this retreat be one to which you can look back in after years when
maybe you are far from this college and among very different
surroundings, to which you can look back with joy and thankfulness and
give thanks to God for having granted you this occasion of laying the
first foundation of a pious honourable zealous christian life. And if,
as may so happen, there be at this moment in these benches any poor
soul who has had the unutterable misfortune to lose God's holy grace
and to fall into grievous sin, I fervently trust and pray that this
retreat may be the turning point in the life of that soul. I pray to
God through the merits of His zealous servant Francis Xavier, that such
a soul may be led to sincere repentance and that the holy communion on
saint Francis's day of this year may be a lasting covenant between God
and that soul. For just and unjust, for saint and sinner alike, may
this retreat be a memorable one.

--Help me, my dear little brothers in Christ. Help me by your pious
attention, by your own devotion, by your outward demeanour. Banish from
your minds all worldly thoughts and think only of the last things,
death, judgement, hell, and heaven. He who remembers these things, says
Ecclesiastes, shall not sin for ever. He who remembers the last things
will act and think with them always before his eyes. He will live a
good life and die a good death, believing and knowing that, if he has
sacrificed much in this earthly life, it will be given to him a
hundredfold and a thousandfold more in the life to come, in the kingdom
without end--a blessing, my dear boys, which I wish you from my heart,
one and all, in the name of the Father and of the Son and of the Holy
Ghost. Amen!

As he walked home with silent companions, a thick fog seemed to compass
his mind. He waited in stupor of mind till it should lift and reveal
what it had hidden. He ate his dinner with surly appetite and when the
meal was over and the grease-strewn plates lay abandoned on the table,
he rose and went to the window, clearing the thick scum from his mouth
with his tongue and licking it from his lips. So he had sunk to the
state of a beast that licks his chaps after meat. This was the end; and
a faint glimmer of fear began to pierce the fog of his mind. He pressed
his face against the pane of the window and gazed out into the
darkening street. Forms passed this way and that through the dull
light. And that was life. The letters of the name of Dublin lay heavily
upon his mind, pushing one another surlily hither and thither with slow
boorish insistence. His soul was fattening and congealing into a gross
grease, plunging ever deeper in its dull fear into a sombre threatening
dusk while the body that was his stood, listless and dishonoured,
gazing out of darkened eyes, helpless, perturbed, and human for a
bovine god to stare upon.

The next day brought death and judgement, stirring his soul slowly from
its listless despair. The faint glimmer of fear became a terror of
spirit as the hoarse voice of the preacher blew death into his soul. He
suffered its agony. He felt the death chill touch the extremities and
creep onward towards the heart, the film of death veiling the eyes, the
bright centres of the brain extinguished one by one like lamps, the
last sweat oozing upon the skin, the powerlessness of the dying limbs,
the speech thickening and wandering and failing, the heart throbbing
faintly and more faintly, all but vanquished, the breath, the poor
breath, the poor helpless human spirit, sobbing and sighing, gurgling
and rattling in the throat. No help! No help! He--he himself--his
body to which he had yielded was dying. Into the grave with it. Nail it
down into a wooden box, the corpse. Carry it out of the house on the
shoulders of hirelings. Thrust it out of men's sight into a long hole
in the ground, into the grave, to rot, to feed the mass of its creeping
worms and to be devoured by scuttling plump-bellied rats.

And while the friends were still standing in tears by the bedside the
soul of the sinner was judged. At the last moment of consciousness the
whole earthly life passed before the vision of the soul and, ere it had
time to reflect, the body had died and the soul stood terrified before
the judgement seat. God, who had long been merciful, would then be
just. He had long been patient, pleading with the sinful soul,
giving it time to repent, sparing it yet awhile. But that time had
gone. Time was to sin and to enjoy, time was to scoff at God and at the
warnings of His holy church, time was to defy His majesty, to disobey
His commands, to hoodwink one's fellow men, to commit sin after sin and
to hide one's corruption from the sight of men. But that time was over.
Now it was God's turn: and He was not to be hoodwinked or deceived.
Every sin would then come forth from its lurking place, the most
rebellious against the divine will and the most degrading to our poor
corrupt nature, the tiniest imperfection and the most heinous atrocity.
What did it avail then to have been a great emperor, a great general, a
marvellous inventor, the most learned of the learned? All were as one
before the judgement seat of God. He would reward the good and punish
the wicked. One single instant was enough for the trial of a man's
soul. One single instant after the body's death, the soul had been
weighed in the balance. The particular judgement was over and the soul
had passed to the abode of bliss or to the prison of purgatory or had
been hurled howling into hell.

Nor was that all. God's justice had still to be vindicated before men:
after the particular there still remained the general judgement. The
last day had come. The doomsday was at hand. The stars of heaven were
falling upon the earth like the figs cast by the fig-tree which the
wind has shaken. The sun, the great luminary of the universe, had
become as sackcloth of hair. The moon was blood-red. The firmament was
as a scroll rolled away. The archangel Michael, the prince of the
heavenly host, appeared glorious and terrible against the sky. With one
foot on the sea and one foot on the land he blew from the arch-
angelical trumpet the brazen death of time. The three blasts of the
angel filled all the universe. Time is, time was, but time shall be no
more. At the last blast the souls of universal humanity throng towards
the valley of Jehoshaphat, rich and poor, gentle and simple, wise and
foolish, good and wicked. The soul of every human being that has ever
existed, the souls of all those who shall yet be born, all the sons and
daughters of Adam, all are assembled on that supreme day. And lo, the
supreme judge is coming! No longer the lowly Lamb of God, no longer the
meek Jesus of Nazareth, no longer the Man of Sorrows, no longer the
Good Shepherd, He is seen now coming upon the clouds, in great power
and majesty, attended by nine choirs of angels, angels and archangels,
principalities, powers and virtues, thrones and dominations, cherubim
and seraphim, God Omnipotent, God Everlasting. He speaks: and His voice
is heard even at the farthest limits of space, even In the bottomless
abyss. Supreme Judge, from His sentence there will be and can be no
appeal. He calls the just to His side, bidding them enter into the
kingdom, the eternity of bliss prepared for them. The unjust He casts
from Him, crying in His offended majesty: DEPART FROM ME, YE CURSED,
INTO EVERLASTING FIRE WHICH WAS PREPARED FOR THE DEVIL AND HIS ANGELS.
O, what agony then for the miserable sinners! Friend is torn apart from
friend, children are torn from their parents, husbands from their
wives. The poor sinner holds out his arms to those who were dear to him
in this earthly world, to those whose simple piety perhaps he made a
mock of, to those who counselled him and tried to lead him on the right
path, to a kind brother, to a loving sister, to the mother and father
who loved him so dearly. But it is too late: the just turn away from
the wretched damned souls which now appear before the eyes of all in
their hideous and evil character. O you hypocrites, O, you whited
sepulchres, O you who present a smooth smiling face to the world while
your soul within is a foul swamp of sin, how will it fare with you in
that terrible day?

And this day will come, shall come, must come: the day of death and the
day of judgement. It is appointed unto man to die and after death the
judgement. Death is certain. The time and manner are uncertain, whether
from long disease or from some unexpected accident: the Son of God
cometh at an hour when you little expect Him. Be therefore ready every
moment, seeing that you may die at any moment. Death is the end of us
all. Death and judgement, brought into the world by the sin of our
first parents, are the dark portals that close our earthly existence,
the portals that open into the unknown and the unseen, portals through
which every soul must pass, alone, unaided save by its good works,
without friend or brother or parent or master to help it, alone and
trembling. Let that thought be ever before our minds and then we cannot
sin. Death, a cause of terror to the sinner, is a blessed moment for
him who has walked in the right path, fulfilling the duties of his
station in life, attending to his morning and evening prayers,
approaching the holy sacrament frequently and performing good and
merciful works. For the pious and believing catholic, for the just man,
death is no cause of terror. Was it not Addison, the great English
writer, who, when on his deathbed, sent for the wicked young earl of
Warwick to let him see how a christian can meet his end? He it is and he
alone, the pious and believing christian, who can say in his heart:

    O grave, where is thy victory?
    O death, where is thy sting?

Every word of it was for him. Against his sin, foul and secret, the
whole wrath of God was aimed. The preacher's knife had probed deeply
into his disclosed conscience and he felt now that his soul was
festering in sin. Yes, the preacher was right. God's turn had come.
Like a beast in its lair his soul had lain down in its own filth but
the blasts of the angel's trumpet had driven him forth from the
darkness of sin into the light. The words of doom cried by the angel
shattered in an instant his presumptuous peace. The wind of the last
day blew through his mind, his sins, the jewel-eyed harlots of his
imagination, fled before the hurricane, squeaking like mice in their
terror and huddled under a mane of hair.

As he crossed the square, walking homeward, the light laughter of a
girl reached his burning ear. The frail gay sound smote his heart more
strongly than a trumpet blast, and, not daring to lift his eyes, he
turned aside and gazed, as he walked, into the shadow of the tangled
shrubs. Shame rose from his smitten heart and flooded his whole being.
The image of Emma appeared before him, and under her eyes the flood of
shame rushed forth anew from his heart. If she knew to what his mind
had subjected her or how his brute-like lust had torn and trampled upon
her innocence! Was that boyish love? Was that chivalry? Was that
poetry? The sordid details of his orgies stank under his very nostrils.
The soot-coated packet of pictures which he had hidden in the flue of
the fireplace and in the presence of whose shameless or bashful
wantonness he lay for hours sinning in thought and deed; his monstrous
dreams, peopled by ape-like creatures and by harlots with gleaming
jewel eyes; the foul long letters he had written in the joy of guilty
confession and carried secretly for days and days only to throw them
under cover of night among the grass in the corner of a field or
beneath some hingeless door in some niche in the hedges where a girl
might come upon them as she walked by and read them secretly. Mad! Mad!
Was it possible he had done these things? A cold sweat broke out upon
his forehead as the foul memories condensed within his brain.

When the agony of shame had passed from him he tried to raise his soul
from its abject powerlessness. God and the Blessed Virgin were too far
from him: God was too great and stern and the Blessed Virgin too pure
and holy. But he imagined that he stood near Emma in a wide land and,
humbly and in tears, bent and kissed the elbow of her sleeve.

In the wide land under a tender lucid evening sky, a cloud drifting
westward amid a pale green sea of heaven, they stood together, children
that had erred. Their error had offended deeply God's majesty though it
was the error of two children; but it had not offended her whose beauty
IS NOT LIKE EARTHLY BEAUTY, DANGEROUS TO LOOK UPON, BUT LIKE THE
MORNING STAR WHICH IS ITS EMBLEM, BRIGHT AND MUSICAL. The eyes were
not offended which she turned upon him nor reproachful. She placed
their hands together, hand in hand, and said, speaking to their hearts:

--Take hands, Stephen and Emma. It is a beautiful evening now in
heaven. You have erred but you are always my children. It is one heart
that loves another heart. Take hands together, my dear children, and
you will be happy together and your hearts will love each other.

The chapel was flooded by the dull scarlet light that filtered through
the lowered blinds; and through the fissure between the last blind and
the sash a shaft of wan light entered like a spear and touched the
embossed brasses of the candlesticks upon the altar that gleamed like
the battle-worn mail armour of angels.

Rain was falling on the chapel, on the garden, on the college. It would
rain for ever, noiselessly. The water would rise inch by inch, covering
the grass and shrubs, covering the trees and houses, covering the
monuments and the mountain tops. All life would be choked off,
noiselessly: birds, men, elephants, pigs, children: noiselessly
floating corpses amid the litter of the wreckage of the world. Forty
days and forty nights the rain would fall till the waters covered the
face of the earth.

It might be. Why not?

--HELL HAS ENLARGED ITS SOUL AND OPENED ITS MOUTH WITHOUT ANY LIMITS--
words taken, my dear little brothers in Christ Jesus, from the book of
Isaias, fifth chapter, fourteenth verse. In the name of the Father and
of the Son and of the Holy Ghost. Amen.

The preacher took a chainless watch from a pocket within his soutane
and, having considered its dial for a moment in silence, placed it
silently before him on the table.

He began to speak in a quiet tone.

--Adam and Eve, my dear boys, were, as you know, our first parents,
and you will remember that they were created by God in order that the
seats in heaven left vacant by the fall of Lucifer and his rebellious
angels might be filled again. Lucifer, we are told, was a son of the
morning, a radiant and mighty angel; yet he fell: he fell and there
fell with him a third part of the host of heaven: he fell and was
hurled with his rebellious angels into hell. What his sin was we cannot
say. Theologians consider that it was the sin of pride, the sinful
thought conceived in an instant: NON SERVIAM: I WILL NOT SERVE. That
instant was his ruin.

He offended the majesty of God by the sinful thought of one instant and
God cast him out of heaven into hell for ever.

--Adam and Eve were then created by God and placed in Eden, in the
plain of Damascus, that lovely garden resplendent with sunlight and
colour, teeming with luxuriant vegetation. The fruitful earth gave them
her bounty: beasts and birds were their willing servants: they knew not
the ills our flesh is heir to, disease and poverty and death: all that
a great and generous God could do for them was done. But there was one
condition imposed on them by God: obedience to His word. They were not
to eat of the fruit of the forbidden tree.

--Alas, my dear little boys, they too fell. The devil, once a shining
angel, a son of the morning, now a foul fiend came in the shape of a
serpent, the subtlest of all the beasts of the field. He envied them.
He, the fallen great one, could not bear to think that man, a being of
clay, should possess the inheritance which he by his sin had forfeited
for ever. He came to the woman, the weaker vessel, and poured the
poison of his eloquence into her ear, promising her--O, the blasphemy
of that promise!--that if she and Adam ate of the forbidden fruit they
would become as gods, nay as God Himself. Eve yielded to the wiles of
the archtempter. She ate the apple and gave it also to Adam who had not
the moral courage to resist her. The poison tongue of Satan had done
its work. They fell.

--And then the voice of God was heard in that garden, calling His
creature man to account: and Michael, prince of the heavenly host, with
a sword of flame in his hand, appeared before the guilty pair and drove
them forth from Eden into the world, the world of sickness and
striving, of cruelty and disappointment, of labour and hardship, to
earn their bread in the sweat of their brow. But even then how merciful
was God! He took pity on our poor degraded parents and promised that in
the fullness of time He would send down from heaven One who would
redeem them, make them once more children of God and heirs to the
kingdom of heaven: and that One, that Redeemer of fallen man, was to be
God's only begotten Son, the Second Person of the Most Blessed Trinity,
the Eternal Word.

--He came. He was born of a virgin pure, Mary the virgin mother. He
was born in a poor cowhouse in Judea and lived as a humble carpenter
for thirty years until the hour of His mission had come. And then,
filled with love for men, He went forth and called to men to hear the
new gospel.

--Did they listen? Yes, they listened but would not hear. He was
seized and bound like a common criminal, mocked at as a fool, set aside
to give place to a public robber, scourged with five thousand lashes,
crowned with a crown of thorns, hustled through the streets by the
jewish rabble and the Roman soldiery, stripped of his garments and
hanged upon a gibbet and His side was pierced with a lance and from the
wounded body of our Lord water and blood issued continually.

--Yet even then, in that hour of supreme agony, Our Merciful Redeemer had
pity for mankind. Yet even there, on the hill of Calvary, He founded
the holy catholic church against which, it is promised, the gates of
hell shall not prevail. He founded it upon the rock of ages, and
endowed it with His grace, with sacraments and sacrifice, and promised
that if men would obey the word of His church they would still enter
into eternal life; but if, after all that had been done for them, they
still persisted in their wickedness, there remained for them an
eternity of torment: hell.

The preacher's voice sank. He paused, joined his palms for an instant,
parted them. Then he resumed:

--Now let us try for a moment to realize, as far as we can, the nature
of that abode of the damned which the justice of an offended God has
called into existence for the eternal punishment of sinners. Hell is a
strait and dark and foul-smelling prison, an abode of demons and lost
souls, filled with fire and smoke. The straitness of this prison house
is expressly designed by God to punish those who refused to be bound by
His laws. In earthly prisons the poor captive has at least some liberty
of movement, were it only within the four walls of his cell or in the
gloomy yard of his prison. Not so in hell. There, by reason of the
great number of the damned, the prisoners are heaped together in their
awful prison, the walls of which are said to be four thousand miles
thick: and the damned are so utterly bound and helpless that, as a
blessed saint, saint Anselm, writes in his book on similitudes, they
are not even able to remove from the eye a worm that gnaws it.

--They lie in exterior darkness. For, remember, the fire of hell gives
forth no light. As, at the command of God, the fire of the Babylonian
furnace lost its heat but not its light, so, at the command of God, the
fire of hell, while retaining the intensity of its heat, burns
eternally in darkness. It is a never ending storm of darkness, dark
flames and dark smoke of burning brimstone, amid which the bodies are
heaped one upon another without even a glimpse of air. Of all the
plagues with which the land of the Pharaohs were smitten one plague
alone, that of darkness, was called horrible. What name, then, shall we
give to the darkness of hell which is to last not for three days alone
but for all eternity?

--The horror of this strait and dark prison is increased by its awful
stench. All the filth of the world, all the offal and scum of the
world, we are told, shall run there as to a vast reeking sewer when the
terrible conflagration of the last day has purged the world. The
brimstone, too, which burns there in such prodigious quantity fills all
hell with its intolerable stench; and the bodies of the damned
themselves exhale such a pestilential odour that, as saint Bonaventure
says, one of them alone would suffice to infect the whole world. The
very air of this world, that pure element, becomes foul and
unbreathable when it has been long enclosed. Consider then what must be
the foulness of the air of hell. Imagine some foul and putrid corpse
that has lain rotting and decomposing in the grave, a jelly-like mass
of liquid corruption. Imagine such a corpse a prey to flames, devoured
by the fire of burning brimstone and giving off dense choking fumes of
nauseous loathsome decomposition. And then imagine this sickening
stench, multiplied a millionfold and a millionfold again from the
millions upon millions of fetid carcasses massed together in the
reeking darkness, a huge and rotting human fungus. Imagine all this,
and you will have some idea of the horror of the stench of hell.

--But this stench is not, horrible though it is, the greatest physical
torment to which the damned are subjected. The torment of fire is the
greatest torment to which the tyrant has ever subjected his fellow
creatures. Place your finger for a moment in the flame of a candle and
you will feel the pain of fire. But our earthly fire was created by God
for the benefit of man, to maintain in him the spark of life and to
help him in the useful arts, whereas the fire of hell is of another
quality and was created by God to torture and punish the unrepentant
sinner. Our earthly fire also consumes more or less rapidly according
as the object which it attacks is more or less combustible, so that
human ingenuity has even succeeded in inventing chemical preparations
to check or frustrate its action. But the sulphurous brimstone which
burns in hell is a substance which is specially designed to burn for
ever and for ever with unspeakable fury. Moreover, our earthly fire
destroys at the same time as it burns, so that the more intense it is
the shorter is its duration; but the fire of hell has this property,
that it preserves that which it burns, and, though it rages with
incredible intensity, it rages for ever.

--Our earthly fire again, no matter how fierce or widespread it may be,
is always of a limited extent; but the lake of fire in hell is
boundless, shoreless and bottomless. It is on record that the devil
himself, when asked the question by a certain soldier, was obliged to
confess that if a whole mountain were thrown into the burning ocean of
hell it would be burned up In an instant like a piece of wax. And this
terrible fire will not afflict the bodies of the damned only from
without, but each lost soul will be a hell unto itself, the boundless
fire raging in its very vitals. O, how terrible is the lot of those
wretched beings! The blood seethes and boils in the veins, the brains
are boiling in the skull, the heart in the breast glowing and bursting,
the bowels a red-hot mass of burning pulp, the tender eyes flaming like
molten balls.

--And yet what I have said as to the strength and quality and
boundlessness of this fire is as nothing when compared to its
intensity, an intensity which it has as being the instrument chosen by
divine design for the punishment of soul and body alike. It is a fire
which proceeds directly from the ire of God, working not of its own
activity but as an instrument of Divine vengeance. As the waters of
baptism cleanse the soul with the body, so do the fires of punishment
torture the spirit with the flesh. Every sense of the flesh is tortured
and every faculty of the soul therewith: the eyes with impenetrable
utter darkness, the nose with noisome odours, the ears with yells and
howls and execrations, the taste with foul matter, leprous corruption,
nameless suffocating filth, the touch with redhot goads and spikes,
with cruel tongues of flame. And through the several torments of the
senses the immortal soul is tortured eternally in its very essence amid
the leagues upon leagues of glowing fires kindled in the abyss by the
offended majesty of the Omnipotent God and fanned into everlasting and
ever-increasing fury by the breath of the anger of the God-head.

--Consider finally that the torment of this infernal prison is
increased by the company of the damned themselves. Evil company on
earth is so noxious that the plants, as if by instinct, withdraw from
the company of whatsoever is deadly or hurtful to them. In hell all
laws are overturned--there is no thought of family or country, of
ties, of relationships. The damned howl and scream at one another,
their torture and rage intensified by the presence of beings tortured
and raging like themselves. All sense of humanity is forgotten. The
yells of the suffering sinners fill the remotest corners of the vast
abyss. The mouths of the damned are full of blasphemies against God and
of hatred for their fellow sufferers and of curses against those souls
which were their accomplices in sin. In olden times it was the custom
to punish the parricide, the man who had raised his murderous hand
against his father, by casting him into the depths of the sea in a sack
in which were placed a cock, a monkey, and a serpent. The intention of
those law-givers who framed such a law, which seems cruel in our times,
was to punish the criminal by the company of hurtful and hateful
beasts. But what is the fury of those dumb beasts compared with the
fury of execration which bursts from the parched lips and aching
throats of the damned in hell when they behold in their companions in
misery those who aided and abetted them in sin, those whose words sowed
the first seeds of evil thinking and evil living in their minds, those
whose immodest suggestions led them on to sin, those whose eyes tempted
and allured them from the path of virtue. They turn upon those
accomplices and upbraid them and curse them. But they are helpless and
hopeless: it is too late now for repentance.

--Last of all consider the frightful torment to those damned souls,
tempters and tempted alike, of the company of the devils. These devils
will afflict the damned in two ways, by their presence and by their
reproaches. We can have no idea of how horrible these devils are. Saint
Catherine of Siena once saw a devil and she has written that, rather
than look again for one single instant on such a frightful monster, she
would prefer to walk until the end of her life along a track of red
coals. These devils, who were once beautiful angels, have become as
hideous and ugly as they once were beautiful. They mock and jeer at the
lost souls whom they dragged down to ruin. It is they, the foul demons,
who are made in hell the voices of conscience. Why did you sin? Why did
you lend an ear to the temptings of friends? Why did you turn aside
from your pious practices and good works? Why did you not shun the
occasions of sin? Why did you not leave that evil companion? Why did
you not give up that lewd habit, that impure habit? Why did you not
listen to the counsels of your confessor? Why did you not, even after
you had fallen the first or the second or the third or the fourth or
the hundredth time, repent of your evil ways and turn to God who only
waited for your repentance to absolve you of your sins? Now the time
for repentance has gone by. Time is, time was, but time shall be no more!
Time was to sin in secrecy, to indulge in that sloth and pride, to
covet the unlawful, to yield to the promptings of your lower nature, to
live like the beasts of the field, nay worse than the beasts of the
field, for they, at least, are but brutes and have no reason to guide
them: time was, but time shall be no more. God spoke to you by so many
voices, but you would not hear. You would not crush out that pride and
anger in your heart, you would not restore those ill-gotten goods, you
would not obey the precepts of your holy church nor attend to your
religious duties, you would not abandon those wicked companions, you
would not avoid those dangerous temptations. Such is the language of
those fiendish tormentors, words of taunting and of reproach, of hatred
and of disgust. Of disgust, yes! For even they, the very devils, when
they sinned, sinned by such a sin as alone was compatible with such
angelical natures, a rebellion of the intellect: and they, even they,
the foul devils must turn away, revolted and disgusted, from the
contemplation of those unspeakable sins by which degraded man outrages
and defiles the temple of the Holy Ghost, defiles and pollutes himself.

--O, my dear little brothers in Christ, may it never be our lot to
hear that language! May it never be our lot, I say! In the last day of
terrible reckoning I pray fervently to God that not a single soul of
those who are in this chapel today may be found among those miserable
beings whom the Great Judge shall command to depart for ever from His
sight, that not one of us may ever hear ringing in his ears the awful
sentence of rejection: DEPART FROM ME, YE CURSED, INTO EVERLASTING FIRE
WHICH WAS PREPARED FOR THE DEVIL AND HIS ANGELS!

He came down the aisle of the chapel, his legs shaking and the scalp of
his head trembling as though it had been touched by ghostly fingers. He
passed up the staircase and into the corridor along the walls of which
the overcoats and waterproofs hung like gibbeted malefactors, headless
and dripping and shapeless. And at every step he feared that he had
already died, that his soul had been wrenched forth of the sheath of
his body, that he was plunging headlong through space.

He could not grip the floor with his feet and sat heavily at his desk,
opening one of his books at random and poring over it. Every word for
him. It was true. God was almighty. God could call him now, call him as
he sat at his desk, before he had time to be conscious of the summons.
God had called him. Yes? What? Yes? His flesh shrank together as it
felt the approach of the ravenous tongues of flames, dried up as it
felt about it the swirl of stifling air. He had died. Yes. He was
judged. A wave of fire swept through his body: the first. Again a wave.
His brain began to glow. Another. His brain was simmering and bubbling
within the cracking tenement of the skull. Flames burst forth from his
skull like a corolla, shrieking like voices:

--Hell! Hell! Hell! Hell! Hell!

Voices spoke near him:

--On hell.

--I suppose he rubbed it into you well.

--You bet he did. He put us all into a blue funk.

--That's what you fellows want: and plenty of it to make you work.

He leaned back weakly in his desk. He had not died. God had spared him
still. He was still in the familiar world of the school. Mr Tate and
Vincent Heron stood at the window, talking, jesting, gazing out at the
bleak rain, moving their heads.

--I wish it would clear up. I had arranged to go for a spin on the
bike with some fellows out by Malahide. But the roads must be
knee-deep.

--It might clear up, sir.

The voices that he knew so well, the common words, the quiet of the
classroom when the voices paused and the silence was filled by the
sound of softly browsing cattle as the other boys munched their lunches
tranquilly, lulled his aching soul.

There was still time. O Mary, refuge of sinners, intercede for him! O
Virgin Undefiled, save him from the gulf of death!

The English lesson began with the hearing of the history. Royal
persons, favourites, intriguers, bishops, passed like mute phantoms
behind their veil of names. All had died: all had been judged. What did
it profit a man to gain the whole world if he lost his soul? At last he
had understood: and human life lay around him, a plain of peace whereon
ant-like men laboured in brotherhood, their dead sleeping under quiet
mounds. The elbow of his companion touched him and his heart was
touched: and when he spoke to answer a question of his master he heard
his own voice full of the quietude of humility and contrition.

His soul sank back deeper into depths of contrite peace, no longer able
to suffer the pain of dread, and sending forth, as he sank, a faint
prayer. Ah yes, he would still be spared; he would repent in his heart
and be forgiven; and then those above, those in heaven, would see what
he would do to make up for the past: a whole life, every hour of life.
Only wait.

--All, God! All, all!

A messenger came to the door to say that confessions were being heard
in the chapel. Four boys left the room; and he heard others passing
down the corridor. A tremulous chill blew round his heart, no stronger
than a little wind, and yet, listening and suffering silently, he
seemed to have laid an ear against the muscle of his own heart, feeling
it close and quail, listening to the flutter of its ventricles.

No escape. He had to confess, to speak out in words what he had done
and thought, sin after sin. How? How?

--Father, I...

The thought slid like a cold shining rapier into his tender flesh:
confession. But not there in the chapel of the college. He would
confess all, every sin of deed and thought, sincerely; but not there
among his school companions. Far away from there in some dark place he
would murmur out his own shame; and he besought God humbly not to be
offended with him if he did not dare to confess in the college chapel
and in utter abjection of spirit he craved forgiveness mutely of the
boyish hearts about him.

Time passed.

He sat again in the front bench of the chapel. The daylight without was
already failing and, as it fell slowly through the dull red blinds, it
seemed that the sun of the last day was going down and that all souls
were being gathered for the judgement.